Thalēs -- Pythagoras -- Parmenidēs -- Dēmokritos -- Empedoklēs -- Prōtagoras -- Sōkratēs -- Platōn -- Aristotelēs -- Diogenēs Epikouors -- Markos Aurēlios -- Chenkel -- Nitse.

Our aim in this essay is to take a look at cartoons under philosophical light. What are some of the similarities between philosophy and the art of cartooning? In what ways can cartoons be helpful to philosophy? What are some of the problems cartoons pose for philosophy? Perhaps the most basic philosophical question concerning cartoons is, “What is a cartoon?”. We argue that it is not easy to pin down necessary and sufficient conditions for something being (...) a cartoon. We defend the view that cartoons form a class whose members are interconnected with the Wittgensteinian “family resemblance” relations. We then look into the problems involved in finding a connectionist parallel-processing correlate of the Wittgensteinian notion in the context of cartoons. (shrink)

Teksten van 12 moderne filosofen over de mens.

This article explores the distinctive artistic form of caricature and the philosophical treatment it receives in the work of Karl Rosenkranz (1805–1879), who gives it a central role in the context of his remarkable book The Aesthetics of Ugliness (Die Ästhetik des Hässlichen). Rosenkranz’ legacy on this score is not much discussed (certainly in Anglo-American philosophical circles), but its importance for the development of post-eighteenth-century aesthetics—in particular, for an aesthetics that stretches beyond the conventional concerns with the beautiful and the (...) sublime—can hardly be overstated. After a presentation of Rosenkranz’ project on the aesthetics of ugliness, this article examines his take on caricature and its relation to philosophy (as well as philosophy’s relation to caricature), and then takes up some pressing contemporary questions that arise for caricature’s use of stereotypes. (shrink)

Philosophical debate over the infamous Danish cartoons of Muhammad continues.

The growing influence of the visual media in contemporary society is quite alarming; hence, learning to explicate them is inevitable. This is a paradigm shift from verbal argumentation to visual argumentation. The aim of this article is to contribute to the understanding of visual analysis and visual literacy, a part of discourse analysis. Visuals employ a number of rhetorical devices; however, understanding the effectiveness of these devices is still a challenge. Adopting Visual Argumentation Theory, the article analyzes argumentation in (...) class='Hi'>cartoons on the post-election violence that rocked Kenya in 2007/2008. From the analyses, it is concluded that visuals can argue as simply and forcefully as their verbal counterparts. The blending of caricature and portraiture makes them even more explicit as portraiture denotes the characters so that we can recognize who they are; caricature ridicules them, analogy attributes actions to them in a satirical or sarcastic way, and cultural memory is needed to access the reference to the analogies. Visuals are designed to make the reader think not only about the event or the people being portrayed but also about the message being communicated. This means visuals have the ability to stretch the truth beyond caricature or mere amusement. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 4, Page 544-555, May 2022. Despite growing evidence that production of cartoons and caricatures of Muhammad causes deep hurt to Muslims across the world, European leaders are refusing to restrict their publication in the name of free speech. This article questions this position on three counts: one, the hurt these cartoons cause to the Muslims and the resulting frictions between Europe and leaders of the Muslim countries; two, the harm they (...) cause to European societies by increasing the tension between Muslims and ordinary citizens and the state at a time when Islamophobia and anti-immigrant feelings are already high; and, three, the need to question the intent of those publishing the cartoons given the overwhelming evidence on the first two counts. The article also questions the legitimacy and usefulness of labelling attacks triggered in response to these publications as ‘Islamic terrorism’ when the profiles of those perpetuating these attacks show criminal and deviant behaviour than evidence of religious devotion. The usefulness of using labels that make actions of a few taint whole of Islam, and Muslims as a collective, needs to be debated. (shrink)

