- Moved by Music Alone.Tom Cochrane - 2021 - British Journal of Aesthetics 61 (4):455-470.details
- Meaning and Scepticism.Paul Boghossian - 2020 - In Tomás McAuley, Nanette Nielsen, Jerrold Levinson & Ariana Phillips-Hutton (eds.), The Oxford Handbook of Western Music and Philosophy. OUP. pp. 785-804.details
- On Evolutionary Explanations of Musical Expressiveness.Matteo Ravasio - 2018 - Evental Aesthetics 7 (1):6-29.details
- Group Flow.Tom Cochrane - 2017 - In Micheline Lesaffre, Pieter-Jan Maes & Marc Leman (eds.), The Routledge Companion of Embodied Music Interaction. London, UK: Routledge. pp. 133-140.details
- Wittgenstein on Musical Depth and Our Knowledge of Humankind.Eran Guter - 2017 - In Garry L. Hagberg (ed.), Wittgenstein on Aesthetic Understanding. Palgrave-Macmillan. pp. 217-247.details
- The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):426-436.details
- The Music Between Us: Is Music a Universal Language? By Kathleen Marie Higgins. [REVIEW]Tom Cochrane - 2015 - Mind 124 (496):1288-1292.details
- Historical Formalism in Music: Toward a Philosophical Theory of Musical Form.Andrea Baldini - 2014 - Contemporary Aesthetics 12:N/A.details
- Music and the Continuous Nature of the Mind.Timothy Justus - 2014 - Music Perception 31 (4):387–391.details
- Interpretation.Eldonna L. May & Dustin Garlitz - 2014 - In William Forde Thompson (ed.), Music in the Social and Behavioral Sciences: An Encyclopedia. Sage Publications.details
- Using Situationist Theory to Identify the Fantasy Trap of Dead Art (an Outdated Mode for an Outdated Age), How to Avoid It, and the Merger of Life and Art.Nathaniel Peterkin - 2014 - Dissertation, Norwich University of the Artsdetails
- Music.Kania Andrew - 2013 - In Berys Gaut & Dominic McIver Lopes (eds.), Routledge Companion to Aesthetics. New York, USA: Routledge. pp. 639-648.details
- On the Resistance of the Instrument.Tom Cochrane - 2013 - In Tom Cochrane, Klaus Scherer & Bernardino Fantini (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford: pp. 75-83.details
- The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control.Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.) - 2013 - Oxford University Press.details
- Aesthetics of Conducting: Expression and Gesture.Andreas Dorschel - 2013 - In Jean Paul Olive & Susanne Kogler (eds.), Expression et geste musical. L'Harmattan. pp. 65-73.details
- Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity, 2nd. Ed.Andreas Dorschel, Gerhard Eckel & Deniz Peters (eds.) - 2013 - Routledge.details
- Propaganda Power of Protest Songs.Sheryl Tuttle Ross - 2013 - Contemporary Aesthetics 11.details
- Einführung zu den Schriften [Richard Wagners].Andreas Dorschel - 2012 - In Laurenz Lütteken (ed.), Wagner Handbuch. Bärenreiter. pp. 110-117.details
- Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity.Andreas Dorschel, Deniz Peters & Gerhard Eckel (eds.) - 2012 - Routledge.details
- Resemblance, Convention, and Musical Expressiveness.James O. Young - 2012 - The Monist 95 (4):587-605.details
- Music and Pain.Andreas Dorschel - 2011 - In Jane Fulcher (ed.), The Oxford Handbook of the New Cultural History of Music. Oxford University Press. pp. 68-79.details
- Music, Emotions and the Influence of the Cognitive Sciences.Tom Cochrane - 2010 - Philosophy Compass 5 (11):978-988.details
- A Simulation Theory of Musical Expressivity.Tom Cochrane - 2010 - Australasian Journal of Philosophy 88 (2):191-207.details
- Using the Persona to Express Complex Emotions in Music.Tom Cochrane - 2010 - Music Analysis 29 (1-3):264-275.details
