This paper examines the predominant systems used for the classification of print-based cartographic materials (primarily atlases and sheet maps). We present the results of a brief, widely distributed survey on the topic, followed by discussions of the distinctive characteristics of the classification systems used by survey respondents. The Library of Congress Classification and Dewey Decimal Classification systems were found to be widely used, with several other schemes also in use.

ArgumentThe historiography of botanical maps has mainly concentrated on their alleged “golden age,” on maps drawn by famous first-generation plant geographers. This article instead describes botanical maps after the age of discovery, and detects both a quantitative explosion and qualitative modification in the late nineteenth century. By spotlighting the case of the plant geographer Oscar Drude (1852–1933), I argue that the dynamics of botanical mappings were closely linked to a specific milieu of knowledge production: the visual culture of Imperial (...) Germany. The scientific upgrading of maps was stimulated by a prospering commercial cartographical market as well as a widespread practice of mediating between professionals and amateurs via maps in the public sphere. In transferring skills and practices from these “popular” fields of knowledge to scientific domains, botanists like Oscar Drude established maps as an indispensable element of botanical observation. This wholesale dissemination of botanical maps had thus a formative influence on collective perception – the botanist's “period eye” – regarding plant distribution. (shrink)

This paper examines cave environments as unique spaces of knowledge production and shows how visualizations of natural cavities in maps came to be powerful tools in scientific reasoning. Faced with the challenge of limited vision, mapmakers combined empiricism and imagination in an experimental setting and developed specific translation strategies to deal with the uncertain origin of underground objects and the shifting boundaries between the known and the unknown. By deconstructing this type of cartographic representation, which has barely been (...) studied, this paper furnishes surprising insights into the scholarly practices and tools used to deal with this considerable epistemic uncertainty and to signal credibility and trust to potential users. The array of maps used for this study includes both archival and published sources, depicting caves in Europe, America and Siberia. (shrink)

This text is part of an on going research. It deals with the relationship between the production and experience of the places on the edge of the Trans-Amazon Highway (BR 230), which cuts the North and a Northeast portion in the East-West direction. Considering its programmatic sense of occupation of the territory, as opposed to the explanation already accepted, which expresses the road as an engineering system, therefore, means to flow, is that I propose to think the road as an (...) everyday living space, emphasizing the educational dimension to understand the existence of places. My purpose is to analyze the spatial imagination underlying the external understanding to the Trans-Amazon, in the educational plan, regarding the unique geographicity produced by local groups living near the road. Methodologically, I seek a dialogue between a phenomenological design and the existentialism, developing field of research procedures, literature review that supports the concepts of spatial imaginations, place and field education, critical reading of official documents in the MEC sites imagery record in dialogue with the representation of those that live on the edge of “Strip”. As an indication of preliminary findings point out: 1. The denial of places as a geopolitical strategy which is materialized in the educational process and planning politics; 2. The inescapable geographicity of groups that self recognize and are related contradictorily to the Trans-Amazon Highway; 3. The Countryside Education as opening or denial of the place, both for those who live it, and for those who do not live it, which can be ignorance widespread factor in terms of knowledge of the Amazon spatiality or coping and creation of a new geographic and cartographic knowledge about the places cut by “Strip”. (shrink)

Abstract“The singular state of the ice”. The Cartographic Knowledge of the Whaler William Scoresby. The English whaler William Scoresby, Jr. (1790–1857) made use of his annual voyages to the Greenland Sea for distinguished scientific work, detailed records and the production of amazing maps. Due to his intensive contacts to scientists as Robert Jameson and politicians as Joseph Banks and John Barrow his research achieved a great deal of attention and set a benchmark for at least half a century. (...) Scoresby combined the adventurous world of Arctic fishery with academic sciences. He attained the northernmost point anybody reached in his time, he extended the cartographic knowledge and forced the conquest and utilisation of the oceans for commercial fishing. But his biography enquires also about who got an opportunity for research and for what. Especially it demonstrates the strong impact practical knowledge of a whaler could have on geographic research and Arctic cartography. (shrink)

