One important issue in moral psychology concerns the proper characterisation of the folk understanding of the relationship between harmful transgressions and moral transgressions. Psychologist Elliot Turiel and associates have claimed with a broad range of supporting evidence that harmful transgressions are understood as transgressions that are authority independent and general in scope which, according to them, characterises these transgressions as moral transgressions. Recently many researchers questioned the position advocated by the Turiel tradition with some new evidence. We entered this debate (...) proposing an original, deflationary view in which perceptions of basic-rights violation and injustice are fundamental for the folk understanding of harmful transgressions as moral transgressions in Turiel's sense. In this article we elaborate and refine our deflationary view, while reviewing the debate, addressing various criticisms raised against our perspective, showing how our perspective explains the existent evidence, and suggesting new lines of inquiry. (shrink)

Corporate transgression is a well-known phenomenon in today's business world. Some corporations are involved in violations of law and moral rules that produce organizational practices and products that take a toll on the public. Social cognitive theory of moral agency provides a conceptual framework for analyzing how otherwise pro-social managers adopt socially injurious corporate practices. This is achieved through selective disengagement of moral self-sanctions from transgressive conduct. This article documents moral disengagement practices in four famous cases of corporate transgressions (...) and discusses some implications for business ethics on how to counteract organizational use of moral disengagement strategies. (shrink)

Since the turn of the millennium South Korea has continued to grapplewith transgressions that shook the nation to its core. Following the serial killings of Korea's raincoat killer, the events that led to the dissolution of the United Progressive Party, the criminal negligence of the owner and also the crew members of the sunken Sewol Ferry, as well as the political scandals of 2016, there has been much public debate about morality, transparency, and the law in South Korea. Yet, despite (...) its prevalence in public discourse, transgression in Korea has not received proper scholarly attention. Transgression in Korea challenges the popular conceptions of transgression as resistance to authority, the collapse of morality, and an attempt at self- empowerment. Examples of transgression from premodern, modern, and contemporary Korea are examined side by side to underscore the possibility of reading transgression in more ways than one. These examples are taken from a devotional screen from medieval Korea, trickster tales from the late Choson period, reports about flesheating humans, newspaper articles about same- sex relationships from colonial Korea, and films about extramarital affairs, wayward youths, and a vengeful vigilante. Bringing together specialists from various disciplines such as history, art history, anthropology, premodern literature, religion, and film studies, the context- sensitive readings of transgression provided in this book suggest that transgression and authority can be seen as forming something other than an antagonistic relationship. (shrink)

ABSTRACT Public discourse under authoritarian rule is not monolithic. Yet how popular rhetoric engages with the hegemonic rhetoric in the same discursive space remains understudied. This article examines the rhetoric of a standup comedy show in China, streamed online and widely popular among Chinese millennials, to understand how alternative views on social issues can coexist with the hegemonic rhetoric. Using critical discourse analysis, it argues that some standup comedy performances transgress the hegemonic rhetoric of 'positive energy' without outright subversion. Comedians (...) use subversive affirmation, self-deprecation, ambiguity, absurd fantasy, and irony to present alternative viewpoints on social issues of broad interest, such as the neoliberal work culture and gender norms. The subtle yet powerful transgressions introduce previously marginal views into the public discourse, diminishing the aura of wide acceptance and authority assumed by the hegemonic rhetoric. The standup comedy performances thus open up new discursive pathways towards non-state-sanctioned views on important social issues. (shrink)

Providing an inter-disciplinary base to the notion of transgression, this set includes a history of ideas, a résumé of the major contributory theorists, and a thematic discussion of the key moments and substantive concerns of these various debates.

This book critically examines the philosophy of the term 'transgression' and how it shapes the utopian vision of contemporary urban design scenarios. The aim of this book is to provide scholarly yet accessible graphic novel illustrations to inform narratives of urban manifestos. Through four select case studies from the UK, Cyprus and Germany, the book highlights the paradoxes and contradictions in architecture and provides detailed evaluation of the limits and contemporary forms of sustainable urban regeneration. The book proposes an (...) 'utopian urban vision' approach to social, political and cultural relations, trends and tensions both locally and globally, and seeks to inspire an awakening in architectural discourse. The book argues that the philosophical undermining of transgression is the result of a phenomenon from a different perspective -- its philosophical background, its social construction, its experimental research process and its design implications on the city. As such, the book provides a critical examination of how architectural design interventions contribute to sustainable urban regeneration, gentrification and can impact local communities. This book provides a significant contribution to both undergraduate and postgraduate students, as well as early career researchers working in architecture, planning and sustainable urban design. It offers effective guidance on adopting the state-of-the-art graphical illustrations into their own design projects, while considering contradictions between architectural discourse and the philosophy of transgression. (shrink)

