Metaphysical theories are often counter-intuitive. But they also often are strongly supported and motivated by intuitions. One way or another, the link between intuitions and metaphysics is a strong and important one, and there is hardly any metaphysical discussion where intuitions do not play a crucial role. In this article, I will be interested in a particular kind of such intuitions, namely those that come, at least partly, from experience. There seems to be a route from experience to metaphysics, and (...) this is the core of my interest here. In order to better understand such ‘arguments from experience’ and the kind of relationship there is between this type of intuitions and metaphysical theories, I shall examine four particular cases where a kind of experience-based intuition seems to motivate or support a metaphysical theory. At the end of the day, I shall argue that this route is a treacherous one, and that in all of the four cases I shall concentrate on, phenomenological considerations are in fact orthogonal to the allegedly ‘corresponding’ metaphysical claims. An anti-realist view of metaphysics will emerge. (shrink)

In this paper, I explore several versions of the bundle theory and the substratum theory and compare them, with the surprising result that it seems to be true that they are equivalent (in a sense of 'equivalent' to be specified). In order to see whether this is correct or not, I go through several steps : first, I examine different versions of the bundle theory with tropes and compare them to the substratum theory with tropes by going through various standard (...) objections and arguing for a tu quoque in all cases. Emphasizing the theoretical role of the substratum and of the relation of compresence, I defend the claim that these views are equivalent for all theoretical purposes. I then examine two different versions of the bundle theory with universals, and show that one of them is, here again, equivalent to the substratum theory with universals, by examining how both views face the famous objection from Identity of Indiscernibles in a completely parallel way. It is only the second, quite extreme and puzzling, version of the bundle theory with universals that is not be equivalent to any other view; and the diagnosis of why this is so will show just how unpalatable the view is. Similarly, only a not-so-palatable version of the substratum theory is genuinely different from the other views; and here again it's precisely what makes it different that makes it less appealing. (shrink)

Metaphysical theories are beautiful. I mean it literally. At the end of this book, I defend the view that metaphysical theories possess aesthetic properties and that these play a crucial role when it comes to theory evaluation and theory choice. But this is the end of a long journey – a journey that is perhaps more important than the destination. Before we get there, the philosophical path I propose to follow starts with three discussions of metaphysical equivalence. I argue that (...) there are cases of metaphysical equivalence, cases of partial metaphysical equivalence, as well as interesting cases of theories that are not equivalent. Thus, claims of metaphysical equivalence can only be raised locally. My slogan is : the best way to do meta -metaphysics is to do first-level metaphysics. To do this work, I focus on the nature of primitives and on the role they play in each of the theories involved. I emphasize the utmost importance of primitives in the construction of metaphysical theories and in the subsequent evaluation of them. I then raise the simple but complicated question: how to make a choice between competing metaphysical theories? If two theories are equivalent, then perhaps we do not need to make a choice. But what about all the other cases of non-equivalent "equally good" theories? I use some of the theories discussed in the first part of the book as examples and I examine some traditional meta -theoretical criteria for theory choice only to show that they do not allow us to make a choice. But if the standard meta -theoretical criteria cannot help us in deciding between competing non-equivalent metaphysical theories, how then shall we make that choice? This is where I argue that metaphysical theories possess aesthetic properties – grounded in non-aesthetic properties – and that these play a crucial role in theory choice and evaluation. This view, as well as all the meta -metaphysical considerations discussed throughout the book, then naturally lead me to a form of anti-realism, and at the end of the journey I offer reasons to think better of the kind of anti-realist view I propose to embrace. (shrink)

Abstract: There are two traditionally rival views about the nature of time: substantivalism that takes time to be a substance that exists independently of events located in it, and relationism that takes time to be constructed out of events. In this paper, first, I want to make some progress with respect to the debate between these two views, and I do this mainly by examining the strategies they use to face the possibilities of ‘empty time’ and ‘time without change’. As (...) we shall see, the two allegedly very different rival views are much less different than has been thought: their structure is extremely similar, their strategies are extremely similar, and they can both face the possibilities of ‘empty time’ and ‘time without change’ in the same way. Thus, I argue in favour of a certain kind of equivalence between the two views; I discuss a Strong and a Weak version of this claim; and I provide reasons for endorsing the former. I also discuss the parallel between this pair of views about the nature of time and another analogous pair of views: the bundle theory and the substratum theory about the nature of material objects, with respect to the problem with Identity of Indiscernibles. (shrink)

Several metaphysical debates have typically been modeled as oppositions between a relationist approach and a substantivalist approach. Such debates include the Bundle Theory and the Substratum Theory about ordinary material objects, the Bundle (Humean) Theory and the Substance (Cartesian) Theory of the Self, and Relationism and Substantivalism about time. In all three debates, the substantivalist side typically insists that in order to provide a good treatment of the subject-matter of the theory (time, Self, material objects), it is necessary to postulate (...) the existence of a certain kind of substance, while the other side, the relationist one, characteristically feels that this is an unnecessary expense and that one can get the job done in an ontologically cheaper way just with inter-related properties or events. In this paper I shall defend the view that there is much less of a disagreement between relational ontologies and substantival ontologies than it is usually thought. I believe that, when carefully examined, the two sides of the debate are not that different from each other, in all three cases of pairs of views mentioned above. As we will see, both the relational side and the substantival side work in the same way, suffer from and answer the same objections, and are structurally extremely similar. It will be an important question – one that I shall discuss in detail, and that is indeed the main point of interest for me in this paper – whether this means that the two sides of the debate are somehow 'equivalent' or not, and what 'equivalent' could mean. (shrink)