Producing, Localising, and Imagining Knowledge. On “false maps” and “scientific expeditions” in the Brazilian‐French Debates about Guyana (1880s–1900s). This paper analyses the interferences between knowledge production, space and colonial claims from translocal, actor‐based perspectives. Due to its ‘thickness’ the examined material, found particularly at the Perthes collection (Gotha/Germany), allows multifaceted views on a topic which influences our scientific knowledge‐based world views. In his writings the Swiss naturalist Emil Göldi underlined his point of view that was both ‘Brazilianized’ (...) and scientific. Especially his letters and articles between the 1880s and the 1900s are testimony to his positioning in situ (‘an Ort und Stelle’) against the cartographic ‘alienated’‐colonial perspectives of French scientists, especially those of his counterpart Henri Coudreau. Sometimes it reads more like an adventure story than a scholarly debate. By working with and using the internationally renowned periodical Petermanns Geographische Mitteilungen (Perthes), Göldi managed to design an image of the spatial situation that convinced the deciding people and thus to obtain for Brazil a huge territory in the Eastern part of the Guyanas. (shrink)

In 1730, the Dutch cartographer and meteorological observer Nicolaas Samuel Cruquius constructed a spectacular map of the river Merwede. Cruquius’s map is celebrated as one of the earliest to use lines of equal depth—or indeed any type of contour lines. So far, however, the secondary literature has paid no attention to why Cruquius created these lines or to the knowledge involved in his innovation. This essay makes three related points. First, Cruquius intentionally used lines representing equal depth in an (...) entirely new way: whereas earlier maps had used similar lines to represent a river’s navigability, for Cruquius they visualized river flow. Second, different technical and epistemic practices grounded the making of the map: Cruquius built on his expertise in surveying but also on practices from both natural history and mathematical physics, with which he was familiar through contacts at Leiden University and the Royal Society of London. Third, Cruquius’s case does not fit with the way work cutting across different fields of expertise is usually conceptualized. Cruquius did not just straddle different fields. Instead, he gave new meaning to lines of equal depth by integrating specific practices from different fields of expertise and omitting others; through this integration, Cruquius created a way to visualize water flows and gave shape to possible new ways of acting on the river and its environment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Caring for Landscapes of Justice in Perilous Settler EnvironmentsMishuana Goemanindians are the "singing remnants" or "graffiti," in the words of Leanne Betasamosake Simpson ("i am graffiti"). The forms this graffiti takes, our inscriptions on the landscape, are as numerous as our Nations, abundant as our ancestors who loved, lived, and passed down knowledge of our lands and histories. "You are the result of the love of thousands," writes (...) Linda Hogan, who beseeches us to listen to the environment surrounding us (159). Deborah Miranda (Coastal Esselen and Chumash) reminds us that we are also the result of violent histories, in her tribal memoir Bad Indians, a book that relishes the tales of her ancestors who resist and act out to survive. This harm, genocide, and settler mapping of worlds also must be attuned to in our surroundings and in "our bodies [that are] bridges over which our descendants cross, spanning unimaginable landscapes of loss" (Miranda 74). Visual cartographic mapping has been part and parcel of the erasure of California Indians, relegated to the small, contained, and past temporal space of a romanticized mission.This paper centers on the NDN Collective's work and the photography of Cara Romero's project Tongvaland and the works of Gabrielino Tongva artist Mercedes Dorame. The setting of these projects is in the sprawling landscape of Los Angeles, or the homelands of the Gabrielino Tongva people, who call it Tovaangar. I will examine the anti-colonial aesthetics and care practices mapped out in the work rather than presenting a "true" Indigenous map or alternative map. Mapping a history of the landscape by creating a "new" narrative or "true" narrative is not enough. As Maori scholar Linda Tuhwi Smith states, "[w]e believe that history is also about justice, that understanding history will enlighten our decisions about the future. Wrong. History is also about power. In fact, history is mostly about power. … [A] thousand accounts of the truth will not alter the fact that indigenous peoples are still marginal [End Page 50] and do not possess the power to transform history into justice" (34). The Gabrielino Tongva, who comprise an estimated 2,300 people, do not possess the population power and cannot access the form of voting or democracy to make the changes needed just by telling their truth. Across California, people know about the raw deal, the embezzlement, the genocide, and the so-called lost treaties. In fact, under Eisenhower, recompense was paid out in small amounts to Tongva families of the dispossessed. Instead, to continue with the words of Smith, "[i]t is also about reconciling and reprioritizing what is really important about the past with what is important about the present" (111). What Romero and the NDN Collective—made up of numerous tribal leaders, scholars, and other artists—did was relay and prioritize how they wanted to be seen in their homelands. These billboards invite us in, in a gift of sharing, or what tribal cultural leader Craig Torres related to me as a spirit of Maxxa, a sharing, gifting, or swapping of knowledge. Dorame's beautiful and critical installations in public art spaces reflect Maxxa—they invite the viewers to think through land from her curious arrangements. As artists, part of their practice is not that of a Western version of a tortured genius but instead is energized by pulling in community and creating a collective practice. They undo settler space together and with us. The cartographic practices of these California Indians' creative arts exemplify communities of care that must be considered when we think through the unmapping of settler terrains. This question requires an approach of radical care. As Hi'ilei Hobart and Tamara Kneese make clear, the notion of care is "inseparable from systemic inequalities and power systems" (Hobart and Kneese 1).The work of the NDN Collective and Dorame counters a settler-based, commercial map of Los Angeles. Indigenous people, relegated by the settler state as expendable and erasable graffiti, confront capitalist and state ordinances at various scales. Rather than understand this as a subjugated positionality, I posit that graffiti is the critique necessary and valuable to understanding interlocking structures of oppression. In the following words of Leanne... (shrink)