“To consent to love or be loved,” said Merleau-Ponty, “is to consent also to influence someone else, to decide to a certain extent on behalf of the other.” This essay explicates that idea through a meditation on intimacy. I propose, first, that, on Merleau-Ponty’s account, we are always transgressing into each other’s experience, whether we are strangers or familiars; I call this “ontological intimacy.” Concrete experiences of intimacy are based upon this ontological intimacy, and can take place at two levels: (...) (1) at-this-moment (such that we can experience intimacy even with strangers, by sharing a momentary but extra-ordinary mutual recognition) and (2) in shared interpersonal institutions, or habitual, enduring, and co-enacted visions of who we are, how to live, and what matters. Through particular examples of dynamics within these layers of intimacy (drawing upon work by Berne and by Russon), I claim that we are always, inevitably, imposing an “unfreedom” upon our intimate others. Freedom, then, can only develop from within and by virtue of this “unfreedom.” Thus, what distinguishes empowering or emancipating relationships from oppressive ones is not the removal of transgressive normative social forces; it is rather the particular character of those transgressive forces. Some transgressions upon others’ experience—some forms of “unfreedom”—will tend to promote freedom; others will tend to hinder it. This amounts to a call for promoting agency and freedom not only through critical analysis of public institutions, practices and discourses, but also through critical insight into and transformation of our most private and intimate relationships. (shrink)

Werner Herzog’s films often have characters that are on spiritual journeys that take transgressive turns. These quests are also existential in nature, for what the characters often seek is transcendence. Because transgression is a sociological, philosophical, and theological entity, Herzog’s films are demanding because his outsider characters are often not easy to admire. Still, because they take on very personal self-examinations in their search for transcendence, we can respect their tragic, horrific, or painful excursions. Herzog’s protagonists are almost always (...) outsiders in some form. Whether “being on the outside” quite literally or figuratively, protagonists like Nosferatu, Kasper Hauser, or Aguirre somehow eschew societal norms and become figures of empathy, fear, or disgust. Even the characters of his documentary work, like Timothy Treadwell in Grizzly Man , are people who somehow do not fit in with society, and so seek escape through crossing boundaries or intense trials of will and perseverance. As outsiders, they are shunned, but the way they handle this is sometimes different: through madness (Aguirre), spirituality (Kasper Hauser), or rebellion (the cast of Even Dwarves Started Small ). These characters are in constant conflict with others, society, and themselves. I want to argue that one of the main reasons Herzog makes both artful, meditative films and ones that challenge spectators’ expectations, is due to the recurrence of the theme of spiritual transformation—or transcendence—that often is transgressive. Such Herzog heroes as Aguirre, Stroszek, Fitzcarraldo, or even the entire cast of Heart of Glass push beyond the limits of sanity, freedom, and societal restrictions in order to transgress or “pass” into a different mental state. Furthermore, such moves are spiritual in nature, since the characters become individual disciples of their own imaginings, their own beliefs, and their own codes of behavior. Both physically and psychically, these characters undertake journeys that allow us to see how difficult, yet ultimately manageable, these passages to transcendence are. I will discuss several Herzog films and characters that exemplify this tendency, including, Even Dwarfs Started Small , Aguirre, the Wrath of God , and Grizzly Man .  . (shrink)

Transgressive Typologies: Constructions of Gender and Power in Early Tang China. By Rebecca Doran. Harvard-Yenching Institute Monographs, vol. 103. Cambridge, Mass.: Harvard University Asia Center, Harvard University Press. Pp. viii + 260. $39.95.

The paper gives insight into the revaluation of popular Gothic aesthetics in Jim Jarmusch’s 2014 production Only Lovers Left Alive. Drawing on critical theory and the postmodern theoretical framework, the article suggests that the film transgresses contemporary culture immersed in a “culture of death” that has produced a vast amount of cultural texts under the rubric of “Gothicism.” By considering Jean Baudrillard’s concept of transaesthetics and Judith Halberstam’s writings on contemporary monstrosity, the paper shows that a commodified Gothic mode has (...) lost its older deconstructive functions that operated on the margins of the mainstream. Now entirely focused on the duplication of the same aesthetic codes and signs, Gothic productions conform to the rules of postindustrial culture, enriching entertainment imagery with the neutralized concept of “otherness.” Hence, the article engages primarily with Jarmusch’s indie aesthetics that goes beyond easily recognizable patterns and generic conventions and allows the director to emphasize that the arts are rejuvenating forces, the antidote to a commoditized environment. Then, the focus is on the construction of main characters—Adam and Eve, ageless vampires and spouses—who thanks to nostalgic theatricality and performance reconfigure the mainstream monstrosity. Ultimately, the article emphasizes that Jarmusch’s film, to a large extent, becomes a warning against the inevitable results of advanced capitalism practiced on a global scale. (shrink)