Despite growing evidence that production of cartoons and caricatures of Muhammad causes deep hurt to Muslims across the world, European leaders are refusing to restrict their publication in the name of free speech. This article questions this position on three counts: one, the hurt these cartoons cause to the Muslims and the resulting frictions between Europe and leaders of the Muslim countries; two, the harm they cause to European societies by increasing the tension between Muslims and ordinary (...) citizens and the state at a time when Islamophobia and anti-immigrant feelings are already high; and, three, the need to question the intent of those publishing the cartoons given the overwhelming evidence on the first two counts. The article also questions the legitimacy and usefulness of labelling attacks triggered in response to these publications as ‘Islamic terrorism’ when the profiles of those perpetuating these attacks show criminal and deviant behaviour than evidence of religious devotion. The usefulness of using labels that make actions of a few taint whole of Islam, and Muslims as a collective, needs to be debated. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 4, Page 544-555, May 2022. Despite growing evidence that production of cartoons and caricatures of Muhammad causes deep hurt to Muslims across the world, European leaders are refusing to restrict their publication in the name of free speech. This article questions this position on three counts: one, the hurt these cartoons cause to the Muslims and the resulting frictions between Europe and leaders of the Muslim countries; two, the harm they (...) cause to European societies by increasing the tension between Muslims and ordinary citizens and the state at a time when Islamophobia and anti-immigrant feelings are already high; and, three, the need to question the intent of those publishing the cartoons given the overwhelming evidence on the first two counts. The article also questions the legitimacy and usefulness of labelling attacks triggered in response to these publications as ‘Islamic terrorism’ when the profiles of those perpetuating these attacks show criminal and deviant behaviour than evidence of religious devotion. The usefulness of using labels that make actions of a few taint whole of Islam, and Muslims as a collective, needs to be debated. (shrink)

A colorful history of utilitarianism told through the lives and ideas of Jeremy Bentham, John Stuart Mill, and its other founders In The Happiness Philosophers, Bart Schultz tells the colorful story of the lives and legacies of the founders of utilitarianism—one of the most influential yet misunderstood and maligned philosophies of the past two centuries. Best known for arguing that "it is the greatest happiness of the greatest number that is the measure of right and wrong," utilitarianism was developed (...) by the radical philosophers, critics, and social reformers William Godwin, Jeremy Bentham, John Stuart and Harriet Taylor Mill, and Henry Sidgwick. Together, they had a profound influence on nineteenth-century reforms, in areas ranging from law, politics, and economics to morals, education, and women's rights. Their work transformed life in ways we take for granted today. Bentham even advocated the decriminalization of same-sex acts, decades before the cause was taken up by other activists. As Bertrand Russell wrote about Bentham in the late 1920s, "There can be no doubt that nine-tenths of the people living in England in the latter part of last century were happier than they would have been if he had never lived." Yet in part because of its misleading name and the caricatures popularized by figures as varied as Dickens, Marx, and Foucault, utilitarianism is sometimes still dismissed as cold, calculating, inhuman, and simplistic. By revealing the fascinating human sides of the remarkable pioneers of utilitarianism, The Happiness Philosophers provides a richer understanding and appreciation of their philosophical and political perspectives—one that also helps explain why utilitarianism is experiencing a renaissance today and is again being used to tackle some of the world's most serious problems. (shrink)

The inclusion of De astrologia in the Lucianic corpus has been disputed for centuries since it appears to defend astrological practices that Lucian elsewhere undercuts. This paper argues for Lucian’s authorship by illustrating its masterful subversion of a captatio benevolentiae and subtle rejection of Stoic astrological practices. The narrator begins the text by blaming phony astrologers and their erroneous predictions for inciting others to “denounce the stars and hate astrology” (ἄστρων τε κατηγοροῦσιν καὶ αὐτὴν ἀστρολογίην μισέουσιν, 2). The narrator assures (...) readers that he, the knowledgeable astrologer, will correct for the “stupidity and laziness” (ἀμαθίῃ καὶ ῥαθυμίῃ, ibid.) that bring about false predictions. The narrator’s credibility quickly decays when he attempts to recast Orpheus, Bellerophon, Icarus, Daedalus, and a host of other mythological figures as Greek astrologers. Lucian’s audience would expect such far-fetched interpretations of myth from the stereotypical Stoic philosopher, a character lampooned elsewhere in the Lucianic corpus. (shrink)