The species problem is one of the oldest controversies in natural history. Its persistence suggests that it is something more than a problem of fact or definition. Considerable light is shed on the species problem when it is viewed as a problem in the representation of the natural system (sensu Griffiths, 1974, Acta Biotheor. 23: 85–131; de Queiroz, 1998, Philos. Sci. 55: 238–259). Just as maps are representations of the earth, and are subject to what is called cartographic generalization, (...) so diagrams of the natural system (evolutionary trees) are representations of the evolutionary chronicle, and are subject to a temporal version of cartographic generalization which may be termed systematic generalization. Cartographic generalization is based on judgements of geographical importance, and systematic generalization is based on judgements of historical importance, judgements expressed in narrative sentences (sensu Danto, 1985, Narration and knowledge, Columbia Univ. Press, New York). At higher systematic levels these narrative sentences are conventional and retrospective, but near the "species" level they become prospective, that is, dependent upon expectations of the future. The truth of prospective narrative sentences is logically indeterminable in the present, and since all the common species concepts depend upon prospective narration, it is impossible for any of them to be applied with precision. (shrink)

Notions of human rights as enshrined in international law have become the “idea of our time”; a “dominant moral narrative by which world politics” is organized; and a powerful “discourse of public persuasion.”1 With the rise of human rights discourse, we need to ask, how do protagonists make human rights claims? What sort of resources, techniques, and strategies do they use in order to publicize information about human rights abuses and stipulations set out in international law? With the democratization of (...) mapping practices, various individuals, organizations, and governments are increasingly using maps in order to put forth certain social and political claims. This article draws on the sociology of knowledge, science studies, critical cartography, cultural studies, and anthropological studies of law in order to analyze how various international, Palestinian, and Israeli organizations design maps of the West Bank Barrier in accord with assumptions embedded within international law as part of their political and new media activism. Qualitative sociological methods, such as in-depth interviewing, ethnography, and the collection of cartographic material pertaining to the West Bank Barrier, provide the empirical tools to do so. The maps examined here exemplify how universalistic notions of international law and human rights become a powerful rhetorical tool to make various and often incommensurable social and political claims across different maps. At the same time, international human rights law, rather than dictating local mapping practices, becomes inevitably “vernacularized” and combined with local understandings, cultural preferences, and political concerns. (shrink)

