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Hilde Hein [49]Hilde S. Hein [5]Hilde Sed Hein [1]Hilde Stern Hein [1]
  1.  35
    The Endurance of the Mechanism: Vitalism Controversy.Hilde Hein - 1972 - Journal of the History of Biology 5 (1):159 - 188.
  2.  31
    The endurance of the mechanism—vitalism controversy.Hilde Hein - 1972 - Journal of the History of Biology 5 (1):159-188.
  3.  50
    The Museum in Transition: A Philosophical Perspective.Hilde S. Hein - 2000 - Smithsonian Institution.
    During the past thirty years, museums of all kinds have tried to become more responsive to the interests of a diverse public. With exhibitions becoming people-centered, idea-oriented, and contextualized, the boundaries between museums and the “real” world are eroding. Setting the transition from object-centered to story-centered exhibitions in a philosophical framework, Hilde S. Hein contends that glorifying the museum experience at the expense of objects deflects the museum's educative, ethical, and aesthetic roles. Referring to institutions ranging from art museums to (...)
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  4.  44
    Aesthetics in Feminist Perspective.Hilde S. Hein & Carolyn Korsmeyer (eds.) - 1993 - Indiana University Press.
    "A first-rate introduction to the field, accessible to scholars working from a variety of disciplinary and theoretical perspectives. Highly recommended... " —Choice "... offers both broad theoretical considerations and applications to specific art forms, diverse methodological perspectives, and healthy debate among the contributors.... [an] outstanding volume."—Philosophy and Literature "... this volume represents an eloquent and enlightened attempt to reconceptualize the field of aesthetic theory by encouraging its tendencies toward openness, self-reflexivity and plurality." —Discourse & Society "All of the authors challenge (...)
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  5.  85
    Molecular biology vs. organicism: The enduring dispute between mechanism and vitalism.Hilde Hein - 1969 - Synthese 20 (2):238 - 253.
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  6.  78
    Play as an aesthetic concept.Hilde Hein - 1968 - Journal of Aesthetics and Art Criticism 27 (1):67-71.
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  7.  69
    Public Art: Thinking Museums Differently.Hilde S. Hein - 2006 - Altamira Press.
    By considering the museum itself as art, rather than as a receptacle, Hein's Public Art: Thinking Museums Differently argues for an improved understanding of the role museums play in shaping public discourse.
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  8. What is public art?: Time, place, and meaning.Hilde Hein - 1996 - Journal of Aesthetics and Art Criticism 54 (1):1-7.
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  9.  25
    Aesthetic prescriptions.Hilde Hein - 1967 - Journal of Aesthetics and Art Criticism 26 (2):209-217.
  10.  20
    Aesthetics rights: Vindication and vilification.Hilde Hein - 1978 - Journal of Aesthetics and Art Criticism 37 (2):169-176.
  11.  17
    Museums and Communities: The Politics of Public CultureExhibiting Cultures: The Poetics and Politics of Museum Display.Hilde Hein, Ivan Karp, Christine Mullen Kreamer & Steven D. Lavine - 1993 - Journal of Aesthetics and Art Criticism 51 (1):75.
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  12. Mechanism and Vitalism as Meta-theoretical Commitments.Hilde Hein - 1968 - Philosophical Forum 1 (2):185.
     
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  13.  32
    The Exploratorium: The Museum as Laboratory.Hilde Hein - 1991 - Journal of Aesthetics and Art Criticism 49 (4):398-399.
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  14. The role of feminist aesthetics in feminist theory.Hilde Hein - 1990 - Journal of Aesthetics and Art Criticism 48 (4):281-291.
  15. Grasping the World: The Idea of the Museum.Hilde Hein - 2007 - Journal of Aesthetics and Art Criticism 65 (2):250-253.
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  16.  1
    On the nature and origin of life.Hilde S. Hein - 1971 - New York,: McGraw-Hill.
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  17.  23
    Grasping the World the Idea of the Museum.Hilde Hein - 2004
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  18.  27
    Why Not Feminist Aesthetic Theory?Hilde Hein - 1998 - Journal of Speculative Philosophy 12 (1):20 - 34.
  19. Museums: From Object to Experience.Hilde Hein - 1998 - In Carolyn Korsmeyer (ed.), Aesthetics: The Big Questions. Blackwell. pp. 103--15.
     