In Philosophical Questions: Readings and Interactive Guides, James Fieser and Norman Lillegard make classic and contemporary philosophical writings genuinely accessible to students by incorporating numerous pedagogical aids throughout the book. Presenting the readings in manageable segments, they provide commentaries that elucidate difficult passages, explain archaic or technical terminology, and expand upon allusions to unfamiliar literature and arguments. In addition, opening "First Reactions" discussion questions, study questions, logic boxes, and chapter summaries require students to delve more deeply into important issues and (...) to reconstruct arguments in their own words. Some study questions test for minimal comprehension, while others are designed to provoke analysis and independent philosophical reflection. This extensive pedagogical support enables students to more easily comprehend and engage with challenging material by establishing an interactive dialogue with the philosophers. This topically organized anthology and textbook includes numerous excerpts from contemporary philosophers, as well as from Western classics and major Eastern texts, encouraging students to explore connections between works from the Western and Eastern traditions and from different time periods. Topics covered include the philosophy of religion; human nature and the self; souls, minds, bodies, and machines; epistemology; ethics; and political philosophy. A glossary, portraits of philosophers, title pages of famous works, and thirteen specially commissioned cartoons are also included. Philosophical Questions: Readings and Interactive Guides is a rich and flexible volume ideal for introduction to philosophy courses. An Instructor's Manual with Test Questions will be available to adopters of the book. In addition, a Companion Website accompanies the book. (shrink)

I claim that caricature is an epistemically defective depiction. More precisely, when employed in service to some epistemic uptake, I claim that caricature can have a non-negligible epistemic effect only for a less than ideally rational audience with certain cognitive biases. An ideally rational audience, however, would take all caricature to be what I refer to as fairground caricature, i.e., an interesting or entertaining form of depiction that is at best only trivially revelatory. I then argue that any medium (or (...) genre) substantially employing caricature (or standardly featuring or prescribing its employment) in service to some epistemic uptake is to that extent an epistemically defective medium (e.g., beliefs informed by works specific to that medium are to that extent unwarranted). I then show the editorial cartoon to be just such an epistemically defective medium. (shrink)

A hilarious new exploration of philosophy through cartoons from the duo who brought you the New York Times bestselling Plato and a Platypus Walk Into A Bar... Thomas Cathcart and Daniel Klien have been thinking deep thoughts and writing jokes for decades, and now they are here to help us understand Philosophy through cartoons, and cartoons through Philosophy. Covering topics as diverse as religion, gender, knowledge, morality, and the meaning of life (or the lack thereof), I Think, (...) Therefore I Draw gives a thorough introduction to all of the major debates in philosophy through history and the present. And since they explain with the help of a selection of some of the smartest cartoonists working today, you'll breeze through these weighty topics as you guffaw and slap your knee. Cathcart and Klein's Plato and a Platypus Walk into a Bar... and Heidegger and a Hippo Walk Through Those Pearly Gates have been a favorite of philosophers and non-philosophers alike for years. Packed with dozens of witty cartoons and loaded with profound philosophical insight, I Think, Therefore I Draw will delight readers and leave them enlightened. (shrink)

In Helen Bannerman’s Little Black Sambo, the text describes its main character as witty, brave, and resourceful. The drawings of the story’s main character which accompany this text, however, present a unique kind of harm that only becomes clear when the work is read as a collection of single-panel comics rather than an illustrated book. In this chapter, I show what happens when we read drawings in books as textless comics, and, based on how things turn out from this reading, (...) motivate why we have some substantive reason to read both Little Black Sambo and other books with drawings-as-comics. (shrink)

