Linguistic magic can be divided into three major categories: the fiatic, the Orphic and the talismanic. The first category includes the creation of the signified by its signifier, the best example being the creation of the world by divine words. The Orphic category assumes the possibility of enchanting an already existing entity by means of vocal material. Last but not least is the talismanic, based on the drawing of energy by means of language, in order to use this energy for (...) magical purposes. While the fiatic view assumes the complete superiority of the creator over the created object, the Orphic presupposes a certain similarity between the subject-magician and its object, whose role is to understand and follow the instructions of the magician. In these two categories meaning seems to be a crucial part of the magical linguistic activities. In the third category, the talismanic, linguistic powers are used in order summon higher powers which then descend to take possession of it. By talismanic I refer to the inherent ability of an entity, material, a moment in time, or a human act to draw upon these powers. Unlike amulets, which are usually taken to be objects that protect their possessor, the talisman is able to add power. (shrink)

Renaissance Vitruvianism provides a broad context in which to situate the architecture of Tycho Brahe’s Uraniborg, but fails to account for the motivation behind Tycho’s design, for how Tycho knew Vitruvian design principles, and for any of Uraniborg’s specific features. Identifying Uraniborg as a Palladian design fares even worse. Some of Uraniborg’s features can, however, be understood in terms of talismanic ideas such as those circulating in sources such as Agrippa’s De occulta philosophia (which Tycho possessed) and Dee’s Propaedeumata aphoristica. (...) Of the several kinds of talisman possible, those of interest were intended to manipulate astral influences by mathematical resonance. Regardless of whether Tycho believed in talismanic efficacy, his early meteorological convictions make talismanic motifs a plausible inspiration for Uraniborg’s design. (shrink)

In al-Sirr al-Maktūm, a magisterial work on astral magic, the twelfth century Persian philosopher-theologian Fakhr al-Dīn al-Rāzī formulated one of the most sophisticated theories of talismanic action at a distance ever produced in the Islamic world. Al-Rāzī deployed Avicennan psychology to explain how a practitioner’s soul might connect with the celestial spheres, the principles of sublunary change, and ‘blend’ their forces into a talismanic metal idol; then, performing a ritual mimetic of his intended effect, could direct these forces to bring (...) about his objective, from a distance, altering sublunary phenomena in accordance with his will. In constructing this theory, Rāzī drew on the psychologizing Avicennan accounts of thaumaturgy and veridical dreams, foregrounding what was common to both: the internal sense known as the wahm. (shrink)

Magic and religion are at the origin of the concept of money as a unit for measuring value. Actually, they determined the first forms money took: precious objects, engraved stones, amulets and talismans which conferred a special power, within a social group, on the one who possessed them. In time, this power came to include the power of acquisition in commercial terms, but its original ties with magic were never lost. Aristotle clearly saw the relationship between a certain concept (...) of money (in Politica) and a new ethical concept as a corrective for the imbalances within a social community (in Ethica Nicomachea). If we look closely, we see that this ethical concept is not in opposition to the former but emphasizes the double aspect of the idea of money in antiquity, an idea which has survived, with some modifications, in Christianity and the modern era. (shrink)

For the first time in English, Benebell Wen reveals the rich history and theoretical principles underlying the ancient practice of crafting Fu talismans, or magical sigils, in the Chinese Taoist tradition and gives detailed instructions for modern practitioners who would like to craft their own Fu. Fu talismans are ideograms and writings typically rendered on paper and empowered by means of invocations, ritual, and transferences of energy, or Qi. Talismans can be used for many purposes, such as (...) strengthening or weakening personality characteristics, finding love, earning more money, or easing emotional tensions in the home. The Tao of Craft shows how metaphysical energy can be harnessed to amplify, strengthen, weaken, dispel, or block other metaphysical energy and to rectify perceived imbalances in the material plane. Supported by an abundance of detailed charts and images, this book serves as a step-by-step handbook that gives readers the knowledge and confidence to craft their own Fu talismans for personal empowerment. Wen, author of Holistic Tarot, delves into historic and cultural contexts of the Fu, from the neolithic period of Chinese history to contemporary practices of esoteric Taoism. Providing a solid foundation in the principles of Eastern spellcrafting, she highlights the blending of Taoist metaphysical practices with Western approaches to magic by pointing out eclectic, integrating, and harmonizing facets from other cultures and religions. Historically, Fu talismans were used by medieval Chinese for alleviating illness; averting misfortune, magical attacks, and curses; defending against assaults; and avoiding poverty. This book shows Western practitioners that the skill and knowledge to develop an interactive relationship with spirit realms are still available to them today, and serves as a practical handbook for accumulating Qi energy from sources in the environment and channeling it in concentrated form into their own Fu talismans. (shrink)

In recent years, global corporations, especially in the oil and mining sectors, have been speaking the language of development. While corporations are increasingly being imputed a major development role by multilateral organizations, this remains a controversial topic. Even more controversial is the question of whether corporations make a meaningful contribution to development in conflict situations or the absence of democratic government. Some firms, however, such as Talisman Oil, do try to justify their operating in conflict zones such as Sudan on (...) this very basis. This paper contends that Talisman has not contributed to development, but rather is a part of the problem. The paper also develops a more general argument as to why this situation is not particular to Talisman, but is likely to hold for any corporation operating under similar circumstances. (shrink)

This chapter argues that ZHU Xi was influenced by Daoism. His philosophy begins with the Diagram of the Great Polarity or Taijitu 太極圖 which has Daoist origins. Later in life he studied two Daoist texts, namely, The Seal of the Unity of the Three in the Zhou Book of Changes or the Zhouyi Cantongqi 周易參同契, and The Yellow Emperor’s Classic of the Secret Talisman or the Huangdi Yinfujing 黃帝陰符經. The chapter begins with a discussion about the nature of Daoism and (...) inner meditative alchemy. Then I discuss the Diagram of the Great Polarity. Finally, ZHU Xi’s study of the above two texts is analyzed. (shrink)

