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  1. Introducción.Montserrat Crespin Perales & Fernando Wirtz - 2023 - In Crespín Perales, Montserrat, y Wirtz, Fernando (eds.), Después de la nada. Dialéctica e ideología en la filosofía japonesa contemporánea, Barcelona, Herder, 2023. Barcelona (Spain): Herder. pp. 9-39.
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  2. Después de la nada: dialéctica e ideología en la filosofía japonesa contemporánea.Montserrat Crespin Perales & Fernando Wirtz (eds.) - 2023 - Barcelona, España: Herder.
    La recepción y comprensión de la filosofía japonesa en el contexto académico hispanohablante todavía carece de una estructura coherente. Después de la nada intenta corregir algunos sesgos persistentes y subyacentes en los libros disponibles en español sobre filosofía japonesa: el nacionalismo metodológico, el criterio en la selección de los autores y la categorización de la transmisión del conocimiento de figuras, escuelas o textos de la contemporaneidad filosófica en Japón. De este modo, el valioso aporte de esta obra no es solo (...)
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  3. Filosofía y pensamiento contemporáneo: Sincretismo japonés.Montserrat Crespin Perales - 2020 - In Julian Fernandez (ed.), Japón, el archipiélago de la cultura, Volumen I: Reino de Wa: Un intento de aproximación. pp. 135-207.
    1. Introducción. 2. Modernización, tradicionalismo y sincretismo en el pensamiento japonés contemporáneo. 3. Liberalismo, conservatismo y primeras corrientes socialistas y feministas (1868-1912): La modernidad filosófica en el Japón Meiji. El debate en torno al término «filosofía». Imperialismo e ilustración. Contexto del liberal-conservatismo. Los reformistas de Meirokusha: liberalismo, gradualismo y evolucionismo social. Conservadurismo: reacción a los peligros de la occidentalización y a la pérdida de identidad. Los prematuros movimientos socialistas, anarquistas y feministas. 4. Subjetividad e ideología (1912-1945): Kitaro Nishida y la (...)
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  4. The Quandary of Multiple States as an Internal and External Limit to Marxist Thought: From Poulantzas to Karatani.Baraneh Emadian - 2019 - Rethinking Marxism A Journal of Economics, Culture and Society 31 (1):72-92.
    At the time of the disintegration of “actually existing socialism” in the 1990s, it appeared that the inexorable flux of globalization was going to consume the nation-state. However, recent years have witnessed the increasing role of the states in both the Global North and South. The relationship between the state and capital is a frequently traversed subject, but what needs further illumination is the persistence of “many states” and its relation to capitalism as both a national and global formation. While (...)
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  5. Isonomia and the Origins of Philosophy.Kojin Karatani - 2017 - Durham: Duke University Press.
    In _Isonomia and the Origins of Philosophy_—published originally in Japanese and now available in four languages—Kojin Karatani questions the idealization of ancient Athens as the source of philosophy and democracy by placing the origins instead in Ionia, a set of Greek colonies located in present-day Turkey. Contrasting Athenian democracy with Ionian isonomia—a system based on non-rule and a lack of social divisions whereby equality is realized through the freedom to immigrate—Karatani shows how early Greek thinkers from Heraclitus to Pythagoras were (...)
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  6. Nation and Aesthetics: On Kant and Freud.Kōjin Karatani - 2017 - Oup Usa.
    Nation and Aesthetics shows curious connections between nationalism and aesthetics through examining various fields such as art, language, and religion. This connection is not accidental, but inherent. Nation connects capitalism and the state, thus creating the problematic modern social formation of capital-nation-state.
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  7. La filosofía japonesa en sus textos.Raquel Bouso, James Heisig, Thomas P. Kasulis & John Maraldo (eds.) - 2016 - Barcelona, España: Herder.
  8. Dünya Edebiyatında "Amansız Hastalık" Söylemi -Sontag, Karatani Ve Dumas Fils Ör.Devrim Çetin Güven - 2016 - Journal of Turkish Studies 11 (Volume 11 Issue 4):415-415.
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  9. Theory and Politics in Karatani Kōjin’s The Structure of World History.Kanishka Goonewardena - 2016 - Journal of Japanese Philosophy 4:77-105.