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  20. Aesthetic consciousness: The ground of political experience.Hilde Hein - 1976 - Journal of Aesthetics and Art Criticism 35 (2):143-152.
  21. Reminiscences.Rudolf Arnheim, Charles Gauss, Richard Kuhns, Avrum Stroll, Selma Jeanne Cohen, Gordon Epperson, Arnold Berleant, Hilde Hein & Charles Hartshorne - 1993 - Journal of Aesthetics and Art Criticism 51 (2):279-289.
  22.  69
    Institutional Blessing.Hilde Hein - 1993 - The Monist 76 (4):556-573.
    Since the eighteenth century, museums have played a prominent part in constituting the artworld, populating it with inhabitants and assigning value to them. Museums have the institutional function of collecting and preserving objects identified as having a certain cultural value. Unlike private collectors, who can indulge their personal tastes independently of the public, museums are obliged to make depersonalized judgments that are normative. Museums are expected to be both archival and celebratory. They are managed by expert staffs whose function it (...)
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  23. Museum Philosophy for the Twenty-First Century.Robert R. Archibald, Patrick J. Boylan, David Carr, Christy S. Coleman, Helen Coxall, Chuck Dailey, Jennifer Eichstedt, Hilde Hein, Eilean Hooper-Greenhill, Lesley Lewis, Timothy W. Luke, Didier Maleuvre, Suma Mallavarapu, Terry L. Maple, Michael A. Mares, Jennifer L. Martin, Jean-Paul Martinon, Scott G. Paris, Jeffrey H. Patchen, Marilyn E. Phelan, Donald Preziosi, Franklin W. Robinson, Douglas Sharon & Sherene Suchy - 2006 - Altamira Press.
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  24.  2
    Aagaard-Mogensen Lars, Ed. The Idea of The Museum: Philosophical, Anistic and Political Questions.Hilde Hein - 1990 - Journal of Aesthetics and Art Criticism 48 (1):91-92.
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  25. Comment on J. Travis: "Progressivism and the Human Supremacy Argument".Hilde Hein - 1972 - Philosophical Forum 3 (2):222.
     
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  26. Comment on Max Scheler's 'Concerning the Meaning of the Feminist Movement'.Hilde Hein - 1977 - Philosophical Forum 9 (1):55.
     
