Many utopian visions operate by scapegoating an Otherness. They blame an ‘enemy’ for an unbearable, dystopian current reality, holding the ‘enemy’ responsible for it or for obstructing the passage to a desired, new reality. Then they exclude (or even promise the elimination of) this ‘enemy’. Despite the renewed interest in utopias, such utopian frames remain theoretically neglected or, worse, they are considered typical of the logical structure of utopianism. This paper aims to show that this issue merits (...) a different political-philosophical attention. We begin with operations of utopian predicates in the relevant scholarship and distinguish them from the operations of the term ‘incriminatory’ that we are introducing. We term incriminatory the kind of utopian frame whose future-oriented, idealized and desired image is constructed in and through an incriminated ‘Other’. We indicate the re-conceptualizing merits of this new term and then we discuss the affirmative utopianism that does not incriminate a specific Other. Our main argument, which we deploy contra Yannis Stavrakakis’s position, is that utopias are not unavoidably or inherently incriminatory. (shrink)

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A map of the world that does not include Utopia is not worth glancing at, for it leaves out the country at which humanity is always landing.Oscar WildeThe further ahead one looks, the more the vision of the distant future resembles the golden age of the mythical past.John CohenBeing condemned (or chosen?) to be “the missing link” on its way to perfectibility (or redemption?) - half animal/half human - we always need in some way or another the transcendence of a (...) Utopian Vision. It therefore comes as no surprise that most of the essays in this issue, reflecting a vision of the world today, are openly or covertly concerned with Utopian expectations. Hence, it might be worthwhile to trace the origins and reflect in flashbacks - following the pioneering technique of the French film-maker Alain Resnais - a story of the Utopian Vision. (shrink)

The fully free society is but a promise, rarely completely fulfilled but clearly a possibility, not a utopia. This work shows both the promise and why it can be reasonably well fulfilled.

Prophecy fiction emerged around the turn of the nineteenth to the twentieth century. It is suggested in this article that, like modernist literature, it articulates a reaction to, and against, modernity, providing an alternative response to its fragmenting, decentering, and spiritually draining impact on traditional societies. In contrast to the mostly cerebral engagement of modernist fiction with religious experience recently argued for by Pericles Lewis, these texts are shown to retort affirmatively and exhortatively to the widespread crisis of faith of (...) their time with literary visions of scriptural apocalyptic prophecy. It is argued that prophecy fiction amalgamates utopian and apocalyptic elements in order to promote a specific imagined community and its spatial correlative. (shrink)

Writing about writers of utopian vision aims to understand how individual ideology motivates the creation of grand social narratives. With this goal in mind, Michael Robertson has selected four whi...

Despite its relatively small size, Jason Pearl’s Utopian Geographies and the Early English Novel aspires to tell a big and quite compelling story. This story is framed by the transition, followed here with a particular focus on English literature, from utopias, travel-framed descriptions of avowedly better social, political, and cultural arrangements and institutions, to euchronias, visions of improved worlds made possible by the secular course of historical progress. As it turns out—at least that is the story Pearl wishes (...) to tell—between More’s foundation of the genre as a form of spatial play in 1516 and Louis-Sébastien Mercier’s transmutation of its speculative ontology in 1772 (in Memoirs of... (shrink)

Although World of Warcraft utilizes ethnic and gender stereotypes in the construction of its playable characters, the structure of the gaming environment provides a modest utopian vision that is structurally just, maximizing both liberty and equality among participants in a way consistent with John Rawls's Theory of Justice. As a result, class, race, and gender are much more a matter of human (humanoid) variety, rather than a tool for hierarchically differentiation. Nevertheless, in players' engagement with the game, class, race, (...) and gender differences take on meaning well beyond the strucuture of the Warcraft universe demonstrating how real world values infect our imagination. (shrink)

ABSTRACT Oscar Wilde's only novel, The Picture of Dorian Gray, has often been viewed as an extension of the escapist aestheticist doctrine of his critical essays and of his utopian vision put forth in “The Soul of Man Under Socialism.” Taking the novel as an instance of a bargain-with-the-devil tale, this essay explores the possibility that, in Dorian Gray, Wilde subjected his abstract utopianism to a concrete fictional experiment, finding it wanting in terms of its omission of the social (...) consequences of self-development through Individualism. (shrink)

