The relationship between agriculture and nature is a central issue in the current agricultural debate. Organic Farming has ambitions and a special potential in relation to nature. Consideration for nature is part of the guiding principals of organic farming and many organic farmers are committed to protecting natural qualities. However, the issue of nature, landscape, and land use is not straightforward. Nature is an ambiguous concept that involves multiple interests and actors reaching far beyond farmers. The Danish research project Nature (...) Quality in Organic Farming has investigated the relationship between nature and organic farming. This article will focus on an expert workshop held in connection with the project that investigates the way different actors conceptualize nature. Farmers, scientists, and non-governmental organizations came together to discuss their experiences of nature and expectations of organic agriculture. From this interaction, it was clear that nature is a contested notion. Different understandings of nature exist within the three groups and there is disagreement as to whether emphasis should be given to biological qualities, production values, or experiential and aesthetic perspectives. This complexity provides a challenge to organic farming as well as to the implementation of nature considerations in general. It illustrates an underlying battle for the right to define nature and nature quality and essentially decide what organic farmers should work towards. We argue that successful implementation requires organic farmers to carefully consider what expectations they wish to meet. Optimally it is dependent on a dialog between stakeholder interest groups that allows for multivocality and pluralism. (shrink)

Review of Thomas Harder & Lene Ewald Hesels''s _En sten for Eva_ (København: Gads Forlag, 2022). 380 pp. & Hanne Foighels _Sten på sten. Mine 400 år gamle danskjødiske rødder_ (København: Dansk Jødisk Museum, 2022). 496 pp.

In the past few years there has been a turn towards evaluating the empirical foundation of epistemic contextualism using formal (rather than armchair) experimental methods. By-and-large, the results of these experiments have not supported the original motivation for epistemic contextualism. That is partly because experiments have only uncovered effects of changing context on knowledge ascriptions in limited experimental circumstances (when contrast is present, for example), and partly because existing experiments have not been designed to distinguish between contextualism and one of (...) its main competing theories, subject-sensitive invariantism. In this paper, we discuss how a particular, "third-person", experimental design is needed to provide evidence that would support contextualism over subject-sensitive invariantism. In spite of the theoretical significance of third-person knowledge ascriptions for debates surrounding contextualism, no formal experiments evaluating such ascriptions that assess contextualist claims have previously been conducted. In this paper, we conduct an experiment specifically designed to examine that central gap in contextualism’s empirical foundation. The results of our experiment provide crucial support for epistemic contextualism over subject-sensitive invariantism. (shrink)

Keith DeRose has argued that context shifting experiments should be designed in a specific way in order to accommodate what he calls a ‘truth/falsity asymmetry’. I explain and critique DeRose's reasons for proposing this modification to contextualist methodology, drawing on recent experimental studies of DeRose's bank cases as well as experimental findings about the verification of affirmative and negative statements. While DeRose's arguments for his particular modification to contextualist methodology fail, the lesson of his proposal is that there is good (...) reason to pay close attention to several subtle aspects of the design of context shifting experiments. (shrink)

Technical, rigorous, and self-contained, this book will be useful for macroeconomists who seek to improve the robustness of decision-making processes.

G. A. Cohen argues that egalitarians should compensate for expensive tastes or for the fact that they are expensive. Ronald Dworkin, by contrast, regards most expensive tastes as unworthy of compensation — only if a person disidentifies with his own such tastes (i.e. wishes he did not have them) is compensation appropriate. Dworkinians appeal, inter alia, to the so-called ‘first-person’ or ‘continuity’ test. According to the continuity test, an appropriate standard of interpersonal comparison reflects people's own assessment of their relative (...) standing: Person A can only legitimately demand compensation from person B if he regards himself as worse off, all things considered, than B. The typical bearer of expensive tastes does not regard herself as being worse off than others with less expensive tastes. Hence, in the typical case, pace Cohen, compensation for expensive tastes is inappropriate. The article scrutinizes this rationale for not compensating for expensive tastes. Especially, we try to bolster the continuity test by relating it to Dworkin's distinction between integrated and detached values, pointing out that an argument for the continuity test can be built on the assumption that equality has integrated value. In brief, the point is that a metric of equality should be assessed, partly, in virtue of its consequences for related ideals. One of these is the kind of justificatory community promoted by the continuity test. We defend this view against an objection to the effect that equality is a detached value. We conclude that the continuity test constitutes a strong foothold for the resourcist egalitarian reluctance to compensate people for their expensive tastes. (shrink)

