The ancient Taoist text that forms the central part of this book was discovered by Wilhelm, who recognized it as essentially a practical guide to the integration of personality. Foreword and Appendix by Carl Jung; illustrations. Translated by Cary F. Baynes.A Helen and Kurt Wolff Book.

Quanti cateurs Q1 et Q2 du type <1> sont faiblement indépendants si et seulement si Q1Q2(R) = Q2Q1(R1) pour toute relation- produit R. On donne une condition suf sante et nécessaire pour que deux quanti cateurs soient faiblement indépendants.

Rymarz, Richard A significant challenge facing the Catholic Church today is the breakdown in traditional catechetical structures such as the close connection between parish, school and family. A consequence of this is a decline in the number of pathways open to Catholics who wish to strengthen their religious commitment. In light of this a pertinent question is: How can new structures support catechesis? This paper explores the role that New Ecclesial Communities can play in catechesis in a changed cultural (...) milieu. A number of features of these groups are discussed in relation to supporting plausibility. Some of these features include the establishment of reinforcing boundaries and providing an ongoing sense of involvement in a supportive moral community. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 78-98 [Access article in PDF] Aesthetic Understanding as Informed Experience:The Role of Knowledge in Our Art Viewing Experiences Richard Lachapelle, Deborah Murray, and Sandy Neim [Figures] Thinking calls for images, and images contain thought. Therefore, the visual arts are a homeground of visual thinking. 1A common misconception about the nature of art and of aesthetic appreciation is that these activities are (...) essentially a question of "feeling," as if tuning in to the right feeling will automatically lead to a full understanding of the work of art. Another widespread misunderstanding essentially reduces art viewing to a simple question of perception, as if looking long and hard isalways enough to apprehend the work of art's message. Fortunately, a growing body of research into adults' art viewing experiences is debunking these widely held beliefs as oversimplifications of the art viewing process. We can now assert, with a good degree of certainty, that our art viewing experiences solicit four key areas: the affective, perceptual, communicative, and cognitive dimensions of human experiencing. 2 Therefore, we would be hard-pressed not to agree with Rudolph Arnheim's reflections, presented above, on the important role of thought in shaping our artistic and aesthetic experiences.While acknowledging at the outset the essential roles of affect, perception, and communication in our art viewing experiences, this paper focuses more specifically on aspects of the intellectual dimension of this experience. First, we will present and discuss a model that we have developed over the last several years. This model identifies the kinds of knowledge and learning involved in art viewing activities. Second, we will present the results of an empirical study conducted to provide support for the model. Finally we will briefly discuss the model's usefulness for the purposes of aesthetic education. [End Page 78] The Model of Aesthetic Understanding as Informed Experience The Model of Aesthetic Understanding as Informed Experience provides an explanation of the process of understanding and appreciating a work of art from an educational perspective: it identifies the types of knowledge involved and it also pinpoints the kinds of learning at each stage in the process leading to an understanding of the aesthetic object.In this model, the process of viewing and understanding a work of art is visualized as a two-phased type of informed experience. Through a process of experiential learning, the viewer first encounters the work of art and formulates an initial interpretation. Then, through a process involving theoretical learning, the viewer compares his or her first interpretation with a related body of external, scientific information. This second step in the learning process leads to a reconstruction of knowledge about the work of art. Tandem use of the two processes assists the viewer in furthering his or her understanding of the art object; it also promotes growth in his or her art viewing skills. In the course of each new encounter with an aesthetic object, the interplay of experiential and theoretical learning leads to additional development of the viewer's background knowledge in art, resulting in better preparedness to successfully engage the next work of art. 4 Theoretical Foundations of the Model Three different theories informed the development of the model. 5 By using anecdotal evidence obtained from a group of fifty-two museum professionals, Mihaly Csikszentmihalyi and Rick E.Robinson were able to identify the four major dimensions of aesthetic experience: intellect, communication, perception, and emotion. Each one of these dimensions constitutes, to some extent, a challenge that the work of art addresses to the viewer. According to these researchers, the intellectual dimension of aesthetic experience consists of all aspects of the viewer's attempts to use knowledge in order to find meaning in the work of art (TAS, 27-71). Csikszentmihalyi and Robinson also propose a model that describes the aesthetic encounter in terms of an interaction between the viewer, the work of art, and the artist. To this encounter, the viewer brings his skills in aesthetic appreciation; these may be... (shrink)

