A genuine Copernican turn in Kantian and Marxist theory and practice.

Inspired by recent theorization by Dreier and Lave concerning situated perspectives on learning, I illuminate learning of international graduate students in a science lab in Japan as trajectories of participation in multi-layered activities and various mutually constituted occasions, and as crossing of multiple communities of practice. By doing so, I describe trajectories of participation as unique and multiple ways characteristic of individual participants instead of as a linear process from newcomer to old-timer or from peripheral to full participation in a (...) community of practice. Identity formation is also reformulated as discovering and constituting one’s unique self through crossing multiple communities of practice rather than merely as becoming a member in a community of practice. Further, I show that identity formation may be regarded not merely as adjusting the relationship among multiple communities within individuals, but as the practice of organizing new linkages among communities and of reconstituting communities of practice. (shrink)

In _Isonomia and the Origins of Philosophy_—published originally in Japanese and now available in four languages—Kojin Karatani questions the idealization of ancient Athens as the source of philosophy and democracy by placing the origins instead in Ionia, a set of Greek colonies located in present-day Turkey. Contrasting Athenian democracy with Ionian isonomia—a system based on non-rule and a lack of social divisions whereby equality is realized through the freedom to immigrate—Karatani shows how early Greek thinkers from Heraclitus to (...) Pythagoras were inseparably linked to the isonomia of their Ionian origins, not democracy. He finds in isonomia a model for how an egalitarian society not driven by class antagonism might be put into practice, and resituates Socrates's work and that of his intellectual heirs as the last philosophical attempts to practice isonomia's utopic potentials. Karatani subtly interrogates the democratic commitments of Western philosophy from within and argues that the key to transcending their contradictions lies not in Athenian democracy, with its echoes of imperialism, slavery, and exclusion, but in the openness of isonomia. (shrink)

Kojin Karatani, one of Japan's most influential thinkers, wrote the essays collected in History and Repetition during a period of radical historical change, triggered by the collapse of the Cold War order and the death of the Sh?wa emperor ...

L’attitude que Soseki a définie comme étant fondamentale à l’écriture du shaseibun est ce que Freud nomme «humour». Par ailleurs, l’humour en tant qu’un «sens du monde» devrait être distingué du carnavalesque selon Bakhtin. Pour Freud, la plaisanterie, en tant qu’une «contribution au comique au moyen de l’inconscient», doit être différenciée de l’humour, «la contribution faite par le comique par l’intermédiaire du surmoi». Pour moi l’humour peut entretenir quelque rapport à la psychose et le shaseibun de Soseki peut être lié (...) à une sorte de souffrance qui ne peut facilement guérir à l’aide de plaisanteries ou de la catharsis tragique. Ce n’est pas la souffrance de la névrose, mais de la psychose. C’est la souffrance de la personne moderne. Et pourtant elle ne peut être totalement racontée dans le style du roman moderne. Selon les normes de la littérature moderne, les longs romans de Soseki sont des échecs. Et pourtant, il n’y a aucune raison pour nous de voir les romans de Soseki comme des échecs. Ils ont constitué, bien plutôt, la lutte de Soseki contre le type de fiction par laquelle la littérature moderne cherchait à résoudre et à trouver la synthèse pour de tels dérapages. (shrink)

In Japan, most residents with Hansen’s disease live in dedicated sanatoria because of an established quarantine policy, even after being cured of the primary disease. They suffer from secondary diseases and are advancing in age, and advance care planning is increasingly crucial for them to live their lives with dignity in a sanatorium. In this study, we have three aims: to understand how to promote communication about their wishes for medical treatment, care, and recuperation; to identify required assistance; and to (...) explore how to promote ACP in a sanatorium. This study is a qualitative research conducted through semi-structured interviews. The study included 57 ex-Hansen’s disease patients and 66 staff from 10 facilities. Ex-Hansen’s disease patients were expected to consider ACP, but this was in the context of uncertainty about whether a sanatorium would close and whether there would be doctors to manage their needs. They reported being confused when staff rushed to confirm their advance directives, feeling that they were not provided with enough information before being approached. Barriers to promoting ACP were found to be insufficient of team-based care and information sharing, ex-Hansen’s disease patients’ weak interest in their end of life, and their conservative thoughts. We believe that ACP can be achieved by listening to the wishes of recovered patients through regular home care visits by nurses and everyday support by care workers. Furthermore, multidisciplinary coordination is urgently needed for promoting ACP. (shrink)

