It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book (...) is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. -/- It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. -/- The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors. (shrink)

1 La ressemblance comme problème philosophique transversal Personne ne nierait que les chats se ressemblent sous un grand nombre de rapports, ni ne douterait du fait qu’ils ressemblent plus aux chiens qu’aux bactéries ou aux matchs de tennis. En réalité, il semble légitime de croire que c’est en vertu de cette similarité d’ensemble que nous pouvons dire que certains individus appartiennent à une même espèce, qu’ils sont tous des chats. Ces intuitions partagées suggèrent que la notion de resse...

I argue that Descartes takes true representation by means of concepts (or clear and distinct ideas) to involve resemblance between those concepts andtheir extra-mental objects. On the basis of analysis of a wide range of important Cartesian texts, I contend we must attribute to Descartes a doctrine of conceptualor intellectual resemblance, according to which ideas or concepts represent objects by resembling them. This doctrine of resemblance entails a further doctrine of property-sharing which, though inherently problematic for Cartesian (...) ontology generally, is nonetheless supported by Descartes’ use of the scholastic distinctionbetween formal and objective reality. (shrink)

This paper is a discussion and a criticism of the account of the Philosophy of Resemblances which appears in the first chapter of Professor H. H. Price's Thinking and Experience.

Gonzalo Rodriguez-Pereyra offers a fresh philosophical account of properties. How is it that two different things (such as two red roses) can share the same property (redness)? According to resemblance nominalism, things have their properties in virtue of resembling other things. This unfashionable view is championed with clarity and rigor.

Depiction is the form of representation distinctive of figurative paintings, drawings, and photographs. Accounts of depiction attempt to specify the relation something must bear to an object in order to depict it. Resemblance accounts hold that the notion of resemblance is necessary to the specification of this relation. Several difficulties with such analyses have led many philosophers to reject the possibility of an adequate resemblance account of depiction. This essay outlines these difficulties and argues that current (...) class='Hi'>resemblance accounts succumb to them. It then develops an alternative resemblance account, drawing on Grice's account of nonnatural meaning and its role in determining sentence meaning to argue that something depicts an object if it bears intention-based resemblances to the object that jointly capture its overall appearance. In addition to solving the metaphysical problem of what it is for something to depict an object, this account also sheds significant light on the epistemological issue of how we are able to work out that something depicts an object. This essay argues that our ability to work out that something depicts an object results from both our more general ability to identify intentions from the products of communicative behavior and our knowledge of stylistic conventions. This account avoids the difficulties that face rival attempts to analyze depiction in terms of resemblance. It also clarifies and explains the features that distinguish depictive from nondepictive representation. (shrink)

This book about philosophy of medicine bestows a bottom-up and not a top-down approach. It starts from clinical medicine and epidemiology, analyzing their interrelations with philosophical instruments. The book criticizes the constant search for generalities and the essentialism that too often characterizes this discipline, which results in philosophers of medicine dialoguing with each other without direct contact with medical science. In the light of Ludwig Wittgenstein's philosophy, this book proposes an approach to the philosophy of medicine based (...) on the quorum of language, what Wittgenstein calls family resemblances. In this way the author establishes a philosophy of medicine that is closely related to the medical clinic and to public health and as such avoids armchair philosophy. “Don’t think, but look", wrote Wittgenstein. (shrink)

Theodor W. Adorno was a major twentieth-century philosopher and social critic whose writings on oppositional culture in art, music, and literature increasingly stand at the center of contemporary intellectual debate. In this excellent collection, Robert Hullot-Kentor, widely regarded as the most distinguished American translator and commentator on Adorno, gathers together sixteen essays he has written about the philosopher over the past twenty years. The opening essay, "Origin Is the Goal," pursues Adorno's thesis of the dialectic of enlightenment to better understand (...) the urgent social and political situation of the United States. "Back to Adorno" examines Adorno's idea that sacrifice is the primordial form of human domination; "Second Salvage" reconstructs Adorno's unfinished study of the transformation of music in radio transmission; and "What Is Mechanical Reproduction" revisits Adorno's criticism of Walter Benjamin. Further essays cover a broad range of topics: Adorno's affinities with Wallace Stevens and Nabokov, his complex relationship with Kierkegaard and psychoanalysis, and his critical study of popular music. Many of these essays have been revised, with new material added that emphasizes the relevance of Adorno's thought to the United States today. _Things Beyond Resemblance_ is a timely and richly analytical collection crucial to the study of critical theory, aesthetics, continental philosophy, and Adorno. (shrink)