The normative criterion of attainability, or non-utopianism, is often referred to in discussions of goal-setting rationality. Goals should be realistic, it is argued, since it is unreasonable to adopt goals that cannot be achieved and that are of no use in the selection of means toward their realization. However, despite the proposed requirement of attainability, utopian or semi-utopian goals are often adopted in political contexts, the Swedish Vision Zero for trafflc safety being one example. This paper develops and (...) analyzes four objections that can be raised against the use of utopian goals and to support the normative criterion of attainability: that utopian goals are (1) too imprecise and (2) too far-reaching to guide action effectively, (3) counterproductive, and (4) morally objectionable. A tentative defense of utopian goal-setting is built on the counter-arguments that can be put forward to weaken each of the four objections. (shrink)

The normative criterion of attainability, or non-utopianism, is often referred to in discussions of goal-setting rationality. Goals should be realistic, it is argued, since it is unreasonable to adopt goals that cannot be achieved and that are of no use in the selection of means toward their realization. However, despite the proposed requirement of attainability, utopian or semi-utopian goals are often adopted in political contexts, the Swedish Vision Zero for trafflc safety being one example. This paper develops and (...) analyzes four objections that can be raised against the use of utopian goals and to support the normative criterion of attainability: that utopian goals are (1) too imprecise and (2) too far-reaching to guide action effectively, (3) counterproductive, and (4) morally objectionable. A tentative defense of utopian goal-setting is built on the counter-arguments that can be put forward to weaken each of the four objections. (shrink)

This book critically examines the philosophy of the term 'transgression' and how it shapes the utopian vision of contemporary urban design scenarios. The aim of this book is to provide scholarly yet accessible graphic novel illustrations to inform narratives of urban manifestos. Through four select case studies from the UK, Cyprus and Germany, the book highlights the paradoxes and contradictions in architecture and provides detailed evaluation of the limits and contemporary forms of sustainable urban regeneration. The book proposes an (...) 'utopian urban vision' approach to social, political and cultural relations, trends and tensions both locally and globally, and seeks to inspire an awakening in architectural discourse. The book argues that the philosophical undermining of transgression is the result of a phenomenon from a different perspective -- its philosophical background, its social construction, its experimental research process and its design implications on the city. As such, the book provides a critical examination of how architectural design interventions contribute to sustainable urban regeneration, gentrification and can impact local communities. This book provides a significant contribution to both undergraduate and postgraduate students, as well as early career researchers working in architecture, planning and sustainable urban design. It offers effective guidance on adopting the state-of-the-art graphical illustrations into their own design projects, while considering contradictions between architectural discourse and the philosophy of transgression. (shrink)