Nation and Aesthetics shows curious connections between nationalism and aesthetics through examining various fields such as art, language, and religion. This connection is not accidental, but inherent. Nation connects capitalism and the state, thus creating the problematic modern social formation of capital-nation-state.

アテネのデモクラシーは、自由ゆえに平等であった古代イオニアのイソノミア(無支配)の成功しなかった再建の企てであった。滅びゆくイソノミアを記憶し保持するものとしてイオニアの自然哲学を読み直し、アテネ中心 主義的に形成されたデモクラシーの神話を解体する。『世界史の構造』を経て初めてなった政治的想像力のみずみずしい刷新。.

As humans, we constantly change our movement strategies to adapt to changes in physical functions and the external environment. We have to walk very slowly in situations with a high risk of falling, such as walking on slippery ice, carrying an overflowing cup of water, or muscle weakness owing to aging or motor deficit. However, previous studies have shown that a normal gait pattern at low speeds results in reduced efficiency and stability in comparison with those at a normal speed. (...) Another possible strategy is to change the gait pattern from normal to step-to gait, in which the other foot is aligned with the first swing foot. However, the efficiency and stability of the step-to gait pattern at low speeds have not been investigated yet. Therefore, in this study, we compared the efficiency and stability of the normal and step-to gait patterns at intermediate, low, and very low speeds. Eleven healthy participants were asked to walk with a normal gait and step-to gait on a treadmill at five different speeds, ranging from very low to normal walking speed. The efficiency parameters and stability parameters were analyzed from the motion capture data and then compared for the two gait patterns. The results suggested that step-to gait had a more efficient gait pattern at very low speeds of 10–30 m/min, with a larger percent recovery, and was more stable at 10–60 m/min in comparison with a normal gait. However, the efficiency of the normal gait was better than that of the step-to gait pattern at 60 m/min. Therefore, step-to gait is effective in improving gait efficiency and stability when faced with situations that force us to walk slowly or hinder quick walking because of muscle weakness owing to aging or motor deficit along with a high risk of falling. (shrink)

Objective:This study aimed to investigate the effect of robot-assisted gait training therapy combined with non-invasive brain stimulation on lower limb function in patients with stroke and spinal cord injury.Data sourcesPubMed, Cochrane Central Register of Controlled Trials, Ovid MEDLINE, and Web of Science were searched.Study selectionRandomized controlled trials published as of 3 March 2021. RCTs evaluating RAGT combined with NIBS, such as transcranial direct current stimulation and repetitive transcranial magnetic stimulation, for lower limb function and activities in patients with stroke and (...) SCI were included.Data extractionTwo reviewers independently screened the records, extracted the data, and assessed the risk of bias.Data synthesisA meta-analysis of five studies and risk of bias were conducted. Pooled estimates demonstrated that RAGT combined with NIBS significantly improved lower limb function [standardized mean difference = 0.52; 95% confidence interval = 0.06–0.99] but not lower limb activities. Subgroup analyses also failed to find a greater improvement in lower limb function of RAGT with tDCS compared to sham stimulation. No significant differences between participant characteristics or types of NIBS were observed.ConclusionThis meta-analysis demonstrated that RAGT therapy in combination with NIBS was effective in patients with stroke and SCI. However, a greater improvement in lower limb function and activities were not observed using RAGT with tDCS compared to sham stimulation. (shrink)