This article considers how Spatial Big Data is situated and produced through embodied spatial experiences as data processes appear and act in small moments on mobile phone applications and other digital spatial technologies. Locating Spatial Big Data in the historical and geographical contexts of Sydney and Hong Kong, it traces how situated knowledges mediate and moderate the rising potency of discourses of cartographic reason and data logics as colonial cartographic imaginations expressed in land divisions and urban planning continue (...) on, in a world that increasingly values models of calculability, interoperability and authority. It draws on ethnographic material gathered through walking interviews in both cities, and in doing so, it argues that by using ethnographic ‘moments’, it is possible to decentre the focus on data processes to consider the critical potential of a politics of everyday experiences that produce and reflect the structures of data logics. Through these ethnographic moments, this article examines how mobile technologies are complicit in the production of Spatial Big Data, and the impact this has on the increasing regimentation and surveillance of modes of being and expression via mobile media. At the same time, it will argue that while spatial calculability has expanded from cartographic reason into data logics, the epistemological universality of Spatial Big Data is constantly being resisted – in moments of experimentation, failure, intuition, memory and desire, the ghosts of the incalculable epistemes, experiences and people, forgotten by the emphasis on calculation, continue to speak. (shrink)

Purpose This paper is concerned with the place of human rights in the process of technological development but specifically as this process is situated within the corporate-technological complex of modern digital communications and their derivatives. This paper aims to argue that expecting and institutionalizing the incorporation of human rights in the process of technological innovation and production, particularly in the context of global economic actors, constitutes a necessary act if we want to navigate the immediate future of artificial intelligence and (...) ubiquitous connectivity in ways that protect democracy and human dignity. Design/methodology/approach The discussion presents the case for defending human rights through a social control perspective, which assumes the conscious quest for impacting change and cartographing a path of actions and intentions. The authors approach the problem from James Ralph Beniger’s theory of the Control Revolution to explain the emergence of a new social order and to outline the main challenges brought particularly by media and information and communication technology corporations as global actors of power. Findings Ethics initiatives, considering human rights as an ethical framework for media and ICT businesses, can be based on social control perspectives to regard the more complex variables interacting in the formation of effective policy making. It is the right to participate in the construction of knowledge in society and, informed by this knowledge, help manage or control democratic issues, including influencing on the regulation of technology and other cultural formats of control. Knowing social control tools enable citizens to lead their destinies, plan their freedom and the change what they wish in the societies they live in. Originality/value Social control is often understood as a term taken for granted and many times faced as representing malignant and anti-democratic forms. Here, the authors try to build a theoretical ground where both sides – the benign and the malignant – can be taken in consideration to bring awareness to the need to discuss social control as a democratic endeavor, and consider human rights as part of this and not something apart and idealized. The practice of human rights is directly associated with social control forms and is from within these practices individuals must understand its role on social control and act. (shrink)

In the late Qing dynasty (1644–1911), local gazetteer maps helped to disseminate the innovations of longitude and latitude used in Western cartography. The use of longitude and latitude lines alongside the traditional Chinese cartographic method of “grid scales” suggests that mapmakers chose an ingenious compromise to accommodate new knowledge alongside traditional practices.

This paper serves as an introduction to the special section on Global Culture Revisited which commemorates the 30th anniversary of the publication of the 1990 Global Culture special issue. It examines the development of interest in the various strands of globalization and the question of whether there can be a global culture. The paper discusses the emergence of alternative global histories and the problematization of global knowledge. It examines the view that the current Covid-19 pandemic signals a turning point, (...) or change of epoch, that marks the end of peak globalization. The paper also discusses the view that global was always a limited cartographic term which failed to adequately grasp our terrestrial location on the earth. Currently, there is considerable speculation about the emergent politics of a new world order, with civilizational states set alongside nation-states, opening up an epoch of greater pluriversality, and at the same time greater uncertainty. (shrink)

