Results for 'Lullian Art'

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  1.  5
    Knowledge, contemplation and Lullism: contributions to the Lullian Session at the SIEPM Congress -- Freising, August 20-25, 2012.José G. Higuera (ed.) - 2015 - Turnhout, Belgium: Brepols Publishers.
    This volume is a collection of the Lullian contributions to the 2012 Congress of the Societe Internationale pour l'Etude de la Philosophie Medievale (SIEPM), held in Freising, Germany, 20-25 August. The Lullian Opera constitute a philosophical mirror of the medieval tradition. The questions and interests of medieval masters played a role in the Renaissance and Early Modern period through the Lullian Art. The three parts of this volume-Knowledge, Contemplation and Lullism- are intended to show that influence, collecting (...)
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  2.  47
    Suppositions and contradictory syllogisms as Lullian methods of inconsistency resolution.Guilherme Wyllie - 2012 - Trans/Form/Ação 35 (s1):209-224.
    No início do século XIV, Raimundo Lúlio, contrapondo-se aos mestres em Artes por ele identificados como averroistae, desenvolveria não menos que dois métodos resolutivos de inconsistência, a fim de refutar aquelas teses filosóficas que divergem da fé cristã. Um deles serve-se de silogismos contraditórios capazes de expressar a estrutura de um argumento ad hominem, ao passo que o outro nada mais é do que uma reductio ad impossibile elaborada com base em suposições contraditórias. In the early fourteenth century, Ramond Lully, (...)
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  3.  27
    Logic and the Art of Memory: The Quest for a Universal Language (review). [REVIEW]Ned O'Gorman - 2003 - Philosophy and Rhetoric 36 (2):168-172.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 36.2 (2003) 168-172 [Access article in PDF] Logic and the Art of Memory: The Quest for a Universal Language. Paolo Rossi. Trans. Stephen Clucas. Chicago: University of Chicago Press, 2000. Pp. xxviii + 333. $32.00 cloth. Of the traditional five canons of rhetoric—inventio, dispositio, elocutio, memoria, and actio—the most circuitous and fascinating history belongs to memoria. From its propulsion of Homeric lore to its grounding of (...)
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  4.  10
    Ramón Llull frente a la crítica actual al diálogo interreligioso: El arte luliana como propuesta para una "filosofía de las religiones".Alexander Fidora - 2003 - Revista Española de Filosofía Medieval 10:227-244.
    En los últimos años han surgido, bajo el título de una Teología pluralista de las Religiones, varias críticas entorno a la posibilidad de un auténtico diálogo interreligioso desde la posición tradicional de la Iglesia. El presente artículo quiere demostrar cómo, a partir de la apologética luliana, pueden evitarse varias dificultades a las que apuntan los teólogos pluralistas, como por ejemplo John Hick, sin tener que abandonar por ello la pretensión de verdad universal que caracteriza a todas las religiones. A este (...)
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  5.  6
    O caráter fundacional dos princípios na Figura A da 'Ars generalis ultima' de Raimundo Lúlio.Guilherme Wyllie - 2024 - Revista Española de Filosofía Medieval 30 (2):41-58.
    Lúlio descreve a realidade como uma estrutura reticuladamente estratificada. Para tanto, ele se vale da noção metafísica de fundação e a ela confere duas funções absolutamente básicas. Em primeiro lugar, cabe à fundação assegurar a distinção entre os princípios enumerados na figura A da Ars generalis ultima, seus correlativos e Deus, que, apesar de serem necessariamente coextensionais, não se confundem hiperintensionamente por não compartilharem a mesma fundação. Paralelamente, compete à fundação assegurar que os constituintes da realidade possam se arranjar hierarquicamente (...)
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  6.  22
    Western esotericism and consciousness.Arthur Versluis - 2000 - Journal of Consciousness Studies 7 (6):20-33.
    This article introduces the relatively new field of religious studies devoted to Western esotericism, or Western esoteric traditions including alchemy, various magical traditions, Christian theosophy, Rosicrucianism and other secret or semi-secret groups. In it Versluis also argues that Western esoteric traditions as a whole rely on the power of the written word or image in order to convey and perhaps generate changes in consciousness. Thus Western esotericism tends to see and use language in a fundamentally different way than many of (...)
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  7.  4
    Los escritos electorales de Ramon Llull: Una nueva teoría de la votación en la segunda mitad del s. xiii / Ramon Llull’s Electoral Writings: A New Theory of Voting in the Second Half of 13th Century.Julián Barenstein - 2013 - Revista Española de Filosofía Medieval 20:85.
    In this paper, we offer the spanish translation with notes of three treatises of Ramon Llull : Artificium electionis personarum, the chapter XXIV of book II from Llibre d’Evast, d’Aloma e de Blaquerna named «En qual manera Natana fo eleta a abadessa» and De arte electionis. These three texts show a new election technique supported on the Ars magna methods. The translations are preceded by a short introduction explaining the place that such texts occupy in the whole lullian opus (...)
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  8. Arte classica ch 6900 lugano. Via peri 9-tel. 091 23 38 54.Bernheimer'S. Antique Arts & Antique Jewelry - 1991 - Minerva 2.
  9.  15
    Semiotics of art literature• painting• film.Sémiotique des Arts - 1971 - In Julia Kristeva, Josette Rey-Debove & Donna Jean Umike-Sebeok (eds.), Essays in semiotics. The Hague,: Mouton. pp. 397.
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  10.  8
    Kʻartʻvel pʻilosopʻostʻa lekʻsikoni: personalia.Tamaz Buachidze & Sak°Art°Velos P.°Ilosop°Iuri Sazogadoeba (eds.) - 2000 - Tʻbilisi: Gamomcʻemloba "Oazisi".
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  11. Artes plásticas.Laís Moura—Duas Artes Primitivas, Homem Comum, M. Silveira & Domingos Crippa—O. Humanismo Marxista - 1967 - Convivium: revista de filosofía 10.
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  12. Art as the Measure of Man.Bruno Bettelheim, Irwin Edman, George Dinsmore Stoddard & National Committee on Art Education - 1964 - [Published by] the Museum of Modern Art for the National Committee on Art Education; Distributed by Doubleday, Garden City, N. Y.
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  13. Chapter Ten Art Constructs as Generators of the Meaning of the Work of Art Viktor F. Petrenko and Olga N. Sapsoleva.Art Constructs as Generators - 2007 - In Leonid Dorfman, Colin Martindale & Vladimir Petrov (eds.), Aesthetics and innovation. Newcastle, UK: Cambridge Scholars Press.
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  14. Commentarij Collegij Conimbricensis Societatis Iesu, in Libros de Generatione Et Corruptione Aristotelis Stagiritae Hac Secunda Editione Graeci Contextus Latino È Regione Respondentis Accessione Auctiores.Colégio das Artes, Manuel de Goes, Franciscus Vatablus, Joannes Albinus & Aristotle - 1599 - In Officina Typographica Ioannis Albini.
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  15. Commentarii Collegii Conimbricensis Societatis Iesu, in Libros de Generatione Et Corruptione Aristotelis Stagiritae.Colégio das Artes, Jesuits, Aristotle & Haeredes Lazari Zetzneri - 1633 - Sumptibus Haeredum Lazari Zetzneri.
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  16. Bernheimer's antique arts.Antique Jewelry & Arte Classica - 1991 - Minerva 2.
     