Trust is a topic of longstanding philosophical interest. It is indispensable to every kind of coordinated human activity, from sport to scientific research. Even more, trust is necessary for the successful dissemination of knowledge, and by extension, for nearly any form of practical deliberation and planning. Without trust, we could achieve few of our goals and would know very little. Despite trust’s fundamental importance in human life, there is substantial philosophical disagreement about what trust is, and further, how trusting is (...) normatively constrained and best theorized about in relation to other things we value. This entry is divided into three sections, which explore key (and sometimes interconnected) ethical and epistemological themes in the philosophy of trust: (1) The Nature of Trust; (2) The Normativity of Trust, and (3) The Value of Trust. (shrink)

More and more these days it is asked whether aesthetics is still possible. A question that, given the context and phrasing, seems to direct us towards its answer. Conferences and meetings, books and journal specials examine the issue of aesthetics, talk about rediscovery or return of aesthetics. Well known philosophers and aestheticians underscore the need to reconsider the foundations of aesthetics and set new directions for aesthetics today (Berleant, 2004) or attempt to expand aesthetics beyond aesthetics–like Welsch, for example (...) who tries to extend aesthetics beyond art to society and the life-world (Welsch, 1997). Others underline the need to revisit the aesthetic experience (Shusterman, 1999; Iseminger, 2002, Fenner, 1996) and examine the relevance or irrelevance of the aesthetic with art (Carroll, 2001). It seems that it is strongly recommended to turn to aesthetics on the condition however to carefully re-approach the meaning and import of the term in the present situation. The aesthetic that Passmore condemned as “dreary”(Passmore, 1954), the one Sparshott considered a formless conception, vague and loose in application (Sparshott, 1982), the same that Danto emphatically argues that has nothing to do with the definition of art or arts in general (Danto, 1981) returns to claim its rightful place in the fields of philosophy and critical theory (Levine, 1994, Michaud, 1999), as well as artistic creation. And one cannot but wonder: what does this return mean? What was the degree of aesthetics decline that we need to discuss about recovery or for new implementations of aesthetics? (shrink)

This brief and engaging introductory text treats philosophy as a dramatic and continuous story--a conversation about humankind's deepest and most persistent concerns, in which students are encouraged to participate. Tracing the exchange of ideas between history's key philosophers, Philosophical Conversations: A Concise Historical Introduction demonstrates that while constructing an argument or making a claim, one philosopher almost always has others in mind. The book addresses the fundamental questions of human life: Who are we? What can we know? How should (...) we live? and What sort of reality do we inhabit? Throughout, author Norman Melchert provides a generous selection of excerpts from major philosophical works and makes them more easily understandable with his lucid explanations. Extensive cross-references highlight the organizing themes and show students how philosophers have responded to each other's arguments. A more concise edition of Norman Melchert's The Great Conversation: A Historical Introduction to Philosophy, Fifth Edition, Philosophical Conversations is designed to be especially accessible and visually attractive to first- and second-year college students in introduction to philosophy courses. Enhanced by numerous pedagogical features, it offers: * Shorter and/or simplified presentations of much of the material * A second color that enlivens the text and makes it more visually interesting * An expanded art program featuring more than 100 photographs, illustrations, and cartoons * Classic art at the opening of each chapter * Numerous brief quotations from poets, politicians, and thinkers that underscore philosophical points and stimulate thought * Explanatory footnotes and basic study questions throughout * "Questions for Further Thought" at the end of each chapter * Key terms, boldfaced at their first appearance and collected at the end of each chapter and in a detailed glossary at the back of the book * "Sketches"--which provide glimpses of the ideas of various philosophers not already discussed in detail in the narrative--and "Profiles," which offer more in-depth looks at several thinkers, philosophical schools, and movements including Taoism, Zen, Jean-Paul Sartre, and Iris Murdoch * An Instructor's Manual and Test Bank on CD that highlights essential points and offers numerous exam questions. (shrink)

