Berlioz et les philosophes -- Une philosophie pressentie -- La philosophie de Berlioz -- Philosophie de la musique -- Portée philosophique de l'œuvre de Berlioz.

This essay explores the question of the uncertain relationship between historical narratives, the archive, and past reality by drawing links between Carlo Ginzburg's 1976 The Cheese and the Worms, and Hector Berlioz's 1830 Symphonie Fantastique. I suggest that Ginzburg's microhistory provides valuable insight into how a mode of historical scholarship premised on the concept of translation might proceed. The symphony provides an example of translation in the medium of music and, by way of comparison with Ginzburg's text, illuminates (...) how a similar mode is already operative within the historical work insofar as history remains a dialogical activity. Key, then, is that translation produces dialogical texts, where each voice contributes to the shared production of meaning. (shrink)

Natalie Zemon Davis’s work has decentered the identities of her subjects as part of seeing their complexity. This essay, inspired by Davis’s rich thought and scholarship, looks at the ways in which the Romantics in the arts decentered their thought and practices away from the West. Their decentering involved serious study of non-Western thought and its incorporation into their art, and the regular use of opium to shape their creative works. One borrowed theme was transcendence to a higher mode of (...) existence, often through sexual union with a woman. So influential did Romantic tropes, themes, and images derived from outside the West become that they persisted in Western culture long after the Romantics themselves had lost interest in the body of non-Western culture from which they drew. Examples include the work of Samuel Coleridge, Walter Scott, Hector Berlioz, the Schlegel brothers, Caroline Günderode, Sidney Owenson, and others. (shrink)

L’instrument de musique est abordé non pas isolément mais avec la musique dans laquelle il intervient et par laquelle il se réalise véritablement comme instrument de musique. Après des éléments de définition abordés en rayonnant autour de l’idée de Berlioz du « corps sonore utilisé par le compositeur », l’accent est mis sur le rôle de la pratique instrumentale et de la technique instrumentale. Sont décrites alors les diverses formes de l’identité de l’instrument (de l’identité-objet à l’identité-répertoire) puis ses (...) potentialités (les éléments sonores précis qu’il doit permettre de produire, comme les possibilités nouvelles qu’il va offrir au cours de son histoire). (shrink)