The claim that the having of aesthetic properties supervenes on the having of non-aesthetic properties has been widely discussed and, in various ways, defended. In this paper, I will show that even if it is sometimes true that a supervenience relation holds between aesthetic properties and the 'subvenient' non-aesthetic ones, it is not the interesting relation in the neighbourhood. As we shall see, a richer, asymmetric and irreflexive relation is required, and I shall defend the claim that the more-and-more-popular relation (...) of grounding does a much better job than supervenience. (shrink)

In this paper, I examine various theories of persistence through time under presentism. In Part I, I argue that both perdurantist views (namely, the worm view and the stage view) suffer, in combination with presentism, from serious difficulties and should be rejected. In Part II, I discuss the presentist endurantist view, to see that it does avoid the difficulties of the perdurantist views, and consequently that it does work, but at a price that some may consider as being very high: (...) its ontological commitments to platonic universals and to the substratum theory, that as we shall see follow from the combination of endurantism with presentism, will perhaps not be to everyone's taste. (shrink)

Metaphysical theories heavily rely on the use of primitives to which they typically appeal. I will start by examining and evaluating some traditional well-known theories and I will discuss the role of primitives in metaphysical theories in general. I will then turn to a discussion of claims of between theories that, I think, depend on equivalences of primitives, and I will explore the nature of primitives. I will then claim that almost all explanatory power of metaphysical theories comes from their (...) primitives, and so I will turn to scrutinize the notion of "power" and "explanatory". (shrink)

Depiction and imagination are intimately linked. In this article, I discuss the role imagination (as well as inference and knowledge/belief) plays in depiction, with a focus on photographic depiction. I partly embrace a broadly Waltonian view, but not always, and not always for Walton's own reasons. In Walton's view, imagination plays a crucial role in depiction. I consider the objection to his view that not all cases of depiction involve imagination – for instance, documentary photographs. From this discussion, two points (...) will emerge: first, we will see that it is an unnecessary mistake to insist too heavily on the fact that photographs are produced in a mechanical way (as opposed to, say, paintings), and second, we will see that the notion of "imagining-seeing", as it is articulated by Walton, is perhaps too strong and does not entirely do justice to the external character of the role imagination plays here. Focusing mainly on photographs, I then illustrate the view I want to advocate by a series of different cases, where the nature of the role that imagination, knowledge/belief, and inference play in depiction will become apparent. (shrink)

This article is concerned with the alleged incompatibility between presentism and specious present theories of temporal experience. According to presentism, the present time is instantaneous (or, near-instantaneous), while according to specious present theories, the specious present is temporally extended—therefore, it seems that there is no room in reality for the whole of a specious present, if presentism is true. It seems then that one of the two claims—presentism or the specious present theory—has to go. I shall argue that this kind (...) of worries is mislead. Once we understand properly how our phenomenal experience as of passage and as of change, such as it is understood by specious present theorists, comes into being, the apparent phenomenologico-metaphysical conflict will disappear. In short, the mistake here is to presuppose that there is a link between phenomenology and metaphysics stronger than it actually is. Presentism is a metaphysical theory about what exists. Specious presentism is a phenomenological theory about how things appear to us in experience. As we will see, the two claims are not in conflict, and are in fact entirely orthogonal. (shrink)

There are three main traditional accounts of vagueness : one takes it as a genuinely metaphysical phenomenon, one takes it as a phenomenon of ignorance, and one takes it as a linguistic or conceptual phenomenon. In this paper I first very briefly present these views, especially the epistemicist and supervaluationist strategies, and shortly point to some well-known problems that the views carry. I then examine a 'statistical epistemicist' account of vagueness that is designed to avoid precisely these problems – it (...) will be a view that provides an account of the phenomenon of vagueness as coming from our linguistic practices, while insisting that meaning supervenes on use, and that our use of vague terms does yield sharp and precise meanings, which we ignore, thus allowing bivalence to hold. (shrink)

The main task of this paper is to understand if and how static images like photographs can represent and/or depict temporal extension (duration). In order to do this, a detour will be necessary to understand some features of the nature of photographic representation and depiction in general. This important detour will enable us to see that photographs (can) have a narrative content, and that the skilled photographer can 'tell a story' in a very clear sense, as well as control and (...) guide the attention of the spectator of the photograph. The understanding and defence of this claim is a secondary aim of this paper, and it will then allow us to provide a good treatment of the particular case of photographic representation and depiction of temporal extension. (shrink)