This article explores the force and limitations of Jacques Rancière’s novel attempt to rethink the relationship between aesthetics and politics. In particular, it unravels the paradoxical threads of the fundamental contradiction between two of his steadfast claims: (1) art and politics are consubstantial, and (2) art and politics never truly merge. In taking Rancière to task on this point, the primary objective of this article is to work through the nuances of his project andforeground the problems inherent therein in order (...) to break with the “talisman complex” and the “ontological illusion” of the politics of aesthetics in the name of a new understanding of the social politicity of artistic practices. (shrink)

In the late nineteenth century, French naturalists were global leaders in microbial research. Louis Pasteur advanced sterilization techniques and demonstrated that dust particles in the air could contaminate a putrefiable liquid. Pasteur’s discoveries prompted a new research program for the naturalists of the Talisman and Travailleur expeditions: to recover uncontaminated water and mud samples from the deep sea. French naturalists Adrien Certes and Paul Regnard both independently conducted experiments to address the question of whether microorganisms inhabited the oceans and whether (...) organic material in the deep sea was subject to decomposition. The experiments of Certes and Regnard have largely been omitted from histories of microbiology and marine science. However, an examination of their work is crucial for understanding the context in which marine microbiology first developed. At the end of the nineteenth century, marine microbiology emerged from the disciplinary melding of terrestrial microbial ecology, experimental physiology, and the then-nascent field of deep-sea biology. (shrink)

M. K. Gandhi's a series of talks delivered to ashramites at Sabarmati during 1926 and 1927, provides a singular instance in Indian intellectual thought in which the Bhagavad Gita's message of action is transformed into a theory of non-violent resistance. This essay argues that Gandhi's reading of the Gita has to be placed within an identifiable general understanding of the political that emerged among the so-called in the Congress towards the beginning of the twentieth century. Gandhi, we argue, wrested from (...) the their vocabulary and their pre-eminent political text, the Gita, and put them to use in the cause of non-violent politics. But, more importantly, his discourses on the Gita after 1920 suggest an acceptance, on his part, of politics as it actually was. This is where he departed from the projects of Tilak or Aurobindo. The Gita, in Gandhi's hand, became a talismanic device that allowed the satyagrahi his or her involvement in political action while providing protection from the necessary and unavoidable venality of politics and its propensity to violence. (shrink)

The philosopher's stone : the epitome of my knowledge -- Preface -- Introduction -- Collectania -- The need for a tool -- A dream to organize chaos -- Substance abuse and a headache -- A habit from paradise -- A sealed story -- Stealing a seal -- Loosing a tool -- Believe it or not -- A blessing in curse-dressing -- Growing pains -- Lost paradises -- Diaries, my beloved diaries -- A taste like honey -- Physics of the heart (...) -- Gems of a child -- A story of a lawyer -- Optical memories -- The talisman -- Prayer...prayer -- Meditation, concentration, contemplation and other buzz words -- The neurotic need for completion -- The microsoft way -- Anatomy of a need -- A side that shuns mattresses -- I want a tool -- The treatment device for the mujahid salah mustafa -- Meditation tips -- Epilogue: the case for I don't know. (shrink)

El artículo plantea varias cuestiones a la obra de José Antonio Suárez, catalogada dentro del formato mínimo y la micrografía. Se analizan las causas de la atracción por lo mínimo: la perfección de la joya, la magia del talismán, el oficio, el truco, los modelos editoriales de la ilustración. Se aborda el recurso a la privacidad del diario de apuntes, el rechazo a la producción del gran arte y al mismo tiempo la admiración por el arte museal. Finalmente se evalúan (...) las posibilidades que da el grabado al formato mínimo. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The King and the Crowd: Divine Right and Popular Sovereignty in the French Revolution Robert G. Hamerton-Kelly Stanford University We French cannot really think about politics or philosophy or literature without remembering that all this— politics, philosophy, literature—began, in the modem world, under the sign of a crime. A crime was committed in France in 1793. They killed a good and entirely likable king who was the incarnation of (...) legitimacy. We cannot not remember that this crime was horrible... When we speak about writing, the accent is on what is necessarily criminal in writing. (Jean-François Lyotard, "Discussion Lyotard-Rorty" 583; quoted in Dunn 165) The condemnation ofthe king is at the crux ofour contemporary history. It symbolizes the secularization of our history and the disincarnation of the Christian God. (Albert Camus, The Rebel 120; quoted in Dunn 140) Susan Dunn makes a well-documented case that the death of Louis XVI was unconsciously understood, especially by the Jacobins, as a human sacrifice that was necessary for the founding of the republic. "Louis must die because the patrie must live," said Robespierre at the king's trial, and the representative Carra considered Louis "the source of corruption and servitude... the fatal talisman ofall our ills" whose death would cause the people to be "regenerated in morality and virtue" (Dunn 15-37). The king was a monster and the source ofall the ills, and his death 68Robert G. Hamerton-Kelly had the power to alleviate those ills and regenerate the nation. This image of the king as sacrificial victim persisted throughout the first half of the nineteenth century in French literature and politics, sometimes assimilating itself to the image of Jesus Christ who died for the sins of the world. Legitimist writers like Joseph de Maistre saw his death precisely in this light as a great Christian sacrifice that would do France and the world good (Dunn 28-37). The king as a sacred monster whose life causes all ill and whose death brings healing is the classic figure of the scapegoat or sacrificial victim identified by René Girard. Susan Dunn recognizes this but because she does not know Girard's mimetic theory she is not able to explain the significance of the scapegoat king. Her work is, indeed, as Conor Cruise O'Brien says in the foreword, a work ofdemonstration rather than argument, of evidence rather than interpretation. I offer a mimetic interpretation ofthe Jacobin claim that the death ofthe king was the human sacrifice that founded the republic, and an argument that a universally operative generative mechanism forged the historical events of the revolution.1 There is no essential difference between the sovereignty ofthe king and the sovereignty of the people. In both cases sovereignty arises from a metaphorical contract that threatens death to anyone who violates it. The royal metaphors are organic while the revolutionary metaphors are legal and rational, but they all express the sacrificial structure ofpolitical power. Revolutionary democracy imports the fiction ofrationality to obscure its sacrificial structure. The desire ofthe general will for contractual equality is a transformation of mimetic desire in search of a victim around which the bad violence ofmimetic rivalry can coalesce into the good violence of sacred order. Sovereignty, therefore, is structurally single and simple; it is violence transformed through the sacred into the powers oforder. Max Weber understood this in general ifnot in its particulars when he defined sovereignty as the monopoly of the means of violence within a single territory.2 1 Mimetic theory was discovered by René Girard. I have given an account of my understanding of it in 7Ae Gospel and the Sacred 129-52. The idea of a mechanism universally operative in human history isjustified in the emerging discipline ofevolutionary psychology. Such mechanisms are the result ofthe interaction ofgenetic and environmental factors in the process of evolution (see Robert Wright). 2 The precise quotation from Weber is as follows: "The state is a human community that (successfully) claims the monopoly of the legitimate use of physical force within a The King and the Crowd69 The transition from royal to popular sovereignty is a transformation of the basic pattern of victim and group. The... (shrink)