The music of Christoph Willibald von Gluck was a revolution for Paris operagoers when his work premiered there in 1774. In a setting known for its restive and often rowdy spectators, Alceste, Iphigénie en Aulide, and Orpheé et Eurydice seized audiences with unprecedented force. They shed silent tears or sobbed openly, and some cried out in sympathy with the sufferers onstage. “Oh Mama! This is too painful!” three girls called out as Charon led Alcestis to the underworld, and a boy (...) pleaded with his father to take him home. A woman who watched the same performance described falling on her knees in her opera-box as the march of the priests of Apollo began, staying in this position “suppliant and with my hands clasped until the end of the piece.”Gluck's streamlined musical language was one reason for these emotional responses. He and his librettist Ranieri de’ Calzabigi simplified the conventions by eliminating extraneous subplots, abandoning the repetitive da capo form, and replacing trills and runs with simpler melodies meant to convey passion. Another reason was the widespread culture of sentimentalism, which equated virtue with sincerity and judged tears to be the natural sign of an open heart. Painters depicted tender and tumultuous family scenes, and friends pledged trembling vows of fidelity. Listeners were also readers, and many described similar tearful responses when they read the century's bestseller, Rousseau's novel Julie; or, The New Heloise.Everist, a musicologist, takes up the story of Gluck in France in the nineteenth century, when the German composer remained a presence in repertoires. No longer prone to tears, the public was often indifferent and sometimes hostile to his works. Conductors and composers nevertheless persisted in promoting Gluck's music. Between 1828 and 1870, operatic excerpts appeared roughly twice a year in performances of the prestigious Société des Concerts, and the charismatic conductor Jules Pasdeloup regularly programmed his music. Many listeners remained unconvinced. A writer in 1861 described the “sepulchral boredom that reigned the length of all five acts” of Alceste. The periodical Monde dramatique used the same language to characterize Gluck's music: it was “profoundly boring.” After a high point of performances in the middle of Napoleon III's reign, Gluck disappeared from the Paris opera and concert stage for some thirty years.Everist's aim in this slim book is to isolate the “agents” involved in the French reception of Gluck. Traditional reception histories might begin with Gluck and his aims, identifying musical features, particular responses of audiences, critics’ accounts, and perhaps the more elusive temper of the times. Everist focuses instead on less conspicuous networks of impresarios, theater directors, and publishers. In his telling, such agents also include journalists and writers of fiction. The avowed effort is to decenter the artist and his art to emphasize the limited role that composers and librettists play in the performance of an opera. A quoted passage in the book reminds us that without parking attendants, stagehands, and ticket sellers the show could not go on. True enough. Genealogies of Music and Memory therefore provides tables listing Gluck arias in anthologies, particular singers’ performances, works by composers other than Gluck who also drew themes from classical antiquity, and works by other foreign-born composers. A section on “material culture” lists paintings and sculptures of Gluck in Paris theaters and museums.As a “genealogy,” the book is a salutary reminder of the web of amateurs and professionals who discuss, promote, and perform works that others have created. Writers such as E. T. A. Hoffmann, Mme de Staël, and Hippolyte Taine held up Gluck as the embodiment of German music. Hector Berlioz wrote frequently and enthusiastically about Gluck, although he was less keen to program his music. The singers François Delsarte and Pauline Viardot aroused temporary interest in Gluck by regularly including his arias in their recitals. Musical anthologies for the bourgeois household included piano arrangements of his best-known arias. Some nineteenth-century adaptations of his works were scored for the military band.Genealogies of Music and Memory is musicology with very little music. Everist's reliance on networks of actors, agents, publishers, pedagogical practices, and archival environments leads him to assert that “multiple agency is endemic in the story told here.” Unfortunately, it is often unclear just what the story is. Carelessness in writing and editing throughout—including a subject-verb clash in the book's final sentence—has rendered key passages obscure. Everist describes Delsarte's voice as feeble, broken, veiled, and ready to be extinguished twice in the same paragraph, first as a paraphrase and again in a quotation (with a misplaced comma).Decentering artists and their work to elevate others responsible for its reception brings attention to the unseen and often unsung. In the absence of particular performance histories, musical analyses and description, or sustained accounts of shared tastes or critical responses, however, conclusions remain piecemeal. Everist claims to have revealed a “Geertzian web of culture” in his study. A more modest account would describe it as an enumeration of references, revivals, editions, excerpts, and arrangements. (shrink)

The paper is devoted to some Leibniz's works concerning formal calculus, which makes use of so-called real sum operator. The author tries to show that the calculus had been created to articulate certain metaphysical intuitions specific for Leibniz. The calculus made it possible to put forth and to solve some problems unknown to the scholastic tradition.

We have now provided an overall simple theoretical account of the structure of perceptual experience proto-philosophically examined in Part I. The next task is to find the proper logical machinery to formulatte those accounts rigorously.

Thinking, Language, and Experience was first published in 1989.Hector-Neri Castañeda's intricate and provocative essays have been widely influential, especially his work in epistemology and ethics, and his theory on the relation of thought to action. The fourteen essays in Thinking, Language, and Experience -- half of them written expressly for this volume -- demonstrate the breadth and richness of his recent work on the unitary structure of human experience.A comprehensive, unified study of phenomena at the intersection between experience, thinking, (...) language, and reality, this book focuses on singular reference -- that is, reference to individuals insofar as they are thought of as individuals: indicators, quasi-indicators, proper names, singular descriptions. Castañeda establishes a large number of new facts -- linguistic, semantic, psychological, and sociological -- about the workings of language in human experience, and from them develops a network of new theories, all grounded in his comprehensive Guise Theory.These theories offer a systematic account for: the structure of human experience and the world at large; the mental powers required to think of the world and to undergo experiences; self-consciousness; the language for thinking of other minds; perception and the interaction between indexical reference and perceptual fields; and the role of subjectivity in perception and intentional action. (shrink)

Main description: Verbreitet ist die Auffassung, dass es vernünftig ist, moralisch zu handeln, weil es unvernünftig ist, gegen moralische Normen zu verstoßen. Gegen diese Ansicht vertritt der Autor die These, dass es immer vernünftigerweise erlaubt ist, moralisch zu handeln, dass aber im Falle eines Konflikts zwischen Klugheitsgründen und moralischen Normen sowohl die moralische als auch die unmoralische Handlungsweise vernünftigerweise erlaubt sind.