At the time of the disintegration of “actually existing socialism” in the 1990s, it appeared that the inexorable flux of globalization was going to consume the nation-state. However, recent years have witnessed the increasing role of the states in both the Global North and South. The relationship between the state and capital is a frequently traversed subject, but what needs further illumination is the persistence of “many states” and its relation to capitalism as both a national and global formation. While (...) globalization of capital suggests a movement from multiplicity toward a dehistoricized abstraction, a global state has never been actualized. This implies that, unlike capital, the state cannot be dehistoricized or dedifferentiated; therefore, the only way to think about the state is to observe concrete, multiple states. In view of this difference and drawing on Nicos Poulantzas’s and Kōjin Karatani’s inquiries into the states system, this article examines the multi-state system as an internal and external limit to Marxist thought. (shrink)

In this article Kobayashi Toshiaki discusses the importance in all periods of Karatani’s oeuvre of the notion of an “exterior” that necessarily falls beyond the bounds of a system, together with the notion of “singularity” as that which cannot be contained within a “universal.” The existential dread vis-à-vis the uncanny other that Karatani in his early works of literary criticism had initially found to be the underlying tone in Sōseki’s works remained with Karatani himself throughout his career (...) and is what had drawn him closer to philosophy. This sense of the “exterior” to—or other than—the normality of consciousness and the meaningfulness of the world is then extended and applied as the “exterior to systems” in his analyses of logical, mathematical, and linguistic systems, in his reading of Marx’s discussion of capitalist economics, and most recently in his analysis of commodity exchange between communities. (shrink)

Japanese philosopher and literary critic, Kōjin Karatani, introduces a ‘third position’ that seeks to correct the limitations of post-modern thought and the problems of global capitalism. By restoring Kant’s ‘transcendental’ as the methodological basis for capturing the structural interstice between different theoretical positions, Karatani’s ‘third position’ allows for a re-introduction of Marxism in addressing the circulation of the capital-nation-state trifecta and its relationship to ideological superstructures operating within a closed discursive space. Many years earlier, Nishida Kitarō, the father (...) of the Kyoto School, had also developed a ‘third position,’ except that this standpoint seeks to overcome the cultural-philosophical logics of ‘Eastern’ and ‘Western’ thought. As Nishida claims, Western epistemologies cannot be converted into universal standpoints because they fail to make visible the conditions that both precede and structure contradictory categories. In this paper, I will discuss and evaluate the strengths and weaknesses of Nishida’s and Karatani’s standpoint of the ‘third.’. (shrink)

