In this paper, we provide a detailed critical review of current approaches to ecthesis in Aristotle’s Prior Analytics, with a view to motivate a new approach, which builds upon previous work by Marion & Rückert (2016) on the dictum de omni. This approach sets Aristotle’s work within the context of dialectic and uses Lorenzen’s dialogical logic, hereby reframed with use of Martin-Löf's constructive type theory as ‘immanent reasoning’. We then provide rules of syllogistic for the latter, and provide proofs of (...) e-conversion, Darapti and Bocardo and e-subalternation, while showing how close to Aristotle’s text these proofs remain. (shrink)

Nine leading scholars of ancient philosophy from Europe, the UK, and North America offer a systematic study of Book Beta of Aristotle's Metaphysics. The work takes the form of a series of aporiai or 'difficulties' which Aristotle presents as necessary points of engagement for those who wish to attain wisdom. The topics include causation, substance, constitution, properties, predicates, and generally the ontology of both the perishable and the imperishable world. Each contributor discusses one or two of these aporiai in sequence: (...) the result is a discursive commentary on this seminal text of Western philosophy. (shrink)

Aristote critique sévèrement, en plusieurs endroits du corpus, la méthode platonicienne de définition par division, alors même que sa propre doctrine de la définition (par le genre et les différences) paraît dériver directement de celle-là. De fait, il déclare ( Premiers Anal. I 31) que la diérèse est « une petite partie » de sa propre méthode, c’est-à-dire de la présentation synthétique de sa théorie de la déduction exposée dans les chapitres qui précèdent ( Premiers Anal. I 27-31, connus sous (...) le nom de « Pont aux ânes »). Le but de cet article est d’examiner les différents reproches qu’il adresse à la diérèse et de faire apparaître les développements et perfectionnements qu’il entend y apporter. Ce faisant, on espère montrer la continuité d’un projet philosophique commun aux deux penseurs, celui d’un inventaire ordonné des structures intelligibles qui constituent la réalité, projet qui se maintient à travers les changements de la perspective épistémologique et ontologique entre Platon et Aristote. (shrink)

In this paper, I submit an overall interpretation of Aristotle’s Analytics which I could express, to put it in a nutshell, by saying that the Analytics are analytic. That is, they do not lay out progressive or constructive processes, in which, given certain fundamental premises, terms or rules, one would go ahead and draw conclusions or even build a systematic body of knowledge on the basis of these principles. Rather they describe a backward movement, starting from a proposed or provisional (...) conclusion and asking which premises could be used in order to deduce, support, prove or explain it. (shrink)

On connaît le fabuleux destin du petit traité aristotélicien auquel la tradition a donné le titre de Catégories. Écrit dans un style didactique, on n'y trouve pas d'indication d'un projet philosophique, ni de discussion (explicite en tout cas) avec d'autres auteurs, qui puisse permettre d'esquisser un horizon philosophique, ni même de référence aux autres ouvrages du Corpus qui puisse nous éclairer sur son but. Cependant, deux gestes de lecteurs ultérieurs ont fait de ce texte en tous points...

La puissance est une notion fondamentale de la philosophie d'Aristote. Pendant de l'acte, elle constitue un principe caracteristique de son ontologie et de sa physique. Par la diversite de ses aspects, elle est aussi, pour partie, l'heritiere des usages anterieurs du concept : en rhetorique, en medecine, en ethique, en mathematiques et dans la dialectique platonicienne. Les deux premieres parties donnent une idee d'ensemble de ces usages et des problemes qui leur sont lies. La troisieme partie examine les fonctions qu'Aristote (...) lui-meme assigne a la notion. Elle propose notamment de nouvelles lectures des principaux chapitres du livre theta de la Metaphysique, ou Aristote definit sa maniere propre d'articuler a la notion de puissance celles de mouvement, d'acte et de substance. Ce volume montre donc comment Aristote reforme l'idee de puissance et comment, ainsi, il construit un concept majeur de sa propre philosophie. (shrink)

Le développement et le renouvellement des études aristotéli­ciennes depuis le milieu du XXe siècle doivent beaucoup aux inter­prètes, anglo-saxons notamment, qui ont abordé les textes du philo­sophe à partir de préoccupations liées à la philosophie du langage et de la connaissance, dans le sillage de ce qu’il est convenu d’appeler la « philosophie analytique ». De fait, les commentaires et les discus­sions résultant de ces efforts ont fait apparaître des affinités saisis­santes entre les déma...