Building on a model first proposed by Gary Johnson, it is hypothesized that religious institutions demanding celibacy and other forms of altruism from members take advantage of human predispositions to favor genetic relatives in order to maintain and reinforce these desired behaviors in non-kin settings. This is accomplished through the institutionalization of practices to manipulate cues through which such relatives are regularly identified. These cues are association, phenotypic similarity, and the use of kin terms. In addition, the age of recruits (...) and their contact with actual kin are factors that relate to kinship recognition and that are similarly manipulated by institutions in order to reinforce altruistic behavior directed toward non-kin. Support for this set of predictions is presented from historical and ethnographic sources on monastic life in Buddhism, Christianity, and Hinduism, as well as Islamic dervish groups, the Essenes, Shakers, and others. Potential implications of the model for understanding the development of religious institutions are preliminarily explored by reviewing Joachim Wach's model of religious developmental stages as well as some of the literature on the relationship between individualism and communalism in incipient religious organizations, in light of the kin-cue manipulation model. (shrink)

Job satisfaction is a core variable in the study and practice of organizational psychology because of its implications for desirable work outcomes. Knowledge of its antecedents is abundant and informative, but there are still psychological processes underlying job satisfaction that have not received complete attention. This is the case of employee emotion regulation. In this study, we argue that employees’ behaviors directed to manage their affective states participate in their level of job satisfaction and hypothesize that employee affect-improving and -worsening (...) emotion regulation behaviors increase and decrease, respectively, job satisfaction, through the experience of positive and negative affect. Using a diary study with a sample of professionals from diverse jobs and organizations, for the most part, the mediational hypotheses were supported by the results albeit a more complex relationship was found in the case of affect worsening emotion regulation. This study contributes to expanding the job satisfaction and emotion regulation literatures and informs practitioners in people management in organizations about another route to foster and sustain positive attitudes at work. (shrink)

In Aristotelian logic, categorical propositions are divided in Universal Affirmative, Universal Negative, Particular Affirmative and Particular Negative. Possible relations between two of the mentioned type of propositions are encoded in the square of opposition. The square expresses the essential properties of monadic first order quantification which, in an algebraic approach, may be represented taking into account monadic Boolean algebras. More precisely, quantifiers are considered as modal operators acting on a Boolean algebra and the square of opposition is represented by relations (...) between certain terms of the language in which the algebraic structure is formulated. This representation is sometimes called the modal square of opposition. Several generalizations of the monadic first order logic can be obtained by changing the underlying Boolean structure by another one giving rise to new possible interpretations of the square. (shrink)

This book describes in detail the relationship between symbolic representations of knowledge and abstract states of knowledge, exploring along the way the foundations of knowledge, knowledge bases, knowledge-based systems, and knowledge representation and reasoning. The idea of knowledge bases lies at the heart of symbolic, or "traditional," artificial intelligence. A knowledge-based system decides how to act by running formal reasoning procedures over a body of explicitly represented knowledge—a knowledge base. The system is not programmed for specific tasks; rather, it is (...) told what it needs to know and expected to infer the rest. This book is about the logic of such knowledge bases. It describes in detail the relationship between symbolic representations of knowledge and abstract states of knowledge, exploring along the way the foundations of knowledge, knowledge bases, knowledge-based systems, and knowledge representation and reasoning. Assuming some familiarity with first-order predicate logic, the book offers a new mathematical model of knowledge that is general and expressive yet more workable in practice than previous models. The book presents a style of semantic argument and formal analysis that would be cumbersome or completely impractical with other approaches. It also shows how to treat a knowledge base as an abstract data type, completely specified in an abstract way by the knowledge-level operations defined over it. (shrink)

En este trabajo se estudia la concepción escotista del universal entendido como universallógico y accidente intencional, cuya función cognitiva se entiende como modo de aprehensión oconcepción de la esencia o naturaleza. El artículo se concentra en analizar las cuestiones 4 y 5 del comentario de Duns Escoto a la Isagoge. Se subraya la relación de los análisis escotistas con lateoría aviceniana del triple estatuto de la esencia sobre el telón de fondo de la teoría boeciana de los universales. Al final (...) del artículo se presenta brevemente el momento ontológico del universal tal comose puede ver en la teoría de la naturaleza común. (shrink)

