Results for 'Museums. '

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  1.  2
    British Museum: Catalogue of Printed Books.British Museum & Aristotle - 1883 - Printed by William Clowes and Sons, Limited ..
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  2.  36
    'Karl Marx's'theses on Feuerbach': Towards an anti-hermeneutic study.J. A. L. Museums - 1999 - Indian Philosophical Quarterly 26 (4).
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  3. Immanuel Kant Katalog der Ausstellung : [Ausstellung Im Gutenberg-Museum Mainz, 12. März Bis 10. April 1974].Günter Richter, Kant-Gesellschaft & Gutenberg-Museum Mainz - 1974 - Gutenberg-Museum.
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  4. American Realists and Magic Realists.N. Museum of Modern Art York, Dorothy Canning Miller & Alfred Hamilton Barr - 1969 - Published for the Museum of Modern Art by Arno Press.
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  5.  17
    The Shogun Age Exhibition.Ronald M. Bernier & Tokugawa Art Museum - 1985 - Journal of the American Oriental Society 105 (4):773.
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  6. Archaeology and the bible.Greek Terracottas, Museums In Crete & Antiquities Sales - 1990 - Minerva 1.
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  7.  12
    Ecologies: Mark Dion, Peter Fend, Dan Peterman.Mark Dion, Peter Fend, Dan Peterman, Stephanie Smith & David and Alfred Smart Museum of Art - 2001 - University of Chicago David & Alfred.
    Since the 1960s, many artists have incorporated ecological concerns into their work, an endeavor that has required new strategies in art-making. To explore recent American manifestations of these interests, the David and Alfred Smart Museum commissioned new projects from artists Mark Dion, Peter Fend, and Dan Peterman, each focusing on interrelationships between particular organisms—human beings-and a specific group of sites—a museum building, a river landscape, and a university campus. The results, exhibited at the Smart Museum during the summer of 2000, (...)
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  8. Architectural Art Affirming the Design Relationship : A Discourse.Robert Jensen & N. American Craft Museum York - 1988 - American Craft Museum.
     
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  9.  53
    Aristotle on the Constitution of Athens. Aristotle, Frederic George Kenyon & British Museum Dept of Manuscripts - 1892 - Littleton, Colo.: F.B. Rothman. Edited by Edward Poste.
    1891. The recovered manuscript of Aristotle's Constitutional History of Athens, now for the first time given to the world from the unique text in the British...
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  10.  6
    Diller & Scofidio : scanning.Aaron Diller + Scofidio, K. Michael Betsky, Laurie Hays, Anderson & Whitney Museum of American Art - 2003
    Accompanying an exhibition organized by the Whitney Museum of American Art, New York, this book is the most comprehensive catalogue on the work of this internationally recognized architectural firm.
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  11. The Russian Avant-Garde Book, 1910-1934.Margit Rowell, Deborah Wye & N. Museum of Modern Art York - 2002
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  12.  18
    Negotiating Rapture: The Power of Art to Transform Lives.Richard Francis, Homi K. Bhabha, Yve Alain Bois & Museum of Contemporary Art - 1996
    Bhabha, Georges Didi-Huberman, David Morgan and Lee Siegel, as well as a series of focused contributions by Yve-Alain Bois, Wendy Doniger, Kenneth Frampton, Martin E. Marty, John Hallmark Neff, Annemarie Schimmel, and Helen Tworkov consider how rapture resonate's both in a cultural context and within the experience of a single human being.
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  13. The story of time.Kristen Lippincott, Umberto Eco & National Maritime Museum Britain) (eds.) - 1999 - London: Merrell Holberton.
  14.  5
    Immanuel Kant: Katalog der Ausstellung : [Ausstellung im Gutenberg-Museum Mainz, 12. März bis 10. April 1974.Günter Richter, Kant-Gesellschaft & Gutenberg-Museum Mainz - 1974 - Mainz: Gutenberg-Museum.
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  15.  5
    Mind and Body in 18th Century Medicine: A Study Based on Jerome Gaub's De Regimine Mentis.L. J. Rather & Wellcome Historical Medical Museum and Library - 1965 - Univ of California Press.
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  16.  5
    The Analysis of Art.De Witt H. Parker & N. Metropolitan Museum of Art York - 1926 - Yale University Press H. Milford, Oxford University Press.
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  17.  2
    Natur und Kultur: Gentechnik und die unaufhaltsame Auflösung einer modernen Unterscheidung.Klaus Amann & Deutsches Hygiene-Museum In der Ddr (eds.) - 2000 - Dresden: Verlag des Deutschen Hygiene-Museum.