Kojin Karatani dünya tarihi üzerine yaptığı çalışmalarda, İyonya’da, M.Ö. 6. ve 5. yüzyıllarda, bugün izi silinmiş bir yönetim biçimi olduğunu öne sürdüğü, hareket serbestliğine dayalı göçebe bir toplum modelini ortaya koyan izonominin (hükmetmenin olmaması) söz konusu olduğunu, aynı tarihlerde, Atina’nın ise demokrasiyle yönetildiğini iddia eder. Karatani yaptığı bu radikal karşılaştırmayı, kendi mübadele tarzları teorisinde de belli bir çerçeveye yerleştirerek, Sokrates’in izonominin son temsilcisi olduğunu; öğrencisi Platon’un ise Pythagorasçılardan filozof-kral fikrini edinmiş, Devlet diyaloğunda Sokrates üzerinden bu fikri savunmuş olduğunu (...) ileri sürer. Karatani bu iddiasını gerekçelendirmek üzere; Sokrates ve Platon arasındaki felsefi ilişkide, izonomiyi temsil ettiğini ileri sürdüğü Sokrates’i İyonya felsefesine; Platon’u ise Pythagoras’a yaklaştırarak, dolayısıyla bu iki filozofu birbirinden ayırarak okumayı dener. Bu makalede, çeşitli Antik Yunan kaynaklarında; örneğin Herodotos’ta, demokrasiyle eş anlamlı kullanılabilen izonominin, esasen çok-anlamlı bir kavram olduğu ve Antik Yunan politik tarihinde demokrasiye yön veren ilkelerden birini teşkil ettiği gösterilecektir. Thukydides’in bize aktardığına göre, oligarşik politik rejimlerde de izonomiye rastlarız. Fakat bu durumda da demokrasi modeline yakın olduğu ölçüde, oligarşilerin izonomik olduğu görülmektedir. Bu makalede, Karatani’nin bir yönetim biçimi anlamıyla kullandığı izonominin, yalnızca İyonya’da gerçekleştiği sonucuna varmanın spekülatif olduğu ortaya konacak, Karatani’nin projesini İyonya’ya uygulama gerekçesi irdelenerek, bunun için izlediği stratejiler analiz edilecektir. Karatani’nin Platon okumasında, Devlet diyaloğuna doğrudan odaklanmayan, bunun yerine dönemin dramatik dönüşümlerini merkeze alan bir okuma yaptığı ileri sürülecek; Yasalar’da ve Mektuplar’da izonomik bir politik rejim üzerine tartışma yürüten Platon’un izonomiyi ve demokrasiyi nasıl anladığını görmenin yolunun, filozof-kral fikrinin dile getirildiği Devlet diyaloğuna bakmaktan geçtiği gösterilecektir. Platon’un demokrasiden hoşnutsuzluğunun izonomiyle karşıtlığı üzerinden anlaşılamayacağı, Platon’un, Karatani’nin iddia ettiği gibi demokrasi ve izonomi arasında keskin bir ayrım yapmadığı ortaya konacaktır. Sonuç olarak izonominin ayrı bir yönetim biçimi değil, demokrasiyle ilişkili bir ilke olduğu savunulacaktır. (shrink)

Kojin Karatani wrote the essays in _History and Repetition_ during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events (...) as a series of repeated forms forged in the transitional moments of global capitalism. _History and Repetition_ cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of _History and Repetition_ into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of _The Eighteenth Brumaire of Louis Bonaparte_, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history. (shrink)

Kojin Karatani's Transcritique introduces a startlingly new dimension to Immanuel Kant's transcendental critique by using Kant to read Karl Marx and Marx to read Kant. In a direct challenge to standard academic approaches to both thinkers, Karatani's transcritical readings discover the ethical roots of socialism in Kant's Critique of Pure Reason and a Kantian critique of money in Marx's Capital.Karatani reads Kant as a philosopher who sought to wrest metaphysics from the discredited realm of theoretical dogma in (...) order to restore it to its proper place in the sphere of ethics and praxis. With this as his own critical model, he then presents a reading of Marx that attempts to liberate Marxism from longstanding Marxist and socialist presuppositions in order to locate a solid theoretical basis for a positive activism capable of gradually superseding the trinity of Capital-Nation-State. (shrink)

Kojin Karatani's Transcritique introduces a startlingly new dimension to Immanuel Kant's transcendental critique by using Kant to read Karl Marx and Marx to read Kant. In a direct challenge to standard academic approaches to both thinkers, Karatani's transcritical readings discover the ethical roots of socialism in Kant's Critique of Pure Reason and a Kantian critique of money in Marx's Capital.Karatani reads Kant as a philosopher who sought to wrest metaphysics from the discredited realm of theoretical dogma in (...) order to restore it to its proper place in the sphere of ethics and praxis. With this as his own critical model, he then presents a reading of Marx that attempts to liberate Marxism from longstanding Marxist and socialist presuppositions in order to locate a solid theoretical basis for a positive activism capable of gradually superseding the trinity of Capital-Nation-State. (shrink)