On connaît l’histoire rapportée – ou inventée – par Borges, de ce pays où des géographes de plus en plus compétents et de plus en plus exigeants, à force de perfectionner l’art de la cartographie, en étaient arrivés à produire une carte de l’empire « qui avait le format de l’empire, et qui coïncidait avec lui point par point ». L’histoire de l’exégèse aristotélicienne, dans ses périodes les plus fécondes – et notre époque en fait incontestablement partie – pourrait parfois (...) évo­quer cet apolog... (shrink)

This work reveals the ambivalence of the notion of philia and its inability to serve as a foundation for the civic order when it is not supported by dike. The range of different analytical approaches opens up the perspective from which philosophy addresses a pivotal question for social and political ties in ancient Greece.

ARISTOTLE ON PURSUIT AND AVOIDANCE. Pleasure and pain play an essential role in Aristotle’s conception of the goal‑directed activities of animals and human beings, since they trigger the reactions of pursuit or avoidance, and hence the entire behavior. The present paper inquires into Aristotle’s analysis of this phenomenon on the basis of De Anima III, chapter 7 and De Motu Animalium, chapters 6‑7‑8. The crucial move in this analysis is the definition of pleasure and pain given in both treatises : (...) “To feel pleasure or pain is to actualize through the sensitive mean towards what is good or bad, as such”. The paper examines the meaning of this definition and shows how it connects and agrees with the explanation of the principles of the physical motions of animals in the De Motu Animalium. (shrink)

It is the introduction of book in Preparation on the links between Aristotle's Logic and his dialectics The main claim is that nowadays dialogical frame for logic provides the most accurate reconstruction of Arisotl'es general notion of logic.

Cet ouvrage trouve son point de départ dans un séminaire intitulé « Puissance, Mouvement, Acte » organisé, en 2001-2004, par les éditeurs de ce volume qui rassemble donc les principales contributions consacrées à la notion de puissance. Comme l’indique le titre, le volume comporte néanmoins un point focal, à savoir la philosophie d’Aristote en laquelle la notion de dynamis se trouve, avec l’energeia, mise au principe d’une ontologie qui s’efforce d’articuler substantialité et mobilité, déterm...

... PREFACE Paul Gochet (Liege) "[...] une entite physique ne peut etre envisagee que comme une sorte de concretisation, de consolidation locale dans un ...

It is widely agreed that fiction is necessarily incomplete, but some recent work postulates the existence of universal fictions—stories according to which everything is true. Building such a story is supposedly straightforward: authors can either assert that everything is true in their story, define a complement function that does the assertoric work for them, or, most compellingly, write a story combining a contradiction with the principle of explosion. The case for universal fictions thus turns on the intuitive priority we assign (...) to the law of non-contradiction. My goal in this paper is to show that our critical and reflective literary practices set constraints on story-telling which preclude universal fictions. I will raise four stumbling blocks for universal fictionalists: the gap between saying and making true, our actual interpretive reactions to story-level contradictions, the criteria we accept for what counts as a story in our literary practices, and the undesirability of the universal fictionalist’s closure principles. (shrink)

The premise that every work belongs to an art-kind has recently inspired a kind-centred approach to theories of art. Kind-centred analyses posit that we should abandon the project of giving a general theory of art and focus instead on giving theories of the arts. The main difficulty, however, is to explain what makes a given kind an art-kind in the first place. Kind-centred theorists have passed this buck on to appreciative practices, but this move proves unsatisfactory. I argue that the (...) root of this dissatisfaction stems not from the act of kicking the can down the road, but from not kicking it far enough. The missing ingredient, I argue, is a notion of convention which does the work of marking the difference between art and non-art for a given physical medium. (shrink)

It is widely believed, among philosophers of literature, that imagining contradictions is as easy as telling or reading a story with contradictory content. Italo Calvino’s The Nonexistent Knight, for instance, concerns a knight who performs many brave deeds, but who does not exist. Anything at all, they argue, can be true in a story, including contradictions and other impossibilia. While most will readily concede that we cannot objectually imagine contradictions, they nevertheless insist that we can propositionally imagine them, and regularly (...) do, simply by entertaining a text which prompts us to do so. I argue that this narrative does not bear scrutiny for two main reasons. First, because propositional imagining is beside the point, where truth in fiction is concerned; evaluating truth in fiction engages the cognitive architecture in ways that prohibit the mobilization of merely propositional imagination to that end. And second, because it is not obvious, given the strategies usually suggested, that we ever propositionally imagine contradictions in the first place—in fact, it seems we go out of our way to avoid directly imagining them. (shrink)