This study consists of two parts. The first is an examination of the hermeneutical presuppositions underlying the theory of models that Moshe Idel has applied to the study of Jewish mysticism. Idel has opted for a typological approach based on multiple explanatory models, a methodology that purportedly proffers a polychromatic as opposed to a monochromatic orientation associated with Scholem and the so-called school based on his teachings. The three major models delineated by Idel are the theosophical-theurgical, the ecstatic, and the (...) magical or talismanic. Idel’s hermeneutic rests on the assumption that the phenomenon of Jewish mysticism (as the phenomenon of religion more generally) cannot be essentialized, and therefore no one methodological approach should be privileged as the exclusive means to ascertain it. In the second part of this study, I raise the possibility that affirming set patterns of thought and a unified system of symbols that link together kabbalists from different historical periods might not inevitably implicate the scholar in a methodological reductionism. Moving beyond a binary logic, which is still operative in the postmodern dichotomy of truth and dissimulation, I surmise that the polysemic nature of the text that may be elicited from kabbalistic sources is not dependent on the rejection of laying claim to an inherent and original intent that is recoverable through proper philological attunement. Multivocality and essentialism are not mutually exclusive. Kabbalah, I submit, is a cultural-literary phenomenon that illustrates an open system in which each moment is a mix of newness and repetition, each event a renewed singularity. The hermeneutical praxis appropriate to this system displays a temporality linked to the conception of time in its most rudimentary form as an instant of diremptive reiteration, the repetition of the same as different in the renewal of the different as same. The tendency to generalize, therefore, should not be misconstrued as viewing the variegated history of Jewish mystical doctrines and practices monolithically. (shrink)

After giving some examples of the links between astral magic and the political sphere or model (political goals of certain talismans, therapeutic astral magic at the service of powerful people, use of hierarchies of demonic powers), the article focuses on William of Auvergne’s analysis of the stakes of power in the magic art. The Bishop of Paris underlines the logical impasse to which the political power attributed to a magician would lead, and he shows the insuitability of the comparison (...) between the astrological talisman and the royal seal that supporters of this practice could put forward. (shrink)

En 1987 K. Lippincott y D. Pingree publicaron una primera edición latina junto a una traducción inglesa del tratado bilingüe árabo-latino del s. XV De imaginibus caelestibus, escrito originariamente por el andalusí Ibn al-?atim en el s. X. El trabajo que se presenta aquí pretende completar al precedente con una edición del texto árabe, su traducción al español y añadir algunas interpretaciones a las posibles fuentes de la imaginería talismánica. En este breve tratado de astromagia, Ibn al-Hatim se dedica principalmente (...) a describir veintiocho talismanes, relacionados con las mansiones lunares, y sus propiedades mágicas. (shrink)

Hermeneutics is one of those archaic and refractory, yet fashionable words which seem to crop up in so many places that they take on a power all their own. E. D. Hirsch has observed that the word has become “a rather vague, magical talisman.” For better or worse hermeneutics has entered into the theoretical controversies of literary criticism, history, sociology, anthropology, political science, philosophy—not only the theory of the humane disciplines but even the theory of the natural sciences.

My office is in a medical building in suburban Washington, D.C. —in Bethesda, named for the Biblical healing pool. All of the offices of my building are occupied by medical specialists, representing the most sophisticated training in the application of the scientific method. Downstairs and of service to all of us is a pharmacy, looking for all the world like a research laboratory with its gleaming surface, meticulous cleanliness, micro-balances, records, reference books, and cash register. It is neatly stocked with (...) modern, physiologically-defined preparations of active, predictable drugs. Among the enzymes, hormones, antibiotics, and chemo therapeutics for neoplasm, are a few newly hatched, unfledged remedies, but most are dependable and thoroughly assayed. The intently busy, white-coated, unsentimental pharmacists serve a hard-headed group of practitioners and a neighborhood of upper-class, well-educated patients. It is disconcerting, then, to see the undersurface of this sophistication, the irrational shadows beneath the science. On the front counter of the pharmacy are displayed attractive colored advertisements and pleasantly seductive inducements to self-improvement through diet cults and foods, tranquilizers, energizers, protein supplements, happiness promisers, preparations to enhance sexuality, vitamins artfully combined, and many packeted stuffs of no rational or pretended use whatsoever. “Why,” I ask the gimlet-eyed pharmacist, “do you have this large display of ‘Il Wah Genuine Chinese Ginseng, the Miraculous Herb of Life’? Doesn't it violate your university training? Your integrity as a modernist?” “Oh,” says he, “ginseng makes you feel better! You have more energy. You can do more! Lots of athletes use it, and people who work too hard and feel exhausted. It's only $3.45 a package. The prescriptions you give me once in a while yield no profit, but I sell a lot of ginseng. I use it myself!” Bemused, I walk back to my office, wondering about the easy abandonment of rationality, and pull down a box of medicinals collected the year before at an open-air pharmacy in the riverside markets of Brazil. The box gives forth deliciously rich forest smells. The packets within contain barks, roots, seeds, all of purported medical value. Other packets have amulets, charms, and protectives. The colorful labels on some of the patent medicines invoke ancient saints and healers, and promise happiness, health, prosperity and power. The essential rationale for their use in indigenous medicine was illusive to me despite many conversations with indigenous healers, and many times I have gone through the hundreds of items trying to find the key to what Brazilian and North American people fundamentally want from a pharmacy. In both cultures, where does magic stop and science begin? Do shops in both countries vend talismans in the search for the enhanced life, and fetishes against death? How much of all drug use is ritual and inchoate expectation? How can we reduce the mystification and incrementally increase the rationality of our pharmacopeia? (shrink)