The normative criterion of attainability, or non-utopianism, is often referred to in discussions of goal-setting rationality. Goals should be realistic, it is argued, since it is unreasonable to adopt goals that cannot be achieved and that are of no use in the selection of means toward their realization. However, despite the proposed requirement of attainability, utopian or semi-utopian goals are often adopted in political contexts, the Swedish Vision Zero for trafflc safety being one example. This paper develops and (...) analyzes four objections that can be raised against the use of utopian goals and to support the normative criterion of attainability: that utopian goals are (1) too imprecise and (2) too far-reaching to guide action effectively, (3) counterproductive, and (4) morally objectionable. A tentative defense of utopian goal-setting is built on the counter-arguments that can be put forward to weaken each of the four objections. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Future of the Book: Images of Reading in the American Utopian Novel by Kevin J. HayesMatthew LeggattKevin J. Hayes. The Future of the Book: Images of Reading in the American Utopian Novel. Oxford: Oxford University Press, 2022. E-book, 192 pp. ISBN 9780192670960.Kevin J. Hayes is a writer of high regard, having published many books over his distinguished career, including biographical studies such as Herman Melville, (...) Mark Twain, George Washington: A Life in Books, and several on Edgar Allen Poe. Works like the 2020 monograph Shakespeare and the Making of America showcase his intersecting interests in biography, literature, and American political history. It is these interests that are very much on display in his 2022 monograph The Future of the Book: Images of Reading in the American Utopian Novel, and we should be thankful that Hayes has turned his attention to the subject of utopian fiction as he certainly has much to add to the discussion. The book is clearly a labor of love and Hayes writes with a great degree of detail and authority suggesting he has always held a deep interest in the utopian novel. In fact, from the preface, it is clear the research supporting this book has spanned many years.The preface sets it all up very neatly. Immediately, the reader is invited into the research story of the book. Hayes has an evocative and methodical style that carries that research throughout. The author is also careful in this preface to assert his expertise in the field. Having read “virtually every utopian novel in American literature published before 1910” on microfilm gives Hayes the opportunity to explore many of the obscure and lesser-known works of the period (ix), which he notes in his introduction is primarily between 1880 and 1915. Since many of these novels are yet to be digitized, his insight is notably rare.Aside from an introduction and conclusion, the book is divided into five chapters. The first is titled “The Residential Library” and is centrally about [End Page 601] books in home-spaces, from personal libraries to books on shelves in someone’s living room. Chapter 2, “The Public Library,” explores depictions of public libraries and ways that collected knowledge might be organized and made accessible in utopian visions. “The Idea of Authorship,” chapter 3, is about the professional/amateur status of authors in utopian societies. In this section, Hayes also explores ideas about literary quality and attempts to answer concerns that a utopian age would necessarily be incapable of producing great literature. Chapter 4, titled “The Newspaper,” details the struggles utopian authors have had with the newspaper format. Finally, “The Printed Page and the Written Word” examines ways in which utopian authors sought to refine the printed and written word and their innovative suggestions in this area. Each of these chapters opens by considering Edward Bellamy’s Looking Backward in relation to the subject at hand and Bellamy’s 1888 novel is referred to extensively throughout The Future of the Book, offering a frame for Hayes’s exploration of utopian literature’s inner dialogue with the printed word.In his introduction, Hayes highlights that much of the scholarly work in this area has focused on dystopias. Indeed, when I think about the representation of literature in speculative fiction I tend, first, to think of the great dystopias like Orwell’s Nineteen Eighty-Four, in which history is erased and rewritten by The Party, or Ray Bradbury’s Fahrenheit 451, in which books are considered dangerous and thus are rigorously hunted and burned by the ironically named Firemen of the future. Alternatively, postapocalyptic movies spring to mind. Taking shelter in the New York Public Library, Sam Hall (played by Jake Gyllenhaal) frantically burns books for warmth despite the protests of several other characters in Roland Emmerich’s 2004 blockbuster The Day After Tomorrow. Likewise, in “Marooned” (1989), an episode of the British SF sitcom Red Dwarf (1988–), of which I was particularly fond during my formative years, a copy of the collected works of Shakespeare is burned to keep the last remaining human, David Lister (played by Craig Charles), alive. In the opposite direction, some postapocalyptic... (shrink)

Among the founders of classical German sociology, Ferdinand Tonnies is still relatively neglected. Many reasons are given, but the most widespread and the most damning is that Tonnies is a pessimist who wished, in the face of modernity, to return to the supposed Golden Age of rural Germany, when the community, ruled by patriarchs, gathered on the land. This interpretation is fundamentally flawed: although Tonnies wanted to describe the rootless, ruthless, calculating individuals of modern society, he wished to recall the (...) past primarily in order to develop a blueprint for the future, in which the so-called feminine traits of conscience, empathy, and care would govern the community. Rather than yearning for the past, Tonnies was a utopian who had a vision of the future and tried to make it a reality. (shrink)