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  18. How Museums Make Us Feel: Affective Niche Construction and the Museum of Non-Objective Painting.Jussi A. Saarinen - 2021 - British Journal of Aesthetics 61 (4):543-558.
    Art museums are built to elicit a wide variety of feelings, emotions, and moods from their visitors. While these effects are primarily achieved through the artworks on display, museums commonly deploy numerous other affect-inducing resources as well, including architectural solutions, audio guides, lighting fixtures, and informational texts. Art museums can thus be regarded as spaces that are designed to influence affective experiencing through multiple structures and mechanisms. At face value, this may seem like a somewhat self-evident and trivial statement to (...)
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  19.  8
    Museums and the Pandemic: Strategies for the Educommunication of Heritage.Laddy Quezada-Tello, Giancarlo Cappello, Sebastián Alberto Longhi Heredia & Ángel Hernando-Gómez - 2022 - Human Review. International Humanities Review / Revista Internacional de Humanidades 11 (2):39-58.
    This article compares the strategies between nine museums in Ecuador, Spain and Peru to address the educommunication activities developed as a result of the 2020 pandemic. Focused on content analysis, the research takes into account the activity of their web pages and the interaction on their social networks. The results show that in Spain informative and informative actions prevailed, while Ecuador and Peru focused on cultural and educational ones. The most relevant contents were oriented to the teaching-learning of heritage, mainly (...)
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  20.  41
    The Idea of the Museum: Philosophical, Artistic and Political Questions.Lars Aagaard-Mogensen - 1990 - Journal of Aesthetics and Art Criticism 48 (1):91-93.
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  21.  28
    Museums and the establishment of the history of science at Oxford and Cambridge.J. A. Bennett - 1997 - British Journal for the History of Science 30 (1):29-46.
    In the Spring of 1944, an informal discussion took place in Cambridge between Mr. R. S. Whipple, Professor Allan Ferguson and Mr. F. H. C. Butler, concerning the formation of a national Society for the History of Science. This is the opening sentence of the inaugural issue of the Bulletin of the British Society for the History of Science, the Society's first official publication. Butler himself was the author of this outline account of the subsequent approach to the Royal Society, (...)
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  22. Theorizing Museums: Representing Identity and Diversity in a Changing World.Sharon Macdonald & Gordon Fyfe - 1998 - Wiley-Blackwell.
    Museums are key cultural loci of our times. They are symbols and sites for the playing out of social relations of identity and difference, knowledge and power, theory and representation. These are issues at the heart of contemporary anthropology, sociology and cultural studies. This volume brings together original contributions from international scholars to show how social and cultural theory can bring new insight to debate about museums. Analytical perspectives on the museum are drawn from the anthropology and sociology of globalization, (...)
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  23.  12
    Bridging Museum Mission to Visitors’ Experience: Activity, Meanings, Interactions, Technology.Annamaria Recupero, Alessandra Talamo, Stefano Triberti & Camilla Modesti - 2019 - Frontiers in Psychology 10:486454.
    In recent years, the contribution of various disciplines and professionals (i.e. from marketing, computer science, psychology and pedagogy) to museum management has encouraged the development of a new conception of museology. Specifically, psychology has affected the overall conception of museum and the visitors towards a more holistic vision of the museum experience as a complexity of memory, personal drives, group identity, meaning-making process, as well as leisure preferences. In this regard, psychological research contributes to advance the scientific knowledge about psychological (...)
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  24. Museums and the Shaping of Contemporary Artworks.Sherri Irvin - 2006 - Museum Management and Curatorship 21:143-156.
    In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a (...)
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  25.  55
    The Museum in Transition: A Philosophical Perspective.Hilde S. Hein - 2000 - Smithsonian Institution.
    During the past thirty years, museums of all kinds have tried to become more responsive to the interests of a diverse public. With exhibitions becoming people-centered, idea-oriented, and contextualized, the boundaries between museums and the “real” world are eroding. Setting the transition from object-centered to story-centered exhibitions in a philosophical framework, Hilde S. Hein contends that glorifying the museum experience at the expense of objects deflects the museum's educative, ethical, and aesthetic roles. Referring to institutions ranging from art museums to (...)
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  26.  14
    The Museum’s Fourth Future.Jean-Paul Martinon - 2023 - Eidos. A Journal for Philosophy of Culture 7 (1):103-124.