Part 1. Spaces within spaces -- 1. Extremes -- 2. Nature abhors a vacuum -- 3. Space travel -- 4. Learn to say -- 5. Metaphysical habitats -- 6. Departures -- 7. Plumage and talismans -- 8. Inner space -- Part 2. Snares for the eyes -- 9. The fallen giant -- 10. The stone -- 11. The voices of things -- 12. Nature and art -- 13. Nature -- 14. In touch -- Part. 3. The sacred -- 15. (...) Sacrilege -- Part 4. Violence -- 16. Material culture -- 17. Orders -- 18. Filth -- 19. Fake fetishes, disrobed mannequins -- 20. Wallowing in glory -- 21. The art of war -- Part 5. Splendor -- 22. The face of death -- 23. The emergence of dance -- 24. Collective performances -- 25. War and splendor. (shrink)

'Professor Vyse presents the historical, sociocultural, and psychological basis for superstition in a clear, interesting, and even entertaining way. What easily could have been a dry, over-intellectualized tome is, instead, a gem of a book that engaginly tells the story of what science has learned about superstition, of how pervasive and powerful superstition can be, and of why critical thinking skills are so important in everyday life.' -Douglas A. Bernstein, Professor of Psychology, University of Illinois, Urbana-Champaign 'Many books deal with (...) irrational beliefs but have little to say about why people cling to superstitions...and what can be done to stem the rising tide of interest in pseudoscience and the paranormal. Professor Vyse has filled this vacuum with a book as entertaining as it is enlightening.' -Martin Gardner 'This book can be rewritten or updated every fifteen years, I believe, since new claptrap presents itself every day. And there are always victims out there ready to surrender their common sense for a talisman...or a ritual that puts them 'in' with their peers and gives them the warm glow of being avant-garde. Meanwhile, I urge the rationalists out there to snap up this book when they see it. It may be heading for the bonfires.' -James Randi, The James Randi Educational Foundation, Fort Lauderdale, Florida 'Employing scientific techniques and utilizing hard facts, Vyse shows how silly superstition really is.... This is a highly informative book, dealing with everything from chain letters to lucky charms to the lottery system.' -Amazon 'Vyse presents plenty of uncomfortable truths about the way most of us think, and plumbs a vast literary repetoire ranging from Chaucer and Melville through Leon Festinger to get us into his corner.' -Voice Literary Supplement 'An engaging introduction to psychology focused on a topic, superstition, of inherent interest to us all.' -Valerie M. Chase, The Boston Book Review. (shrink)

“William Frederking's most effective photographs approach the everyday as still life, avoiding artful arrangement or self-conscious design. They are rich, elegantly photographed records of real life, lived-in and unkempt fragments that retain the echoes of a human presence.”—Michael Bonesteel What makes a house more than just a physical shelter? The old swing on the front porch? The garden in the backyard? The wall clock passed down through generations? We all have furniture, knick-knacks, and other items that represent for us joys (...) and pains, triumphs and tragedies, and the history of our presence in the world. William Frederking takes his own home in Oak Park, Illinois, as the site of such personal talismans, exploring through his photographs the intangible essence of the things that transform a house into a home. In striking black-and-white still-life portraits, Frederking captures the small and large elements that define the spirit of his home, as well as revealing why the home is at the heart of the American dream. Home is a place where objects become enlivened and symbolic—a newspaper lying askew on the kitchen table, a fluffy bedspread spilling through the iron lattice of a bedframe, a staircase spiraling down into mysterious shadows—and thus affirm our existence. Everything we buy or touch, renovate or borrow becomes a mark of our selves, and these marks are nowhere more concentrated than in the home. Frederking’s powerful visual sequence examines the simple backdrop that anchors our complicated lives—and ourselves. A moving photographic chronicle of the materials that shape the home, At Home offers an intimate and graceful meditation on the fragments and ephemera that help us navigate the world. (shrink)

Los historiadores queery los activistas tienen una relación particular con la historia de la Unión Soviética. Un vínculo que ha sido moldeado por las políticas de la Guerra Fría y el ascenso, en primera instancia en el mundo anglo-americano, del movimiento de liberación gay. Para los militantes de izquierda, saber que el primer Estado socialista del mundo sancionó políticas sexuales radicales ha sido un talismán y una guía. La despenalización de la homosexualidad masculina, caratulada como sodomía, en los primeros años (...) de la Rusia revolucionaria, fue uno de los cambios más radicales en las leyes criminales, familiares y de propiedad que marcaron la llegada de los bolcheviques al poder. La eliminación de las regulaciones religiosas y reaccionarias del régimen zarista sobre la sexualidad ha sido presentada como el punto de referencia de las políticas sexuales progresistas. Siguiendo esa lectura, la re-penalización por parte del gobierno soviético de la sodomía durante 1933-34 es interpretada como una “tendencia reaccionaria” de la mano del régimen de Joseph Stalin, una degeneración del presumiblemente socialismo legítimo de Vladimir Lenin (o León Trotsky). Nuestras narrativas también presentan al cambio en la legislación de la homosexualidad masculina durante los convulsionados años de 1930 a través del prisma de las relaciones internacionales. Esta perspectiva recurre fuertemente al trabajo del reformista sexual freudiano y marxista Wilhem Reich, quien en 1936 publicó una acusación de la represión de los homosexuales soviéticos. (shrink)

In this essay, Chris Higgins sets out to disentangle the tradition of humane learning from contemporary distinctions and debates. The first section demonstrates how a bloated and incoherent “humanism” now functions primarily as a talisman or a target, that is, as a prompt to choose sides. It closes with the image of Doris Salcedo's Shibboleth, suggesting that humanism is more like the uncertain footing of Salcedo's fissure than the footholds on either side. The second section suggests that this “alien humanism” (...) is hiding in plain sight, requiring us only to read an inch beyond the poster-ready copy fueling the polemics. Even a cursory glance at the texts from which these epitomes are drawn — from Terence's “Nothing human is foreign to me,” through Shakespeare's “What a piece of work is a man,” to Arnold's “The best of what has been thought and said” — is enough to reconnect us with a tradition stranger and more dynamic than that portrayed by boosters and knockers alike. The third section explores the tensions between the research university and the tradition of humane letters it has come to house, arguing that it will not do to escape this rancor by hiding behind the functionalist, and ultimately circular, term “humanist,” defined as one who does research in the humanities. The final section shows that if this older tradition pulls away, to some extent, from the modern humanities, it simultaneously embraces scientific and professional fields, as demonstrated by the long tradition of the physician-humanist. (shrink)