Schopenhauer’s invective is legendary among philosophers, and is unmatched in the historical canon. But these complaints are themselves worthy of careful consideration: they are rooted in Schopenhauer’s philosophy of language, which itself reflects the structure of his metaphysics. This short chapter argues that Schopenhauer’s vitriol rewards philosophical attention; not because it expresses his critical take on Fichte, Hegel, Herbart, Schelling, and Schleiermacher, but because it neatly illustrates his philosophy of language. Schopenhauer’s epithets are not merely spiteful slurs; instead, they reflect (...) deep-seated theoretical and methodological commitments to transparency of exposition. (shrink)

Michel Weber, Éléments de routine ayurvédique. Autonomie, rituel et ascèse, Les Éditions Chromatika, 2021. (978-2-930517-82-7 ; pdf 978-2-930517-83-4 ; 104 pp., 14€) -/- L’Ayurvéda propose une philosophie de vie qui articule un vaste système métaphysique (une cosmologie théorique) avec une visée thérapeutique profonde (une anthropologie pratique). -/- À la croisée de la théorie et de la pratique, on trouve la routine (« dinacharya ») dont le but est de susciter l’individuation et la solidarité, c’est-à-dire l’autonomie (de chacun) respectueuse de (...) la communauté (de tous). Ce faisant, elle constitue une ascèse dont l’efficacité a été longuement éprouvée et rarement égalée. (shrink)

‘Philosophical dialogue’ indicates both a form of philosophical inquiry and its corresponding literary genre. In its written form, it typically features two or more characters who engage in a discussion concerning morals, knowledge, as well as a variety of topics that can be widely labelled as ‘philosophical’. Our philosophical dialogue takes place in Krakow, Poland. It is a rainy morning and two strangers are waiting at a tram stop. One of them is dressed neatly, and cannot stop fidgeting with his (...) closed umbrella. The other was caught unprepared by the morning downpour and water is dripping from his worn, soaked jacket. (shrink)

Francis Sparshott introduced the term ‘remote art’ in his 1982 presidential address to the American Society for Aesthetics. The concept has not drawn much notice since—although individual remote arts, such as palaeolithic art and the artistic practices of subaltern cultures, have enjoyed their fair share of attention from aestheticians. This paper explores what unites some artistic practices under the banner of remote art, arguing that remoteness is primarily a matter of some audience’s epistemic distance from a work’s context of creation. (...) I introduce palaeoart—the depiction of extinct prehistoric fauna and flora, especially from the Mesozoic—as a paradigmatic case of remote art, showing that its remoteness is secured both by the deceptively rich cognitive load required for its creation and appreciation, and by its existence at the margins of the institutional artworld, which ensures that this cognitive loading is largely obscured. Too often, remote art is not just inscrutable, it is invisible to us. (shrink)

Comment Bachelard, fils d'un cordonnier, professeur de physique et chimie, a-t-il pu devenir cet humaniste aussi savant que philosophe, aussi penseur que poète? Il n'a pas emprunté les chemins balisés, ceux des élites universitaires et culturelles. Il a contrarié les pronostics et les conventions. Il s'est adjugé contre vents et marées le droit de penser par lui-même en bousculant les frontières des savoirs et de la culture et en dérangeant les us et coutumes établis. "Un ouvrage aussi lumineux que la (...) destinée et l'oeuvre de Gaston Bachelard. Au plus près de sa vie et de sa pensée". (Philippe Meirieu). (shrink)

In whose voice does the criminal law speak, and why does it matter? Miriam Gur-Arye argues that the answer to the first question depends on the kind of duty violated by the crime at issue. In some cases (say, election fraud or tax evasion), the criminal law speaks in the voice of the polity—but in other cases (say, murder or rape), it speaks in the voice of human beings. Or so argues Gur-Ayre. Not surprisingly, perhaps, a lot depends on what (...) one means by the voice of the criminal law. In this paper, I defend two related arguments. First, the criminal law typically claims to speak in the voice of the polity, even if, in practice, it often fails to do so. Second, where the criminal law does speak in the voice of the polity, its doing so can contribute to its own justification. (shrink)

