The study of anarchism as a philosophical, political, and social movement has burgeoned both in the academy and in the global activist community in recent years. Taking advantage of this boom in anarchist scholarship, Nathan J. Jun and Shane Wahl have compiled twenty-six cutting-edge essays on this timely topic in New Perspectives on Anarchism.

Current theories of knowledge, art, and power are locked into sterile debates around the question of representation. This book examines the limits of antirepresentationalism in these fields and argues that the anarchist tradition can point the way beyond our contemporary crisis of representation. The author rereads the theory and practical experiences of anarchism from the nineteenth century to the present, proposing a radical revision of received notions of the subject - from the equation of anarchy with literary decadence to the (...) interpretation of anarchism as yet another discourse founded on a notion of the human essence. What emerges, instead, is a complex portrait of anarchism as a body of thought that provides the framework for a kind of critical realism, with implications for fields ranging from aesthetics to economics, from philosophy to politics. Jesse Cohn teaches English at Purdue University North Central. (shrink)

Within the field of indie comics, politics are most visible–and most closely scrutinized–in the nonfictional genres of graphic journalism, history, and autobiography. Discussion of these tends to foreground questions of representation and identification; apart from them, as in the film criticism of the Screen era, a certain formalism predominates. Here, the unselfconscious narration of concrete facts and experiences supposedly typifying works such as Marjane Satrapi's Persepolis or Lynda Barry's One Hundred Demons may be taken as a shortcoming, a failure to (...) "lay bare the devices" and to foreground the medium, whereas a... (shrink)