En la época islámica, Apolonio de Tiana (15-100 d.C.) era conocido tanto como “Señor de los talismanes” (ṣāḥib al-ṭilasmāt), así como filósofo neopitagórico y hermético. En su Kitāb al-Aḥŷār, Ŷabir b. Ḥayyān habla de “los defensores musulmanes de Apolonio” (aṣḥāb Balīnās al-Islāmīyūn). La referencia muestra que el trabajo más prominente de Apolonio, Sirr al-jalīqa, ya era famoso en el mundo de habla árabe desde muy temprano. Este artículo proporciona una visión general de las citas de Apolonio en las fuentes islámicas (...) de diferentes campos y de las obras, generalmente, atribuidas a él. Además, reviso en Sirr al-jalīqa, sus influencias en las obras ŷābirianas y su recepción en la tradición ismailí. Este artículo aborda además el comentario árabe de Sirr aljalīqa de ‘Awn b. al-Munḏir (IV/X), conservado en un manuscrito único, y cuya traducción persa era hasta ahora desconocida. Dicha traducción cubre fragmentos del trabajo de Ibn al-Munḏir, no disponibles en árabe, y, por lo tanto, es una fuente sustancial para la historia de la alquimia islámica. Una edición de la traducción persa se presenta como apéndice. (shrink)

The Choicebetween writing and livingchoosing the latteris simply naturalthough you don't always havea choice—so said the womanchosen by the formerif the second is more naturalwhy do I keep being thrown to the shorefrom the water whereI am a fishon the landI am catching my breathwith respiration inspirationwriting with my tail on the sanduntil I'm washed up into livingby the waveagainyou do have a choicebut you always make the wrong one2018The Serpent of SilenceFriday evening. There's nothing left to talk about.A silver-headed (...) serpent of silence slithers out.You warm it, let it sparkle on your breast,spreading the fragile cavities of language with its body.The ones that escape don't hurry to acquire possessions,the smaller and lighter the load, the faster the steps.Don't admit what was said hurts you, burns you,the blossoming wrinkles around your mouth hardly noticeable.Embrace me. A thousand sentences crawl toward the light—and rush down, flying apart in all directions, like arrows.I pretend that I don't notice the serpentthat encircles your neck with iron rings.2018Then the Poems ComeThen the poems come and stand at the door like children,asking for bread. Asking to be led out into the light.Bread crumbs scattered. What should I give you, little ones?Days are going through a countdown like soldiers do.I pull the rusty blade of language from my throat.What should I treat you to? A cutout from my calf again?I can't shove them into the oven, fairytale-like, or abandon them.Just embrace them carefully, these large-eyed calamities.Kiss them on the forehead, like those who have gone too soon,lying like seeds in the earth that hasn't been plowed,with rabid holes that are screaming into space.Stop asking for food, you should finally grow up.There's a long road ahead in the tunnel along the rail spines.What's this light? On the horizon, wheat is burning.2022On a Knife's EdgeThe voice of a bird is a breath in the fluteof time, the stalk of a reed.How much longer should wind catch us, how longmust our shadows be carried on his wings?How long must we follow the paths of the deadwhich are like a noose or a talisman?Burdened, trudging thousands of kilometers—they lead us astray from new roads ahead.Not a single day of solitude or quiet,peace—on a knife's edge.We are mountains. And we would grow taller,if no one interfered.We would grow rebelliously far and wideand cast rays of sunlight all around.The flowers of strawberries. The path smells of steps.The oak swallows the light from graves.2020. (shrink)

As an enterprise centred in human experiences, philosophy must acknowledge its history and find its way from that history to define the future of humanity. Inter-philosophical dialogue is an attempt to metaphorically dialogue with that history with a view to creating better understanding across cultures. In this essay, I seek to examine the nature and foundations of inter-philosophical dialogue from an African standpoint. Not only is dialogue the defining element of philosophy, but it is also integral to what it means (...) to be human. I am convinced that inter-philosophical dialogue is critical to the future wellbeing of the world and that of humanity in particular. However, in celebrating its promise, we should not be oblivious to the fact that, being a talismanic concept, dialogue can be manipulated to mask and smooth over the hegemony that still defines the world. The world continues to face the dangers of an ethnocentric rationalism which seeks to measure the legitimacy all other traditions of life and thought in terms of standards set by one dominant tradition. (shrink)

The article analyzes the role of the dragon culture for the preservation of national unity and spiritual strength of the Chinese people. The author raises the question of the reasons why the dragon culture remains in demand in the modern rational world, in the age of science and technology development. The answer to this question is the thesis about the uniqueness of Chinese culture, which lies in the philosophy of symbiosis, when the mythological culture of the dragon and scientific rationalism (...) coexist and successfully develop. The dragon is depicted as a powerful being with infinite strength and courage, acting as a talisman, a symbol of protecting people from disasters. Therefore, the dragon culture reflects the veneration of strength, courage, and confidence in Chinese traditional values. The dragon is often seen as a symbol of harmony in Chinese traditional culture, embodying the idea of the unity of heaven and man. The article uses general scientific and special research methods, including document analysis, historical research, classification, comparative research method and semiotic analysis. The novelty of the research lies in the analysis of the reception of the image of the dragon in Chinese culture in the aspect of the philosophy of symbiosis. The author's special contribution to the research of the topic is to analyze the status, role and evolution of dragon culture in Chinese traditional culture from antiquity to the present day, as well as to identify the modern significance and role of dragon culture in modern society. The main conclusion of the study is that the image of the dragon provides a symbiotic relationship between the scientific, rational thinking of modern man and the mythological archetypes preserved in the collective consciousness. Dragon culture reflects the importance of traditional cultural values, national spirit and national identity in China. (shrink)