Abstract: This paper explores the relevance of themes from Wittgenstein's Tractatus Logico-Philosophicus to the ongoing discussion of metaphysical nihilism. I set out by showing how metaphysical nihilism is of paramount importance for cosmological arguments. Metaphysical nihilism is the position that there might have been nothing. Two conflicting intuitions emerge from a survey of discussions of metaphysical nihilism: Firstly, that metaphysical nihilism is true, and secondly, that formulations of the position are somehow unclear or nonsensical. By considering formalizations of philosophical language, (...) the second intuition is sharpened, while the first intuition is given expression through the Tractarian distinction between what is said and what is shown by our symbolism. I conclude by exploring and rejecting objections to making metaphysical nihilism a scientific, rather than a philosophical question. (shrink)

The phenomenological attitude is essential for practising phenomenology. Many refer to wonder and wonderment as basic attitudes and ways of being present with and listening to phenomena. In this article a critical view is placed on the typically psychologically-loaded language and tonality that is used by phenomenological researchers in the human sciences in order to describe the wonder and openness they try to be a part of when doing phenomenology. With reference to the difference between Heidegger’s and Gadamer’s views on (...) Socratic dialectics the author points to an ontological dimension in the phenomenology of wonder that cannot be reached by taking only an emotional-bodily-oriented approach (the psychological approach) or an aesthetical-intuitiveoriented approach (the late Heidegger poeticised philosophizing). Instead this dimension must be reached through a Socratic questioning and Community of Wonder. Indo-Pacific Journal of Phenomenology , Volume 12, Special Edition July 2012. (shrink)

Poised on the cusp between phenomenology and materiality, media institute a theoretical oscillation that promises to displace the empirical-transcendental divide that has structured western meditation on thinking, including the thinking of technics. Because media give the infrastructure conditioning thought without ceasing to be empirical, they form the basis for a complex hermeneutics that cannot avoid the task of accounting for its unthematizable infrastructural condition. Tracing the oscillation constitutive of such a hermeneutics as it serves variously to constitute media theory in (...) the work of critics from McLuhan to Kittler, from Leroi-Gourhan to Stiegler, my interrogation ultimately conceptualizes the medium as an environment for life:by giving concrete form to ‘epiphylogenesis’, concrete media find their most ‘originary’ function not as artifacts but via their participation in human technogenesis. (shrink)

Subjective probabilities play a significant role in the assessment of evidence: in other words, our background knowledge, or pre-trial beliefs, cannot be set aside when new evidence is being evaluated. Focusing on homeopathy, this paper investigates the nature of pre-trial beliefs in clinical trials. It asks whether pre-trial beliefs of the sort normally held only by those who are sympathetic to homeopathy can legitimately be disregarded in those trials. The paper addresses several surprisingly unsuccessful attempts to provide a satisfactory justification (...) for ignoring the pre-trial beliefs of the homeopathic community. The ensuing diagnosis of the difficulties here emphasizes that the reason the arguments for choosing the pre-trial beliefs of the conventional community seem insufficient is not the arguments per se. It is rather that there is no cogent argument for choosing the conventional stance which would at the same time rationally persuade a member of the homeopathic community. The paper concludes that, once we understand that this is the predicament, there is no genuine reason to doubt the reasoning that leads us to reject the pre-trial beliefs of the homeopathic community. (shrink)