THE CENTRALITY OF "SYMPATHY" to Adam Smith's Theory of Moral Sentiments points to the centrality of love in the book. While Smith delineates a somewhat unusual, technical sense of "sympathy", his actual use of the term frequently slips into its more ordinary sense of "compassion" or affectionate fellow feeling. This no doubt intentional equivocation on Smith's part helps suffuse the book with these themes, to the point that, without much exaggeration, one could say that the Theory of Moral Sentiments is (...) generally about love: our need for love and sympathy, love as friendship, self-love, the love of praise and praiseworthiness, the love of beauty. Even in the Wealth of Nations, our loves are thought to be very important in explaining our behavior. Smith is unusual among modern moral philosophers in according so central a place to love in this broad sense, although of course Christianity made love a central theme in reflection on ethical life, and philosophers such as Hutcheson made benevolence a key virtue in their ethical systems. However, it is not our purpose to examine Smith's critique of Hutcheson or indeed of any of his predecessors. Rather we aim in this paper to reflect on his treatment of this topic. We shall do so in part by means of comparisons with Aristotle and Plato, first with respect to friendship and then with respect to love generally. Smith's writing is replete with classical references, raising the issue of the degree to which his thought is "ancient" or "modern." Friendship is arguably the pinnacle of social relations for the ancients, and thus it provides us with a useful device for determining the degree to which Smith's thought embodies classical moral and philosophical principles. The subtlety of Smith's interweaving of traditions will become visible as we reflect not just on the ways Smith's thought exhibits classical conceptions of friendship and love, but also on the ways he departs from them. For in at least one important respect, love is a closed book from Smith's standpoint, and thus, as it turns out, also at odds with classical friendship. (shrink)

RÉSUMÉ: Cet article discute diverses confusions, actuelles ou potentielles, liées à la bivalence et au tiers exclu. Il s'agit, en particulier, 1) d'examiner divers cas illustrant les rapports entre la bivalence et le tiers exclu ; 2) de discuter la thèse selon laquelle le tiers exclu et le schéma-T de Tarskipour la vérité entraînent la bivalence; 3) de proposer quelques remarques sur les rapports entre la bivalence, le tiers exclu et lapreuve par l'absurde; 4) de scruter un argument répandu selon (...) lequel le tiers exclu vaut pour les termes «précis»; et 5) de commenter l'histoire de la terminologie. L'objectif ici est d'attirer l'attention des philosophes sur une distinction importante qui ne reçoit pas souvent le traitement minutieux qu'elle mérite. (shrink)

So much of the history of science has been written from the point of view of the scientist or the proto-scientist that it may be salutary for the modern reader occasionally to consider how science and its early practitioners were viewed from the outside. We must not be too surprised if a pioneering activity performed by controversial agents was misunderstood or misrepresented and if what emerges is, therefore, sometimes less of a portrait than a caricature. We are concerned here much (...) less with what natural philosophers actually did than what they were thought to have done, or what they were thought to stand for. The image is sometimes more influential than the reality. Considering that the period to be studied is one of major political and social unrest and that the principal spokesman, Edmund Burke (1729–1797), had made his reputation mainly in the arena of parliamentary politics, we can anticipate rather more polemic than dispassionate argument. In the formation of public opinion a colourful exaggeration or even an occasional sneer are often more effective than the objective exposition of a case. The spectacles through which Burke looked at his world sometimes magnified and often distorted, but they produced a view of knowledge and society shared by many of his contemporaries and of considerable subsequent influence. (shrink)

The question “What is humour?” has exercised in varying degrees such philosophers as Aristotle, Hobbes, Hume, Kant, Schopenhauer and Bergson and has traditionally been regarded as a philosophical question. And surely it must still be regarded as a philosophical question at least in so far as it is treated as a conceptual one. Traditionally the question has been regarded as a search for the essence of humour, whereas nowadays it has become almost a reflex response among some philosophers (...) to dismiss the search for essences as misconceived. Humour, it will be said, is a family-resemblance concept: no one could hope to compile any short list of essential properties abstracted from all the many varieties of humour— human misfortune and clumsiness, obscenity, grotesqueness, veiled insult, nonsense, wordplay and puns, human misdemeanours and so on, as manifested in forms as varied as parody, satire, drama, clowning, music, farce and cartoons. Yet even if the search for the essence of humour seems at first sight unlikely to succeed, I do not see how we can be sure in advance of any conceptual investigation; and in any case we might do well to start with the old established theories purporting to give the essence of humour, for even if they are wrong they may be illuminatingly wrong and may help us to compile a list of typical characteristics. (shrink)

Intuitively, in Train Case 1, you have good enough evidence to know that the train stops in Foxboro. You are epistemically justified in believing that proposition.