Relying on a powerful collective narrative through which political, legal and social decision-making is guided in the name of science, the authority of scientific experts reaches beyond the boundaries of their certified knowledge base. Therefore, expertise constitutes and is constituted by transgressive competence. The author argues that (1) changes in the decision-making structure of liberal Western democracies and changes in the knowledge production system diminish the authority of scientific expertise while increasing the context-dependency of expertise - thereby altering the nature (...) of its predictive claims; (2) the societal distribution of expertise, while displaying emancipatory features of empowerment of citizens, also raises issues of quality control; and (3) in order to regain a balance between public and private, i.e. individual-based societally distributed expertise, future expert systems will need to adopt a longer time-perspective. The author also reflects on directions in which future expert systems might evolve. (shrink)

This study examines ethical transgressions of school psychology graduate students using the critical incidents technique. Program directors of school psychology programs listed in the Directory of School Psychology Graduate Programs were asked to describe ethical violations committed by their students during the past 5 years. Violations dealt primarily with issues involving confidentiality, competence, and professional and academic honesty. Directors believed that the majority of students would not find most ethical issues problematic. Implications for training are discussed.

In lieu of an abstract, here is a brief excerpt of the content:Transgressing the Boundaries: An Afterword*Alan D. SokalAlas, the truth is out: my article, “Transgressing the Boundaries: Toward a Transformative Hermeneutics of Quantum Gravity,” which appeared in the spring/summer 1996 issue of the cultural-studies journal Social Text, is a parody. 1 Clearly I owe the editors and readers of Social Text, as well as the wider intellectual community, a non-parodic explanation of my motives and my true views. One of (...) my goals here is to make a small contribution toward a dialogue on the Left between humanists and natural scientists—“two cultures” which, contrary to some optimistic pronouncements (mostly by the former group), are probably farther apart in mentality than at any time in the past fifty years.Like the genre it is meant to satirize—myriad exemplars of which can be found in its reference list—my article is a mélange of truths, half-truths, quarter-truths, falsehoods, non sequiturs, and syntactically correct sentences that have no meaning whatsoever. (Sadly, there are only a handful of the latter: I tried hard to produce them, but I found that, save for rare bursts of inspiration, I just didn’t have the knack.) I also employed some other strategies that are well-established (albeit sometimes inadvertently) in the genre: appeals to authority in lieu of logic; speculative theories passed off as established science; strained and even absurd analogies; rhetoric that sounds good but whose meaning is [End Page 338] ambiguous; and confusion between the technical and everyday senses of English words (for example: linear, nonlinear, local, global, multidimensional, relative, frame of reference, field, anomaly, chaos, catastrophe, logic, irrational, imaginary, complex, real, equality, choice).I should emphasize that all works cited in my article are real, and all quotations are rigorously accurate; none are invented. Indeed, the most hilarious passages in my article were not written by me: they are direct quotes from the Masters.But why did I do it? I confess that I’m an unabashed Old Leftist who never quite understood how deconstruction was supposed to help the working class. And I’m a stodgy old scientist who believes, naively, that there exists an external world, that there exist objective truths about that world, and that my job is to discover some of them. (If science were merely a negotiation of social conventions about what is agreed to be “true,” why would I bother devoting a large fraction of my all-too-short life to it? I don’t aspire to be the Emily Post of quantum field theory.)But my main concern isn’t to defend science from the barbarian hordes of lit crit. Rather, my concern is explicitly political: to combat a currently fashionable postmodernist/poststructuralist/social-constructivist discourse—and more generally a penchant for subjectivism—which is, I believe, inimical to the values and future of the Left. 2 Alan Ryan said it well:It is, for instance, pretty suicidal for embattled minorities to embrace Michel Foucault, let alone Jacques Derrida. The minority view was always that power could be undermined by truth.... Once you read Foucault as saying that truth is simply an effect of power, you’ve had it.... But American departments of literature, history and sociology contain large numbers of self-described leftists who have confused radical doubts about objectivity with political radicalism, and are in a mess. 3Likewise, Eric Hobsbawm has decriedthe rise of “postmodernist” intellectual fashions in Western universities, particularly in departments of literature and anthropology, which imply that all “facts” claiming objective existence are simply intellectual constructions. In short, that there is no clear difference between fact and fiction. But there is, and for historians, even for the most militantly antipositivist ones among us, the ability to distinguish between the two is absolutely fundamental. 4 [End Page 339](Hobsbawm goes on to show how rigorous historical scholarship can refute the fictions propounded by reactionary nationalists in India, Israel, the Balkans and elsewhere.) And as the acerbic sociologist Stanislav Andreski noted long ago,So long as authority inspires awe, confusion and absurdity enhance conservative tendencies in society. Firstly, because clear and logical thinking leads to a cumulation of knowledge (of which the progress of... (shrink)