In his formidable Transcritique: On Kant and Marx, Kojin Karatani endeavors to assert the critical potential of an in-between stance which he calls the “parallaxview”: when confronted with an antinomic stance, in the precise Kantian sense of the term, one should renounce all attempts to reduce one aspect to the other. One should, on the contrary, assert antinomy as irreducible, and conceive the point of radical critique not as a certain determinate position as opposed to another position, but as (...) the irreducible gap between the positions themselves, the purely structural interstice between them. Kant’s stance is thus “to see things neither from his own viewpoint, nor from the viewpoint of others, but to face the reality that is exposed through difference .” What Kant does is to change the very terms of the debate; his solution—the transcendental turn—is unique in that it first rejects any ontological closure: it recognizes a certain fundamental and irreducible limitation of the human condition, which is why the two poles, rational and sensual, active and passive, cannot ever be fully mediated—reconciled. And, according to Karatani, Marx, in his “critique of political economy,” when faced with the opposition of the “classical” political economy and the neo-classic reduction of value to a purely relational entity without substance, accomplished exactly the same breakthrough toward the “parallax” view: he treatedthis opposition as a Kantian antinomy, i.e., value has to originate outside circulation, in production, and in circulation. (shrink)

Not only as value, but also as surplus -- The will to enjoyment -- Jouissance at arms length -- From surplus-value to surplus-jouissance -- The unbearable lightness of being the proletariat -- Karatani's wager -- On shame and subversion -- From subject to politics -- Democracy under duress -- Dialectical materialism as parallax -- Vicissitudes of subtraction -- The invisible rabbit inside the hat -- Though this be madness, yet there is method in it?

In his formidable Transcritique: On Kant and Marx, Kojin Karatani endeavors to assert the critical potential of an in-between stance which he calls the “parallaxview”: when confronted with an antinomic stance, in the precise Kantian sense of the term, one should renounce all attempts to reduce one aspect to the other. One should, on the contrary, assert antinomy as irreducible, and conceive the point of radical critique not as a certain determinate position as opposed to another position, but as (...) the irreducible gap between the positions themselves, the purely structural interstice between them. Kant’s stance is thus “to see things neither from his own viewpoint, nor from the viewpoint of others, but to face the reality that is exposed through difference (parallax).” What Kant does is to change the very terms of the debate; his solution—the transcendental turn—is unique in that it first rejects any ontological closure: it recognizes a certain fundamental and irreducible limitation (“finitude”) of the human condition, which is why the two poles, rational and sensual, active and passive, cannot ever be fully mediated—reconciled. And, according to Karatani, Marx, in his “critique of political economy,” when faced with the opposition of the “classical” political economy and the neo-classic reduction of value to a purely relational entity without substance, accomplished exactly the same breakthrough toward the “parallax” view: he treatedthis opposition as a Kantian antinomy, i.e., value has to originate outside circulation, in production, and in circulation. (shrink)

In his formidable Transcritique: On Kant and Marx, Kojin Karatani endeavors to assert the critical potential of an in-between stance which he calls the “parallaxview”: when confronted with an antinomic stance, in the precise Kantian sense of the term, one should renounce all attempts to reduce one aspect to the other. One should, on the contrary, assert antinomy as irreducible, and conceive the point of radical critique not as a certain determinate position as opposed to another position, but as (...) the irreducible gap between the positions themselves, the purely structural interstice between them. Kant’s stance is thus “to see things neither from his own viewpoint, nor from the viewpoint of others, but to face the reality that is exposed through difference (parallax).” What Kant does is to change the very terms of the debate; his solution—the transcendental turn—is unique in that it first rejects any ontological closure: it recognizes a certain fundamental and irreducible limitation (“finitude”) of the human condition, which is why the two poles, rational and sensual, active and passive, cannot ever be fully mediated—reconciled. And, according to Karatani, Marx, in his “critique of political economy,” when faced with the opposition of the “classical” political economy and the neo-classic reduction of value to a purely relational entity without substance, accomplished exactly the same breakthrough toward the “parallax” view: he treatedthis opposition as a Kantian antinomy, i.e., value has to originate outside circulation, in production, and in circulation. (shrink)