Berkeley’s likeness principle states that only an idea can be like an idea. In this paper, I argue that the principle should be read as a premise only in a metaphysical argument showing that matter cannot instantiate anything like the sensory properties we perceive. It goes against those interpretations that take it to serve also, if not primarily, an epistemological purpose, featuring in Berkeley’s alleged Representation Argument to the effect that we cannot reach beyond the veil of our ideas. First, (...) in section 1, I raise some concerns about the traditional narrative concerning the likeness principle’s role in Berkeley’s argumentation. In section 2, I delineate an alternative narrative, arguing that there is no ‘missing premise’ in his alleged Representation Argument we need to explain simply because he advances no argument like that in the first place. In section 3–4, I provide a close reading of the relevant passages—first from the _Principles_, then the _Dialogues_—and their contexts, supporting textually a purely metaphysical interpretation of the likeness principle arguments. In section 5, I address some possible objections, based on the phrasing of the likeness principle passages and some related texts. (shrink)

Three premises set the stage for a Peirce based notion of resemblance, which, as Firstness, cannot be more than vaguely distinguished from Secondnessand Thirdness. Inclusion of Firstness with, and within, Secondness and Thirdness, calls for a nonbivalent, nonlinear, context dependent mode of thinkingcharacteristic of semiosis — that is, the process by which everything is always becoming something other than what it was becoming — and at the same time itincludes linear, bivalent classical logic as a subset. Certain aspects of (...) the Dao, Buddhist philosophy, and Donald Davidson’s ‘radical interpretation’ affordadditional, and perhaps unexpected, support for the initial set of three premises. (shrink)

Resemblances obtain not only between objects but between properties. Resemblances of the latter sort - in particular resemblances between quantitative properties - prove to be the downfall of a well-known theory of universals, namely the one presented by David Armstrong. This paper examines Armstrong's efforts to account for such resemblances within the framework of his theory and also explores several extensions of that theory. All of them fail.

Bertrand Russell argued that any attempt to get rid of universals in favor of resemblances fails. He argued that no resemblance theory could avoid postulating a universal of resemblance without falling prey to a vicious infinite regress. He added that admitting such a universal of resemblance made it pointless to avoid other universals. In this paper I defend resemblance nominalism from both of Russell's points by arguing that (a) resemblance nominalism can avoid the postulation of (...) a universal of resemblance without falling into a vicious infinite regress, and (b) even if resemblance nominalism had to admit a universal of resemblance, this would not make it pointless to avoid postulating other universals. (shrink)

Our ordinary judgments and our metaphysical theories share a common commitment to facts about resemblance. The nature of resemblance is, however, a matter of no small controversy. This essay examines some of the pressing questions that arise regarding the status and structure of resemblance. Among those to be discussed in what follows: what kinds of resemblance relations are there? Can resemblance be analyzed in terms of the sharing of properties? Is resemblance an objective or (...) subjective matter? What, if any, resemblance facts are fundamental? How does resemblance relate to naturalness? (shrink)

What is the relation between the three following elements: words, pictures, and conceptual representations? And how do these three elements work, in defining and explaining metaphors? These are the questions that we tackle in our interdisciplinary contribution, which moves across cognitive linguistics, cognitive sciences, philosophy and semiotics. Within the cognitive linguistic tradition, scholars have assumed that there are equivalent and comparable structures characterizing the way in which metaphor works in language and in pictures. In this paper we analyze contextual (...) visual metaphors, which are considered to be the most complex ones, and we compare them to those that in language are called indirect metaphors. Our proposal is that a syllogistic mechanism of comprehension permeates both metaphors expressed in the verbal modality as well as metaphors expressed in the pictorial modality. While in the verbal modality the metaphoric syllogism is solved by inference, we argue that in the pictorial modality the role of inference is performed through mental imagery. (shrink)