The Central American migrant caravans of 2018 are best understood as having been precipitated by entangled multi-scalar geopolitical histories among the United States, Mexico, Guatemala, Honduras, and El Salvador. Unsurprisingly, the migrants traveling north to the United States garnered widespread attention on social media. So much so that the reaction to the caravan accelerated plans to deploy troops to the US southern border and deny Central Americans the opportunity to seek asylum. This example showcases how the digital world can have (...) exponential material effects. While coverage on border security and migration has been extensive, within political geography, such concerns have rarely been paired with social media. In this article, we take as our object of analysis the digitality or “digital life” of the migrant caravan. Mapping the patterns of migrant caravan-related tweeting paired with the exploration of Twitter’s networked dimensions reveals the platform to be a fundamentally spatial technology. Rather than reflect, refract or distort, Twitter produces and is in turn produced through spatial mechanisms. We present multiple cartographic visualizations in support of this claim and highlight the ways in which a contextual knowledge of the subject under study—the migrant caravan—can further inform analyses of Big Data. (shrink)

The aim of this article is to explore what the concept of interdisciplinarity can bring to our developing understanding of education as a field of enquiry. We shall draw upon some recent writing on the disciplines of education in order to explore the potentially negative consequences of the way in which the disciplines are institutionalised and territorialised. We also assign some prominence to a personal account of an eminent anthropologist's perambulations through a disciplinary landscape in order to put forward an (...) initial, tentative view of interdisciplinary endeavour. Nietzsche's essay 'Schopenhauer as educator' and the distinction between measurable time (chronos) and lived time (kairos) are the vehicles through which the authors explore the nature of intellectual inquiry. They also consider the implications of the prevalence of spatial and cartographic metaphors in scholarship in this area of enquiry, and reflect on the contrasting notions of habitation and occupation. They put forward the view that the key to understanding the role of the disciplines of education is in exploring the reciprocal relations between the lives of academics and the institutions of the disciplines (books, articles, reports, societies, journals, conferences, networks), between personal narrative and grand narrative, and in attempting to reconcile full-bodied being and the ghostly life of 'pure knowledge'. (shrink)

Early observations of the southern celestial sky were reported in many sixteenth-century books and compilations of voyages of discovery. Here we analyse these accounts in order to find out what was really seen and reported by the first navigators. Our analysis had resulted in new interpretations of the phenomena reported by Amerigo Vespucci and Andreas Corsali. Thus, a reassessment of the discovery of the Coalsack Nebula, the Magellanic Clouds, and the Southern Cross can be made. From a comparative review of (...) the observations of the latter constellation as published between 1500 and 1600, we demonstrate that only questionable records found their way to contemporary compilations of voyages of discovery, and that as a result public knowledge about this constellation at the end of the sixteenth century was entirely unreliable. Another problem we discuss is that although the stars of the Southern Cross were the first to be discovered, and were observed again and again by many navigators, it was not until 1678 that their proper positions were found in stellar atlases and star catalogues accessible to astronomers. We explain how negligence of and subsequently confidence in Ptolemy's astronomy by, respectively, the early navigators and cartographers, were at the root of this amazingly long-lasting gap in the knowledge of the southern celestial sky. (shrink)

This article provides a transnational analysis of the campaigns for the organization of expeditions to the central Arctic region by the American explorer Elisha Kent Kane and the Prussian cartographer August Petermann between 1851 and 1853. By adopting a comparative approach, this study focuses on three interventions in the history of Arctic science and exploration: the construction of scientific expertise surrounding the relationship between the ‘armchair’ and the field, the role of transnational networks, and the significance of maps as travelling (...) epistemic objects in the production of knowledge about the Arctic regions. In bringing both campaigns in conversation with each other, this article demonstrates that the histories of Kane's and Petermann's campaigns did not constitute isolated episodes but form part of a transnational nexus of imperial science and Arctic exploration in the nineteenth century. Moreover, based on research in libraries and archives in the United States, Germany and England, this study reconnects otherwise siloed collections and contributes new findings on the interpersonal networks of science and exploration. Finally, this article illustrates the importance of adopting comparative transnational approaches for understanding the fluid and reciprocal nature of Arctic science throughout the transatlantic world. (shrink)