    It is a widely accepted trope that museums work for future generations. They often define themselves in relation to heritage: something of the past, which is celebrated in the present and securely preserved for the future. In doing so, museums cloak themselves in a shroud of respectability for appropriately thinking in short and long terms and bravely facing future challenges. But what kind of future is at stake in this imperative to secure a heritage for future generations? Taking on a (...)
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  27. The Museum on the Edge of Forever.Jenny Walklate - 2014 - Teorie Vědy / Theory of Science 36 (1):49-76.
    This article argues that understanding any space or site relies on a knowledge of its fourth dimension - the timescape. It will explore this by situating the investigation in the museum - a place of heightened contrivance which could easily be shallowly interpreted as "mere style". It will defend a new method of investigating museum temporality which combines both phenomenology and literary theory, and will replace the idea of geo-epistemology with geochronic epistemology: an understanding of context and situation which takes (...)
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  28. The Role of Museums in Planetary Health Bioethics: A Review.Teng Wai Lao & Jan Gresil Kahambing - 2023 - In Alexander Waller & Darryl Macer (eds.), Planetary Health Bioethics. pp. 434-451.
    This chapter delves into the museological side of ‘the way forward’ to conservation for planetary health bioethics. Specifically, it highlights the crucial role that museums play – their curatorial or exhibition interventions, conservation operations, development policies, or practices – which present or represent the vital relationship between human and planetary health. While it is not new to stress the significance of museums’ link to the environment and environmental education, it is necessary to re-examine recent cases in light of the rapid (...)
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  29.  12
    Can museums and luxury brands’ perceptions be compared? How a survey and semiotics help decipher the French collective psyche, relative to cultural and commercial identities.Gwenaelle de Kerret - 2018 - Semiotica 2018 (221):53-69.
    Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 221 Seiten: 53-69.
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  30. The imaginary museum of musical works: an essay in the philosophy of music.Lydia Goehr - 1992 - New York: Oxford University Press.
    What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer this question, Goehr combines philosophical and historical methods of enquiry. She describes how the concept of a musical work emerged as late as 1800, and how it subsequently defined the norms, expectations, and behavior characteristic of classical musical practice. Out of the historical thesis, Goehr draws philosophical conclusions about the (...)
  31.  2
    Memorial Museum as an Emotive Paradox - Pursuing Connectivity through Disconnection -. 차지민 - 2020 - Journal of the New Korean Philosophical Association 99:317-333.
    추모 박물관을 방문한 경험이 있다면, 전시 속 희생자들의 고통에 공감하며 그들과 일종의 유대감을 느끼고, 방문을 마친 후에는 이들의 이야기에 감동을 느낀 경험이 한번쯤 있을 것이다. 이 연구는 방문객들의 감정에 집중하여, 방문객들이 전시에 공감하는 현상과 모순되는 감정, 즉 어째서 고통의 공간인 추모 박물관에서 감동이라는 긍정적인 감정이 촉발되는지에 대해 탐색한다. 따라서 본 연구는 추모 박물관에서 경험되는 감정현상을 두 가지 측면에서 접근한다. 첫째, 다양한 개인의 감정들이 어떻게 “공감된 느낌들(feelings-in-common)”을 통해 한 집단과 유대감을 형성하며 감동을 느끼도록 하는지 살펴보고, 둘째, 어떻게 상반되는 감정들, 즉 슬픈 (...)
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  32.  5
    Memorial Museum in Consumer Society: regarding the pleasure of consuming memorial museum. 차지민 - 2019 - Journal of the Society of Philosophical Studies 127:289-311.
    박물관은 지금까지 주로 과거를 저장하고 전시하는 수동적인 공간으로 인식되어왔다. 따라서 박물관을 현재 그리고 미래와의 연관성 안에서 이해하는 연구는 부족한 실정이다. 특히, 박물관, 그 중에서도 추모 박물관들이 다수 존재함에도 불구하고, “두 번 다시는(Never Again)”의 메시지는 박물관 공간 안에서만 공허하게 울릴 뿐 전시된 과거의 끔찍했던 인권탄압은 전 세계적으로 반복되고 있다. 본 연구는 바로 이러한 추모 박물관의 과거와 현재 사이에 부재하는 연결고리에 집중하여 현대사회에서 박물관이 어떻게 소비되고 있는지 논의하고, 이를 통해 박물관 분석에 관한 새로운 접근방식을 모색하고자 한다.BR과거를 전시하는 박물관을 현재에 위치시키기 위해 본 (...)