Some proponents of structural representations (henceforth, structuralists) claim that no other theory of representation can legitimatize the explanatory appeals that cognitive science makes to mental content. Because other naturalistic approaches to representation purportedly posit an arbitrary relation between representing vehicles and representational content, these approaches must appeal to the role played by a representation, i.e., how it is used by the system in which it is embedded, to ground its content. This is in supposed contrast to structural representations, in which (...) the relation of resemblance results in a non-arbitrary relationship between vehicles and content. Structuralists argue that, as a result, approaches that posit structural representations can, and alternative approaches cannot, explain how representational content can be causally relevant in the production of behavior. In this paper, I will argue that structural representations are susceptible to the very same critiques that proponents level against what they sometimes refer to as “use” theories. This, I contend, is not surprising given that a theory of structural representations is, in fact, just as much a use-theory as alternative approaches. (shrink)

The object of this paper is to provide a solution to Nelson Goodman’s Imperfect Community difficulty as it arises for Resemblance Nominalism, the view that properties are classes of resembling particulars. The Imperfect Community difficulty consists in that every two members of a class resembling each other is not sufficient for it to be a class such that there is some property common to all their members, even if ‘x resembles y’ is understood as ‘x and y share some (...) property’. In the paper I explain and criticise several solutions to the difficulty. Then I develop my own solution, which is not subject to the objections I make to the other solutions, and which accords completely with the basic tenets of Resemblance Nominalism. (shrink)

Locke’s argument for the primary-secondary quality distinction is compared with Descartes’s argument (in the Principles of Philosophy) for the distinction between mechanical modifications and sensible qualities. I argue that following Descartes, Locke’s argument for the primary-secondary quality distinction is an essentially a priori argument, based on our conception of substance, and the constraints on intelligible bodily interaction that this conception of substance sets.

Locke asserts that “the Ideas of primary Qualities of Bodies, are Resemblances of them, and their Patterns do really exist in the Bodies themselves; But the Ideas, produced in us by these Secondary Qualities, have no resemblance of them at all.”1 On an unsophisticated way of taking his words, he means that ideas of primary qualities are like the qualities they represent and ideas of secondary qualities are unlike the qualities they represent.2 I will show that if we take (...) his assertions in this unsophisticated way, our reward will be a straightforward and satisfying interpretation of the central arguments of his chapter on primary and secondary qualities. With these arguments, Locke attempts to justify his assertions about resemblance. Some may be skeptical, thinking that the assertions, interpreted literally, are either too absurd or too obvious to have reasons supporting them. I take this skepticism to rest on deep foundations of charity, so half of the paper will be devoted to undermining these foundations by giving a sympathetic and historical exposition of Locke’s positive thesis that primary qualities resemble the ideas that represent them. I criticize rival interpretations of Lockean resemblance, say what it means to believe that ideas resemble qualities, explain the plausibility of the belief in Locke’s environment, and examine his descriptions of how ideas resemble particular primary qualities. Once I establish that we should take Locke’s resemblance theses literally, I can describe their place in his theory of representation. After that, I can describe his reasons for believing the resemblance theses. I will conclude by showing how Locke’s belief that ideas of secondary qualities do not resemble anything in bodies leads him to conclude that secondary qualities are merely powers to produce ideas. Let me begin near the end, however. Before defending a literal interpretation of the resemblance theses, I want to criticize three rival interpretations.. (shrink)

According to the resemblance account of 'what it's like' and similar constructions, a sentence such as 'there is something it’s like to have a toothache' means 'there is something having a toothache resembles'. This account has proved controversial in the literature; some writers endorse it, many reject it. We show that this conflict is illusory. Drawing on the semantics of intensional transitive verbs, we show that there are two versions of the resemblance account, depending on whether 'resembles' is (...) construed notionally or relationally. While well-known criticisms of the resemblance account undermine its relational version, they do not touch its notional version. On the contrary, the notional version is equivalent to various accounts usually interpreted as rivals to resemblance. We end by noting that this resolution of the controversy (a) explains why 'like', which is a comparative, appears in a construction that concerns the properties of events, and (b) removes any pressure to suppose that 'like' is ambiguous between a comparative and a non-comparative sense. (shrink)

This article advertises a new account of computational implementation. According to the resemblance account, implementation is a matter of resembling a computational architecture. The resemblance account departs from previous theories by denying that computational architectures are exhausted by their formal, mathematical features. Instead, they are taken to be permeated with causality, spatiotemporality, and other nonmathematical features. I argue that this approach comports well with computer scientific practice and offers a novel response to so-called triviality arguments.