    First, this article seeks to demonstrate why Karatani Kōjin’s The Structure of World History offers a unique and pioneering contribution to Marxist theory in particular and radical thought more generally. In so doing, it examines Karatani’s key conceptual innovations that enable to him to open up a novel perspective on world history and propose a revolutionary political program—one drawing from Kantian anarchism as much as Marxian communism. Particular attention is paid to the central concept that Karatani deploys in this work—exchange (...)
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  10. Two Types of Mobility.Kōjin Karatani & Cheung Ching-Yuen - 2016 - Journal of Japanese Philosophy 4:3-15.
    Mobility is the key to overcoming the capital-nation-state. It can be divided into two types: the mobility of pastoral nomads and original hunter-gatherers. It is impossible for us to find a society of nomadic hunter-gatherers in today’s world, but we can have a thought experiment by observing existing wandering band societies. Yanagita Kunio is a thinker in Japan who drew attention to nomads. He has examined various types of nomads since his earlier years but is ridiculed for insisting on the (...)
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  11. The Shifting Other in Karatani Kōjin’s Philosophy.Toshiaki Kobayashi & John W. M. Krummel - 2016 - Journal of Japanese Philosophy 4:17-31.
    In this article Kobayashi Toshiaki discusses the importance in all periods of Karatani’s oeuvre of the notion of an “exterior” that necessarily falls beyond the bounds of a system, together with the notion of “singularity” as that which cannot be contained within a “universal.” The existential dread vis-à-vis the uncanny other that Karatani in his early works of literary criticism had initially found to be the underlying tone in Sōseki’s works remained with Karatani himself throughout his career and is what (...)
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  12. Kindai no chōkoku: sono senzen, senchū, sengo.Sadami Suzuki - 2015 - Tōkyō: Sakuhinsha.
  13. Japanese Philosophy: A Sourcebook.James W. Heisig, Thomas P. Kasulis & John C. Maraldo - 2011 - University of Hawaiʻi Press.
    This is a set of essays and translations that covers comprehensively all of Japanese philosophy.
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  14. History and Repetition.Kojin Karatani - 2011 - Columbia University Press.
    Kojin Karatani, one of Japan's most influential thinkers, wrote the essays collected in History and Repetition during a period of radical historical change, triggered by the collapse of the Cold War order and the death of the Sh?wa emperor ...
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  15. Karatani Kojin. La filosofía como intersticio, alteridad y proyección.Montserrat Crespin Perales - 2010 - la Ortiga: Revista Cuatrimestral de Arte, Literatura y Pensamiento 102:53-62.
    Karatani Kojin. La filosofía como intersticio, alteridad y proyección.
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  16. Karatani Kōjin’s World Republic: Possibilities and Perspectives.Boutry-Stadelmann Britta - 2009 - In Raquel Bouso & James W. Heisig (eds.), Frontiers of Japanese Philosophy 6: Confluences and Cross-Currents. Nanzan Institute for Religion & Culture. pp. 330-€“346.
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  17. Lacan's 'Real' and Karatani's 'Transcritique'.Myoung Ah Shin - 2009 - International Journal of Žižek Studies 3 (2).
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  18. Nihongo to Nihon shisō: Motoori Norinaga, Nishida Kitarō, Mikami Akira, Karatani Kōjin.Makoto Asari - 2008 - Tōkyō: Fujiwara Shoten.
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  19. La disparition des genres.Kojin Karatani - 2008 - Laval Théologique et Philosophique 64 (2):387-396.
    The attitude defined by Sōseki as fundamental to the writing of shaseibun is what Freud calls “humour”. On the other hand, humour qua “sense of the world” should be distinguished from the carnavalesque according to Bakhtin. For Freud, the joke, qua “contribution to the comical by means of the unconscious” must be distinguished from humour, “the contribution of the comical through the superego”. For me, humour may entertain some rapport to psychosis and Sōseki’s shaseibun may be tied to a sort (...)
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  20. La disparition des genres.Karatani Kōjin - 2008 - Laval Théologique et Philosophique 64 (2):387-396.