One point of view on consciousness is constituted by two claims.

What do pictures and mental images have in common? The contemporary tendency to reject mental picture theories of imagery suggests that the answer is: not much. We show that pictures and visual imagery have something important in common. They both contribute to mental simulations: pictures as inputs and mental images as outputs. But we reject the idea that mental images involve mental pictures, and we use simulation theory to strengthen the anti-pictorialist's case. Along the way we try to account for (...) caricature and for some basic features of pictorial representations. (shrink)

This book initiates a discussion among scholars in rhetoric and hermeneutics in many areas of the humanities. Twenty leading thinkers explore the ways these two powerful disciplines inform each other and influence a wide variety of intellectual fields. Walter Jost and Michael J. Hyde organize pivotal topics in rhetoric and hermeneutics with originality and coherence, dividing their book into four sections: Locating the Disciplines; Inventions and Applications; Arguments and Narratives; and Civic Discourse and Critical Theory. For readers across the humanities, (...) the book demonstrates the usefulness of rhetorical and hermeneutic approaches in literary, philosophical, legal, religious, and political thinking. (shrink)

There are few living thinkers who have enjoyed the eminence and reown of Jürgen Hamermas. His work has been highly influential not only in philosopy, but also in the fields of politics, sociology and law. This is the first collection dedicated to exploring the connections between his body of work ahd America's most significant philosophical movement, pragmatism. Habermas and Pragmatism considers the influence of pragmatism on Habermas's thought and the tensions between Habermasian social theory and pragmatism. Essays by distinguished pragmatists, (...) legal and critical theorists, and Habermas cover a range of subjects including the philosophy of language, the nature of rationality, democracy, objectivity, transcendentalism, aesthetics, and law. The collection also addresses the relationship to Habermas of Kant, Peirce, Mead, Dewey, Piaget, Apel, Brandom and Rorty. (shrink)

Not only did he found his own school of philosophy, known as eclecticism, but he reintroduced into French intellectual life the study and appreciation of the history of philosophy, and produced studies and translations--of Plato and Proclus, Descartes and Pascal--that stand to this day as paradigms of exegetical thoroughness. And it was he who first pointed out to his countrymen that there was some serious philosophical work being carried out on the other side of the Rhine.

Certainty The following article provides an overview of the philosophical debate surrounding certainty. It does so in light of distinctions that can be drawn between objective, psychological, and epistemic certainty. Certainty consists of a valuable cognitive standing, which is often seen as an ideal. It is indeed natural to evaluate lesser cognitive standings, in particular … Continue reading Certainty →.

In Infinity and the Mind, Rudy Rucker leads an excursion to that stretch of the universe he calls the "Mindscape," where he explores infinity in all its forms: potential and actual, mathematical and physical, theological and mundane. Here Rucker acquaints us with Gödel's rotating universe, in which it is theoretically possible to travel into the past, and explains an interpretation of quantum mechanics in which billions of parallel worlds are produced every microsecond. It is in the realm of infinity, he (...) maintains, that mathematics, science, and logic merge with the fantastic. By closely examining the paradoxes that arise from this merging, we can learn a great deal about the human mind, its powers, and its limitations. Using cartoons, puzzles, and quotations to enliven his text, Rucker guides us through such topics as the paradoxes of set theory, the possibilities of physical infinities, and the results of Gödel's incompleteness theorems. His personal encounters with Gödel the mathematician and philosopher provide a rare glimpse at genius and reveal what very few mathematicians have dared to admit: the transcendent implications of Platonic realism. (shrink)

