The discrete light-cone quantization (DLCQ) of a supersymmetric gauge theory in 1+1 dimensions is discussed, with particular attention given to the inclusion of the gauge zero mode. Interestingly, the notorious “zero-mode” problem is now tractable because of special supersymmetric cancellations. In particular, we show that anomalous zero-mode contributions to the currents are absent, in contrast to what is observed in the nonsupersymmetric case. An analysis of the vacuum structure is provided by deriving the effective quantum mechanical Hamiltonian of the gauge (...) zero mode. It is shown that the inclusion of the zero modes of the adjoint scalars and fermions is crucial for probing the phase properties of the vacua. We find that the ground-state energy is zero and thus consistent with unbroken supersymmetry and conclude that the light-cone Fock vacuum is unchanged with or without the presence of matter fields. (shrink)

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is (...) to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture.There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness.As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental. (shrink)

Certain general ideas come up repeatedly, in various guises, when contemporary poetry is discussed. One of these might be described as the question of what, if anything, is our social responsibility as poets.That is, there are things writers owe the art of poetry—work, perhaps. And in a sense there are things writers owe themselves—emotional truthfulness, attention toward one’s own feelings. But what, if anything, can a poet be said to owe other people in general, considered as a community? For what (...) is the poet answerable? This is a more immediate—though more limited—way of putting the question than such familiar terms as “political poetry.”Another recurring topic is what might be called Poetry Gloom. I mean that sourness and kvetching that sometimes come into our feelings about our art: the mysterious disaffections, the querulous doubts, the dispirited mood in which we ask ourselves, has contemporary poetry gone downhill, does anyone at all read it, has poetry become a mere hobby, do only one’s friends do it well, and so forth. This matter often comes up in the form of questions about the “popularity” or “audience” of poetry.Possibly the appetite for poetry really was greater in the good old days, in other societies. After the total disaster at Syracuse, when the Athenians, their great imperialist adventure failed, were being massacred, or branded as slaves with the image of a horse burned into the forehead, a few were saved for the sake of Euripides, whose work, it seems, was well thought of by the Syracusans. “Many of the captives who got safe back to Athens,” writes Plutarch,Are said, after they reached home, to have gone and made their acknowledgments to Euripides, relating how some of them had been released from their slavery by teaching what they could remember of his poems and others, when straggling after the fight, had been relieved with meat and drink for repeating some of his lyrics. Robert Pinsky teaches at the University of California, Berkeley. His most recent book of poems, History of My Heart, was awarded the William Carlos Williams Prize. His other books include Sadness and Happiness, An Explanation of America, and a volume of criticism, The Situation of Poetry. Mindwheel, his narrative entertainment for computer, has been issued by Brøderbund Software. (shrink)

EDITORS' INTRODUCTION Perhaps the single most broadly unifying feature of the early new archaeology was the demand that archaeologists not take the aims and ...

To prepare for the Other: this is the mission of ethics. Future Present: Ethics and/as Science Fiction fuses contemporary philosophy from Heidegger, Derrida, Levinas, and others with cultural texts preoccupied with the future arrival of an Other: science fiction. We peer through the lens of science fiction with the help of H. G. Wells, Walt Disney, Star Trek, David Cronenberg, Philip K. Dick, and many others, in search of a theory of ethics that leaves open the possibility of the Other (...) and encourages empathy, which is necessary for survival in our multicultural world. (shrink)

Ocherk 1. Voprosy ontologii -- Ocherk 2. Voprosy ėtiki i ėstetiki -- Ocherk 3. Voprosy gnoseologii i aksiologii.

Prologue, invitation to thinking about God In the Hebrew Bible? -- Part I, questions about God? -- Why does God in the Bible have a body? -- What do God's body parts in the Bible mean? -- Why is God angry in the Bible? -- Does God in the Bible have gender or sexuality? -- Part II, questions about God in the world? -- What can creation tell us about God? -- Who-or what-is the Satan? -- Why do people suffer (...) according to the Hebrew Bible? -- Epilogue, God in the Bible and beyond. (shrink)

Many books explain what is known about the universe. This book investigates what cannot be known. Rather than exploring the amazing facts that science, mathematics, and reason have revealed to us, this work studies what science, mathematics, and reason tell us cannot be revealed. In The Outer Limits of Reason, Noson Yanofsky considers what cannot be predicted, described, or known, and what will never be understood. He discusses the limitations of computers, physics, logic, and our own thought processes. Yanofsky describes (...) simple tasks that would take computers trillions of centuries to complete and other problems that computers can never solve; perfectly formed English sentences that make no sense; different levels of infinity; the bizarre world of the quantum; the relevance of relativity theory; the causes of chaos theory; math problems that cannot be solved by normal means; and statements that are true but cannot be proven. He explains the limitations of our intuitions about the world -- our ideas about space, time, and motion, and the complex relationship between the knower and the known. Moving from the concrete to the abstract, from problems of everyday language to straightforward philosophical questions to the formalities of physics and mathematics, Yanofsky demonstrates a myriad of unsolvable problems and paradoxes. Exploring the various limitations of our knowledge, he shows that many of these limitations have a similar pattern and that by investigating these patterns, we can better understand the structure and limitations of reason itself. Yanofsky even attempts to look beyond the borders of reason to see what, if anything, is out there. (shrink)

This chapter develops a perceptual solution to the epistemological problem of other minds, relying on central ideas from Maurice Merleau-Ponty's phenomenology. The Merleau-Pontian account is contrasted with another attempted perceptual solution to the other minds problem, and it is argued that only the former meets the phenomenologists' desideratum of providing an alternative to inferential solutions. The chapter also provides responses to various objections to the perceptual solution, including a pair of objections recently put forward by Alec Hyslop.

Richard Janko's acclaimed translation of Aristotle's _Poetics_ is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko's translations with notes of both the _Tractatus Coislinianus_, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle’s dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably reliable, elegantly readable (...) presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

Study of Hans-Georg Gadamer's and Julius Stenzel's interpretations of Plato.

Treatise, with commentaries, on Navya-Nyāya philosophy.