Transgression in Games and Play is a collection of original research that explores what transgression means in the context of videogames and play, how boundaries are being crossed by game content as well as by player actions, and how players respond to different kinds of infringements. It explores questions such as: How are controversial game content experienced during the course of gameplay? Why would players intentionally put themselves or others under distress when playing games, and how does such (...) content affect the playful attitude? Are there any ethical or aesthetical limits for what type of contents that can be presented in games? If so, are these limits different from other media? What are the means and motivation for designers to create transgressive game content. (shrink)

This article concerns the nature of reason in the work of the Twentieth Century Catholic theologian Erich Przywara and Georg Wilhelm Friedrich Hegel. The discussion centers on three interlocking issues: the question whether proper thinking submits to or transgresses the principle of non-contradiction; the relationship between reason and history; the theological concern with distinguishing the “history of reason” and the divine life. It is argued that both Hegel and Przywara give an account of reason where there are moments of contradiction, (...) and that this is a necessary feature of historical existence. Further, while Przywara and others are concerned with Hegel’s making reason’s reconciliation of contradiction in history identical with the divine life, I argue that although this is a real concern, Hegel’s account is more equivocal than normally admitted. Finally, I argue that the distinguishing feature between Przywara and Hegel is what happens after the moment of contradiction; that is where we see the most important difference between an analogical and a dialectical account of reason. (shrink)

The rapid expansion of Big Tech companies into various societal domains (e.g., health, education, and agriculture) over the past decade has led to increasing concerns among governments, regulators, scholars, and civil society. While existing theoretical frameworks—often revolving around privacy and data protection, or market and platform power—have shed light on important aspects of Big Tech expansionism, there are other risks that these frameworks cannot fully capture. In response, this editorial proposes an alternative theoretical framework based on the notion of sphere (...) transgressions, which draws on political philosopher Michael Walzer's theory of justice. The editorial not only introduces the sphere transgressions framework, but it also highlights its potential to generate novel research questions. Furthermore, this editorial introduces eight articles and one commentary from a group of interdisciplinary scholars that critically examine Big Tech expansionism by reflecting on this expansionism from the perspective of different societal spheres or by engaging with the sphere transgressions framework itself. (shrink)

Nietzsche, Heidegger and Derrida: these are not merely the names of three authors, but of three matters for thought, of three ways beyond metaphysics, three transgressions. I want to offer here a reflection, first, upon the dynamics of these transgressions—how each conceives metaphysics and where each makes its move against metaphysics—and, then, upon the relationships of the three to one another, on the interplay of their transgressive practices.