In this article, I want to understand the nature of aesthetic experiences of landscapes. I offer an understanding of aesthetic appreciation of landscapes based on a notion of a landscape where landscapes are perspectival observer-dependent entities, where the 'creator' of the landscape necessarily happens to be the same person as the spectator, and where her scientific (and other) knowledge and beliefs matter for the appreciation to be complete. I explore the idea that appreciating a landscape in this sense has quite (...) a lot in common with taking and appreciating a photograph. On our way, we will see how imagination plays a crucial role in the story. (shrink)

The eternalist endurantist and perdurantist theories of persistence through time come in various versions, namely the two versions of perdurantism: the worm view and the stage view , and the two versions of endurantism: indexicalism and adverbialism . Using as a starting point the instructive case of what is depicted by photographs, I will examine these four views, and compare them, with some interesting results. Notably, we will see that two traditional enemies—the perdurantist worm view and the endurantist theories—are more (...) like allies : they are much less different than what is usually thought, and some alleged points of central disagreement fall prey to closer scrutiny. The aim of this paper is to examine carefully all those points, and to call attention to the places where the real differences between these views lie. I will then turn to the perdurantist stage view, and claim that with respect to some central issues it is the view that is the most different from the other three, but that in some places the reason why it different is also the reason why it is less satisfactory. (shrink)

The practice of attributing aesthetic properties to scientific and philosophical theories is commonplace. Perhaps one of the most famous examples of such an aesthetic judgement about a theory is Quine's in 'On what there is': "Wyman's overpopulated universe is in many ways unlovely. It offends the aesthetic sense of us who have a taste for desert landscapes". Many other philosophers and scientists, before and after Quine, have attributed aesthetic properties to particular theories they are defending or rejecting. One often hears (...) that a view is "elegant", "attractive", "beautiful", or even "sexy". [...] The general claim that aesthetic properties supervene on non-aesthetic properties is a largely debated one. In this paper, I wish to address this issue from an angle which has not been really explored so far: I shall neither concentrate on cases of artefacts nor of natural objects, like the beauty of a painting or the beauty of a sunrise, rather, my main centre of attention will be the somewhat more special, theoretical case of the beauty of philosophical theories (with a focus on metaphysical theories). As we will see, there are some interesting issues concerning claims that attribute aesthetic properties to theories, in part because, even if such claims are commonplace in philosophy and in science, little has been said about the nature of the relevant supervenience basis – that is, about what it is exactly that the beauty of a theory is supposed to supervene on. Moreover, we shall see that aesthetic properties of theories play a crucial role in theory choice and evaluation. Indeed, it seems that the aesthetic properties of a theory can be appealed to in theory evaluation and when it comes to preferring one theory over another. But before we ask ourselves what role the attribution of aesthetic properties to theories can play, I will adress the question how theories come to have their aesthetic properties in the first place. (shrink)

In this book, Jiri Benovsky takes a stand for a variant of panpsychism as being the best solution available to the mind-body problem. More exactly, he defends a view that can be labelled 'dual-aspect-pan-proto-psychism'. Panpsychism claims that mentality is ubiquitous to reality, and in combination with dual-aspect monism it claims that anything, from fundamental particles to rocks, trees, and human animals, has two aspects: a physical aspect and a mental aspect. In short, the view is that the nature of reality (...) is 'phental' (physical-mental). But this does not mean, according to the author, that rocks and photons think or have conscious experiences, in the sense in which human animals have experiences. This is where pan-proto-psychism enters the picture as being a better theoretical option, where the mental aspects of fundamental particles, rocks, and trees are not experiential. Many hard questions arise here. In this book, Benovsky focuses on the combination problem: in short, how do tiny mental aspects of fundamental particles combine to yield macro-phenomenal conscious experiences, such as your complex experience when you enjoy a great gastronomic meal? What makes the question even harder is that the combination problem is not just one problem, but rather a family of various combination issues and worries. Benovsky offers a general strategy to deal with these combination problems and focuses on one in particular – namely, the worry concerning the existence of subjects of experience. Indeed, if standard panpsychism were true, we would need an explanation of how tiny micro-subjects combine into a macro-subject like a human person. And if panprotopsychism is true, it has to explain how a subject of experience can arise from proto-micro-mental aspects of reality. Benovsky shows that understanding the nature of subjectivity in terms of the growingly familiar notion of mineness in combination with a reductionist/eliminativist view of the self, allows us to have a coherent picture, where this type of combination problem is avoided, without throwing the baby out with the bathwater. (shrink)

How do ordinary objects persist through time and across possible worlds ? How do they manage to have their temporal and modal properties ? These are the questions adressed in this book which is a "guided tour of theories of persistence". The book is divided in two parts. In the first, the two traditional accounts of persistence through time (endurantism and perdurantism) are combined with presentism and eternalism to yield four different views, and their variants. The resulting views are then (...) examined in turn, in order to see which combinations are appealing and which are not. It is argued that the 'worm view' variant of eternalist perdurantism is superior to the other alternatives. In the second part of the book, the same strategy is applied to the combinations of views about persistence across possible worlds (trans-world identity, counterpart theory, modal perdurants) and views about the nature of worlds, mainly modal realism and abstractionism. Not only all the traditional and well-known views, but also some more original ones, are examined and their pros and cons are carefully weighted. Here again, it is argued that perdurance seems to be the best strategy available. (shrink)