Marx believed that what most clearly distinguished him and Engels from the nineteenth-century French socialists was that their version of socialism was “scientific” while the latters' was Utopian. What he intended by this contrast is roughly the following: French socialists such as Proudhon and Fourier constructed elaborate visions of a future socialist society without an adequate understanding of existing capitalist society. For Marx, on the other hand, socialism was not an idea or an ideal to be realized, but (...) a natural outgrowth of the existing capitalist order. Marx's historical materialism is a systematic attempt to discover the laws governing the inner dynamics of capitalism and class societies generally. Although this theory issues in a prediction of the ultimate triumph of socialism, it is a commonplace that Marx had little to say about the details of post-capitalist society. Nevertheless, some of its features can be discerned from his critical analysis of capitalism and what its replacement entails. (shrink)

The motivation of this paper is to contribute to the project of finding new ways to use "utopia" in philosophy again. Since philosophers as well as poets can look to their forbears for inspiration in re-inventing terms, it would be nice if those of us trying to rehabilitate the term could lean a bit on our own disciplinary heavies, especially in the current climate of philosophical skepticism, even cynicism, about the very idea of utopia. My contribution to that task here (...) will be to present a vision of utopian commitment that I see taking shape in the interface between Kant's ethics and aesthetics. This vision is broadly speaking a moral one, insofar as it describe the barriers to, but also the necessary conditions of, human motivation to strive for the creation of a just society in the real world. But turning to Kant's ethics as a model for a theory of utopia requires some explanation. After all, his moral theory, when it takes into account the really existing conditions of human existence, appears to do so only to dismiss them as obstacles or diversions in the path of correct moral judgment. When he discusses human community, it is often to dismiss it as driven by self-interest and and an "each against all" struggle that can be responsibly regulated but never eliminated. At best this "unsocial sociability" might be evidence for a hypothetical natural purpose: human strife and misery is a mechanical force driving the progress of our talents and capacities in the long evolutionary run.1 But this is hardly a utopian vision in the sense in which we would wish to see a well-regulated society be.. (shrink)

This article outlines a future where society re-energizes itself, in the sense both of recapturing creative dynamism and of applying creativity to meeting physical energy needs. Both require us to embrace self-organizing properties, whether in nature or society. The author critically appraises backcasting as a methodology for visioning, arguing that backcasting’s potential for radical, outside-the-box thinking is restricted unless it contemplates a break with class society, connects with existing grassroots struggles and dialogues with the utopian socialist tradition. The article (...) develops a case study of food, starting from the physical parameters of combating the entropy expressed in the loss of soil structure, and applies this to urban food-growing. Drawing upon ‘real utopias’ of existing practice, the author proposes a threefold categorization – subsistence plots, an urban forest, and an ultra-high productivity sector – and emphasizes the emergent properties of such a complex system characterized by the ‘free energy’ of societal self-organization. (shrink)

“Since 1989 we have lived in a world where the nightmare of socialist science fiction has become reality: capitalism has won. With some exceptions, we have no alternative visions of economic, technological, and social future, no visions that would spring from anything besides capitalism”.1 With these words, Tomáš Pospiszyl closes the introduction to a volume that accompanied a recent exhibition about imaginary futures in socialist Czechoslovakia organized in Dům umění in Brno and Centrum současného umění Dox in Prague. (...) Pospiszyl’s idea indeed echoes through contemporary Czech culture. At second sight, however, through the over-a-century-old... (shrink)