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  27.  20
    Intermittent Existence and the Identity of Works of Art.Hilde Hein - 1959 - Review of Metaphysics 12 (4):633 - 638.
    Professor Margolis indicates that the problem of the identity of a work of art is a difficult one to resolve. Shall we locate the "work of art" associated with a musical composition in the score or in a performance; and, if the latter, in which particular one? Similarly in poetry, shall we identify the work of art with the printed characters upon the page or with an oral rendition of them? If we call an etching a "work of art," are (...)
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  28.  39
    Mechanism, vitalism, and biopoesis.Hilde Hein - 1968 - World Futures 6 (3):3-56.
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  29.  10
    Obscenity, Politics, and Pornography.Hilde Hein - 1971 - The Journal of Aesthetic Education 5 (4):77.
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  30. On Reaction and the Women's Movement.Hilde Hein - 1973 - Philosophical Forum 5 (1):248.
  31.  44
    Performance as an aesthetic category.Hilde Hein - 1970 - Journal of Aesthetics and Art Criticism 28 (3):381-386.
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  32.  35
    Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond by davis, whitney.Hilde Hein - 2012 - Journal of Aesthetics and Art Criticism 70 (2):235-237.
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  33.  17
    Refining Feminist Theory: Lessons from Aesthetics.Hilde Hein - 2010 - In Peg Zeglin Brand & Carolyn Korsmeyer (eds.), Feminism and Tradition in Aesthetics. Penn State Press.
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  34.  18
    Report on the XII congreso internacional de estética.Hilde Hein - 1993 - Journal of Value Inquiry 27 (2):257-259.
  35.  13
    Riches, rivals and radicals: 100 years of museums in America by Schwarzer, Marjorie.Hilde Hein - 2007 - Journal of Aesthetics and Art Criticism 65 (3):335–338.
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  36.  5
    Riches, Rivals and Radicals: 100 Years of Museums in America by schwarzer, marjorie.Hilde Hein - 2007 - Journal of Aesthetics and Art Criticism 65 (3):335-338.
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  37.  58
    Schopenhauer and platonic ideas.Hilde S. Hein - 1966 - Journal of the History of Philosophy 4 (2):133-144.
  38.  2
    Special Issue of Hypatia.Hilde Hein & Carolyn Korsmeyer - 1990 - Hypatia 48 (4).
    This special issue was the first philosophy journal issue in English devoted to feminist perspectives in aesthetics. It was prompted by more than two decades of feminist scholarship in all academic disciplines that challenged the operations of gender in research and theory, prompting widespread examination of disciplinary assumptions and methods, new understandings of the histories of fields and their classic texts, and refinement of awareness of how scholarship retains gender bias. An expanded version of the journal resulted in the publication (...)
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  39.  13
    The art of displaying science: Museum exhibitions.Hilde Hein - 1996 - In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer Academic Publishers. pp. 267--288.
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  40.  7
    The Chemistry of Noble Gases - A Modern Case History in Experimental Sciences.Hilde Hein - 1966 - Journal of the History of Ideas 27 (3):417.
  41.  4
    The Role of Feminist Aesthetics in Feminist Theory.Hilde Hein - 1995 - In Peg Brand Weiser & Carolyn Korsmeyer (eds.), Feminism and Tradition in Aesthetics. Penn State University Press. pp. 446-463.
    "Isms" can be misleading. . . . Whether negatively or positively intended, the terminal identification--the "ism"--bestows significance upon a category that may never have existed as a concept prior to the viral appendage of its "ism." "Feminism" is a word that expresses such semantic innovation. . . . Feminist aesthetics may well be the prologue of feminist theory understood more broadly. I shall argue that this is the case and that, indeed, feminist theory is at present hindered by the lack (...)
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  42.  71
    Value inquiry — aesthetic value.Hilde Hein - 1994 - Journal of Value Inquiry 28 (2):141-149.
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  43. Worker Bees and Slave Labor.Hilde Hein - 2017 - In Stefano Gattei & Nimrod Bar-Am (eds.), Encouraging Openness. Springer Verlag.
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  44. Arnold Berleant, The Aesthetic Field: A Phenomenology of Aesthetic Experience. [REVIEW]Hilde Hein - 1974 - Journal of Value Inquiry 8 (1):69.
     
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  45.  20
    Book reviews. [REVIEW]Hilde Hein, Arthur W. Munk & E. M. Adams - 1974 - Journal of Value Inquiry 8 (1):69-78.
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  46.  28
    Book review: Aesthetics in feminist perspective. [REVIEW]Hilde Sed Hein & ed Korsmeyer, Carolyn - 1995 - Philosophy and Literature 19 (1).
  47.  8
    CARRIER, DAVID, with Darren Jones. The Contemporary Art Gallery: Display, Power, and Privilege. Cambridge Scholars Publishing, 2016, xvi + 103 pp., 32 b&w illus., £45.99 cloth. [REVIEW]Hilde Hein - 2019 - Journal of Aesthetics and Art Criticism 77 (1):106-109.
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  48.  3
    Media Ethics: A Philosophical Approach. [REVIEW]Hilde Hein - 1999 - Journal of Aesthetic Education 33 (3):120.
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  49.  5
    On Aesthetics in Science. [REVIEW]Hilde Hein - 1980 - Journal of Aesthetic Education 14 (2):115.
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  50.  27
    Philosophy Born of Struggle. [REVIEW]Hilde Hein - 1988 - Idealistic Studies 18 (2):186-188.
    This collection fills an important gap for students of American philosophy. Striking to this reader is the use of the phrase African- American philosophy, for the authors represented, all of whom are black, are neither more nor less American than are most of us who trace our roots to Anglo-European stock. Perhaps we should call ourselves Euro-American philosophers. This observation is not trivial, for it is plain from the contents of the book that the philosophers included, like most of us, (...)
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