This open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks, proprioceptive artworks, intellectual artworks, as well as the vague limits between painting and photography. The book focuses on the author’s research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of (...) the limits discussed concern our senses, some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways, by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art. (shrink)

This paper is about what counts as a photograph and what does not. One way in which this question arises stems from new technologies that keep changing our way of producing photographs, such as digital photography, which not only has now widely replaced traditional film photography but also challenges the very limits of what we count as a photograph. I shall discuss below at some length different aspects of digital photography, but also want to focus here on a new striking (...) type of photographic camera, announced in early 2012 by Lytro, Inc., namely, the so-called ?Light Field Camera?, which is said to represent a revolution in the photographic world. Indeed, unlike in the case of any previously available cameras, the photographs produced by a Light Field Camera can be re-focused after the photograph has been taken, which harbours many interesting consequences with regard to the resulting image and the way we interact with it. But of course, the initial question also arises in the case of traditional film photography as well as ?traditional? digital photography. The question amounts to asking about what the essential features of photographs are ? in short, what their nature is. (shrink)

Is the self a substance, as Descartes thought, or is it 'only' a bundle of perceptions, as Hume thought ? In this paper I will examine these two views, especially with respect to two central features that have played a central role in the discussion, both of which can be quickly and usefully explained if one puts them as an objection to the bundle view. First, friends of the substance view have insisted that only if one conceives of the self (...) as a substance is it possible to account for genuine particularity of selves and genuine persistence through time of them. I will discuss in detail this claim as well as a special case of persistence - the case of a fission of a self - and I will ask, as Shoemaker (1997) did, how such a case can be handled by the two competing theories. The second central point of traditional disagreement concerns independence : it is often said that only a substance, but not a mere bundle, is independent enough of its properties to play properly the role of a self, and I will have something to say about this. Concerning all these points, my thesis will be a meta-theoretical one : contrary to appearances, both views can accommodate all of them (particularity at a time, persistence, fission, independence) in the same way, and I will examine two possible conclusions to be drawn from this : either that the differences between the two views are no more than terminological and that they turn out to be equivalent views, or that the differences are metaphysical but that it is epistemically under-determined which one of the views we should choose. (shrink)

Does mere passage of time have causal powers ? Are properties like "being n days past" causally efficient ? A pervasive intuition among metaphysicians seems to be that they don't. Events and/or objects change, and they cause or are caused by other events and/or objects; but one does not see how just the mere passage of time could cause any difference in the world. In this paper, I shall discuss a case where it seems that mere passage of time does (...) have causal powers : Sydney Shoemaker's (1969) possible world where temporal vacua (allegedly) take place. I shall argue that Shoemaker's thought-experiment doesn't really aim at teaching us that there can be time without change, but rather that if such a scenario is plausible at all (as I think it is) it provides us with good reasons to think that mere passage of time can be directly causally efficient. (shrink)

In this article, I am interested in four versions of what is often referred to as "the Humphrey objection". This objection was initially raised by Kripke against Lewis's modal counterpart theory, so this is where I will start the discussion. As we will see, there is a perfectly good answer to the objection. I will then examine other places where a similar objection can be raised: it can arise in the case of temporal counterpart theory (in fact, it can arise (...) in the case of all kinds of counterpart theories, independently on modal realism), and a very similar worry can also arise against modal realism itself or against an ersatzist theory of possible worlds itself. For similar reasons, in similar situations, a similar objection will arise. What is interesting is that it is not the case that a similar response can be given in all of these similar cases. So, in the end, we will see what dissimilarities there are and how and why they are relevant. In particular, we will see the differences there are between alethic modalities and temporal modalities. In the case of alethic modalities (metaphysical necessity and possibility), the objection can be answered by appealing to the notion of representation, while this does not work very well in the case of temporal modalities. (shrink)

When I say that I am a lot of things, I mean it literally and metaphysically speaking. The Self, or so I shall argue, is a plurality (notwithstanding the fact that ordinary language takes "the Self" to be a singular term – but, after all, language is only language). It is not a substance or a substratum, and it is not a collection or a bundle. The view I wish to advocate for is a kind of reductionism, in line with (...) some – but not all – broadly Humean ideas. In short, I will defend the view there are the experiences and mental states we have, and that's it: no additional substances, and no bundles. This does not mean, however, that there is no Self – the Self simply is the experiences. I will try to articulate and defend this view by showing that it can accommodate what I take to be the three main desiderata for any theory of the Self to satisfy: first, that the Self is the subject of experience (a subject of mental states, in general); second, that there is a unity to the Self in the sense that our (conscious, phenomenal) experience is at least partly continuous or 'stream-like'; and third, that we do not die when we go to sleep or when we otherwise don't have any (conscious, phenomenal) experiences. (shrink)