Nanotechnology is a swiftly developing field of technology that is believed to have the potential of great upsides and excessive downsides. In the ethical debate there has been a strong tendency to strongly focus on either the first or the latter. As a consequence ethical assessments of nanotechnology tend to radically diverge. Optimistic visionaries predict truly utopian states of affairs. Pessimistic thinkers present all manner of apocalyptic visions. Whereas the utopian views follow from one-sidedly focusing on the (...) potential benefits of nanotechnology, the apocalyptic perspectives result from giving exclusive attention to possible worst-case scenarios. These radically opposing evaluations hold the risk of conflicts and unwanted backlashes. Furthermore, many of these drastic views are based on simplified and outdated visions of a nanotechnology dominated by self-replicating assemblers and nanomachines. Hence, the present state of the ethical debate on nanotechnology calls for the development of more balanced and better-informed assessments. As a first step in this direction this contribution presents a new method of framing the ethical debate on nanotechnology. Thus, the focus of this paper is on methodology, not on normative analysis. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Funding Utopia: Utopian Studies and the Discourse of Academic ExcellenceAdam Stock (bio)As an academic field, there is in some important ways nothing special about utopian studies. Granted, our object of inquiry may look beyond the present toward what Ruth Levitas terms the Imaginary Reconstruction of Society, but we are still workers in what Darren Webb calls the “corporate-imperial” university.1 Webb argues that within the university we can (...) at best protect “bolt holes, breathing spaces, and places of refuge” that can function as “fleeting, transitory, small-scale experiences of utopian possibility.” As academics, our greater value to utopian politics therefore involves using our “knowledge and resources... in the service of a collaborative process of memory- and story-making, pulling together disparate inchoate dreams and yearnings in order to generate a utopian vision that can help inform, guide, and mobilize long-term collective action for systemic change.”2 Such work uses resources and the products of labor within the academy in the service of ends beyond and at times against it. In other words, utopianism within the academy is necessarily complicit in the academy’s constitutive material relations, but it can also be oppositional in intellectual and—more importantly—activist senses to the academy’s ideological form. In other words, whether or not a given [End Page 517] project in the field of utopian studies is politically utopian does not depend on its material basis (i.e., how it is funded) so much as its content, in the senses of both the work that it does and the ways in which it captures and mobilizes available resources. Hence it is possible to imagine both regressive and emancipatory research projects in our field that capture or co-opt additional resources, including both internal and external funding. It is, however, a mark of emancipatory projects that they will use these resources to the ends Webb describes.Implicit in Webb’s argument is an acceptance that politically useful utopian work should be socially engaged beyond the confines of the university campus. However, engaging in utopian politics from within inegalitarian university structures (via what is institutionally termed “outreach” and “engagement” work) should be pursued with caution. Even researchers and educators acting in good faith can easily end up exploiting or causing damage to social movements, support groups and activists. Good allyship and effective support cannot be reduced to institutional mechanisms like ethics committee compliance or equality, diversity and inclusivity (EDI) initiatives, even when these go beyond “lip service” to become meaningful acts.3 For projects involving external collaborators with a connection to the sort of “long-term, collective action” Webb describes, research design must walk a tightrope between being supportive of utopian politics beyond the university and responding to instrumental pressures within it.Here I suggest as an academic field utopian studies is at least a little special as it mediates dialectically between theory and practice at one level while developing a conceptual framework of the dialectic between theory and practice at another. Within what Richter et al term “the paradox of universities as colonizing and liberatory spaces for community engagement and activism” the utopian method is well placed to ask questions about how we engage with the given conditions of the academy, including competitive research funding grants.4 I begin below with a discussion of the relationship of theory and academic work to the social with reference to utopian theory and then apply this to questions about our wider complicity within a discursive regime I term “academic excellence.” I argue this regime is central to the “prestige economy” upon which some of the structural inequalities of our sector are based. I conclude by suggesting that working within the constraints of the given while remaining orientated toward utopian politics in an ethical manner requires close attention to how we navigate the relationship between utopian theory and political practice. [End Page 518]Theory, Praxis, PracticeIn the final chapter of his recent monograph Becoming Utopian, Tom Moylan forms a cogent argument about the praxis of utopian-oriented politics with reference to Saul Alinsky’s community organizing and Paulo Freire’s pedagogy of the oppressed.5 The writings of both figures are grounded in... (shrink)

This article studies the response of the US disability community to the prevalent assumption that disabled people do not have a future, in the form of the disability rights movement. It provides an exploratory discussion of the key role played by utopianism in the response. In doing so, the article adds to critical theorizing on the importance of utopia to the oppression of non-dominant groups and to transcending that oppression. I use utopian studies scholarship to interpret the activities leading (...) up to the passing of the Americans with Disabilities Act in 1990 as a minor utopia, characterized by an ambiguous, grounded, and provisional effort to imagine alternative ways of being. I articulate the central role played by a positive vision of disability and disabled people for this inversion of the historically negative relationship between utopia and disability. The article turns to disability activists to show that the movement countered exclusionary utopian approaches by acting as if it had a right to envision and enact a different, better future for all from the perspective of disability and disabled people. (shrink)