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  33.  24
    Memory Museum and Museum Text.Silke Arnold-de Simine - 2012 - Theory, Culture and Society 29 (1):14-35.
    In the last 20 years the institution of the museum has gone through a period of redefining its role and its functions in society, its forms of representation, its authority in discourses on the past and its objects. The stated aim of many of the ‘memory museums’ which were established during this period is to invite reflection on the aestheticization of memory and on the fact that the exhibition is seen as a narrative which is challenging conventional codes of perception. (...)
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  34.  46
    Memory Museum and Museum Text: Intermediality in Daniel Libeskind's Jewish Museum and W.G. Sebald's Austerlitz.Silke Arnold-de Simine - 2012 - Theory, Culture and Society 29 (1):14-35.
    In the last 20 years the institution of the museum has gone through a period of redefining its role and its functions in society, its forms of representation, its authority in discourses on the past and its objects. The stated aim of many of the ‘memory museums’ which were established during this period is to invite reflection on the aestheticization of memory and on the fact that the exhibition is seen as a narrative which is challenging conventional codes of perception. (...)
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  35.  5
    Black Museum and Righting Wrongs.Gregory L. Bock, Jeffrey L. Bock & Kora Smith - 2019 - In David Kyle Johnson (ed.), Black Mirror and Philosophy. Hoboken, NJ, USA: Wiley. pp. 187–195.
    In Black Museum, a young woman is out to take revenge on the man who imprisoned her father's digital self in a museum exhibit that allows sadistic visitors to reenact his execution. While the exhibit is morally detestable and some may think that the museum's curator gets what he deserves in the end, the woman's act of vengeance is morally disturbing. This chapter explores Martha Nussbaum's account of anger and forgiveness and considers Christian and Buddhist teachings. An argument by David (...)
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  36.  57
    How Museums and Arts Institutions Can Deal with the Problem of Immoral Artists: A Response to Willard.Erich Hatala Matthes - 2022 - British Journal of Aesthetics 62 (4):559-566.
    In this essay, I respond to Mary Beth Willard's commentary on Drawing the Line. I focus on responding to a number of questions and objections that Willard poses concerning the role of arts institutions in addressing the problem of immoral artists. Focusing on the case of museums in particular, I defend the idea that they can exercise their power to play a productive and important role in societal conversations about moral criticism of artists.
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  37.  11
    Museums and the History of Science.Jim Bennett - 2005 - Isis 96 (4):602-608.
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  38. The museum of the americas. A major new permanent addition to the Dallas museum of art, which has espe-cially strong holdings in all of the pre-columbian arts, with a collection of over.of Later Mesopotamia Gallery - 1994 - Minerva 5:17-20.
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  39.  8
    Museum as Métier: Victor D'Amico and the Museum of Modern Art.Briley Rasmussen - 2023 - The Journal of Aesthetic Education 57 (4):60-75.
    Abstract:Although Victor D’Amico’s pedagogy and legacy are well known within the field of art education, discussions of his work often disregard the context in which he worked for over thirty years—The Museum of Modern Art. This essay examines D’Amico’s key projects, considering how they were supported by and in collaboration with his museum colleagues. The result was a unique legacy steeped in a pedagogy of modern art and museum education. As a conclusion, this essay looks at the training of art (...)
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  40.  14
    Museums as Mentor Texts: Preservice Teachers Analyze Informational Text Structures and Features Present in a Historical Museum.Brian Kissel, Erin Miller, Erik Byker, Amy Good & Paul Fitchett - 2019 - Journal of Social Studies Research 43 (4):343-360.
    The purpose of this study was to examine how elementary preservice teachers ( n = 35) experienced museums as potential sites for K-5 students to read museums using two lenses: to learn the history of the place in which they live and examine how museum authors craft texts to tell those stories. Along with exploring historical content, preservice teachers studied the museum as an informational text. Through this experience, preservice teachers discovered: 1) the five informational text structures museum authors used (...)
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  41.  82
    Museum education and the project of interpretation in the twenty-first century.Rika Burnham & Elliott Kai-Kee - 2007 - Journal of Aesthetic Education 41 (2):11-13.
    In lieu of an abstract, here is a brief excerpt of the content:Museum Education and the Project of Interpretation in the Twenty-First CenturyRika Burnham and Elliott Kai-KeeThis is what we shall look for as we move: freedom developed by human beings who have acted to make a space for themselves in the presence of others, human beings become "challengers" ready for alternatives, alternatives that include caring and community. And we shall seek, as we go, implications for emancipatory education conducted by (...)