It is acknowledged that most motifs used in Western art have an iconographic counterpart. It is inferred that the geometric and floral motifs that we encounter in Anatolia are provided by the world meanings such as “ornamentation”, “talisman”, “power” or “strength”, which have a wide place in folk beliefs, rather than creating a meaning by combining with religious images. In this study, it is focused that on the minaret of the Ibrahim Efendi Mosque in Kilis with the Seal of Solomon (...) motif, which has been used on area of usage in Turkish-Islamic arts, from architectural surfaces to wall paintings, from manuscripts to under-glass paintings. According to the data provided by historical sources, the first work that has existed till now was built by Hacı İbrahim, the son of Hacı Mustafa, one of the residents of Kızılca township. For an unknown reason, a large part of the building was demolished and a second building group was built over time. According to the inscription, the second building group refers to a building group called “the New Mosque”, which was rebuilt in 1831 by Mehmet Pasha, the son of Mehmet Ali Pasha (1769-1849), the Governor of Egypt, who was the Governor of Aleppo. Since only the minaret has existed from the second building group, which consisted of a madrasah-mosque combination, which was demolished over time, this single work is also called “orphan minaret” among the people. In this study, it is emphasized that on the Seal of Solomon motif and the ornamentation of the building, which is especially concentrated in the minaret balcony section. The general acceptance of the six-armed star motif on the pedestal and its usage areas in different works within the Turkish motif tradition were emphasized, and the difference of this motif from the six-armed star, which has a symbolic context in the Jewish faith as Magen David, was determined. The visual data obtained during the survey, archival sources and literature on the structure are based on the documentation method. (shrink)

Beyond the dragon of the tales, reduced to its function as an adversary, most Celtic dragons are linked to a site, most often in relation to the water regime: flood plains, confluences, torrents (the Drac). In Christianised versions, a saint, rather than exterminating them, is responsible for leading them back to their maritime or underground origin. Princes use it differently. Their confrontation with the dragon is a qualifying fight wich allows them to appropriate the monster’s strength. Represented on their sword (...) or their shield, or even integrated into their name (Uther Pendragon), the dragon becomes a talisman. Cities and nations (Wales) make it their emblem. In time, dragons are linked to the four great Celtic calendar festivals. The fight of two dragons, split ouroboros, symbolises the two seasons of the year, alternately dark and light. In space, the dragon maintains a privileged relationship with the notion of central place, leading back to the problem of the omphaloi (Delphi) or the Gallic Mediolanum. At the astronomical level, the constellation of the Dragon, where the Greeks saw the metamorphosis of the dragon (and the river) Ladon, becomes in Breton Avank Du, “the black Beaver”, allowing us to imagine a monstrous beaver blocking the waters as the Vedic Vrtra. Active in the three functions, present at the three levels of the world in verticality, the Celtic dragon thus joins its congeners from other mythologies, attesting to its immemorial origin. (shrink)

The balance between creative thinking and creative scholarship is a hard one to achieve, partly because the lure to be original is in conflict with the desire to be fair to the insights of past thinkers and partly because one can never be quite sure whether his scholarship is mere pedantry or actually constitutes significant discovery. In his essay, “On Books and Reading,” Schopenhauer distinguishes those who have “read themselves stupid” from those who take time to ruminate and set their (...) own thoughts to work. “A spring never free from the pressure of some foreign body at last loses its elasticity,” he writes, “and so does the mind if other people’s thoughts are constantly forced upon it.” Thomas Hobbes once observed that if he had read as much as other persons of his acquaintance he would have known no more than they. But the trouble is that if one does not read enough of what others have thought, he may repeat mistakes they made or turn down some cul-de-sac which is not worth exploring or is profoundly trivial. More common in philosophy is the arrogant upstart who has fastened onto some formula which he treats as a talisman enabling him to decide what to ignore and what to study. For a time, there were some philosophers who thought that anyone before Hume was not worth reading, and there are still a few who think anyone following in the footsteps of Descartes must surely be wrongheaded. (shrink)

Originally published in Mexico in 1970, _Indigenous and Popular Thinking in América _is the first book by the Argentine philosopher Rodolfo Kusch to be translated into English. At its core is a binary created by colonization and the devaluation of indigenous practices and cosmologies: an opposition between the technologies and rationalities of European modernity and the popular mode of thinking, which is deeply tied to Indian ways of knowing and being. Arguing that this binary cuts through América, Kusch seeks to (...) identify and recover the indigenous and popular way of thinking, which he contends is dismissed or misunderstood by many urban Argentines, including leftist intellectuals. _Indigenous and Popular Thinking in América_ is a record of Kusch's attempt to immerse himself in the indigenous ways of knowing and being. At first glance, his methodology resembles ethnography. He speaks with and observes indigenous people and mestizos in Peru, Bolivia, and Argentina. He questions them about their agricultural practices and economic decisions; he observes rituals; he asks women in the market the meaning of indigenous talismans; he interviews shamans; he describes the spatial arrangement and the contents of shrines, altars, and temples; and he reproduces diagrams of archaeological sites, which he then interprets at length. Yet he does not present a "them" to a putative "us." Instead, he offers an inroad to a way of thinking and being that does not follow the logic or fit into the categories of Western social science and philosophy. In his introduction, Walter D. Mignolo discusses Kusch's work and its relation to that of other twentieth-century intellectuals, Argentine history, and contemporary scholarship on the subaltern and decoloniality. (shrink)