In this paper, I explore the nature of photographs by comparing them to hand-made paintings, as well as by comparing traditional film photography with digital photography, and I concentrate on the question of realism. Several different notions can be distinguished here. Are photographs such that they depict the world in a 'realist' or a 'factive' way ? Do they show us the world as it is with accuracy and reliability other types of pictures don't posses ? Do they allow us, (...) as some have suggested, to literally see the world through them ? Below, I will distinguish three kinds of realism about photographs, reject two, and partly endorse one. Indeed, the label "realism", when concerning photographs, can stand for a variety of very different claims. The first (and quite obvious) distinction to start with concerns what the realist thesis is about : the claim that somehow photographs are more accurate or more reliable or that they somehow depict the world better than hand-made pictures can be a claim about the photographic image itself or alternatively a claim about the way in which photographs are produced. In the former case, realism is a thesis about how photographs look and what sort of information they contain, while in the latter case realism is a claim about the process of production of photographs. It is the latter claim that is the most discussed in the philosophical literature about photography. I will concentrate on this type of realism, of which I shall examine two varieties. (shrink)

Eliminativism about macroscopic material objects claims that we do not need to include tables in our ontology, and that any job – practical or theoretical – they have to do can be done by 'atoms arranged tablewise'. This way of introducing eliminativism faces the worry that if there are no 'atoms', that is, if there are no simples and the world is 'gunky', there are no suitable entities to be 'arranged tablewise'. In this article, I discuss various strategies the eliminativist (...) can have to face this objection, and I conclude by showing that the objection is actually misdirected and does not threaten eliminativism at all. (shrink)

In this paper, I argue that (non-presentist) endurantism is incompatible with the view that properties are universals. I do so by putting forward a very simple objection that forces the endurantist to embrace tropes, rather than universals. I do not claim that this is bad news for the endurantist—trope theory seems to me by all means more appealing than universals—rather, I would like to see this result as a further motivation to embrace tropes. I then also put forward a (more (...) controversial) reason to believe that at least some versions of perdurantism also require tropes rather than universals. (shrink)

When I say that I am a lot of things, I mean it literally and metaphysically speaking. The Self, or so I shall argue, is a plurality (notwithstanding the fact that ordinary language takes "the Self" to be a singular term – but, after all, language is only language). It is not a substance or a substratum, and it is not a collection or a bundle. The view I wish to advocate for is a kind of reductionism, in line with (...) some – but not all – broadly Humean ideas. In short, I will defend the view there are the experiences and mental states we have, and that's it: no additional substances, and no bundles. This does not mean, however, that there is no Self – the Self simply is the experiences. I will try to articulate and defend this view by showing that it can accommodate what I take to be the three main desiderata for any theory of the Self to satisfy: first, that the Self is the subject of experience (a subject of mental states, in general); second, that there is a unity to the Self in the sense that our (conscious, phenomenal) experience is at least partly continuous or 'stream-like'; and third, that we do not die when we go to sleep or when we otherwise don't have any (conscious, phenomenal) experiences. (shrink)

This paper is about our experience of change and movement, and thus about our experience of time – at least under the reasonable assumption that we (can only) experience time by having experiences of change. This assumption is shared by Locke, whose view on temporal experience, expounded in Book II, Chap.14 of his Essay, will be the main focal point of my paper. Some of the most influential accounts of temporal experience embrace the notion of a "specious present" as an (...) explanatory tool in order to account for the continuous and unfolding aspect of our experiences. In this article, I will raise some points of dissatisfaction with the very notion of the specious present, and while I shall not reject the specious present theories, I will argue that more is needed in order to have a proper understanding and explanation of our temporal experience. I will then discuss and defend a view of temporal experience whose basis can be found in Locke's Essay, and which, given some amendments and further development within a contemporary framework, provides us with a very good analysis of our experience of movement, change, and time – a view that helps us to avoid some burdensome commitments incurred by specious present theories and that can be fruitfully combined with these theories in order to yield a complete and more informative picture of the phenomenon of temporal experience. (shrink)

In this article, I am interested in dual-aspect monism as a solution to the mind-body problem. This view is not new, but it is somewhat under-represented in the contemporary debate, and I would like to help it make its way. Dual-aspect monism is a parsimonious, elegant and simple view. It avoids problems with “mental causation”. It naturally explains how and why mental states are correlated with physical states while avoiding any mysteries concerning the nature of this relation. It fits well (...) with our ordinary picture of the world, as well as with the scientific picture. It gives its rightful place to the phenomenal, qualitative, subjective character of experience, instead of reducing it or eliminating it. It does not unnecessarily multiply ontological categories. It can come in many versions, and is compatible with other interesting views, such as panpsychism. (shrink)