This discourse analysis of metaphors of the crossdisciplinary composite of inter- and trans-disciplinary research gleans in sights for science today. The first section establishes a baseline by comparing spatial images to growing use of organic metaphors in an ecology of knowledge production. Following logically from the comparison, the second reflects on metaphors of exchange and transaction in trading zones, transaction spaces, and third spaces, then addresses implications for the earlier exemplar of Mode 2 knowledge production. The third section (...) considers the current exemplar of convergence as a new dynamic of fundamental and applied research then challenges the premise translation is a one-way transfer and application of findings from one domain to another, thereby recognizing complexity of relational capital, platforms as sites of collaboration, and ensuing tensions. The fourth reflects a widespread tendency to map domains of knowledge, building on Sheila Jasanoff’s cartographic metaphor of Science, Technology, and Society Studies as an archipelago and broader implications for the nature and status of interdisciplinary fields. The fifth section weighs the balance of disciplinarity and interdisciplinarity, questioning the premise of a New Disciplinarity reinscribing a disciplinary home versus transversal flow and flux. The sixth recognizes growing momentum for decolonizing crossdisciplinarity, including the role of lay, traditional, and Indigenous knowledge in fostering a transdisciplinary science of sustainability. The seventh closing section reflects on preceding metaphors against the backdrop of a century of developments that have made interdisciplinarity and transdisciplinarity part of the fabric of science today, though more often in incremental ways than radical refiguration. (shrink)

A growing number of people are relying on technologies like Google Maps not only to navigate and locate themselves in cartographic space but also to search, discover and evaluate urban places. While the spatial data that underlies such technology frequently appears as a combination of Google-created maps and locational information passively collected from mobile (GPS-enabled) devices, in this article we argue that for such systems to function as both useful tools for exploration for users and sources of revenue, users (...) must actively produce massive quantities of granular spatial data that would otherwise be significantly more difficult and expensive to collect. The production of this qualitative information about places constitutes significant unremunerated affective labour. In this article, we build on the tradition of feminist geographies, especially feminist and critical Geographic Information Systems (GIS), to examine how the labour done by gendered, raced and often classed members of a local community is alienated by Google (i.e. Alphabet, Inc.) to produce commodified spatial data/media in the Local Guides platform. We analyse how Google’s presentation of the platform hails women as care labourers—sharing their thoughts, feelings and knowledge of place for free in the name of supporting and caring for a community, however vaguely it may be constituted. At the same time, we argue that digital labour that produces the Local Guides platform draws from and reproduces specific gendering of spaces. We draw on a case study of a commercial corridor in the US city of Worcester, Massachusetts to show how the dialectic between affective digital labour and urban space has material effects on the production of raced, classed and gendered spaces and places. The article concludes with a call to maintain critical, feminist engagements with these types of platforms in order to further develop forms of digital praxis towards more just cities. (shrink)