This is the first definitive account of Fruitlands, one of history’s most unsuccessful—but most significant—utopian experiments. It was established in Massachusetts in 1843 by Bronson Alcott and an Englishman called Charles Lane, under the watchful gaze of Emerson, Thoreau, and other New England intellectuals. Alcott and Lane developed their own version of the doctrine known as Transcendentalism, hoping to transform society and redeem the environment through a strict regime of veganism and celibacy. But physical suffering and emotional conflict—particularly between Lane (...) and Alcott’s wife, Abigail—made the community unsustainable. Drawing on the letters and diaries of those involved, Richard Francis explores the relationship between the complex philosophical beliefs held by Alcott, Lane, and their fellow idealists and their day-to-day lives. The result is a vivid and often very funny narrative of their travails, demonstrating the dilemmas and conflicts inherent to any utopian experiment and shedding light on a fascinating period of American history. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:PORTIA'S SUITORS by Richard Kuhns and Barbara Tovey I am always inclined to believe that Shakespeare has more allusions to particular facts and persons than his readers commonly suppose. —Samuel Johnson, "Merchant of Venice," Notes on Shakespeare's Plays. 66f\ver-name them," Portia says to Nerissa, "and as thou namest V^/them, I will describe them, and according to my description level at my affection." This passage in TL· Merchant of (...) Venice (Act I, Scene ii), where Portia describes her suitors, presents certain problems.1 To our knowledge interpreters have not addressed them. In the first place, the lengthy description ofthe discarded suitors serves no apparent function. The suitors play no role whatsoever in the subsequent development of the drama, and the protracted account of their failings retards rather than advances the action of the play. To be sure, Shakespeare wanted die audience to be aware that Portia had many suitors of high rank and from many different countries, but it was scarcely necessary for him to go to such lengths to make the point. In the second place, the denigration of the previous suitors in this scene does not accord with the account ofthem given by Bassanio when talking to Antonio in the first act: Nor is the wide world ignorant of her worth, For the four winds blow in from every coast Renowned suitors, and her sunny locks 325 326Philosophy and Literature Hang on her temples like a golden fleece, Which makes her seat of Belmont Colchos' strond, And many Jasons come in quest of her. (Li. 167-72) The suitors as described by Portia hardly deserve to be called "renowned," or to be referred to as "Jasons." The belittling of his competitors in this scene also has the undesirable effect of trivializing Bassanio 's achievement in Act III. Thirdly, there is something decidedly odd about the sort of failings attributed to the suitors by Portia. Had he so wished, Shakespeare could have utilized this passage to present a sort of catalogue of human frailties. One suitor might have been a representative of pride, another of avarice, another of envy, etc. But Shakespeare does nothing of the sort. With the exception of the German, who is a drunkard, the defects of the suitors can hardly be considered major vices. The Neapolitan Prince talks too much about his horse, the County Palatine frowns excessively, the French lord is an imitator of the others, the English baron is "oddly suited," and so on. Yet Shakespeare dwells at considerable length upon these more or less trivial failings. Now it may be suggested that Shakespeare, who is certainly deeply interested in national differences of character and behavior, may have inserted this discussion of the suitors into the play in order to provide himself with an opportunity for analysis of idiosyncratic national traits. The answer to this objection is simple. The characteristics ascribed to the suitors do not represent genuine or interesting national differences any more than they stand for major human vices. Is it true, as under this hypothesis Shakespeare would seem to be suggesting, that Neapolitans are fonder of horses than most other folk? Or that Frenchmen are particularly prone to imitating others? Or that Germans are uniquely predisposed to alcoholism? If not, we must admit that the discussion of the discarded suitors represents a puzzling and as yet unexplained digression. Commenting upon this scene, Samuel Johnson made a suggestion that we think merits serious consideration. Might it be the case that the suitors represent actual persons, whose descriptions give clues to their real identities? It is our suggestion that the six suitors make up a company of the most gifted, influential, and to Shakespeare—we suspect—the most interesting writers of the tradition in which he worked. These are the writers from whom he derived inspiration and plots. The question may Richard Kuhns and Barbara Tovey327 well be raised, as to why, if this is so, the suitors are depicted in such derogatory terms. We suggest that one very potent way in which to express the deepest gratitude and admiration is by means of a loving insult. This technique ofexpressing affection and indebtedness to one's literary mentors... (shrink)