At a first glance, and even at a second one, it seems that if time is linear the threat of determinism is more severe than if time is branching, since in the latter case the future is open in a way it is not in the former one where, so to speak, there exists only one branch – one future. In this paper, I want to give a 'third glance' at this claim. I acknowledge that such a claim is intuitive (...) (this is the first glance) and that it is also meaningfully and interestingly defended in recent literature where branching time is either said to imply indeterminism or at least to be compatible with it. To try to make my third glance as precise and as fleshed out as possible, I shall first concentrate on what 'branching' is or could be, and I shall discuss various versions and interpretations of this view. I shall then (more quickly) turn my attention to what determinism is or could be, and I will distinguish three (well-known) kinds of it – focusing mainly on 'metaphysical determinism'. Having these tools in hand, I will then ask (and answer) the question whether branching time helps with avoiding determinism or not. As we shall see, it is incorrect to think that under the branching hypothesis the threat of determinism is any smaller – rather, I will argue that if one has reasons to think that determinism is true, branching will not help, and that the issue of branching versus linear time is then actually neutral with respect to the question whether determinism or indeterminism is true. (shrink)

In this book, Jiri Benovsky defends the view that he doesn't exist. In this book, he also defends the view that this book itself doesn't exist. But this did not prevent him to write the book, and although in Benovsky's view you don't exist either, this does not prevent you to read it. Benovsky defends a brand of non-exceptionalist eliminativism. Some eliminativists, typically focusing on ordinary material objects such as chairs and hammers, make exceptions, for instance for blue whales (that (...) is, living beings) or for persons (that is, conscious organisms). Benovsky takes one by one all types of allegedly existing objects like chairs, whales, and persons and shows that from the metaphysical point of view they are more trouble than they are worth – we are much better off without them. He thus defends an eliminativist view about ordinary objects as well as the 'no-Self' view, where he explores connections between metaphysics, phenomenology, and Buddhist thought. He then also considers the case of aesthetic objects, focusing on musical works and photographs, and shows that the claim of their non-existence solves the many problems that arise when one tries to find an appropriate ontological category for them, and that such an eliminativist view is more natural than what we might have thought. The arguments provided here are always topic-specific: each type of entity is given its own type of treatment, thus proving a varied and solid foundation for a generalized, non-exceptionalist, full-blown eliminativist worldview. (shrink)

For the metaphysician, photographs are very puzzling entities indeed. And even from the non-philosopher's intuitive point of view, it is not that clear what sort of thing a photograph is. Typically, if a client wants to purchase a photograph, she can mean very different things by 'buying a photograph' : she can mean to buy a print or a number of prints, or she can mean to buy a negative (when traditional film photographs are concerned) or a file (when digital (...) photography is concerned), or she can mean to buy a right to use a photograph a precisely determined number of times in a number of brochures or on a website, and so on. When facing a new client, I always, without exception, face the problem of explaining to her what it is that she is actually buying – and it is not always clear that she is ever buying a photograph. As a metaphysician, I face a much more difficult challenge : find out to what ontological category photographs belong to. Are they concrete spatio-temporal entities like prints, are they universals since there can be many 'prints-instances' of a same photograph, are they sets or aggregates of prints, or something even different ? This is the task that I wish to undertake in this paper : examine all plausible metaphysical categories to which photographs could belong to, and see which one is the fittest. As we shall see, in this 'survival for the fittest' competition between traditional metaphysical categories, there will be no real winner : several categories will reveal themselves to be enlightening and useful when describing features of what photographs are, but none will prove to be entirely satisfactory. Photographs, it seems, are a sort of borderline entities that share some but not all aspects of several traditional metaphysical categories. Is it then justified to postulate a new ontological category to which photographs would properly belong ? On mainly methodological grounds, I shall argue that it is not, and I will suggest a different way out of this metaphysician's trouble by defending a nihilism about photographs. To put it bluntly, I will defend the claim that photographs do not exist – but I will also argue that this is not a very revisionary or anti-commonsensical claim. (shrink)

The recent debate in metaontology gave rise to several types of (more or less classical) answers to questions about "equivalences" between metaphysical theories and to the question whether metaphysical disputes are substantive or merely verbal (i.e. various versions of realism, strong anti-realism, moderate anti-realism, or epistemicism). In this paper, I want to do two things. First, I shall have a close look at one metaphysical debate that has been the target and center of interest of many meta-metaphysicians, namely the problem (...) of how material objects persist through time : the endurantism vs. perdurantism controversy. It has been argued that this debate is a good example of a merely verbal one, where two allegedly competing views are in fact translatable one into each other – they end up, contrary to appearances, to be equivalent. In my closer look at this debate, I will conclude that this is correct, but only to some extent, and that there does remain room for substantive disagreement. The second thing that I wish to achieve in this paper, and that I hope will stem from my considerations about the persistence debate, is to defend a metaontological view that emphasizes that when asking the question "Are metaphysical debates substantive or verbal?" the correct answer is "It depends." Some debates are substantive, some debates are merely verbal, sometimes it is true that a problem or a question can be formulated in equally good frameworks where there is no fact of the matter as to which one is correct or where we just cannot know it. Furthermore, importantly, as my examination of the persistence debate will show, there is room for the view that a debate is largely merely verbal but not entirely and that some parts of it are substantive, and decidable by philosophical methods. It is possible, and it is the case with respect to the persistence debate, that inside a debate some points are merely verbal while other are places of substantive disagreement. A moral of this is that, at the end of the day, the best way to do meta-metaphysics is to do first-level metaphysics. (shrink)