Según una historia estándar, devenida habitual especialmente por influencia del pensamiento heideggeriano, la filosofía occidental se encuentra atrapada en la trampa de la metafísica. La trampa de la metafísica centra la crítica a la metafísica en torno a la tesis según la cual el esencialismo y una concepción de la verdad condicionada por él determinan qué significa “ser” o “existencia”. Detrás de la realidad se supone un fundamento que bajo la forma de un “trasmundo” (Hinterwelt) produce una manifestación cuasi-causal, a (...) saber: el “mundo” (Welt), el cual se deja con ello concebir como la aparición del ser que se ha retraído en sí mismo. La diferencia entre ser y apariencia mantiene al pensamiento metafísico atrapado, en la medida en que éste no es capaz de reconocer esa diferencia misma como una apariencia. En Siete ensayos sobre la muerte de la metafísica, Héctor Ferreiro ofrece frente a esta historia estándar una convincente contrahistoria. Esta contrahistoria tiene su punto de partida en Hegel, quien intenta, de modo opuesto a la lectura propuesta por Heidegger, superar a la metafísica con sus propios medios y sepultarla a partir de su propia dinámica interna. Precisamente a esta superación está dedicado el debate y discusión de Hegel con el argumento ontológico. Como Kant, Hegel ve en el argumento ontológico uno de los centros operacionales de la metafísica clásica. La cuestión es, pues, cómo abordar el argumento ontológico del modo correcto desde un punto de vista crítico a la metafísica. La estrategia que ofrece Hegel consiste, como lo expone Ferreiro, en desenmascarar la distinción misma entre el ser y la apariencia producida por él como una operación de tipo conceptual. Según Hegel, la metafísica ha sido desde siempre el intento por desarrollar una teoría de la totalidad. Pero una teoría de la totalidad que coloca al ser de un lado y a su aparición del otro lado de un límite no advierte su propia operación, dado que el trazado de un límite pertenece él mismo a la teoría de la totalidad. De lo que se trata, pues, es de examinar los trazados de límite constitutivos de la metafísica para reconocerlos como productos de la reflexión y no como hechos dados que el pensamiento tan sólo debe reflejar. El movimiento de autosuperación de la metafísica que culmina en la discusión de Kant y Hegel con el argumento ontológico pertenece ya, sin embargo, a la tradición de la metafísica. Como lo muestra Ferreiro, la metafísica está a más tardar a partir de la distinción medieval entre esencia y existencia en proceso de superarse a sí misma, pues ya Tomás de Aquino logra reconocer en dicha distinción la verdadera fuente de la producción del mundo. Tomás persiste aún, sin embargo, en una concepción sustancialista, en la medida en que considera a la distinción entre esencia y existencia como un hecho in-dependiente de la teoría y del sujeto. Sin embargo, esa distinción es una operación conceptual y no un objeto que se encuentra en el mundo. En esta medida, la tesis de la distinción de razón entre ambas categorías se presenta como un indicador de la reflexión de la metafísica sobre sí misma. Ferreiro demuestra que el célebre comienzo de la Cien-cia de la Lógica de Hegel significa precisamente una profundización y radicalización de esa autorreflexión. Ahora bien, a ojos de Hegel el ser del comienzo de la Lógica es en sí mismo como tal el resultado del argumento ontológico; en su formulación clásica, sin embargo, el argumento ontológico sólo aspira a probar que hay algo (Dios), pero el argumento mismo no es como tal capaz de determinar ulteriormente ese algo –esto constituye justamente la tarea de la ontología en el sentido de Hegel, es decir, la tarea de la Lógica. Así, lo que podría denominarse en Hegel una “metafísica” es expresamente una crítica a la metafísica tradicional. En efecto, la ontología que Hegel propone en modo alguno significa una recaída en la metafísica anterior a Kant; por el contrario, en la filosofía de Hegel metafísica y crítica a la metafísica se vinculan íntimamente y con ello se cierra un círculo que se había abierto en la metafísica teológica de la Edad Media: precisamente que este movimiento estaba contenido ya programáticamente en la ontología de la distinción entre esencia y existencia es algo que Ferreiro analiza en forma clara y meticulosa. En cuanto disciplina, la ontología está hoy nuevamente en el centro de la atención de la reflexión filosófica a nivel mundial. Siete ensayos sobre la muerte de la metafísica no sólo ofrece en este respecto un análisis de índole histórica; es también una importante contribución teórica al actual retorno a la ontología. (shrink)

El objetivo del presente trabajo es poner de manifiesto las dificultades que implica desde su origen mismo la estructura argumentativa adoptada en este respecto por Tomás y, ulteriormente, mostrar que dicha estructura contiene el germen de su propia disolución, así como tendencialmente también el de la disolución de la metafísica teológica como disciplina filosófica.