The stories in this collection can be described as stories of transgression. The writers have learned that public expressions of religious faith or reasoning are to be kept separate from the practices of caring for patients. Mixing the two is dangerous. Yet, as the stories indicate, many health practitioners cannot help themselves: their religion comes through, shaping their encounters with patients in all manner of ways. Religion comes through not as a distraction from medicine but as integral to their (...) efforts to care well for their patients. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Transgressive Translations:Parrhesia and the Politics of Being UnderstoodTim R. JohnstonAuthor And Activist Julia Serano’s spoken word poem “Performance Piece” is a smart and passionate polemic against people who say that “all gender is performance” (Serano 2010, 85). In response to those who treat gender as an endlessly mutable fiction, performance, or facade Serano says:Sure, I can perform gender: I can curtsy, or throw like a girl, or bat my (...) eyelashes. But performance doesn’t explain why certain behaviors and ways of being come to me more naturally than others. It offers no insight into the countless restless nights I spent as a pre-teen wrestling with the inexplicable feeling that I should be female. It doesn’t capture the very real physical and emotional changes that I experienced when I hormonally transitioned from testosterone to estrogen. (Serano 2010, 85–86)My first reaction to this understanding of performativity was to get defensive, immediately thinking of all the ways in which it reflects a poor reading of Judith Butler and is an incorrect use of the concept. Yet, to make that argument would mean arriving late to the party. Many theorists, notably Jay Prosser and Viviane Namaste, have made similar arguments about performativity to which Butler and many others have responded. I am not interested in joining this debate by defending or critiquing performativity; instead, I want to take seriously Serano’s criticism of the way performativity functions as a “mantra” for [End Page 84] “queerer-than-thou hipsters” (Serano 2010, 87). The fact is, concepts that help people make sense of their experience are often taken up piecemeal. They gain traction, get printed on posters, discussed in safe-spaces, taught in intro classes, and yelled at parents. They take on a life of their own and are queered again and again. It may not be anyone’s fault that performativity has come to signify a kind of insincerity, detachment from the body, linguistic constructionism, or a play of surfaces, but for many people this is exactly what it means. What follows is inspired by the questions at the heart of Serano’s poem: “Can’t we find new ways of speaking? Shouldn’t we be championing new slogans that empower all of us, whether trans or non-trans, queer or straight, female and/or male and/ or none of the above?” (Serano 2010, 87). I depart slightly from Serano insofar as I am not interested in replacing performativity as a concept. Instead, I am interested in locating other concepts that could be useful in understanding and communicating our multiple experiences of gender.Serano’s concern is not only the depth and conviction with which she experiences gender, but also the communicability of this conviction. We are social beings. We seek out the company of other people, animals, and objects. In order to flourish we need to feel understood by our surroundings. We are creatures that need to be connected, and connection requires translating our subjective experiences into a communicable, socially understandable register. How does this translation occur? How do we make ourselves understandable? What external forces regulate or influence this translation? And, crucially, how can we construct philosophical concepts that do justice to our need to feel that our interior selves are understood? What concept could we cast out into the world that might answer Serano’s call for new ways of speaking? What follows is an attempt to think through this question by looking at the relationship between the medicalization of trans people, Michel Foucault’s writings on parrhesia, and coming out.The first half of this essay examines the ways in which the medical apparatus that manages transitioning attempts to control transsexual coming-out narratives, an example of what Foucault calls biopower. I argue that the medicalization of transitioning has created a legible transsexual identity structured on the distance between our interiority and the world external to the self. The trans person’s claims about their interior sense of self are the only evidence needed to access medical technologies such as hormone therapy or surgery. But oftentimes such claims are only accepted as valid if they conform to certain scripts—scripts that are... (shrink)

In this article, we examine how the demonstrative that may be used to notice an event in the world in such a way as to suggest it has highly unusual or transgressive properties and in so doing invite others to align with that implicit claim. Drawing on Freud’s notion of the uncanny, we examine instances of the transgressive that in circumstances in which participants at least entertain the possibility that they are experiencing anomalous or paranormal objects and entities. The analysis (...) outlines the basic features of the transgressive that and examines how it may be the vehicle for a range of delicate interpersonal activities. Throughout the article, we try to show the broader relevance of the analytic argument by reference to data from more mundane interactional settings and to other forms of discourse, including fiction, commentary and interview narrative. (shrink)

Biographical Information: The author is a Professor of Physics at New York University. He has lectured widely in Europe and Latin America, including at the Università di Roma ``La Sapienza'' and, during the Sandinista government, at the Universidad Nacional Autónoma de Nicaragua. He is co-author with Roberto Fernández and Jürg Fröhlich of Random Walks, Critical Phenomena, and Triviality in Quantum Field Theory (Springer, 1992).

In this paper, we explore certain exemplifications of transgression in the history and philosophy of mathematics. We recognize transgressive acts in the transition from a “real” to an “imaginary” world. Further, we suggest the concept of proof-events that transgress traditional concepts of mathematical proof. The theory of proof-events provides us with means to identify transgressive acts in the development of a discovery proof-event. These concern the creative understanding of a purported mathematical proof by reconstructing the meaning conveyed by it, (...) eventually supplementing it, surpassing stylistic hindrances in the narrative formulated by a prover, exceeding the boundaries of the (local) logic of a prover, etc. Finally, we identify transgressive acts with discontinuous points of change in the development of proof-events and suggest formal measures for their recognition. (shrink)

This book brings key authors in anthropology together to debate and transgress anthropological expectations.