The kingdom of God was a central theme in Jesus' vision. Was it meant to be understood as Utopian as Mary Ann Beavis views it, or existential? In 1st century CE Palestine, kingdom of God was a political term meaning theocracy suggesting God's patronage. Jesus used the term metaphorically to construct a new symbolic universe to legitimate a radical new way of living with God in opposition to the temple ideology of exclusivist covenantal nomism. The analogies of father and (...) king served as the root metaphors for this symbolic universe. They are existential root metaphors underpinning the contextual symbolic universe of God's patronage in reaction to the collapse of the patronage system which left peasants destitute. Jesus' paradoxical use of the metaphor kingdom of God had a therapeutic value and gave the concept new meaning. The initial motivation for proclaiming God's patronage originated in Jesus' primary identity formation by Mary as single parent and was reinforced in his secondary identity formation by John the Baptist. From these results can be concluded that kingdom of God was not meant to be understood as utopian, but existential. In order to clarify the meaning of kingdom of God and God's patronage for the 21st century, demythologisation and deconstruction can be helpful especially by highlighting the existential meaning of the kingdom of God. (shrink)

The significance of utopian thought for education can be made evident through reconceptualizing utopia and approaching it alongside the notion of dystopia. Awareness of dystopian elements of reality radicalizes the kind of critique that assists utopian thought and makes engagement with it more pressing. Awareness of the lurking danger of future dystopia goes hand in hand with a utopia that is cautious and vigilant of its own possible turn into catastrophe. If education is not just an institution of (...) the unreflective socialization and social integration of the young immersed in technicist and prudentialist goals, if it is about futurity and vision of a better world, it has to rely on, and renegotiate, utopian thought. Yet, all this presupposes a new descriptive account of the self and the world that breaks with the kind of anthropology and ethics that generated a particular conception of utopia as impossible and purely oneiric. (shrink)

From the sex-free paradise of the Shakers to the worker's paradise of Marx, utopian ideas seem to have two things in common--they all are wonderfully plausible at the start and they all end up as disasters. In Visions of Utopia, three leading cultural critics--Edward Rothstein, Martin Marty, and Herbert Muschamp--look at the history of utopian thinking, exploring why they fail and why they are still worth pursuing. Edward Rothstein, New York Times cultural critic, contends that every utopia (...) is really a dystopia--a disaster in the making--one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art--and especially in music--does the desire for utopia find satisfaction. Martin Marty examines several models of utopia--from Thomas More's to a 1960s experimental city that he helped to plan--to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the New York Times architectural critic, looks at Utopianism as exemplified in two different ways: the Buddhist tradition and the work of visionary Viennese architect Adolph Loos. Utopian thinking embodies humanity's noblest impulses, yet it can lead to horrors such as Nazi Germany and the Soviet Regime. In Visions of Utopia, these leading thinkers offer an intriguing look at the paradoxes of paradise. (shrink)

Oscar Wilde’s interest in utopia is well known, largely because of the famous aphoristic statement—a departure from the usual Wildean epigram—found in the midst of his essay “The Soul of Man Under Socialism” (1891). To the anticipated criticism that his vision of a world in which scientists use “wonderful and marvelous things” to replace human labor might seem pejoratively “Utopian,” he responds that “a map of the world that does not include Utopia is not worth even glancing at, for (...) it leaves out the one country at which Humanity is always landing. And when humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realisation of Utopias.”1 This series of poignant sentences has .. (shrink)

Plattel in part one of his study evaluates our contemporary society and believes it is in a crisis situation. Utopian thinking is being revived, and many in the social sciences have begun to realize that it is connected with "critical reflection." In our present situation "we face the humanization and domination of the future." If we are to have hope for the future, we have to "humanize a power over the future." The utopian thinker with his playful imagination (...) and intellect, as Plattel states, can renew society. He dares "to undertake the existential adventure." He is open to infinite possibilities and he breaks through "the repressive crust of the constituted." Yet the vision of the utopian thinker is not mindless speculation or simply scientific rationality but critical reflection on society as well as self-critique. Part two contains three socio-critical essays. Religion, politics and the university are three topics which are discussed against the background of contemporary crises. Plattel in each essay feels critical reflection must be used to meet each crisis situation. This is an excellent book on the utopian phenomenon.—G. D. (shrink)