This article considers what it means to give plants a voice as witnesses to nuclear events. It examines two texts that attempt to represent the nonverbal testimony of irradiated plants through a hybrid approach of text and image: Sugihara Rieko’s Pilgrimage to the A-Bombed Trees (Hibakuju junrei, 2015) and Michael Marder and Anaïs Tondeur’s The Chernobyl Herbarium: Fragments of an Exploded Consciousness (2016). Published a year apart, both texts focus on the afterlife of nuclear catastrophes: the atomic bombing of (...) Hiroshima in 1945 and the Chernobyl nuclear disaster in 1986. Sugihara’s book is an account of the hibakujumoku – trees that survived the atomic bombing of Hiroshima and continue to produce new growth to this day. Combining maps, photographs, interviews, and short essays, Pilgrimage to the A-Bombed Trees is intended as an immersive guidebook to the nearly 170 irradiated trees located within a two-kilometer radius around Hiroshima’s ground zero. It presents these trees as “living witnesses” whose subsequent flourishing has provided human survivors with a conceptual figuration of destructive plasticity. Marder and Tondeur’s The Chernobyl Herbarium formally resembles Sugihara’s Pilgrimage to the A-Bombed Trees, and likewise combines text (a combination of short theoretical essays and personal remembrances of the Chernobyl meltdown) and images (Tondeur’s photograms of plants grown in the exclusion zone) into a slim volume that calls for a rejection of language as the sole means of bearing witness. According to Marder, Tondeur’s photograms “bring out the testimony of the plant,” and yet the same procedure renders these plant witnesses “specimens,” full of radioactivity but devoid of life (something Sugihara’s book avoids through the medium of photography). The Chernobyl Herbarium is an attempt to capture, in fragmentary form, the limits of language in the conceptualization of plant life and in the proper conceptualization of the Chernobyl disaster. Ultimately, both texts are experiments to “think the unthinkable and represent the unrepresentable,” to borrow Marder’s words, through a deep, speculative engagement with the botanical realm. As wordless testimony is given voice through human–botanical intra-action, the plasticity of plant life (its capacity to adapt and change) is highlighted, and this allows us to locate moments of phytomorphism – the attribution of vegetal qualities to the human – in these two self-proclaimed “guidebooks.”. (shrink)

My knowledge of architecture is constrained to a coupler of idiosyncratic data: my love for Ayn Rand and her architecture-novel The Fountainhead; my admiration of the Stalinist “wedding-cake” baroque kitsch; my dream of a house composed only of secondary spaces and places of passage – stairs, corridors, toilets, store-rooms, kitchen – with no living room or bedroom. The danger that I am courting is thus that what I will say will oscillate between the two extremes of unfounded speculations and what (...) most is already known for a long time. I would like to begin with the notion of parallax which I took from Kojin Karatani. The common definition of parallax is: the apparent displacement of an object, caused by a change in observational position that provides a new line of sight. The philosophical twist to be added, of course, is that the observed difference is not simply “subjective,” due to the fact that the same object which exists “out there” is seen from two different stations, or points of view. It is rather that, as Hegel would have put it, subject and object are inherently “mediated,” so that an “epistemological” shift in the subject’s point of view always reflects an “ontological” shift in the object itself. When confronted with such a parallax gap, one should renounce all attempts to reduce one aspect to the other ; the task is, on the contrary, to conceive all possible positions as responses to a certain underlying deadlock or antagonism, as so many attempts to resolve this deadlock… and this already brings us to so-called postmodern architecture which, sometimes, seems to enact the notion of parallax in a directly-palpable way. Think about Liebeskind or Gehry: their work often appears as a desperate attempt to combine two incompatible structuring principles within the same building, as if two principles are locked in a struggle for hegemony. (shrink)