Depiction and imagination are intimately linked. In this article, I discuss the role imagination (as well as inference and knowledge/belief) plays in depiction, with a focus on photographic depiction. I partly embrace a broadly Waltonian view, but not always, and not always for Walton's own reasons. In Walton's view, imagination plays a crucial role in depiction. I consider the objection to his view that not all cases of depiction involve imagination – for instance, documentary photographs. From this discussion, two points (...) will emerge: first, we will see that it is an unnecessary mistake to insist too heavily on the fact that photographs are produced in a mechanical way (as opposed to, say, paintings), and second, we will see that the notion of "imagining-seeing", as it is articulated by Walton, is perhaps too strong and does not entirely do justice to the external character of the role imagination plays here. Focusing mainly on photographs, I then illustrate the view I want to advocate by a series of different cases, where the nature of the role that imagination, knowledge/belief, and inference play in depiction will become apparent. (shrink)

Imagination plays an important role in depiction. In this chapter, I focus on photography and I discuss the role imagination plays in photographic depiction. I suggest to follow a broadly Waltonian view, but I also depart from it in several places. I start by discussing a general feature of the relation of depiction, namely the fact that it is a ternary relation which always involves "something external." I then turn my attention to Walton's view, where this third relatum of the (...) relation of depiction is largely analyzed in terms of the role imagination plays in depiction. I consider the objection to his view that not all cases of depiction involve imagination – for instance, documentary photographs – as well as Walton's own strategy to face this objection, and I argue that it is partly adequate and partly wrong. As we will see, first, it is an unnecessary mistake to insist too heavily on the fact that photographs are produced in a mechanic way (as opposed to, say, paintings), and second, the notion of "imagining-seeing," as it is articulated by Walton, is perhaps too strong and does not entirely do justice to the external character of the role imagination plays here. I illustrate the view I want to advocate for by a series of different cases, where the nature of the role that imagination, knowledge/belief, and inference play in depiction will become apparent. (shrink)

If ordinary particulars are bundles of properties, and if properties are said to be universals, then three well-known objections arise : no particular can change, all particulars have all of their properties essentially (even the most insignificant ones), and there cannot be two numerically distinct but qualitatively indiscernible particulars. In this paper, I try to make a little headway on these issues and see how the objections can be met, if one accepts a certain view about persistence through time and (...) across possible worlds – namely, four-dimensionalism and its modal analogue. The paper is especially devoted to the second and third of the three objections. (shrink)

Is there an entity such that it can be in two places at the same time ? According to one traditional view, properties can, since they are immanent universals. But what about objects such as a person or a table ? Common sense seems to say that, unlike properties, objects are not multiply locatable. In this paper, I will argue first of all that endurantism entails a consequence that is quite bizarre, namely, that objects are universals, while properties are particulars. (...) I then conclude by examining and rejecting two theories according to which objects can wholly be in two places at the same time. (shrink)

Endurantism, as opposed to perdurantism, is supposed to be the intuitive view. But the ‘endurantist intuition’ – roughly, that objects persist through time by being numerically identical and wholly located at all times at which they exist – is behind more than just endurantism. Indeed, it plays an important role in the motivation of some theories about the passage of time, and some theories about the nature of the subject. As we shall see, the endurantist intuition is often taken in (...) these cases to be a reason, or at least a motivation, to endorse one or the other of these metaphysical theories. Sometimes, it is even said to constitute a basis for an argument in their favour. In this article, I show that such an appeal to this ‘endurantist intuition’ is misleading and wrong. I do not deny that there is an intuition of this kind, but I deny that it can play any philosophically significant role as a reason – and even less as a basis for an argument – in defending metaphysical theories such as endurantism, dualism, or the A-theory. (shrink)

In this article, I defend Lewisian modal realism against objections arising from the possibility of ‘Island Universes’ and other similar cases. The problem comes from Lewis’ claim that possible worlds are spatio-temporally isolated. I suggest a modification of Lewisian modal realism in order to avoid this family of objections. This modification may sound quite radical since it amounts to abandoning the very notion of a possible world, but as radical as it may sound it in fact remains well in the (...) spirit of Lewis’ original view. (shrink)

This article discusses a familiar version of trope theory as opposed to a familiar version of the theory of universals, examining how these two rivals address the problem of “attribute agreement”—a problem that has been at the root of the very reason for developing these theories in the first place. The article shows that there is not much of a difference between the ways these two theories handle the problem, and in a more general way it argues that there is (...) little reason for preferring one theory over the other. It is not interested in this claim only for the sake of the debate between trope theory and the theory of universals. Indeed, the reasons why it claims that it is so difficult to choose one theory over the other can be applied to other cases as well. (shrink)