Resumen: Este artículo aborda planteamientos desde la filosofía y los vincula con la cartografía y los mapas concebidos desde un punto de vista epistemológico como formas de conocimiento. Se analiza el legado de Ludwig Wittgenstein procedente de su segunda obra “Investigaciones Filosóficas” y se compara con los últimos desarrollos de la cartografía, ya que existe un vacío de conocimiento entre las concepciones epistemológicas derivadas de la obra del filósofo y el quehacer de la disciplina cartográfica. Metodológicamente desde la perspectiva semiótica (...) en cartografía, se comparan los mapas semánticos y pragmáticos, estableciendo que ambos tipos de representaciones responden a concepciones diferentes de la realidad. Conjuntamente se analiza la propuesta de la cartografía social postmoderna y su contribución para mapear las mini-narrativas y el uso de otros lenguajes cartográficos rezagados durante el período de la modernidad. Se concluye que existe un símil entre la cartografía postmoderna y las concepciones de la llamada segunda filosofía de Wittgenstein.: This article links philosophy with maps and cartography, conceived as forms of knowledge. There is a gap between epistemological conceptions and state-of-art in the cartographic discipline. This gap is addressed by considering Ludwig Wittgenstein’s “Philosophical Investigations”. Methodologically, from the semiotics perspective applied to cartography, this article compares semantics maps and pragmatics maps, establishing that both types of depictions have different reality conceptions. It is analyzed the proposal of postmodern social cartography and its contribution to mapping the mini-narratives that had fallen behind against the big discourses or dominant narratives of the period of modernity. It is concluded with an analogy concerning postmodern cartography and conceptions of the second Wittgenstein philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Putting French Studies on the MapTom Conley (bio)A good deal of work accomplished in new historicism over the last decade has opened new perspectives on the relations of literature to cartography. If new historicism tends to be affiliated with Shakespearean scholars who reconstruct the world of the Globe Theatre in the context of London and the Elizabethan world picture, it almost goes without saying that cartography, whose mobilization and (...) rapid growth occur from the beginnings of the printing press to the middle of the seventeenth century, plays a significant role in the analysis of print-culture in general. 1 The convergence of the two disciplines has shown that Renaissance authors, obsessed with the beginnings of writing, valorize both its geographical and spatial virtues and the ways that its pictogrammar constitutes “a grid for comprehension of the world” [Martin 14]. Humanists discovered that it simulated divisions of land in transactions devoted to their negotiation. What early archeologists of writing discovered is comparable today to what we gather about the meaning of the crosshatched rectangles and insignia we admire on the great prehistoric petroglyph of Bedolina standing over its arable valley below [Jacob 41–48; Thrower 4–5]. In the early modern age cartographical issues are central to broader inquiry about the power of writing.New historicists take up early modern cartography not just to assess the impact of Ptolemy on humanism but to develop agendas that concern how a sense of habitus was conceived, projected, and betrayed at a time of tumultuous change. They ask how the “world” could be both imagined and experienced when its boundaries were expanding at exponential rates. Cartographic studies have shown where the unknown, vital for any definition of consciousness or even the drives of life itself, was located and bracketed. 2 The unknown was an integral part of cartography prior to the eighteenth century. But to assert, as many have, that cartography sought to contain the unknown within the terrae incognitae it indicated on its maps does not solve the relation of the discipline with the [End Page 23] unknown. Evidence shows how much in the early modern age the unknown inhabits most written and schematic representations of the world. 3 Unnamed patches that we retrieve on maps printed in the sixteenth century prompt reverie of spaces that can be fancied as unknown by virtue of the maps themselves. The cartographical impulse in early modern studies cannot be dissociated from our own drive to find spots that can remove us from the regnum of nonplaces that define our world, that is, other places, whether heterotopical or “anywhere out of this world,” valorized when the “nonplace” has come to define contemporary human geography [see Augé 1992].Concurrently, the history of cartography remains one of the most immediate modes of access for what we can understand about the imagination of power, control, statecraft, and economy at a time when maps figured with increasing regularity in matters of administration. In broader terms, we can say that the unforeseen growth of map production and the consequent stress laid on fantasies of power that accompanied cartographic representations from the beginning of print culture to the establishment of “state reason” under Louis XIV bore witness to a greater spatialization of knowledge. What in the study of literature goes by the name of discourse is seen through a cartographical lens as patterns of utterances and exchanges that owe much to the influence of Ramism, monocular perspective, and diagrammatical logic. It is a truism to note that when the world became a function of cartographical representations made accessible to a public at large, the ways it was configured bore great impact on communication in general. 4In this issue of Diacritics, where the current plight and uncertain future of French studies is being pondered, it also goes without saying that many teachers and scholars are wondering what can be done to invigorate one of the richest of all literary canons. The assault that American media have led on French culture (among others, articles in the New Times by Roger Cohen and Craig Whitney) would lead us to believe that literature has [End Page 24] become equivalent to freeze-dried croissants, a... (shrink)

This article takes a look back at the historical and philosophical context of the International Map of the World, humans’ first attempt at mapping the entire surface of the earth in detail on a uniform scale. Albrect Penck’s initial idea for a thoroughly detailed topographic map of the world, proposed at Fifth International Geographical Conference in 1891 and securing the support, both symbolic and financial, of many of the world’s governments by the first decades of the twentiethcentury, consisted of a (...) uniform series of hypsometrically-colored topographical maps overlaid with human data and dividing the world into consistently-scaled quadrangles. Envisioned by some geographers and cartographers as a component of the peace, both following both the First and then the Second World War, the project would come to be administered by international and non-governmental organizations by midcentury, as primary governmental support for cartography at that time increasingly reflected territorial interests and claims over and above those in favor of employing concepts of geographical knowledge that were not explicitly political or territorial. The slow demise of the project can be understood to signify the ultimate difficulty of a project that disacknowledged the fundamentality of politically constructed boundaries by employing another scale, in this case, a geometric scale with systematically geographical content, in order to frame its maps. (shrink)