This paper delves into the dispute surrounding “overcoming modernity” in Japanese philosophy, which arose before and during Japan’s Pacific War (the “Greater East Asia War”) in the late 1930s and its impact on the postwar period. Nishida Kitarō’s philosophy provided the foundation for “overcoming modernity,” and the “Oriental” logic of “nothing” emerged as a counterpoint to the rationalist spirit of the West. This logic has persisted from the postwar period to the present day via postmodernism. Takeuchi Yoshimi and Hiromatsu Wataru, (...) both discussed in this paper, played a crucial role in the discussions about this issue in the postwar era. Mainly, this paper focuses on the state of philosophy in Japan during the 1970 and 1980 s, highlighting the divergence in thinking about “nothing” by examining Nakamura Yūjirō and Karatani Kōjin. Focusing on these two thinkers shows that “nothing” transformed into a diverging movement in this period. Additionally, this paper explores the intellectual continuity between the 1930 and 1960 s that paved the way for this era. Through these historical reflections, the paper sheds light on the divergence between the ideas of “nothing” relating to capitalism and those relating to life systems, which occurred in the deeper layer of the intellectual culture of this period (1970-1980 s). This divergence is generally overlooked as a resistance of the “postmodernist” or “new academism” in Japan against the modernist intellectual tides. The purpose of this paper is to offer a fresh perspective on the historical evolution of Japanese philosophy in terms of “nothing”. (shrink)

Drawing on an array of sources, from Deleuze and Guattari’s philosophy through to non-philosophy, this paper concerns itself with the manifestation of the concepts of hope and despair in utopian thought and continental philosophy and the experience of hopelessness, despair and exhaustion in the contemporary moment. I aim to demonstrate such pressing concerns through a comparison of Japanese philosopher Kojin Karatani and Japanese fiction writer Ryū Murakami with the American science fiction-thriller film directed by Michael Bay, The Island. What (...) is explored in these works is the dialectic of exhaustion and possibility. The focus of the paper is on the fecund moment inhering in the incapacity of thought to think the possibility of utopia. In terms of the philosophy of education, this hones in on the perceived lack of vision of such a possibility among youth and the failure of the university qua institution to proffer an alternative world to its cohort. To demon... (shrink)

As humanity continues to consume planetary resources at an unsustainable rate, we require not only new and renewable forms of energy but also new ways of understanding energy itself. Clayton Crockett offers an innovative philosophy of energy that cuts across a number of leading-edge disciplines. Drawing from contemporary philosophies of New Materialism, non-Western traditions, and the sciences, he develops a comprehensive vision of energy as a material process spanning physics, biology, politics, ecology, and religion. Crockett argues that change is foundational (...) to material reality, which is ceaselessly self-organizing. We can observe energy’s effects in the operations of natural selection as well as those at work in human societies. Matter and energy are not an oppositional binary; rather, they are expressions of how change functions in the universe. Ultimately, Crockett argues, we can conceive of God neither as a deity nor as a being but as the principle of change. Informed by cutting-edge theoretical discourses in thermodynamics, science studies, energy humanities, systems theory, continental philosophy, and radical theology, Energy and Change draws on theorists such as Gilles Deleuze, Catherine Malabou, Slavoj Žižek, Karen Barad, Bruno Latour, and Kojin Karatani as well as ideas about spirituality, society, and nature from Amerindian, Vodou, and Neo-Confucian traditions. A foundational work in New Materialist philosophy of religion, this book offers compelling new insights into the structure of the cosmos and our place in it. (shrink)