Anuta is a small Polynesian community in the eastern Solomon Islands that has had minimal contact with outside cultural forces. Even at the end of the twentieth century, it remains one of the most traditional and isolated islands in the insular Pacific. In Oral Traditions of Anuta, Richard Feinberg offers a telling collection of Anutan historical narratives, including indigenous texts and English translations. This rich, thorough assemblage is the result of a collaborative project between Feinberg and a large cross-section (...) of the Anutan community that developed over a period of twenty-five years.The volume's emphasis is ethnographic, consisting of a number of texts as related by the island's most respected experts in matters of traditional history. Feinberg's annotations, which arm the reader with essential ethnographic and historical contexts, clarify important linguistic and cultural issues that arise from the stories. The texts themselves have important implications for the relationship of oral tradition to history and symbolic structures, and afford new evidence pertinent to Polynesian language sub-grouping. Further, they provide insight into a number of Anutan customs and preoccupations, while also suggesting certain widespread Polynesian practices dating back to the pre-contact and early contact periods. (shrink)

The scientist Richard Lovell Edgeworth, educated at Trinity College, Dublin, and Oxford, was known for his significant mechanical inventions. He was a Member of the Lunar Society of Birmingham, where he exchanged ideas with other scientists, including James Watt. However, Edgeworth was also greatly interested in education: drawing on his own experiences of raising twenty children, in 1788 he published, with his daughter, the poet Maria Edgeworth, his famous two-volume Practical Education. The work was very influential, and led to (...) this book, published in 1809, a series of essays on professional education, dealing with the nature of different occupations in a state. He discusses education for the professions, including the Church, the Army and the Law, but also refers to the education of statesmen, gentlemen and even princes. (shrink)

Students often study logic on the assumption that it provides a normative guide to reasoning in English. In particular, they are taught to associate connectives like “and” with counterparts in Sentential Logic. English conditionals go over to formulas with → as principal connective. The well-known difficulties that arise from such translation are not emphasized. The result is the conviction that ordinary reasoning is faulty when discordant with the usual representation in standard logic. Psychologists are particularly susceptible to this attitude.

An exploration into consciousness, the universe, and the nature of reality. Draws on transdimensional physics and biology, reincarnation and past-life memories, animal consciousness, multiple identities, thoughtforms, soul pictures, and paranormal phenomena like crop circles and poltergeists. Explores the riddle of personal identity and how it differs from consciousness. Reveals that consciousness is more than encompassing all that exists---it also speaks to what has yet to manifest.

Peter Singer does not think that eating meat is wrong in and of itself. The case he makes in Practical Ethics against the use of non-human animals for food consists of two connected arguments.1 It will be convenient to call them the Suffering Argument and the Killing Argument. The Suffering Argument is primarily an argument against factory farm- ing—the mass production of meat and animal products as it occurs in developed nations at least—and is well expressed by paraphrasing an explicit (...) argument Singer gives (230–231) concerning absolute poverty. (shrink)

本书评介了自柏拉图到罗兰·巴特的重要文艺思潮发展阶段以及这些阶段中的重要思想家,内容包括经典时代的文艺理论;中世纪文论;新古典主义的兴衰等.