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  42. Skulptur, Museum, Öffentlichkeit : das Skulpturmuseum Glaskasten Marl.Karl-Heinz Brosthaus - 2000 - In Werner Scheel & Kunibert Bering (eds.), Ästhetische Räume: Facetten der Gegenwartskunst. Oberhausen: Athena.
     
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  43.  54
    Museum (1930).Georges Bataille - 2006 - Agora Journal for metafysisk spekulasjon 24 (3):227-228.
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  44.  43
    Art Museums, Autonomy, and Canons.Edward Sankowski - 1993 - The Monist 76 (4):535-555.
    Museums influence society’s ideas about canons in relation to art and the aesthetic. Such canons, as represented in museum exhibitions and collections, have sometimes been criticized for exclusion of artists from some groups. These artists include members of racial minorities, women, and others. It may be objected that there is a danger in some such criticism. Group membership might, it may be said, come to matter too much in choices by museums, rather than what should matter, producing and appreciating work (...)
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  45. Universal museums" : New contestations, new controversies.George O. Abungu - 2008 - In Mille Gabriel & Jens Dahl (eds.), Utimut: Past Heritage - Future Partnerships, Discussions on Repatriation in the 21st Century /Mille Gabriel & Jens Dahl, Editors. International Work Group for Indigenous Affairs and Greenland National Museum & Archives.
     
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  46.  9
    Das Museum für zeitgenössische Natur.Emanuele Coccia - 2020 - Zeitschrift für Medien- Und Kulturforschung 11 (2020).
    Im letzten Jahrhundert hat sich das Museum von einer Institution, die sich auf die Vergangenheit und ihre Bewahrung konzentriert, zu einem Instrument der Wahrsagerei über die Zukunft von Kunst und Gesellschaft gewandelt. Der Aufsatz schlägt vor, ebenso die Museen für Naturgeschichte zu transformieren und für das Konzept einer Zeitgenossenschaft der Natur mit den entsprechenden Untersuchungsinstrumenten zu öffnen, sodass sie sich zu neuen Museen für zeitgenössische Natur entwickeln können. During the last century, art museums evolved from institutions focussing on the past (...)
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  47.  7
    Das Museum für zeitgenössische Natur.Emanuele Coccia - 2020 - Zeitschrift für Medien- Und Kulturforschung 11:13-22.
    During the last century, art museums evolved from institutions focussing on the past and its preservation to instruments of soothsaying about the future of art and society. This article suggests transforming museums for natural history in the same way, introducing them to the concept of a contemporaneity of nature via proper investigative tools in order to help outdated museums transforming into modern institutions, showcasing contemporary nature.
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  48.  7
    Museums, Poetics and Affect.Viv Golding - 2013 - Feminist Review 104 (1):80-99.
    This paper reflects on affect and emotion as they relate to poetics — her/histories — in twenty-first century museums. Using specific examples, it considers the ways in which collections of material culture hold diverse meanings and how ideas are communicated to audiences over time and space but might also be challenged through imaginative activity. Key objects, exhibitions and activities discussed highlight masculinities at work in museums and include the temporary art installations by Yinka Shonibare and Fred Wilson in the Victoria (...)
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  49.  10
    Geological Museums and their Collections: Rich Sources for Historians of Geology.Patrick N. Wyse Jackson - 1999 - Annals of Science 56 (4):417-431.
    Many millions of geological specimens are contained in geological museums throughout the world. These collections, some of which date back to the sixteenth century, constitute a rich resource for historians of the geological sciences. The utilization of this resource has been uneven, due to a number of factors, including the background of the researcher, and the state of the collections. In the past two decades major strides have been made in the documentation of collections held in British museums, and compendia, (...)
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  50. Museum Philosophy for the Twenty-First Century.Robert R. Archibald, Patrick J. Boylan, David Carr, Christy S. Coleman, Helen Coxall, Chuck Dailey, Jennifer Eichstedt, Hilde Hein, Eilean Hooper-Greenhill, Lesley Lewis, Timothy W. Luke, Didier Maleuvre, Suma Mallavarapu, Terry L. Maple, Michael A. Mares, Jennifer L. Martin, Jean-Paul Martinon, Scott G. Paris, Jeffrey H. Patchen, Marilyn E. Phelan, Donald Preziosi, Franklin W. Robinson, Douglas Sharon & Sherene Suchy - 2006 - Altamira Press.
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