At Outlines of Pyrrhonism (PH) 2.227–8, Sextus Empiricus argues that certain entities which his adversaries hold to be one and the same for different individuals are in fact not. This he does by, among other things, considering the truth-value of sentences of which the subject is a common noun, thereby drawing an interesting connection between metaphysics and semantics. In this article, I provide a careful analysis of Sextus’ arguments at PH 2.227–8 and explore the origins and limits of such a (...) connection. In particular, I argue that Sextus’ argument at PH 2.227 probably reflects a Stoic argument against Aristotelian essences, thereby relying on specifically Stoic doctrines about universals and common nouns, whereas his next argument at PH 2.228 targets accidents. If this is true, it follows that the overall structure of PH 2.227–8 fits well with the typically Aristotelian distinction between essence and accident. (shrink)

In 1976 Raymond Williams commented, ‘Culture is one of the two or three most complicated words in the English language.’ Such implied difficulty has not prevented Bloomsbury Academic, since the 2000s, from publishing around forty series of their well-produced and generously illustrated Cultural Histories, with, according to their website, a further fifty in progress. Each series contains six volumes, each book covering, in theory, the same chronological period (antiquity, the Middle Ages, the Renaissance, the Enlightenment, the age of empire and (...) the modern age), though there is some variation depending on precise topic. The idea is that one can use these books not only to read ‘horizontally’ about a subject across time, but also ‘vertically’ through different subjects in the same period – a idea made easier by the e-texts of the series on Bloomsbury's website. (shrink)

Emmanuel Levinas’s work on the ethical responsibility of the face-to-face relation offers an illuminating context or clearing within which we might better appreciate the work of Simone Weil. Levinas’s subjectivity of the hostage, the one who is responsible for the other before being responsible for the self, provides us with a way of re-encountering the categories of gravity and grace invoked in Weil’s original account. In this paper I explore the terrain between these thinkers by raising the question of eating (...) as, in part, an ethical act. Weil’s conception of grace refers to the state of decreation in which the utter humility of the self moves toward a kind of disintegration and weightlessness. This weightlessness, which Weil contrasts to the gravity of terrestrial weight, might be thought of in terms of the subject’s fundamental responsibility for the other, especially in terms of the injunction “Thou shalt neither kill nor take the food of thy neighbour.” Taking the place of the other, taking the food from the mouth of the other, is the ethical dilemma facing the subject as hostage and an elaboration of this situation may provide us with steps toward a radical questioning of anorexia as—at least inpart—an ethical rather than purely medical condition. (shrink)

This volume is a wonderful introduction to Foucault and a testimony to the deep humanity of the man himself.

Il n’est pas courant que Clio se livre au compte rendu d’un numéro de revue, mais celui consacré aux récits de femme en Méditerranée par l’écriture, l’expression corporelle et les arts visuels faisait écho à plusieurs numéros de notre revue dont le dernier consacré à « Écrire au féminin » (2012/35). Rives méditerranéennes publie ici une partie des résultats d’un programme de recherche pluridisciplinaire et dans la longue durée de l’espace méditerranéen qui entendait « questionner les processu...

In an age of internet scrolling and skimming, where concentration and attention are fast becoming endangered skills, it is timely to think about the act of reading and the many forms that it can take. Slow Philosophy: Reading Against the Institution makes the case for thinking about reading in philosophical terms. Boulous Walker argues that philosophy involves the patient work of thought; in this it resembles the work of art, which invites and implores us to take our time and to (...) engage with the world. At its best, philosophy teaches us to read slowly; in fact, philosophy is the art of reading slowly – and this inevitably clashes with many of our current institutional practices and demands. Slow reading shares something in common with contemporary social movements, such as that devoted to slow food; it offers us ways to engage the complexity of the world. With the help of writers as diverse as Nietzsche, Wittgenstein, Woolf, Adorno, Levinas, Critchley, Beauvoir, Le Dœuff, Irigaray, Cixous, Weil, and others, Boulous Walker offers a foundational text in the emerging field of slow philosophy, one that explores the importance of unhurried time in establishing our institutional encounters with complex and demanding works. (shrink)

Language and the birth of "literature." A preface to transgression. Language to infinity. The father's "no." Fantasia of the library.--Counter-memory: the philosophy of difference. What is an author? Nietzsche, genealogy, history. Theatrum philosophicum.--Practice: knowledge and power. History of systems of thought. Intellectuals and power. Revolutionary action: "until now.".