Often identified as one of the more popular utopias of the twentieth century, Galt's Gulch, the name of the utopia in Ayn Rand's Atlas Shrugged, has not been analyzed as such. After the Gulch is located in the context of the book's larger story, the nature and structure of the utopia are described. This utopian vision is then critically analyzed and found wanting on two main criteria: its logical adequacy, completeness, and stability and in terms of the soundness of (...) its psychological and sociological underpinnings. Problems on all these dimensions are detailed. As it is a premier example of right-wing, libertarian dreams that inspire political action, it is argued that it is imperative that the accuracy of such utopias be examined. In addition, the philosophical and methodological errors found here can be instructive in how to critically evaluate utopian visions in general. (shrink)

Already by the mid-1980s, Habermas supposed that our utopian energies had been used up. Today, when a neo-liberal 'realism' seems to be a virtually dominant ideology, the climate appears, if anything, yet more hostile to radical hopes. Even while he recognises the obstacles and is clear that we might never succeed in breaking through the 'Gordian knot', Habermas is not prepared to surrender to a proclaimed 'end of politics'. This paper traces some of the ways in which his recent (...) works theorise and attempt to balance twin legacies of a critical theory tradition. Habermas wants to mediate the radicalness of vision required by a critical theory with the perceived reasonableness of its standpoint that is also necessary if theory is to engage concrete actors. Many of his critics suppose that Habermas has not achieved the right balance and that his interest in the self-reforming potentials of liberal democracies weights reasonableness too highly. The following paper sets out to defend Habermas from some of these charges. However, ultimately it finds that his theory has identified the needs for autonomy that it seeks to critically connect up with too narrowly. This means that, to some extent, Habermas' critical theory continues to 'miss its mark'. (shrink)