L’inceste, comme transgression en acte, et l’incestuel, comme séduction narcissique et aliénante, constituent des figures d’une causalité que Spinoza et Freud, dans des perspectives différentes, ont explorée. Appuyée sur les grands principes qui fondent leurs démarches respectives, la confrontation de leurs analyses du procès d’individuation, de la filiation et de la transgression conduit à un éclairage réciproque des deux doctrines : apparaissent alors nettement certains de leurs points de convergence théorique comme leurs dissemblances. Elle permet aussi la reconstitution (...) théorique de la genèse et de la nature de l’inceste dans ses trois principales formes, en tant qu’objet d’interdit social, inceste psychique et inceste en acte. Loin d’être l’effet de désirs sexuels conduisant à la transgression de la loi, l’inceste résulte de son absence, et de la persistance de liens fusionnels qui manifestent à la fois les difficultés et l’immaturité des individus qu’ils unissent. (shrink)

L’inceste, comme transgression en acte, et l’incestuel, comme séduction narcissique et aliénante, constituent des figures d’une causalité que Spinoza et Freud, dans des perspectives différentes, ont explorée. Appuyée sur les grands principes qui fondent leurs démarches respectives, la confrontation de leurs analyses du procès d’individuation, de la filiation et de la transgression conduit à un éclairage réciproque des deux doctrines : apparaissent alors nettement certains de leurs points de convergence théorique comme leurs dissemblances. Elle permet aussi la reconstitution (...) théorique de la genèse et de la nature de l’inceste dans ses trois principales formes, en tant qu’objet d’interdit social, inceste psychique et inceste en acte. Loin d’être l’effet de désirs sexuels conduisant à la transgression de la loi, l’inceste résulte de son absence, et de la persistance de liens fusionnels qui manifestent à la fois les difficultés et l’immaturité des individus qu’ils unissent. (shrink)

The Paradox of Transgression in Games looks at transgressive games as an aesthetic experience, tackling how players respond to game content that shocks, disturbs, and distresses, and how contemporary video games can evoke intense emotional reactions. The book delves into the commercial success of many controversial videogames: although such games may appear shocking for the observing bystander, playing them is experienced as deeply rewarding for the player. Drawing on qualitative player studies and approaches from media aesthetics theory, the book (...) challenges the perception of games as innocent entertainment, and examines the range of emotional, moral, and intellectual experiences of players. As they explore what players consider transgressive, the authors ask whether there is something about the gameplay situation that works to mitigate the sense of transgression, stressing gameplay as an aesthetic experience. Anchoring the aesthetic game experience both in play studies as well as in aesthetic theory, this book will be an essential resource for scholars and students of game studies, aesthetics, media studies, philosophy of art, and emotions. (shrink)

This essay sketches out the way in which Lacanian psychoanalysis can have a productive bearing on the analysis of political issues in general, and questions of freedom in particular. The article takes its bearings from a broad research problem ? the problem of self-transgression ? that can be said to structure the work of a wide range of social and political analysts. The problem of self-transgression aims to capture an intuition about those kinds of situations where an individual (...) or group appear to both affirm an ideal and simultaneously to transgress it. In the first part of the essay I examine several possible conceptions of self-transgression with the aim of identifying, in the next part, the character of a Lacanian conception of self-transgression. The final part of the essay explores the implication this conception of self-transgression carries for our understanding of freedom, with special reference to the ?contented slave? puzzle and to some aspects of a desire-based conception of freedom. (shrink)

In this article we explore the ways in which the notion of the imagination might be mobilized to support researchers to develop transgressive research imaginations and communities with the capacities to think, 'be' and 'become' differently in a world of research increasingly governed by rampant reductionist rationality. To assist us we draw from the evocative views of imagination developed by Cornelius Castoriadis, the imagination's most radical exponent. In this article his ideas about knowledge and its links to the imagination will (...) be deployed as we discuss the following questions: What does the notion of the imagination mean in the everyday world of university research? Is all research an act of the imagination? What might it mean to globalize the research imagination? We will also illustrate the ways in which the imagination is mobilized in (globalizing) research practice. (shrink)

This article concerns the nature of reason in the work of the Twentieth Century Catholic theologian Erich Przywara and Georg Wilhelm Friedrich Hegel. The discussion centers on three interlocking issues: (a) The question whether proper thinking submits to or transgresses the principle of non-contradiction; (b) The relationship between reason and history; (c) The theological concern with distinguishing the “history of reason” and the divine life. It is argued that both Hegel and Przywara give an account of reason where there are (...) moments of contradiction, and that this is a necessary feature of historical existence. Further, while Przywara and others are concerned with Hegel’s making reason’s reconciliation of contradiction in history identical with the divine life, I argue that although this is a real concern, Hegel’s account is more equivocal than normally admitted. Finally, I argue that the distinguishing feature between Przywara and Hegel is what happens after the moment of contradiction; that is where we see the most important difference between an analogical and a dialectical account of reason. (shrink)