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  17.  50
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  18.  23
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  19. Interpretation in Science and in the Arts.Art as Representation - 1993 - In George Levine (ed.), Realism and Representation. University of Wisconsin Press.
     
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  20.  70
    Lord Kelvin and the age-of-the-earth debate: a dramatization.Art Stinner & Jürgen Teichmann - 2003 - Science & Education 12 (2):213-228.
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  21.  16
    becker, howard s., faulkner, robert r., and kirshenblatt-gimblett, barbara (eds). Art from Start to Finish. Jazz, Painting, and Other Improvisations. University of Chicago Press. 2006. pp. 248. 23 half. [REVIEW]Art Criticism - 2006 - British Journal of Aesthetics 46 (4).
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  22.  85
    Stain removal: On race and ethics.Art Massara - 2007 - Philosophy and Social Criticism 33 (4):498-528.
    What role does race play in the moral judgment of character? None, ideally, philosophers insist, contending that the proper assessment of an action requires that we disregard any social values associated with the body performing it. What rightly comes under evaluation, they assert, is the neutral, abstract deed irrespective of the race of the agent. Only under these conditions, presumably, can we gauge true moral worth. Reading together Immanuel Kant and Frantz Fanon on ethics and race, I propose instead that (...)
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  23.  32
    Going Far by Going Together: James M. Buchanan’s Economics of Shared Ethics.Art Carden, Gregory W. Caskey & Zachary B. Kessler - 2022 - Business Ethics Quarterly 32 (3):359-373.
    We explore themes in Nobel Prize–winning economist James M. Buchanan’s work and apply his Ethics and Economic Progress to problems facing individuals and firms. We focus on Buchanan’s analysis of the individual work ethic, his exhortations to “pay the preacher” of the “institutions of moral-ethical communication,” and his notion of law as “public capital.” We highlight several ways people with other-regarding preferences can contribute to social flourishing and some of the ways those who have “affected to trade for the public (...)
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  24.  18
    Negotiating Rapture: The Power of Art to Transform Lives.Richard Francis, Homi K. Bhabha, Yve Alain Bois & Museum of Contemporary Art - 1996
    Bhabha, Georges Didi-Huberman, David Morgan and Lee Siegel, as well as a series of focused contributions by Yve-Alain Bois, Wendy Doniger, Kenneth Frampton, Martin E. Marty, John Hallmark Neff, Annemarie Schimmel, and Helen Tworkov consider how rapture resonate's both in a cultural context and within the experience of a single human being.
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  25.  12
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what extent formal (...)
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  26. Books and reviews.Arte Combinatoria - 1980 - International Logic Review: Rassegna Internazionale di Logica 11:81.
     