Originally published in Mexico in 1970, _Indigenous and Popular Thinking in América _is the first book by the Argentine philosopher Rodolfo Kusch to be translated into English. At its core is a binary created by colonization and the devaluation of indigenous practices and cosmologies: an opposition between the technologies and rationalities of European modernity and the popular mode of thinking, which is deeply tied to Indian ways of knowing and being. Arguing that this binary cuts through América, Kusch seeks to (...) identify and recover the indigenous and popular way of thinking, which he contends is dismissed or misunderstood by many urban Argentines, including leftist intellectuals. _Indigenous and Popular Thinking in América_ is a record of Kusch's attempt to immerse himself in the indigenous ways of knowing and being. At first glance, his methodology resembles ethnography. He speaks with and observes indigenous people and mestizos in Peru, Bolivia, and Argentina. He questions them about their agricultural practices and economic decisions; he observes rituals; he asks women in the market the meaning of indigenous talismans; he interviews shamans; he describes the spatial arrangement and the contents of shrines, altars, and temples; and he reproduces diagrams of archaeological sites, which he then interprets at length. Yet he does not present a "them" to a putative "us." Instead, he offers an inroad to a way of thinking and being that does not follow the logic or fit into the categories of Western social science and philosophy. In his introduction, Walter D. Mignolo discusses Kusch's work and its relation to that of other twentieth-century intellectuals, Argentine history, and contemporary scholarship on the subaltern and decoloniality. (shrink)

They live in a world swirling in mist and darkness¿.Their mission is to tempt, tease, and seduce as they mesmerize us with their promise of taking our desires to the ultimate limit Dark Obsession For three centuries, Benjamin Bartlett¿s desire for blood¿and for the woman who granted him eternity¿has consumed him. But when he discovers a group of four people taking refuge in his home after their van breaks down, he¿s immediately drawn to Star Reid¿and soon she drives him over (...) the edge in a white-hot lust that won¿t be denied Blood Lust Vampire Christopher Marsh has searched for years for the talisman that could make him mortal again and give him the chance to fall in love. On the archeological dig he¿s supervising, beautiful professor Nicole Stephenson reminds him daily of what he wants but can¿t have. But when he abandons all control and gives in to his explosive desires, his quest takes on more urgency¿for he can¿t lose the woman he¿s been waiting so long for. (shrink)

The paper discusses the new ‘Croesus’s dedication’ from Thebes. It argues that we should read this inscription independently from Herodotus text, and, thus, suggests a different restoration for lines 4–5 based on contemporary epigraphic forms. The article also examines why the shield of Croesus can cause marvel. It situates the epigram in the context of traditions about Croesus’s dedications in general, as well as traditions about other powerful objects. The power of the shield that Croesus has dedicated is not, I (...) argue, that of a talismanic object, in the sense that its viewing has the power to affect the attitudes of the worshippers. Such traditions seem to be late in Greek culture. The shield of Croesus in the epigram is instrumental in confirming the power of Apollo Ismenios and making the truthfulness of his oracle manifest. (shrink)

Appearing on the food landscape in the 2010s, “Buddha bowls” are a meal consisting of healthy food elements artfully arranged. This name carries with it a notable spiritual significance, allowing buyers to feel as though they are consuming something more elevated than an average meal. The kind of Buddhism that is consumed here is related to exotic choices and health secrets from the Orient. Discourse around Buddha bowls shows a limited grasp of the religion’s actual history or practices, including frequent (...) confusion between Gautama Buddha and the Chan figure Budai. What is more important in the spiritual dimension of this meal is the sense of elevation and the power of the ascetic choice in an obesogenic consumer environment. Buddha bowls also feed into a “healthist” society where neoliberal self-governance places responsibility for health on the individual and their own choices. By making a healthy choice, a person can feel safe and protect against harm and pollution to the body. In this way, Buddha bowls also perform a common religious role by warding off danger like a talisman. While they offer little towards an exploration of Buddhist history and global praxis, the Buddha bowl has much to reveal about neoliberal spiritual landscapes. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Omissions and Chronological ComplexitiesJyoti Mohan (bio)The stated purpose of Chinese and Indian Ways of Thinking in Early Modern European Philosophy: The Reception and the Exclusion by Selusi Ambrogio is "to examine the European understanding of China and India within the histories of philosophy from 1600 to 1744."1 Specifically, Ambrogio sets out to investigate the antecedents of the "othering" of non-Western philosophies. How far back did the notion go, that (...) non-Western philosophies were inferior? While Ambrogio often extends his argument to non-Western philosophies in general, in this monograph he examines only what he defines as "orientalist" philosophies—the philosophies of India and China. Since Ambrogio is investigating the histories of philosophy written in Europe, this choice makes sense: India and China were the two philosophical giants that most European philosophers needed to include in their works in order to claim to be universalist. No philosopher who wrote about world philosophies—and by extension no historian of philosophy—could ignore India and China, whether it was to dismiss the philosophies emanating from these geographic regions as inferior, or to extol them as proof that Europe was not the birthplace of "original thought."Ambrogio has chosen a time span from 1600 to 1744 c.e. to represent "the year 1600 … [,] the publication of Barbaricae philosophae antiquitatum by Otto van Heurn[,] and 1744[,] the year of the publication of the last book of the Historia critica by Jakob Brucker."2 Within the limits of this time [End Page 220] span, Ambrogio examines the work of several scholars who included Indian and Chinese philosophies in their "world histories of philosophies" and delineates three major historiographical trends. His rationale for ending his study with Brucker's work is that after this eighteenth-century opus, "Asians were usually excluded from the histories of philosophy."3 This time span seems puzzling to me. I know that most, if not all, of the authors Ambrogio cites had successors in their individual traditions well into the nineteenth century, if not the twentieth. While many histories of philosophy focused solely on the Western and classical traditions (as they did during the period under review by Ambrogio as well), the work of historians and scholars on Orientalist philosophies continued to multiply. To the extent that Ambrogio diligently studies his sources and constructs his argument, his work is commendable, but as a historian my questions for Ambrogio have to do with the underlying rationale for the time span he has chosen, and, by that extension, by the choices of his sources. Below I collect evidence that Asians continue to be included in the histories of philosophy past 1744, and in so doing suggest that this fact has an impact on his historiographical model.For instance, I would like to understand why, in his choice of sources, he has omitted all colonial works, especially since he engages with the argument that descriptions and understandings of Indian and Chinese philosophies were meditated through lenses of proselytization and of conquest. Granted, he is beginning with historians of philosophy, but as the eighteenth and nineteenth centuries progressed, historians also diversified their writings—as Ambrogio acknowledges—into histories of religion for instance. The connections between, and descriptions of, non-Western religions and philosophies were so muddled that it is impossible to separate them, save by attending to the titles of individual authors' works as being about religion or philosophy, respectively.The contents of such works are so closely related, at least in the Indian context, that contemporary historians, especially of the colonial period and of Indology, do not quibble over whether these works are about religion or philosophy. For instance, Paul Masson-Oursel wrote in 1923 that the development of Indian philosophy was integral to and proceeded alongside the development of religion.4 Systems of philosophical thought in India operated within larger systems of religious practice. Based on this model, Masson-Oursel describes the development of Indian philosophy as proceeding from the needs of religion. So, for example, he theorized that the mix of an Indo-Iranian religion and a pastoral, fire-worshipping people with an older indigenous Dravidian culture of agriculture, Goddess worship, and belief in amulets, spells, talismans, and other... (shrink)