Book Information Resemblance Nominalism: A Solution to the Problem of Universals. By Gonzalo Rodriguez-Pereyra. Clarendon Press. Oxford. 2002. Pp. xii + 238. £35.

Book Information Resemblance Nominalism: A Solution to the Problem of Universals. By Gonzalo Rodriguez-Pereyra. Clarendon Press. Oxford. 2002. Pp. xii + 238. £35.

Peter Kivy and Stephen Davies developed an influential and convincing account of what features of music cause listeners to hear it as expressive of emotion. Their view (the resemblance theory) holds that music is expressive of some emotion when it resembles human expressive behaviour. Some features of music, they believe, are expressive of emotion because of conventional associations. In recent years, Kivy has rejected the resemblance theory without adopting an alternative. This essay argues that Kivy has been unwise (...) to abandon the resemblance theory. New and compelling psychological evidence supports the theory. The essay also argues that new psychological evidence indicates that convention makes a smaller contribution to musical expressiveness than Kivy and Davies believe. (shrink)

Three premises set the stage for a Peirce based notion of resemblance, which, as Firstness, cannot be more than vaguely distinguished from Secondnessand Thirdness. Inclusion of Firstness with, and within, Secondness and Thirdness, calls for a nonbivalent, nonlinear, context dependent mode of thinkingcharacteristic of semiosis — that is, the process by which everything is always becoming something other than what it was becoming — and at the same time itincludes linear, bivalent classical logic as a subset. Certain aspects of (...) the Dao, Buddhist philosophy, and Donald Davidson’s ‘radical interpretation’ affordadditional, and perhaps unexpected, support for the initial set of three premises. (shrink)

Three premises set the stage for a Peirce based notion of resemblance, which, as Firstness, cannot be more than vaguely distinguished from Secondnessand Thirdness. Inclusion of Firstness with, and within, Secondness and Thirdness, calls for a nonbivalent, nonlinear, context dependent mode of thinkingcharacteristic of semiosis — that is, the process by which everything is always becoming something other than what it was becoming — and at the same time itincludes linear, bivalent classical logic as a subset. Certain aspects of (...) the Dao, Buddhist philosophy, and Donald Davidson’s ‘radical interpretation’ affordadditional, and perhaps unexpected, support for the initial set of three premises. (shrink)

I argue that close examination of Wittgenstein’s remarks on family resemblances shows that he is proposing a theory about the development of language over time. According to this theory, a concept is enlarged to a newly discovered object when it is similar to other objects falling under this concept. However, being empirical, theories of language-development cannot be regarded as philosophical positions. I therefore argue that Wittgenstein puts forward this theory only for therapeutical reasons. He thereby wants to bring the metaphysical (...) question “Why do we call all games ‘games’?” back to its everyday use. (shrink)

I argue that close examination of Wittgenstein’s remarks on family resemblances shows that he is proposing a theory about the development of language over time. According to this theory, a concept is enlarged to a newly discovered object when it is similar to other objects falling under this concept. However, being empirical, theories of language-development cannot be regarded as philosophical positions. I therefore argue that Wittgenstein puts forward this theory only for therapeutical reasons. He thereby wants to bring the metaphysical (...) question “Why do we call all games ‘games’?” back to its everyday use. (shrink)

In the twenty-eighth book of the Naturalis Historia Pliny the Elder claims that, if a chameleon’s left leg is roasted together with a herb bearing the same name, and everything is mixed with ointment, cut in lozenges, and stored in a wooden little box, this will bestow on those who own it a perfect camouflage. The ring of Gyges (Plato, etc.), that of Midas (Pliny), the heliotropium (Pliny), the dracontitis (Philostratus): ancient cultures abound with references to objects, recipes, and techniques (...) able to bestow different kinds of invisibility, meant as a perfect resemblance with the environment. At the same time, these same cultures also teem with references to how to avert the perfect camouflage: for instance, by being endowed with a pupula duplex, a double pupil (Ovid).The paper explores such vast corpus of texts from the point of view of a semiotics of cultures, in order to track the roots of a conception of camouflage that, from these ancient cultures on, develops through intricate paths into the contemporary imaginaires (and practices) of invisibility.The paper’s more general goal is to understand the way in which cultures elaborate conceptions of invisibility meant as the perfect resemblance between humans and their environments, often on the basis of the observation of the same resemblance between other living beings and their habitat. Ancient texts aretherefore focused on in order to decipher the passage from camouflage as an adaptive natural behaviour to camouflage as an effective combat strategy. (shrink)