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  27.  1
    Brave New People.Art Connolly - 1987 - Journal of Medical Ethics 13 (3):162-163.
  28. Against the sociology of art.Aesthetic Versus Sociological & Explanations of Art Activities - 2002 - Philosophy of the Social Sciences 32 (2):206-218.
  29. Autism, and Cognitive Style: Implications for the Evolution of Language.Upper Paleolithic Art - 2006 - Semiotica 162 (1):4.
     
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  30.  4
    A Grand Strategy for America.Robert J. Art - 2004 - Manas Publications.
    Discusses about selective engagement as the most desirable strategy for contemporary America, stating that it is the one that seeks to forestall dangers, not simply to react to them; that is politically viable; at home and abroad; and that protects US interests.
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  31.  6
    Commentarii Collegii Conimbricensis Societatis Jesu, in tres libros De anima Aristotelis Stagiritae: Hac quarta editione, Graeci contextus Latino è regione respondentis accessione auctiores & emendatiores, ob studiosorum philosophiae usum, in Germania editi. Cum indice rerum praecipuarum.Colégio das Artes, Aristotle & Haeredes Lazari Zetzneri - 1609 - Sumptibus Hæedum Lazari Zetzneri.
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  32. Cognitive Dynamics: Conceptual change in humans and machines.Eric Dietrich Art Markman (ed.) - 2000 - Lawrence Erlbaum.
     
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  33.  5
    Filosofii︠a︡ i pravo: monografii︠a︡.V. M. Artëmov - 2017 - Moskva: Prospekt.
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  34. Henry Flynt.Concept Art - 1978 - In Richard Kostelanetz (ed.), Esthetics contemporary. Buffalo, N.Y.: Prometheus Books. pp. 429.
     
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  35.  6
    Het verschijnsel religie.Herwig Arts - 1997 - Leuven: Davidsfonds.
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  36.  69
    Isolation, Loneliness and the Falsification of Reality.Brad Art - 1992 - International Journal of Applied Philosophy 7 (1):31-36.
  37. James Seawright.Phenomenal Art - 1978 - In Richard Kostelanetz (ed.), Esthetics contemporary. Buffalo, N.Y.: Prometheus Books. pp. 258.
     
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  38.  5
    Nravstvennostʹ i pravo: realʹnostʹ i perspektivy vzaimodeĭstvii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
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  39.  12
    Nauchno-tekhnologicheskie transformat︠s︡ii v sovremennom obshchestve: nravstvenno-filosofskoe osmyslenie i osobennosti pravovogo regulirovanii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
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  40.  14
    Pierre Bourdieu.Middlebrow Art - 1999 - In Jessica Evans & Stuart Hall (eds.), Visual Culture: The Reader. Sage Publications in Association with the Open University. pp. 162.
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  41. Razvitie fiziki v SSSR, 1917-1967.L. A. Art︠s︡imovich (ed.) - 1967 - Moskva,: Nauka.
     
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  42. Sociological approaches to distributive and procedural justice.Wil Arts & Romke van der Veen - 1992 - In Klaus R. Scherer (ed.), Justice: Interdisciplinary Perspectives. Cambridge University Press.
     
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  43.  2
    Svoboda i nravstvennostʹ.V. M. Artëmov - 2007 - Moskva: "Kanon+".
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  44. The fayum portraits.Greco-Roman Art - 1996 - Minerva 7:57-8.
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  45. Margaret Benyon.Holography as Art & An Automatic Eden - 1978 - In Richard Kostelanetz (ed.), Esthetics contemporary. Buffalo, N.Y.: Prometheus Books.
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  46.  24
    A Reply to Robert Allan Cooke.Art Wolfe - 1993 - Business Ethics Quarterly 3 (1):65-67.
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  47. The Aesthetic Discourse of the Arts Breaking the Barriers.Anna-Teresa Tymieniecka & Fine Arts Aesthetics American Society for Phenomenology - 2000 - Kluwer Academic.
     
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  48.  56
    On Sartwell’s Thesis That Knowledge is Merely True Belief.Art Skidmore - 1997 - Southwest Philosophy Review 13 (1):123-127.
  49. Synergetics: An Experiment in Human Development.ART COULTER - 1955
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  50. The central problem of the aesthetics of nature.Art Criticism - forthcoming - Environmental Ethics: Divergence and Convergence.
     
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