110 found
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  1. The Thread of Life.Richard Wollheim - 1984 - Cambridge University Press.
    This book is based on the William James Lectures delivered at Harvard University in 1982. It offers a new approach to the philosophical understanding of a person, taking as fundamental the process of living as a person, and emphasising the continuity and development across time of an individual life.
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  2.  5
    Painting as an Art.Richard Wollheim - 1987 - Thames & Hudson.
    Explains the difference between pictorial and linguistic meaning, examines the works of Titian, Poussin, Ingres, Manet, Picasso, and de Kooning, and discusses art's psychological impact.
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  3. Art and its Objects.Richard Wollheim - 1968 - New York: Harper & Row.
    What defines a work of art and determines the way in which we respond to it?
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  4.  11
    Art and its Objects.Richard Wollheim - 1980 - Cambridge University Press.
    Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art. Presented in a fresh series livery for the twenty-first century, with a specially commissioned preface written by Richard Eldridge, illuminating its continuing importance and relevance to philosophical enquiry, Art and its Objects continues to be a perceptive and engaging introduction to the questions and philosophical issues raised by works of art and the part they (...)
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  5. On the Emotions.Richard Wollheim - 1999 - Yale University Press.
    Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ.
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  6.  55
    The Mind and its Depths.Richard Wollheim - 1993 - Harvard University Press.
    This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression.
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  7. On Pictorial Representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  8.  9
    Art and its Objects: With Six Supplementary Essays.Richard Wollheim - 1980 - Cambridge University Press.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
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  9. The Thread of Life.Richard Wollheim - 1984 - The Personalist Forum 1 (1):55-58.
     
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  10. On the Emotions.Richard Wollheim - 1999 - The Personalist Forum 15 (2):442-444.
     
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  11. On the Emotions.Richard Wollheim - 1999 - Journal of Aesthetics and Art Criticism 59 (3):336-337.
     
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  12. Imagination and Identification.Richard Wollheim - 1973 - Harvard University Press.
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  13.  35
    On Art and the Mind.Richard Wollheim - 1974 - Harvard University Press.
    Collected essays and lectures reflect the philosopher's belief in the relationship between art and the mind.
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  14. Equality.Richard Wollheim & Isaiah Berlin - 1956 - Proceedings of the Aristotelian Society 56:281--326.
  15.  20
    F. H. Bradley.Richard Wollheim - 1959 - Baltimore]Penguin Books.
  16.  56
    In Defense of Seeing-In.Richard Wollheim - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking Into Pictures. MIT Press. pp. 3--16.
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  17. Philosophical Essays on Freud.Richard Wollheim & James Hopkins (eds.) - 1982 - Cambridge University Press.
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  18.  17
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Proceedings of the Aristotelian Society, Supplementary Volumes 77:131-167.
    I offer two, complementary, accounts of the visual nature of representational picturing. One, in terms of six features of depiction, sets an explanatory task. The other, in terms of the experience to which depiction gives rise, promises to meet that need. Elsewhere I have offered an account of this experience that allows this promise to be fulfilled. I sketch that view, and defend it against Wollheim's claim that it cannot meet certain demands on a satisfactory account. I then turn to (...)
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  19. On Art and the Mind.Richard Wollheim - 1974 - Philosophy 50 (191):113-117.
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  20. What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131–147.
    [Richard Wollheim] Any experiential view of pictorial meaning will assign to each painting an appropriate experience through which its mean can be recovered. When the meaning is representational, what is the nature of the appropriate experience? If there is agreement that the experience is to be described as seeing-in, disagreement breaks out about how seeing-in is to be understood. This paper challenges two recent interpretations: one in terms of perceived resemblance, the other in terms of imagining seeing. Neither view gives (...)
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  21. Art and its Objects an Introduction to Aesthetics.Richard Wollheim - 1971 - Harper & Row.
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  22.  84
    John Stuart Mill and the Limits of State Action.Richard Wollheim - 1973 - Social Research: An International Quarterly 40 (1):1--30.
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  23.  71
    On Formalism and Pictorial Organization.Richard Wollheim - 2001 - Journal of Aesthetics and Art Criticism 59 (2):127–137.
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  24. The Bodily Ego.Richard Wollheim - 1982 - In Richard Wollheim & James Hopkins (eds.), Philosophical Essays on Freud. Cambridge University Press. pp. 124--138.
  25.  7
    What Makes Representational Painting Truly Visual?Richard Wollheim - 2003 - Supplement to the Proceedings of the Aristotelian Society 77 (1):131-147.
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  26. How Can One Person Represent Another?A. Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34:187-224.
  27. Art and Its Objects. An Introduction to Aesthetics.Richard Wollheim - 1969 - Philosophy 44 (170):350-351.
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  28.  70
    On the Freudian Unconscious.Richard Wollheim - 2003 - Proceedings and Addresses of the American Philosophical Association 77 (2):23--35.
  29. Art and Illusion.Richard Wollheim - 1963 - British Journal of Aesthetics 3 (1):15--37.
  30. Memory, Experiential Memory, and Personal Identity.Richard Wollheim - 1979 - In Graham F. Macdonald (ed.), Perception and Identity. Cornell University Press. pp. 186--234.
  31. On Persons and Their Lives.Richard Wollheim - 1980 - In A. O. Rorty (ed.), Explaining Emotions. Univ of California Pr. pp. 299--321.
     