    L’attitude que Soseki a définie comme étant fondamentale à l’écriture du shaseibun est ce que Freud nomme «humour». Par ailleurs, l’humour en tant qu’un «sens du monde» devrait être distingué du carnavalesque selon Bakhtin. Pour Freud, la plaisanterie, en tant qu’une «contribution au comique au moyen de l’inconscient», doit être différenciée de l’humour, «la contribution faite par le comique par l’intermédiaire du surmoi». Pour moi l’humour peut entretenir quelque rapport à la psychose et le shaseibun de Soseki peut être lié (...)
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  21. The Teaching/Telling Distinction Revisited.Yasushi Maruyama - 2006 - The Proceedings of the Twenty-First World Congress of Philosophy 4:93-97.
    Teaching has been one of the central themes in educational research. Not only empirical researchers of education but also philosophers of education inquire into the activity. Philosophers used to analyse the concept of teaching. The merely analytic approach, however, is no longer the main one in educational research. Will philosophical consideration of teaching, then, never contribute to our educational activity or any other activities in our life at all? In order to explore the possibilities for philosophical consideration of teaching, I (...)
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  22. Transcritique: On Kant and Marx, Kojin Karatani.Jeff Noonan - 2006 - Historical Materialism 14 (2):203-214.
  23. Transcritique: On Kant and Marx, Kojin Karatani.Jeff Noonan - 2006 - Historical Materialism 14 (2):203-214.
  24. Transcritique: On Kant and Marx.Sabu Kohso (ed.) - 2005 - MIT Press.
    Kojin Karatani's Transcritique introduces a startlingly new dimension to Immanuel Kant's transcendental critique by using Kant to read Karl Marx and Marx to read Kant. In a direct challenge to standard academic approaches to both thinkers, Karatani's transcritical readings discover the ethical roots of socialism in Kant's Critique of Pure Reason and a Kantian critique of money in Marx's Capital.Karatani reads Kant as a philosopher who sought to wrest metaphysics from the discredited realm of theoretical dogma in order to restore (...)
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  25. Karatani's Marxian parallax.Harry Harootunian - 2004 - Radical Philosophy 127:29-34.
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  26. Review of Kojin Karatani, Transcritique: On Kant and Marx[REVIEW]Hans-Herbert Kogler - 2004 - Notre Dame Philosophical Reviews 2004 (6).
  27. Transcritique on Kant and Marx.Kōjin Karatani - 2003 - Cambridge, Mass.: MIT Press.
  28. Transcritique: On Kant and Marx.Sabu Kohso (ed.) - 2003 - Cambridge, Mass.: MIT Press.
    Kojin Karatani's Transcritique introduces a startlingly new dimension to Immanuel Kant's transcendental critique by using Kant to read Karl Marx and Marx to read Kant. In a direct challenge to standard academic approaches to both thinkers, Karatani's transcritical readings discover the ethical roots of socialism in Kant's Critique of Pure Reason and a Kantian critique of money in Marx's Capital.Karatani reads Kant as a philosopher who sought to wrest metaphysics from the discredited realm of theoretical dogma in order to restore (...)
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  29. Karatani Kôjin: Ursprünge der japanischen Literatur. [REVIEW]Michaela Manke - 1999 - Philosophischer Literaturanzeiger 52 (3).
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  30. Wo liegt der Ursprung der Moderne?Kôjin Karatani & Steffi Richter - 1996 - Deutsche Zeitschrift für Philosophie 44 (6):1007-1020.
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  31. Ursprünge der modernen japanischen Literatur.Karatani Kōjin - 1996 - Nexus 34.
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  32. Origins of Modern Japanese Literature. [REVIEW]James O'Brien, Karatani Kōjin & Karatani Kojin - 1996 - Journal of the American Oriental Society 116 (2):371.
  33. Architecture as Metaphor: Language, Number, Money.Kojin Karatani - 1995 - MIT Press.
    In Architecture as Metaphor, Kojin Karatani detects a recurrent "will to architecture" that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics. Kojin Karatani, Japan's leading literary critic, is perhaps best known for his imaginative readings of Shakespeare, Soseki, Marx, Wittgenstein, and most recently Kant. His works, of which Origins of Modern Japanese Literature is the only one previously translated into English, are the generic equivalent to what (...)
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  34. ヒューモアとしての唯物論.Kōjin Karatani - 1991 - Tōkyō: Chikuma Shobō.
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