One task of historians is to construct causal ascription of singular historicals between eminent historical events. For instance, the controversy resulting from the confusing butterfly ballot of Florida’s year 2000 presidential election cost Gore his presidency. However, to research into these matters is inevitably to appeal to counterfactual deliberation in an epistemic fashion because the past is fixed. One standard idea is Max Weber’s, Weber causation: “f was a cause of φ” is assertable iff “¬f □→ ¬φ” is assertable. Reiss (...) gives an exceptionally good analysis of this topic and outlines historians’ reasoning, claiming that backtracking analyses of counterfactual conditionals employed in historical thought experiments is the signature of historical study of causal ascription of singular historicals. Nevertheless, he concludes that it is very difficult to reach an uncontroversial ascription for this sort in most cases. For this reason, he proposes to find difference-making relations that will suffice. The objective of this paper is to provide a more fine-grained, intervention-based, backtracking analysis of counterfactual conditionals upon which a more satisfactory account of causal ascription of singular historicals can be given. Reiss’ account of difference-making relation will be shown to be unsatisfactory. Moreover, a formal ground of the epistemology of historical thought experiments can be given, along with the constraints of this account resultant from the semantic features of non-transitivity and strong centering of counterfactual conditionals. Finally, some epistemological points of causal ascription of singular historicals and historical thought experiments will be given. (shrink)

Wittgenstein’s laconic observation about self and history elicits thought about the interventions of history into our private consciousness. Although “the world” may end with the end of my consciousness, I could hardly claim that my consciousness exhausts the world, or that there are no presences, realities, objects, and events that do not come into my consciousness from elsewhere, creating for me a distinct ever-present awareness of mine and other, inner and outer, recollection and recognition. A plaintive refrain, similar to that (...) in Wittgenstein’s reflection, appears in much modern criticism that sets itself the task to understand and interpret works of art. Among such efforts there are theories whose main assumption is that a particular art, such as poetry, may indeed put forward a claim to the truth of an assertion, but it is not necessary to poetry as poetry that it asserts anything at all, and therefore it is irrelevant to poetry as poetry to be tested by reference to the world, to history, through the canons of verification and the principles of plausibility relevant to empirical inquiry. We might rewrite Wittgenstein’s aphorism this way: “What has poetry to do with the world? The poem is the first and only thing.”. (shrink)

This provocative book explores the difficulties surrounding the attempt to understand the relationship between literary and political discourse. It examines the initial formulation of these difficulties in Georgian Britain, and traces them through the cultural debates of the Victorian men of letters to the critical ideologies of the twentieth-century literary academy. Richard Bourke offers an incisive critique of the way in which the idea of Culture has been used as a means of resolving the failure to establish an adequate (...) theory of politics in the wake of the French Revolution. (shrink)

Visions and derisions of utopia -- Ernst Bloch and utopian critical theory -- Homo aestheticus -- Case study: Navajo design, culture and theology -- Archetypes, the unconscious and psychoanalysis -- Roger Fry and the language of form -- From Genesis to Job -- Homo absconditus.

Taking an innovative look at the origins of economics, this forward-thinking book relocates economics from a materialistic general theory of rational action into an idealistic theory of social organization and individual action. Adding new insightful analytical methods such as complexity theory, graph theory and computational modelling to the original insights of the Scottish Enlightenment, Richard Wagner explores economics in an ever-changing society, looking at the key civilizing processes and the important social questions. Rethinking Economics as Social Theory moves away (...) from the traditional review of analytical exercises and associated data and illustrates an enlightening scheme of thought where human societies are heterogeneous and not homogeneous and where change is continually in motion. Furthermore, Wagner theorises that economizing is a universal form of human action that plays out in numerous substantive directions and shows cooperation and conflict to have a yin-and-yang relationship. This illuminating book will prove an excellent resource for economists interested in working outside of comparative statics as well as social scientists looking for a broader vision of economics. Philosophers and those working in the field of biological sciences will also find this an informative read. (shrink)

Comparative case studies of lawyer deviance and discipline offer a unique perspective on how and why lawyers misbehave, how regulatory bodies respond, and the efficacy of those responses. Such studies also provide valuable pedagogic tools, opening the eyes of law students to the ways in which they, too, could transgress ethical rules. This special issue builds on my two books on misbehaving lawyers in New York and California by presenting vivid accounts of such lawyers in the UK, Canada, Australia, New (...) Zealand, and the Netherlands. (shrink)