Le mot anagogia, « anagogie » serait une mauvaise traduction latine du grec a. L'équivalent latin serait, selon les philologues, sursumductio. D'abord conçue comme un voyage, l'anagogie prendra le sens d'ascension, de montée. Le mot anagogie est plus fréquemment employé pour désigner le quatrième sens de l'Écriture, le terme s'inscrit dans l'histoire de l'exégèse sacrée et plus généralement de l'herméneutique.Les études qui composent cet ouvrage (sur l'obscénité, Alfred Jarry, Georges Bataille, René Daumal, Pierre Klossowski, Maurice Blanchot, Pierre Guyotat, Jean-Noël Vuarnet (...) ou Platon) traitent, de près ou de loin, de cette ascension, souvent entendue ici comme transgression : l'esprit sursoit aux limites de la matière, dont il ne s'émancipe jamais totalement, dans un mouvement vers le sommet (mort, rire divin, « communication », révélation, soleil). (shrink)

Bataille's version of transgression and prohibition is based on two presuppositions: the first one is coupling of death and ecstasy on the level of energetic principle, which makes the combination of personally grounded experience of transcendence with the dispositions of the subject possible. The second one concerns making use of two existential forces: the will to survival and the will to transcendence. The counterbalance of life and its negation is the basis for understanding and identification of the social function (...) of prohibitions and of individual desire to break them. Bataille is thus consequent in applying the idea of original energetic balance of acceptance and dismissal, which makes all further differences, especially those of transgression and prohibition, possible. (shrink)

Source: Author: Marwan Kadhim Mohammed, Wan Roselezam Wan Yahya Martin Amis's manipulation of the patriarchal concept of power is a notable indication of his transgressive attitudes that raise remarkable questions about the human identity. Transgressing power investigates the violation of the normal and familiar trends of literature in order to circulate a new discourse by which a new identity is reframed. Hence, the study of power in Martin Amis's novels, as an important technique of identity re-definition, is not taken into (...) consideration in the light of Foucault's theory of power. The objective of this study is to examine the role applied by transgression as a technique of subverting the common discourse of power in the field of identity re-formation. The study investigates the concept of power manipulated in Amis's Money to define the identity of the 'New Man'. Accordingly, the Foucauldian theory of power is taken as a framework of this study. The study reveals a conclusion in which the transgressive aspects of power are effectively utilized by Amis to re-define the identity of his protagonist in the novel. Although John Self-has finally lost his name and fortune, which are necessary demands to define one's self-in the patriarchal society, he finds his own new identity away from the materialistic norms of the common discourse. ]]>. (shrink)

The position of immoralism in analytic aesthetics and the philosophy of art holds that a work's moral defects can sometimes contribute to its artistic value. This position has suffered massive criticism in recent years. In support of immoralism, I present in this paper a new argument by examining immorality in the artistic genre of transgressive art. I argue that in the category of transgressive art, due to the nature of immorality that is a transgressive and liberating force against morality's authority, (...) being immoral can contribute directly to an artwork's artistic value by contributing to the realization of its artistic aim. (shrink)

La transgression est une posture critique. On peut l'associer à l'audace, à la subversion, à la révolte. La transgression s'affiche, elle est revendiquée. Elle remet en cause ce qui est considéré comme acquis, accepté par tous, et ébranle la légitimité d'un système de valeur. Elle est donc contestation. La transgression est à la fois une forme de résistance et la proposition d'autre chose. Elle ouvre de nouveaux espaces, de nouvelles aventures, débouche sur de nouvelles expériences. Transgresser, c'est (...) donner à voir et à penser autrement. (shrink)

In Paradoxa Stoicorum, the Roman philosopher Cicero defends six important Stoic theses. Since these theses seem counterintuitive, and it is not likely that the average person would agree with them, they were generally called "paradoxes". According to the third paradox, (P3), (all) transgressions (wrong actions) are equal and (all) right actions are equal. According to one interpretation of this principle, which I will call (P3′), it means that if it is forbidden that A and it is forbidden that B, then (...) not-A is as good as not-B; and if it is permitted that A and it is permitted that B, then A is as good as B. In this paper, I show how it is possible to prove this thesis in dyadic deontic logic. I also try to defend (P3′) against some philosophical counterarguments. Furthermore, I address the claim that (P3′) is not a correct interpretation of Cicero’s third paradox and the assertion that it does not matter whether (P3′) is true or not. I argue that it does matter whether (P3′) is true or not, but acknowledge that (P3′) is perhaps a slightly different principle than Cicero’s thesis. The upshot is that (P3′) seems to be a plausible principle, and that at least one part of paradox III in Cicero’s Paradoxa Stoicorum appears to be defensible. (shrink)