The most famous paradox in chinese philosophy, Kung-Sun lung's "white horse not horse" has been taken as evidence of platonism, Aristotelian essentialism, Class logic, Etc., In ancient chinese thought. I argue that a nominalistic interpretation utilizing the notion of "stuffs" (mass objects) is a more plausible explanation of the dialogue. It is more coherent internally, More consistent with kung-Sun lung's other dialogues, And the tradition of chinese thought which is usually regarded as nominalistic. The interpretation is also strongly suggested by (...) striking parallels between all chinese classificatory nouns and english mass nouns. (shrink)

This article proposes that time is not so much constituted by time-consciousness as given by technical inscriptions of time. The `digital gift' of time that comprises one fundamental mode of this giving of time correlates with Aristotle's conception of time as `the number of movement according to the before and after'; more specifically, it furnishes a minimal form of temporal difference — a minimal before-after structure — that proves useful for exploring how the experience of time has changed today. The (...) article argues that we increasingly live time not, as philosopher Bernard Stiegler argues, through neo-Husserlian temporal objects like the cinema that model the flow of time through our consciousnesses, but rather with the aid of artworks that eschew the objectal in favor of the processual. In works like Wolfgang Staehle's Empire 24/7, Pierre Huyghe's L'Ellipse and Lynn Kirby's Six Shooter, we confront open-ended digital structures that provide us with a technically-specific mediation of the minimal before-after structure and allow us to participate in more heterogeneous enframings of time that move beyond the temporal ratios of human perception. The article closes with a brief discussion of contemporary Chinese art that serves to broaden the proposed `digital aesthetic' of time beyond the `digital' construed narrowly as a concrete technical platform. (shrink)

Abstract The use of photo research methods is influenced by underlying ontological and epistemological assumptions. Variant assumptions about reality and knowledge converge to conceive a relationship between the knower and what can be known. These assumptions provide the rationale for decided ways of engaging participants in the process of scientific inquiry. In this paper, we examine how perspectives of realism and relativism may shape epistemological understandings and influence type and use of photo methods in qualitative research. Based on deliberations about (...) underlying ontological and epistemological assumptions and related strengths and challenges of photo methods, we assert that photo methods contribute to the development of knowledge that both matters to participants and informs nursing practice. (shrink)

Collection of articles on medieval logic and semantics. Introduction by Sten Ebbesen and 24 contributions by scholars in the history of medieval theories of language. The papers in this volume treat several aspects of the history of theories of language from the 12th to the 14th century, aspects that have in a way or another been dealt with by Ebbesen himself.Festschrift in honor of Sten Ebessen in the occasion of his 65th birthday.

In this paper I investigate the relationship between T.W. Adornos general aesthetic theory and his actual view on contemporary art. Adornos view on art is centered around concepts like praxis, matter and critique: Fine art is supposed to make it obvious that any understanding of matter always in some way is inadequate. Praxis is always grounded on an understanding of matter, but in hiding this fact it becomes ideological and repressive. The fine arts have to make this visible – they (...) have to criticize the given praxis. This leads him to reject very big areas of the actual contemporary art – e.g. the music of Igor Strawinsky. I will show that this rejection springs from Adornos view on matters that turns out to be too narrow: His view on matter is too physicalistic. He focuses on the fact that Strawinskys music on the pure audible level is not as radical as for example Schoenbergs music. In this critique I think he overlooks that the music material is not just the audible sound. Strawinskys music appears as new - but only if one realizes how history is part of its material. Adornos being unaware of this leads to a modification (through Heidegger and Strawinsky) of his (and the general marxist) concept of history: The marxist (romanticist) view on history as being one-dimensional shows to be repressive! Adornos own methodology (the negative dialectics) therefore demands a modication of his own view on history – and also of his view on contemporary arts. (shrink)

In 1964 José Benardete invented the “New Zeno Paradox” about an infinity of gods trying to prevent a traveller from reaching his destination. In this paper it is argued, contra Priest and Yablo, that the paradox must be resolved by rejecting the possibility of actual infinity. Further, it is shown that this paradox has the same logical form as Yablo’s Paradox. It is suggested that constructivism can serve as the basis of a common solution to New Zeno and the paradoxes (...) of truth, and a constructivist interpretation of Kripke’s theory of truth is given. (shrink)