- Über Ausdruck, insbesondere den musikalischen.Andreas Dorschel - 2010 - In Andreas Dorschel & Elisabeth Kappel (eds.), Friedrich von Hausegger, Die Musik als Ausdruck. Universal Edition. pp. 152-177.details
- Friedrich von Hausegger, Die Musik als Ausdruck.Andreas Dorschel & Elisabeth Kappel (eds.) - 2010 - Universal Edition.details
- Musical Musical Nuance.Tiger C. Roholt - 2010 - Journal of Aesthetics and Art Criticism 68 (1):1-10.details
- Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture.Harris M. Berger - 2009 - Wesleyan University Press.details
- Hearing and Seeing Musical Expression.Vincent Bergeron & Dominic Mciver Lopes - 2009 - Philosophy and Phenomenological Research 78 (1):1-16.details
- The Future of Tonality.A. E. Denham - 2009 - British Journal of Aesthetics 49 (4):427-450.details
- Peacocke on Musical Experience and Hearing Metaphorically-As.Paul F. Snowdon - 2009 - British Journal of Aesthetics 49 (3):277-281.details
- Everything is Connected: The Power of Music.Daniel Barenboim - 2008 - Weidenfeld & Nicolson.details
- Music Quickens Time.Daniel Barenboim - 2008 - Verso.details
- Expression and Extended Cognition.Tom Cochrane - 2008 - Journal of Aesthetics and Art Criticism 66 (4):59-73.details
- Musik und Schmerz.Andreas Dorschel - 2008 - Musiktheorie 23 (3):257-263.details
- Expressive Perception as Projective Imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.details
- Expression as Success. The Psychological Reality of Musical Performance.Rob van Gerwen - 2008 - Estetika 45 (1):24-40.details
- Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music.Aaron Ridley - 2007 - In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.details
- Music and the Aesthetics of Modernity: Essays.Karol Berger, Anthony Newcomb & Reinhold Brinkmann (eds.) - 2005 - Harvard University Press.details
- What Do We Understand In Musical Experience?Guy Dammann - 2005 - Postgraduate Journal of Aesthetics 2 (2):70-75.details
- Expressive Meaning in Music: Generality Versus Particularity.Krzysztof Guczalski - 2005 - British Journal of Aesthetics 45 (4):342-367.details
- Musical Feelings And Atonal Music.Elina Packalén - 2005 - Postgraduate Journal of Aesthetics 2 (2):97-104.details
- Wittgenstein on Musical Experience and Knowledge.Eran Guter - 2004 - In J. C. Marek & E. M. Reicher (eds.), Experience and Analysis: Papers of the 27th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.details
- Beating the Air. Phenomenological Remarks on the Semiotics of Conducting.Carl Erik Kühl - 2003 - Acta Semiotica Fennica 15:183-196.details
- On Hearing the Music in the Sound: Scruton on Musical Expression.Paul A. Boghossian - 2002 - Journal of Aesthetics and Art Criticism 60 (1):49–55.details
- Matravers on Musical Expressiveness.Justine Kingsbury - 2002 - British Journal of Aesthetics 42 (1):13-19.details
- Naomi Cumming, "The Sonic Self: Musical Subjectivity and Signification". [REVIEW]Catherine Legg - 2002 - Recherches Semiotiques / Semiotic Inquiry 22 (1-2-3):315-327.details
- A Cohenian Approach to Musical Expression.Justin London - 2002 - Journal of Aesthetics and Art Criticism 60 (2):182-185.details
- Expressiveness and Expression in Music and Poetry.Robert Stecker - 2001 - Journal of Aesthetics and Art Criticism 59 (1):85-96.details
- Expressiveness as a Property of the Music Itself.Saam Trivedi - 2001 - Journal of Aesthetics and Art Criticism 59 (4):411–420.details
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