UTILIZING MICHEL FOUCAULT'S CONCEPTION OF "PLAGUE" AS A DESCRIPtion of states of exception, this essay analyzes America's plans to genetically screen illegal immigrants. It argues that liberal democratic theory presupposes the exceptionalism of the nation-state and hence justifies sacrifices to appease the tragic order of things. The use of genetic technology in current American immigration policy instantiates these "necessary" sacrifices, extending agency and visibility in a never-ending struggle to foreclose every manner of contingency. In contrast, I offer a "doxological" view (...) of space that, eschewing this tragic economy, re-imagines the world by resisting foreclosure and "laboring" to remain open. After theorizing the genetic screening of illegal immigrants through Foucault's "plague" and Hans Jonas' work on sacrifice, I articulate the globalized nation-state as the exception for violence and conclude with political theology's more capacious view of space and cultural identity. (shrink)

My paper begins with a reflection on the Foucauldian category of “infamy,” which I would like to consider both as a political category and as a literary category. “La vie des hommes infâmes” (1977) is a particularly noteworthy text in that there is both a clear distinction between archive and literature and an analysis of a recomposition of the relationship between discourse, truth, and power that draws what Foucault calls “the line of literature’s tendency since the seventeenth century, since it (...) commenced to be literature in the modern sense of the word.” On the one hand, Foucault defends the idea that, to allow the archive to deliver its strictly political dimension, it is necessary to clean it up, to build it out of literature and in a strict relation to reality. On the other hand, he claims that literature has become capable at some point of having the ambition to tell the real, to “tell of the ultimate, and the most minute, degrees of the real”: of being, perhaps more than any other form of language, the “discourse of infamy.” This paper aims to explore this tension, from the (methodological/archaeological) exclusion of literature to the genealogy of a literature of reality and infamy. (shrink)

We argue that philosophers are competent to facilitate public discussion concerning restrictions on human migration across political borders. We also argue that presenting public audiences with a prima facie case for open borders offers a unique opportunity to elucidate important aspects of philosophical reasoning. Finally, we share resources and a lesson plan for those keen to examine the case for open borders with students, or to facilitate public discussion on these issues.

Empirical evidence from developmental psychology and anthropology points out that the human mind is predisposed to conceptualize the world in particular, species-specific ways. These cognitive predispositions lead to universal human commonsense views, often referred to as folk theories. Nevertheless, humans can transgress these views – i.e. they can contradict them with alternative descriptions, they perceive as more accurate – as exemplified in modern sciences. In this paper, I enquire about the cognitive faculties underlying such transgressions. I claim that there are (...) three faculties enabling us to part with these universal commonsense views of the world imposed by our nature. The first is our ability to represent representations – i.e. to form metarepresentations. The second is our ability to produce alternative representations both by explaining a familiar subject matter in terms of the principles governing different conceptual domains than the one that we are predisposed to apply to the subject matter and by directing our mind to new subject matters (for which we have no predisposed conceptual grasp), understanding them in terms of familiar domains. The third, finally, is our ability to give these representations an epistemic orientation. Key words: Human cognition, Domain-specific knowledge systems, Cognitive predispositions, Folk theories, Cognitive flexibility, Human – nonhuman distinction. (shrink)

Despite decades of activism, resistance, and education, both feminists and gender rebels continue to experience personal, political, institutional, and cultural resistance to rights, recognition, and respect. In the face of these inequalities and disparities, Transgressing Feminist Theory and Discourse seeks to engage with, and disrupt the long-standing debates, unquestioned conceptual formations, and taboo topics in contemporary feminist studies. The first half of the book challenges key concepts and theories related to feminist scholarship by advocating new approaches for theorizing interdisciplinarity, intersectionality, (...) critical race theory, trans studies, and genetics. The second half of the book offers feminist critiques or explorations of timely topics such as the 2017 Women's March and Donald Trump's election as well as non-Western perspectives of family and the absence of women's perspectives in healthcare. Contributors comprise of leading scholars and activists from disciplines including gender and sexuality studies, African American studies, communication studies, sociology, political science, and media. Transgressing Feminist Theory and Discourse is a compelling examination of some of the most high-profile feminist issues today. It hopes to infuse future and current debates and conversations around feminism and feminist theory with intersectional, imaginative, provocative, and evocative ideas, inspiring bold cross-fertilizations of concepts, principles, and practices. (shrink)