Resumen En este trabajo se realiza un análisis exploratorio sobre lo que se ha venido concibiendo como un nuevo campo del saber científico desde hace algunas décadas, nos referimos a la neuroteología. También se pretende entender hasta qué punto la filosofía naturalista contemporánea puede estar vinculada con la neuroteología -sobre todo cuando el naturalismo implica, en la mayoría de los casos, un reduccionismo que conduce al materialismo-, teniendo en conside ración que en las distintas áreas neurocientíficas tiene lugar un fisicalismo, (...) esto es, una reducción de las propiedades o procesos cognitivos a meros procesos cerebrales e interacciones neuronales, que, gracias a la tecnología, hoy pueden ser visualizados por distintos instrumentos y técnicas.In this work an exploratory analysis is carried out on what has been conceived as a new field of scientific knowledge for some decades, we refer to neurotheology. It is also intended to under- stand to what extent contemporary naturalistic philosophy can be linked to neurotheology - especially when naturalism implies, in most cases, a reductionism that leads to materialism -, taking into account that in the different neuroscientific areas it has instead a physicalism, that is, a reduction of cognitive properties or processes to mere brain processes and neural interactions, which, thanks to technology, can now be visualized by different instruments and techniques. (shrink)

Existence Since Thales fell into the well while gazing at the stars, philosophers have invested considerable effort in trying to understand what, how and why things exist. Even though much ink has been spilled about those questions, this article focuses on the following three questions: What is the nature of existence? Are there … Continue reading Existence →.

Epistemologists and philosophers of science have often attempted to express formally the impact of a piece of evidence on the credibility of a hypothesis. In this paper we will focus on the Bayesian approach to evidential support. We will propose a new formal treatment of the notion of degree of confirmation and we will argue that it overcomes some limitations of the currently available approaches on two grounds: (i) a theoretical analysis of the confirmation relation seen as an extension (...) of logical deduction and (ii) an empirical comparison of competing measures in an experimental inquiry concerning inductive reasoning in a probabilistic setting. (shrink)

Almost thirty years ago, in an attempt to undermine what he termed “the principle of alternate possibilities”.

Recent developments in cosmology indicate that every history having a non-zero probability is realized in infinitely many distinct regions of spacetime. Thus, it appears that the universe contains infinitely many civilizations exactly like our own, as well as infinitely many civilizations that differ from our own in any way permitted by physical laws. We explore the implications of this conclusion for ethical theory and for the doomsday argument. In the infinite universe, we find that the doomsday argument applies only to (...) effects which change the average lifetime of all civilizations, and not those which affect our civilization alone. (shrink)

What processes of the brain or the mind can explain the uniquely personal experience we have of smelling a rose, or feeling the pain of toothache, or seeing the point of a newspaper cartoon, or sensing a pang of post-modernist angst in the run up to the Millenium. The phenomenon of humanhigher-order consciousness has puzzled philosophers, naturalists, and theologians down the ages. Now, somewhat belatedly, consciousness has caught the interest of scientists, some of whom believe they are on the (...) brink of discovering its basis in neurobiological processes. This book, drawing together leading figures from the spheres of science and philosophy, is about the prospects of finding a scientific explanation of consciousness. And it is also about how our view of ourselves could be affected by such a scientific explanation. Until recently, the vast complexityof the brain had kept researchers from tackling the thorny topic of consciousness. But now, new imaging techniques are revealing many of the brain's mysteries to neuroscientists, while some researchers in the field of artificial intelligence believe they will be able to replicate consciousness withsilicon and circuitry. Meanwhile, philosophers continue to take issue with the methodology used by science to investigate this phenomenon. These are the issues that are debated in this book, in which exponenets of each view have the opportunity to argue their case, and the result is a collectionthat will both enlighten all those interested in the question of consciousness, and stimulate debate among those at the forefront of research in the many fields now investigating it. (shrink)