Deux innovations caractérisent la philosophie de Berkeley : il met la perception au centre de sa théorie de l'être (esse est percipi out percipere) et il lie étroitement vision et langage, en affirmant que les idées de la vue constituent un " langage universel de l'Auteur de la nature ". Ces deux innovations continuent à nourrir la philosophie contemporaine, en particulier certains aspects de la philosophie analytique. C'est pourquoi, il est essentiel d'examiner à nouveaux frais les questions concernant l'hétérogénéité des (...) champs sensoriels, la nature de la suggestion, le rôle de l'imagination et celui de l'idée médiate dans la construction de l'objet. Le présent ouvrage vise donc à éclairer le tournant philosophique et sémantique instauré par Berkeley dans l'étude de la perception et de la vision. Une comparaison avec Locke met en valeur la spécificité des thèses du philosophe irlandais. Un examen précis des textes concernés permet de réévaluer la place et le rôle des thèses sur la vision dans l'économie générale de l'œuvre. Textes de Margaret Atherton, Bertil Belfrage, Geneviève Brykman, Richard Glauser, Philippe Hamou, Jean-Michel Vienne. (shrink)

In the Remark to the final paragraph of the Chapter on “existence” (Dasein) in the Logic of the Encyclopedia of the Philosophical Sciences in Basic Outline (1830) Hegel states that the “ideality of the finite is the chief proposition of philosophy” and that “every true philosophy is for that reason idealism” (Enz § 95A). In turn, at the end of the Chapter on “existence” in the Science of Logic (1832) Hegel claims, further, that “every philosophy is essentially idealism or at (...) least has idealism for its principle, and the question then is only how far this principle is carried out” (GW 21.142). Along this line, Hegel conceives of absolute idealism not only as the result of the history of philosophy, but also as the philosophical system that reveals the essence of the philosophical systems before idealism, that is to say, as the philosophy that reveals, by developing it and formulating it adequately, what the precedent philosophies, mostly unknowingly, tried to develop and formulate, namely a general theory about reality based on the principle of the unity of being and thought. According to Hegel, every particular philosophy throughout history exposed in a successive, partial and complementary way the process of identification of being and thought; inasmuch as the system of absolute idealism assumes the latently idealist theses present in former philosophies, it makes those theses explicit and exposes the process of the identification of being and thought as its own internal development. Thus, absolute idealism is for Hegel the philosophy that exposes and shows what philosophy is actually about. The purpose of this essay is to render explicit the metaphilosophical implications of Hegel´s conception of absolute idealism as the “true philosophy” (wahre Philosophie, wahrhafte Philosophie). (shrink)

Inter-organizational models are both a well-documented phenomena and a well-established domain in management and business ethics. Those models rest on collaborative capabilities. However, mainstream theories and practices aimed at developing these capabilities are based on a narrow set of assumptions and ethical principles about human nature and relationships, which constrain the very development of capabilities sought by them. This article presents an Aristotelic–Thomistic approach to collaborative entrepreneurship within and across communities of firms operating in complementary markets. Adopting a scholarship of (...) integration approach and evaluating the six studies of communities of organizations, we contribute an inter-organizational network model based on the assumptions about human motives and choice offered by Aristotle. We argue that the sustainability of inter-organizational communities depends on how rich is the set of assumptions about human nature upon which they are based. In order to develop and sustain collaborative capabilities in inter-organizational communities, a set of assumptions that takes both self-regarding and others’-regarding preferences as ends is required to avoid any kind of instrumentalization of collaboration, which is an end in itself. Implications for theory and practice are discussed. (shrink)

Polo's notion of act of being is based on the equivalence between the notio of act and that of a first principle. A study of the central axioms of metaphy-sics compared with principles of identity and non-contradiction is also in-cluded.

This paper is an investigation into "abandonment of mental limit" in order to distinguish "being" and "thought". The philosophy of Leonardo Polo carries out that distinction with a study on "acts" and "habits" of knowledge. The difference between knowledge and being is exclusively the mental presence.