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  32.  10
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Supplement 1:227-244.
    Whether the word ‘passion’, as indicating the suffering or affection from without of a soul, is by now no more than a dead metaphor, surviving from an antique conception of the mind; whether, indeed, there is any way open to us of determining the passivity or otherwise of our inner life, apart, that is, from how it strikes us, from how we are prompted to describe it, are not questions that I can take up this evening. It is enough for (...)
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  33. Natural Law.Richard Wollheim - 1967 - In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York: Macmillan. pp. 5--450.
     
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  34.  19
    I—Richard Wollheim.Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131-147.
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  35.  39
    A Note on Mimesis as Make-Believe. [REVIEW]Richard Wollheim - 1991 - Philosophy and Phenomenological Research 51 (2):401--406.
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  36.  81
    Nelson Goodman's Languages of Art.Richard Wollheim - 1970 - Journal of Philosophy 67 (16):531-539.
  37.  38
    Expression.Richard Wollheim - 1968 - Royal Institute of Philosophy Lectures 1:227-244.
    Whether the word ‘passion’, as indicating the suffering or affection from without of a soul, is by now no more than a dead metaphor, surviving from an antique conception of the mind; whether, indeed, there is any way open to us of determining the passivity or otherwise of our inner life, apart, that is, from how it strikes us, from how we are prompted to describe it, are not questions that I can take up this evening. It is enough for (...)
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  38.  48
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  39. Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Proceedings of the Aristotelian Society, Supplementary Volumes 60:19-60.
     
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  40.  86
    How Can One Person Represent Another?A. Phillips Griffiths & Richard Wollheim - 1960 - Aristotelian Society Supplementary Volume 34 (1):187-224.
  41. The Cabinet of Dr. Lacan.Richard Wollheim - 1991 - Topoi 10 (2):163--174.
    Obscurity is not the worst failing, and it is philistinism to pretend that it is. In a series of brilliant essays written over the last fifteen years Stanley Cavell has consistently argued that more important than the question whether obscurity could have been avoided is whether it affects our confidence in the author. Confidence raises the issue of intention, and I would have thought that the primary commitment of a psychoanalytic writer was to pass on, and (if he can) to (...)
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  42. Hume on Religion.David Hume & Richard Wollheim - 1963 - Collins.
  43. Crime, Sin and Mr. Justice Devlin.Richard Wollheim - 1959 - Encounter.
     
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  44.  6
    On the Emotions.Robert H. Haraldsson & Richard Wollheim - 2001 - Philosophical Review 110 (3):466.
    It is a daunting task to tell the story of the lives emotions lead, how they are rooted in the deeper folds of the person’s psyche and wax and wane over a lifetime. Wollheim’s book is at times a daring attempt to cast an analytic philosopher in the role of narrator of this fascinating but hard to follow story. Two related story lines run through his book. One repeatedly criticizes contemporary philosophers for turning a blind eye to the psychological reality (...)
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  45.  41
    Flawed Crystals: James's the Golden Bowl and the Plausibility of Literature as Moral Philosophy.Richard Wollheim - 1983 - New Literary History 15 (1):185--191.
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  46.  36
    The Core of Aesthetics.Richard Wollheim - 1991 - Journal of Aesthetic Education 25 (1):37--45.
  47.  22
    Representation: The Philosophical Contribution to Psychology.Richard Wollheim - 1977 - Critical Inquiry 3 (4):709--723.
    Armed with a theory of representation, or with answers to the two questions, What is a representation? and What is it to represent?, we might imagine ourselves approaching a putative representation and asking of it, Is it a representation?, and then, on the assumption that the answer is yes, going on to ask of it, What does it represent? Now, the answers that such questions receive might be called the applied answers of the theory that we are armed with. It (...)
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  48.  90
    Freud and the Understanding of Art.Richard Wollheim - 1970 - British Journal of Aesthetics 10 (3):211--224.
  49.  79
    Form, Elements and Modernity: Reply to Michael Podro.Richard Wollheim - 1966 - British Journal of Aesthetics 6 (4):339--345.
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  50.  70
    Review: Feeling and Form by Susanne K. Langer. [REVIEW]Richard Wollheim - 1955 - Burlington Magazine 97 (633):400--401.
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