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  1.  40
    Monolingualism of the Other; Or, the Prosthesis of Origin.Didier Maleuvre, Jacques Derrida & Patrick Mensah - 1999 - Substance 28 (3):170.
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  2.  20
    Museum Memories. History, Technology, Art.David Carrier & Didier Maleuvre - 2001 - Journal of Aesthetic Education 35 (2):122.
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  3.  10
    The Horizon: A History of Our Infinite Longing.Didier Maleuvre - 2011 - University of California Press.
    What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is (...)
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  4. Monolingualism of the Other; or, The Prosthesis of Origin (review).Didier Maleuvre - 1999 - Substance 28 (3):170-174.
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  5. Museum Philosophy for the Twenty-First Century.Robert R. Archibald, Patrick J. Boylan, David Carr, Christy S. Coleman, Helen Coxall, Chuck Dailey, Jennifer Eichstedt, Hilde Hein, Eilean Hooper-Greenhill, Lesley Lewis, Timothy W. Luke, Didier Maleuvre, Suma Mallavarapu, Terry L. Maple, Michael A. Mares, Jennifer L. Martin, Jean-Paul Martinon, Scott G. Paris, Jeffrey H. Patchen, Marilyn E. Phelan, Donald Preziosi, Franklin W. Robinson, Douglas Sharon & Sherene Suchy - 2006 - Altamira Press.
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  6.  28
    Art and Criticism: Must Understanding be Interpretive?Didier Maleuvre - 2001 - Substance 30 (3):120-128.
  7.  40
    Art and the teaching of love.Didier Maleuvre - 2005 - Journal of Aesthetic Education 39 (1):77-92.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 39.1 (2005) 77-92 [Access article in PDF] Art and the Teaching of Love Didier Maleuvre Art is rightly thought to be the domain of expression and illusion. It is expression because every work of art, however stone-faced or impersonal in aspect, is the product of human intention. And it is illusion because, however concrete, vivid, or raw, it holds up only images. These two (...)
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  8.  8
    Beyond Culture.Didier Maleuvre - 2004 - Journal of Human Values 10 (2):131-141.
    This article is an assessment of the moral problems that beset cultural relativism, that is, the belief that the nature of human existence and value is strictly dependent on, and therefore autonomously proper to, each particular culture. According to this view, the human experience never transcends its native ground. It is, hence, no use judging one form of the human experience against another since no universal non-local yardstick exists to measure them by. After exposing the flaws and contradictions inherent in (...)
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  9.  21
    David Painting Death.Didier Maleuvre - 2000 - Diacritics 30 (3):1-27.
    In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.3 (2000) 13-27 [Access article in PDF] David Painting Death Didier Maleuvre Our life has no end in just the way in which our visual field has no limit. —Wittgenstein, Tractatus Logico-Philosophicus Dates It was the "terrible year." The Revolution was in danger, the enemies of France marched on the borders, the Reign of the Terror had begun. There lay Marat in his blood bath, a letter in (...)
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  10.  17
    Expositions: Literature and Architecture in Nineteenth-Century France.Didier Maleuvre, Philippe Hamon, Katia Sainson-Frank & Lisa Maguire - 1994 - Substance 23 (1):128.
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  11.  13
    Roman et enumeration. De Flaubert a Perec.Didier Maleuvre & Andre Brochu - 1997 - Substance 26 (2):127.
  12.  2
    Tocqueville and the Challenge of American Philosophy.Didier Maleuvre - 2000 - Philosophy Today 44 (4):380-387.