Merely rhetorically, and answering in the negative, Kendall Walton has asked: "Isn't photography just another method people have of making pictures, one that merely uses different tools and materials – cameras, photosensitive paper, darkroom equipment, rather than canvas, paint, and brushes? And don't the results differ only contingently and in degree, not fundamentally, from pictures of other kinds?" Contra Walton and others, I wish to defend in this article a resounding "Yes" as being the correct answer to these questions. It (...) is a widely shared view that photographs are somehow special and that they fundamentally differ from hand-made pictures like paintings, both from a phenomenological point of view (in the way we experience them), and an epistemic point of view (since they are supposed to have a different – greater – epistemic value than paintings, giving us a privileged access to the world). In what follows, I shall reject almost the totality of these claims, and as a consequence there will remain little difference left between photographs and paintings. As we shall see, 'photographs are always partly paintings' – a claim that is true not only of retouched digital photographs but of all photographs, including traditional ones made using photosensitive film and development techniques. (shrink)

The philosophical discussion about erotic art has often been understood in terms of the possibility of erotic art as a form of visual or auditory art. In this article, I focus on erotic experiences qua proprioceptive experiences and I defend the claim that, under the right circumstances, such experiences can bring about proprioceptive artworks.

What is realism in film? Focusing on a test case of HFR high-definition movies, I discuss in this article various types of realism as well as their interrelations. Precision, recessiveness of the medium, transparency, and 'Collapse' are discussed and compared. At the end of the day, I defend the claim that 'less is more' in the sense that more image precision can actually have a negative impact on storytelling.

This paper is about persistence of material objects through time and across possible worlds. It starts with the well-known argument from undetached parts, that is put as an objection to endurantism raised by four-dimensionalists who claim to have a nice treatment of it themselves. While it will be acknowledged that, indeed, four-dimensionalism has a good explanatory power here, and has an advantage over endurantism, we will then see a modified (modalized) version of the argument that will not be so easily (...) dismissed by the four-dimensionalist. To provide a solution to this second puzzle, a proposal will be made to use the four-dimensionalist's strategy in the case of modality and use this notion of perdurance across possible worlds to answer the modalized version of the objection. Finally, I examine some objections to this theory of modal perdurants, and try to answer them. (shrink)

In this article I shall consider two seemingly contradictory claims: first, the claim that everybody who thinks that there are ordinary objects has to accept that they are vague, and second, the claim that everybody has to accept the existence of sharp boundaries to ordinary objects. The purpose of this article is of course not to defend a contradiction. Indeed, there is no contradiction because the two claims do not concern the same ‘everybody’. The first claim, that all ordinary objects (...) are vague, is a claim that stems both from common sense intuitions as well as from various types of ontologies of ordinary objects. This puts then pressure on theories of vagueness to account for the vague nature of ordinary objects – but, as we shall see, all theories of vagueness have to accept the existence of sharp thresholds. This is obvious in the case of epistemicism, and it is a well-known defect of supervaluationism, but as we will see friends of metaphysical vagueness do have to endorse the existence of sharp thresholds in their theory as well. Consequently, there are reasons for dissatisfaction with these accounts, since they do not seem to be able to do the job we asked them to do. (shrink)

Finding an adequate definition of "life" has proven to be a tricky affair. In this article, I discuss the idea that nothing is really alive: we only say so. I shall argue that 'being alive' is not a genuine property of things, and that it only reflects the way we think and talk about things. An eliminativist strategy will then allow us to free ourselves from the burden of having to find a definition of life, and will allow us to (...) focus on the genuinely interesting properties of living (and non-living) entities. (shrink)

In his "Two concepts of possible worlds", Peter Van Inwagen explores two kinds of views about the nature of possible worlds : abstractionism and concretism. The latter is the view defended by David Lewis who claims that possible worlds are concrete spatio-temporal universes, very much like our own, causally and spatio-temporally disconnected from each other. The former is the view of the majority who claims that possible worlds are some kind of abstract objects – such as propositions, properties, states of (...) affairs, or sets of numbers. In this paper, I will develop this view in an 'extreme abstractionist' way, appealing to a 'modal bundle theory', and I will try to show that it is preferable to the standard abstractionist ones. Finally, I will compare this kind of abstractionism to concretism, only to find that the difference between the two is minimal. (shrink)

Suppose that you travel back in time to talk to your younger self in order to tell her that she (you) should have done some things in her (your) life differently. Of course, you will not be able to make this plan work, we know that from the many versions of 'the grandfather paradox' that populate the philosophical literature about time travel. What will be my centre of interest in this paper is the conversation between you and ... you – (...) i.e. the older you that travelled back in time and the younger you, when you first meet. As we shall see, given this situation, endurantists will have to endorse a strange consequence of their view : you will turn out to be a universal while your properties will turn out to be particulars. (shrink)

A widespread interpretation of Buddhist thought concerning the self makes a prominent place for the claim that there is no self. The idea is that this piece of Buddhist philosophy is best understood as being an eliminativist view about the self, sometimes called the "no-self view" or "non-self view". This claim is motivated, in Buddhist philosophy, by the idea that if there were a self, it would have to be a permanent entity that would be a "bearer" of individual psychological (...) states. But since, according to this line of thought, there is no such permanent bearer, then there is no self.Consider the following statements: There... (shrink)