This article examines the relationship between utopian production and reception via a reading of the work of the great utopian author and theorist William Morris. This relationship has invariably been defined by an inequality: utopian producers have claimed unlimited freedom in their attempts to imagine new worlds, while utopian recipients have been asked to adopt such visions as their own without question. Morris’s work suggests two possible responses to this inequality. One response, associated with theorist (...) Miguel Abensour, is to liberate reception, with Morris’s utopianism containing an invitation to readers to reformulate the vision proffered. However, this response, despite its dominance in contemporary utopian theory, not only misreads Morris but also undermines the political efficacy of utopianism. Consequently, I suggest that Morris responds to the problem of utopian inequality by constraining production, proposing a historical control on utopianising; new utopias are directed by an archive of visions articulated in past struggles. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Knock at the Door: Utopian Dreams for Post-Covid TimesPedro Mora-Ramírez, María Amo-Hernández, and Paula García-RodríguezAnswering the Knock at the Door, Welcoming Utopian Futures, The Knock at the Door: Utopian Dreams for Post-Covid Times, May 21–24, 2023, University of Huelva, Spain, and University of Calgary, CanadaThe COVID-19 pandemic has fostered new adversities and vulnerabilities, prompting reflection on the economic, social, and political paradigms that endanger human (...) and nonhuman lives. For many, it was anxiety and uncertainty that “knock[ed] at the door”; for others, however, those same feelings of unease prompted one of hopefulness: reflecting on the possibilities for resilience and regeneration in the process of changing our vision of the world.1 The Knock at the Door conference brought contemporary utopianism to the forefront of thinking about how to respond to global crises while remaining attentive to other adversities of daily life. Scholars and artists answered the knock in an attempt to examine paths toward utopia, and to take advantage of the regenerative and resilient potential of the present.The conference was the culmination of author/activist Larissa Lai’s fellowship period at the University of Huelva. The 2022–23 María Zambrano Fellowship for the academic year2 allowed Lai to complete the project “Utopian Dreams for Post-Covid Times,” carried out in collaboration with the Huelva research group led by Professor Pilar Cuder-Domínguez, who hosted a number of online and in-person seminars on speculative fiction with Lai. The Knock at the Door conference, marking the end of Lai’s fellowship, created yet another space for scholars, artists, and critics to discuss the potential of utopian narratives. Lai asks: “What does our cultural moment require, and how can we get where we need to go from where we are? How can literature, especially speculative fiction literature, help us get from here to there?”3 [End Page 641] The intention of the conference was to encourage others to continue Lai’s work on how to imagine futures where human and posthuman beings need to remain vigilant to adversities. Utopian scholars, among others, might find the complications of “getting there from here” closely related to Lai’s conception of “insurgent utopias,” or “emergent insurgency.” They could find Lai’s concept of “insurgent utopianism” interesting as it lays the foundations of futurity in terms of crisis responses.The aim of the conference was to explore the imagination of better futures through utopian thinking and practice. In addition, it focused on “the knock at the door,” which is “a moment of contingent arrival... open to cooptation, destruction, bastardization, incorporation, death, or defusal.” Yet, it presents “the powerful possibility of critique—narratively or discursively, in its very materiality.”4 One way of doing this might be to look back at the past century of utopianism and ask who or what has been missing. The conference took up Lai’s idea of insurgent utopianism as a method of paving a path toward a multitude of dreams and actions, all shaped by the unique circumstances of one’s positionality.After the COVID-19 pandemic, the need for utopian thinking has become more pressing than ever. New horizons of hope must be created in the face of emerging anxieties. In a world where anthropocentrism is showing signs of its deadly potential, conference participants reflected on the relevance of the utopian imagination to political resistance and resilience building.Utopian Visions: Contesting Better Worlds in Neoliberal and Feminist UtopiasThe first two panels of the conference addressed the critique of two dominant theoretical (and interrelated) frameworks: capitalism and neoliberalism. Speakers reflected on both in light of theoretical interventions by theorists Rosi Braidotti and Francesca Ferrando. Panelists Benjamin Ghan and Marc Lynch reflected on how creative writers envision ideal worlds and temporalities. In Ghan’s view, utopian narratives create a symphony of voices historically excluded from the category of “the human”: women; LGBTQ+ people; Indigenous peoples. In a similar vein, Lynch described his own novel, A Wasp’s Waist, as highlighting the impossibility of imagining utopias within the capitalist paradigm—and thus the necessity of imagining futures beyond capitalism, and beyond... (shrink)

I argue that we have good reason to reject Bernard Suits’ assertion that game-playing is the ideal of human existence, in the absence of a suitably robust account of utopian games. The chief motivating force behind this rejection rests in the fact that Suits begs the question that there exists some possible set of games-by-design in his utopia, such that the playing of its members would sustain an existentially meaningful existence for his utopians, in the event of a hypo-instrumental (...) culture of material superabundance obtaining. But the set of utopian games is unknown and unknowable. Thus any implications of Suits’ vision for the utilization of our leisure time in the present are vitiated by the collapse of his normative ideal: his ‘metaphysics of leisure’ misses its mark. (shrink)

ABSTRACTAbel Evans's poem Vertumnus celebrates Jacob Bobart the Younger, second keeper of the Oxford Physick Garden, as a model monarch to his botanical subjects. This paper takes Vertumnus as a point of departure from which to explore the early history of the Physick Garden, situating botanical collections and collecting spaces within utopian visions and projects as well as debates about order more widely in the turbulent seventeenth-century. Three perspectives on the Physick Garden as an ordered collection are explored: (...) the architecture of the quadripartite Garden, with particular attention to the iconography of the Danby Gate; the particular challenges involved in managing living collections, whose survival depends on the spatial order regulating the microclimates in which they grow; and the taxonomic ordering associated with the hortus siccus collections. A final section on the ideal ‘Botanick throne’ focuses on the metaphor of the state as a garden in the period, as human and botanical subjects resist being order and can rebel, but also respond to right rule and wise cultivation. However, the political metaphor is Evans’s; there is little to suggest that Bobart himself was driven by utopian, theological and political visions. (shrink)