This paper deals with different textual versions of the important Mandaic magic scroll called Zarazta ḏ-Hibil Ziua. There are around thirteen manuscripts in different Western collections that attest to the text of this talisman. These manuscripts reveal great diversity. The general textual scope and literary structure of each manuscript are investigated. This allows an initial grouping of the texts into several text-types. The textual groupings are evaluated in light of various sorts of meta-textual data: the headings of the manuscripts, editorial (...) comments, and colophons. As a result, a working hypothesis about the possible relationship among different texts-types and the possible literary evolution of the work is suggested. (shrink)

In Heavy Time psychogeographer Sonia Overall takes to the old pilgrim roads, navigating a route from Canterbury to Walsingham via London and her home town of Ely. Vivid in her evocation of a landscape of ancient chapels, ruined farms and suburban follies, Overall's secular pilgrimage elevates the ordinary, collecting roadside objects -- feathers, a bingo card, a worn penny -- as relics. Facing injury and interruption, she takes the path of the lone woman walker, seeking out 'thin places' where past (...) and present collide, and where new ways of living might begin. 'It is a talisman of a book. Heavy Time doesn't just describe a pilgrimage, it becomes one, for both writer and reader. It is an invitation to resist 'busyness', to think of ourselves as explorers, to seek out 'the everyday divine'. It has sent me out looking for 'thin places: pockets in the landscape where the membrane is so tightly stretched that other worlds might shine through.' Beautiful and essential.' - Helen Mort. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:A Modern Maistre. The Social and Political Thought of Joseph de MaistreAbraham AndersonOwen Bradley. A Modern Maistre. The Social and Political Thought of Joseph de Maistre. Lincoln: University of Nebraska Press, 1999. Pp. 320. $55.00.In A Modern Maistre, Owen Bradley has sought to defend both the theoretical penetration and the practical wisdom of Joseph de Maistre, most famous of all "reactionaries" or royalist opponents of the French Revolution. (...) Bradley's own explicit philosophical premises are those of the contemporary academic Left—the blend of Foucault, Adorno, and other authors commonly known as "theory." He defends Maistre's claims on our attention partly by pointing to the kinship between the latter's critique of the Enlightenment and that of Foucault, Adorno, et al. Further, Bradley reminds us of the intimate relation between anti-revolutionary thought and historicism, here understood as the doctrine that new climates of belief and social arrangements always have their roots in what precedes them. In this as in other respects he allows us to see the kinship between the thought of Maistre and that of his younger and more liberal contemporary Tocqueville.Maistre was, moreover, a seminal thinker for the French tradition of sociology whose best-known representatives are Comte and Durkheim, and which, like him, was concerned above all with the religious conditions of social order. Maistre was himself a disciple not just of Vico's New Science but of Plato's Republic and Laws, works equally preoccupied with this topic. One of the most interesting themes of the book, in fact, is Maistre's concern with political theology.Maistre was particularly attracted, Bradley shows, to the neo-Platonic and possibly heterodox theology of Origen. The neo-Platonic emphasis on symbols, talismans, and cosmic hierarchy, according to Bradley, helped Maistre formulate his criticism of the "mechanical philosophy" of the Cartesian Enlightenment, the metaphysical premise, according to Maistre, of the Revolution. Maistre, Bradley shows us, argued against the Enlightenment's attempt to replace a politics dependent on faith with one based on modern science partly by showing that modern science itself has its roots in mysticism, magic, and enthusiasm. The Enlightenment, which understood itself as entirely secular in spirit, was ruled by a project of salvation descended from ancient gnosticism. As the gnostics sought salvation through the rejection of the world of creation, the Enlighteners sought political salvation through a rejection of all traditions and institutions, a project which culminated in the Jacobin Terror.But political violence, in Maistre's view, does not stem from theological error alone. According to Maistre, "sacrifice" in the larger sense is central to all human societies. The problem of political order is in large part how to channel the impulse to collective cruelty, which is necessary to political order but can be restrained or allowed to run [End Page 287] wild. Politics is largely theater and symbol; the wise use of these elements is indispensable for taming the love of violence.Maistre's famous assertion of the authority of the Pope is not, Bradley insists, a formula for theocracy; rather, the preservation of a spiritual power distinct from and independent of the sovereign serves to check tyranny without subverting sovereignty (132). Such a spiritual power is necessary partly to preserve "unity of fables, which will never happen without unity of doctrine and authority" (195).Maistre's interest in political theology is continuous with an interest in the political significance of cosmology. Every society, Maistre held, including the Enlightenment, has a view of the cosmos to which its conception of society precisely corresponds. Maistre himself seeks to inflect modern cosmology in various ways. Like Tocqueville and Vico, Maistre uses the doctrine of historical forces to propound a teaching on Providence. The Jacobins themselves, Maistre asserts, were instruments of Providence. Far from emancipating mankind, the Revolution "abruptly shortened" the "chain that binds man" within his proper bounds (215).Bradley does Maistre a valuable service by criticizing misinterpretations of his thought by later defenders of extra-constitutional authority, like Maurras and Carl Schmitt; Maistre himself, Bradley shows, was deeply concerned to preserve constitutional legitimacy and opposed absolutism. Bradley's most interesting chapter is his last one, on Maistre... (shrink)

« Notre monde recèle autant de possibilités immenses que de gigantesques échecs. »La gauche détient les clefs pour redonner un avenir à la France et à l’Europe. Plus de solidarité, plus d’égalité, plus de règles, plus de respect de l’autre et le retour du sens de l’intérêt général face à l’argent roi sont les talismans du progrès retrouvé. Le combat politique avec..