Laws of nature concern the natural properties of things. Newton’s law of gravity states that the gravitational force between objects is proportional to the product of their masses and inversely proportional to the square of their distance; Coulomb’s law states a similar functional dependency between charged particles. Each of these properties confers a power to act as specified by the function of the laws. Consequently, properties of the same quantity confer resembling powers. Any theory that takes powers seriously must account (...) for their resemblance. This is the challenge set by the paper. The first part is devoted to Armstrong’s view according to which property resemblance reduces to partial identities between categorical properties. I argue that Armstrong’s solution to the challenge involves accepting determinable properties but that these should not be admitted. In the second part, I argue that dispositional essentialism can satisfactorily account for orderings among powers in terms of degrees of overlapping potentialities. (shrink)

According to Satosi Watanabe's "theorem of the ugly duckling", the number of predicates satisfied by any two different particulars is a constant, which does not depend on the choice of the two particulars. If the number of predicates satisfied by two particulars is their number of properties in common, and the degree of resemblance between two particulars is a function of their number of properties in common, then it follows that the degree of resemblance between any two different (...) particulars is also constant, which is absurd. Avoiding this absurd conclusion requires questioning assumptions about infinity in the proof or interpretation of the theorem, adopting a sparse conception of properties, or denying degree of resemblance is a function of number of properties in common. After arguing against both the first two options, this paper argues for a version of the third which analyses degree of resemblance as a function of properties in common, but weighted by their degree of naturalness or importance. (shrink)

Hegel's reflections depend on the unique semantic richness of the German term Gleichheit, which has a wider range of application than the English term "equality." While Gleichheit can certainly mean equality or "parity" in the sense of sharing the same set of rights or status as another, it can also mean "to resemble" or "to be like" something in a certain respect. For Hegel, however, resemblance is not merely a relation between shared external properties, but rather two things are (...) said to be "equal" or "alike" to the extent they are united within the same horizon of existential conditions. Consequently, Gleichheit can mean both a kind of parity in respect of some external set of shared properties or rights, or to be alike in respect of some fundamental condition of existence. The originality of Hegel's conception of equality is to explicitly segregate these two senses of Gleichheit, so that he may reject the status of mere parity or "equivalence" of individuals before the law, in favor of a conception of complete ethical "likeness" or similarity between moral agents, in which Self and Other are united within the same ethical horizon. (shrink)

In a recent paper, Peter March proposes to sort out the traditional sorites paradox by distinguishing two senses of ‘resemble.’ The paradox is generated in this way: we have the inference A is the same colour as B B is the same colour as CHence, A is the same colour as Cwhile also having A is not the same colour as C.

In a recent paper, Peter March proposes to sort out the traditional sorites paradox by distinguishing two senses of ‘resemble.’ The paradox is generated in this way: we have the inference A is the same colour as B B is the same colour as CHence, A is the same colour as Cwhile also having A is not the same colour as C.

Peter Kivy has maintained that the Wittgensteinian account of ‘art’ ‘is not a going concern’ and that ‘the traditional task of defining the work of art is back in fashion, with a vengeance’. This is true, in large part, because of the turn towards relational definitions of ‘art’ taken by philosophers in the 1960s; a move that is widely believed to have countered the Wittgensteinian charge that ‘art’ is an open concept and which gave rise to a ‘New Wave’ in (...) aesthetic theorizing. So successful has this New Wave been that today the philosophy of art is awash with relational definitions, which are increasingly characterized by their technical sophistication and logical complexity. The aim of this essay is to oppose this trend; to demonstrate that relationalist definitions cannot avoid the problems which provided the impetus for the Wittgensteinian view and to show that the New Wavers cannot explain why anyone would want the definitions which they are offering, irrespective of their success or failure. I will also explore, in detail, the uses, as well as the limitations, of the Wittgensteinian approach to the concept of art. (shrink)