From 1993-96, artist Rainer Ganahl held six reading seminars with six different bibliographies in six different countries and entitled this public project; "IMPORTED -- A READING SEMINAR, Or How to Reinvent the Coffee Table: 25 Books for Instant Use." Imported -- A Reading Seminar is an extension of that project and gathers together a collection of texts with the common theme of import. For this volume, Ganahl invited a series of authors who have an intimate relation with each country he (...) visited to contribute texts or interviews addressing the consequences of exchange, globalization, nationalism, multinationalism, Orientalism, Eurocentrism, tourism, languages, theory, desires, identity, and politics from a variety of perspectives.The interview between Kojin Karatani and Sabu Kohso, included in this volume, addresses important economical and political aspects along with its instrumentality in the construction of nations and of race consciousness; Bill Arning's text demonstrates how the author came to understand through his experience as a curator that sexuality always has a specific cultural context; Coco Fusco deals with issues of prostitution in socialist countries now in the process of transition to capitalism; dealing with displacement of collective identities and their representation, Sami Naïr asks the question: What is it to be Arab? And Sylvere Lotringer: How can one become a foreigner in a foreign country. The resulting volume includes texts in English, Japanese, Russian, German, and French by nineteen different authors. Knowledge of a foreign language helps, but is not necessary. Along with those already mentioned included are texts by Julia Kristeva, Gayatri Spivak, Edward Said, Zeigam Azizov, Lisa Adkins, Dan Bacalzo, Benjamin Buchloh, Karen Kelsky, Dana Leonard, Edward Soja, Victor Tupitsyn, Wulf Schmidt-Wulfen. (shrink)

Este ensayo intenta mostrar las posibilidades analíticas del concepto de pausa sugerido por Estanislao Zuleta, a partir de su lectura del capítulo 1 de El Capital de Marx. Enlazándolo con desarrollos recientes de Kojin Karatani y Slavoj Zizek, muestra que el concepto de pausa –equivalente al de brecha o salto mortal de los dos últimos– introduce la emergencia de muchos mundos posibles en la metamorfosis de las mercancías en dinero, estableciendo la posibilidad permanente de la crisis. En consecuencia, ni (...) las crisis conducen a la revolución política, ni ésta puede detener la reproducción del capital: la revolución es una tarea de todos los días. (shrink)

AfterTranscritique: On Kant and Marx, Karatani Kōjin’s new bookThe Structure of World Historypresents another engagement with Marxian theory from a ‘heterodox’ standpoint. In this book, rather than viewingThe Structure of World Historyfrom the aspect of mode of production in the conventional ‘Marxist’ sense, Karatani shifts perspective to the modes of exchange. To this end, Karatani appropriates what he sees as Marx’s emphasis on ‘exchange’. In the present essay, by looking at the textual evidence, I critically evaluate whether (...) this appropriation of Marx’s theory is justified. I furthermore contend that Karatani’s reading of the concepts of value, money, capital, and surplus-value from the standpoint of ‘exchange’ arises from a grave misconstrual of Marx’s critical intent. Accordingly, Karatani neglects the critique of exploitation and the systematic production of poverty that informs the basic assumptions of Marx’s analysis of the capitalist mode of production. (shrink)

In the wave of critical theory's recent turn to ethics, Karatani's transcritique and Eagleton's ethics of agape have emerged as two of the most outstanding attempts to reinstate morality at the centre of Marx's analysis of capitalist society. This article argues that, in spite of their merits in repositioning the normative generalizations of the moral discourse within the context of Marx's political economy, both theories share certain fundamental flaws which are inherent in the very meaning of the possibility of (...) moral action in a wrong society. By taking Karatani's transcritique as a sample of what Christoph Menke names `rational morality' and Eagleton's revival of classical morality as a variant of `virtue ethics', it is shown that they are both amenable to Adorno's charge that wrong life cannot be lived rightly. Finally, it is contended that what Adorno's criticism indicates is that, when it most matters in real situations, morality always reveals its political overdetermination. Key Words: Theodor Adorno • critical theory • dialectics • Terry Eagleton • Kojin Karatani • rational morality • totality • transcendental • transcritique • virtue ethics. (shrink)

In this paper, I present some preliminary reconsiderations on the interconnection between Nishida Kitarō’s later logic and his political philosophy. These reconsiderations will form the core of an essay in which I intend to use Karatani Kōjin’s remarks concerning a certain “Leibniz-syndrome” in twentieth-century political thought as a starting point for a more in-depth inquiry into Nishida’s philosophy, as an expression of the contradictions and aporias of global capitalist modernity.