Early Modern European travelers sought to gather and disseminate knowledge through narratives written for avid publishers and public. Yet not all travelers used the same tools to inform their readers. Despite a shared interest in conveying new knowledge based on eyewitness authority, Grand Tour accounts differed in an important respect from travelogues about Asia: they were less likely to include maps until the late eighteenth century. This paper examines why, using travel accounts published between 1600 and 1800 about (...) Italy and France (Europe) and India and Japan (Asia). It argues that maps of different types--coastlines, city plans, country topographies--appeared more frequently in accounts of Asian trips in part because of Europeans' more limited geographical knowledge about Asian destinations. More important, however, was the purpose of travel, the type of information gathered, and the intended audience of accounts. Seventeenth-century authors of Grand Tour experiences focused on single topics, ignored what seemed to be the familiar countryside they passed through, and showed little interest in geography. Their counterparts visiting Asia took an opposite tack, covering a wide range of subjects, including space, and cartographic representation was an important element within the account. Only in the eighteenth century, when the strange locale had become familiar and the familiar European destination became strange with new types of travel through it, were maps an important part of narrative. (shrink)

This article investigates the maps of the moon produced in the mid-seventeenth century by Jesuit Giambattista Riccioli and Johannes Hevelius, whose cartographic projects competed for widespread acceptance. Although Hevelius’s Selenographia was applauded for its many detailed, self-engraved pictures of the moon, his cartography and proposed nomenclature were supplanted by Riccioli’s as offered in Almagestum novum, in spite of the latter’s simplistic pictures and promotion of geocentric cosmology. Exploring this paradox through pictorial analysis, three types of images common to both (...) Selenographia and Almagestum novum are compared, employing an analytical tool developed by Svetlana Alpers in The art of describing. A focus on this debate exposes the tensions evoked by new technologies of vision and competing cultures of visual epistemology in seventeenth-century astronomy. As both selenographers grappled with questions about the role of representation and what kinds of knowledge could be generated visually, the successes and failures of their competing projects present implications for the course of visual astronomy, as well as for our understanding of the use of ‘visual technologies’ in a period of controversy.Keywords: Johannes Hevelius; Giambattista Riccioli ; Svetlana Alpers; Astronomy; Early modern; Moon maps; Visual culture; Images in science. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The American Philosopher: Conversations with Quine, Davidson, Putnam, Nozick, Danto, Rorty, Cavell, MacIntyre, and KuhnDavid GormanThe American Philosopher: Conversations with Quine, Davidson, Putnam, Nozick, Danto, Rorty, Cavell, MacIntyre, and Kuhn, by Giovanna Borradori; translated by Rosanna Crocitto; xii & 177pp. Chicago: University of Chicago Press, 1993, $32.00 cloth, $12.95 paper.The idea for this book, first published in Italian in 1991, was good—to assemble a collection of interviews with (...) the key figures in American philosophy. And the list of philosophers whom Giovanna Borradori chose as representing the best in contemporary American thought was very good—as becomes especially clear when in her introduction she mentions the ones who, for whatever reason, got away: Noam Chomsky, Jerry Fodor, Nelson Goodman, Saul Kripke, John Rawls, and John Searle (p. 5). Add these names to those of the philosophers whom she was able to interview for this volume, and you have an impressively complete roster of the thinkers who have made the postwar era in the United States arguably one of the great periods of philosophy.Unfortunately, the execution of the book does not fulfill the promise of its conception. And perhaps nothing could have; the fact remains, however, that Borradori proves herself singularly ill-equipped, in terms both of background knowledge and of intellectual orientation, to bring out very much of importance in these important philosophers’ ideas, either in the interviews that she conducts with them or in the prefatory material that she supplies to bind the collection together.The essence of Borradori’s problem is that she approaches these professional academic philosophers with the incongruous assumption that they are [End Page 388] people with interesting general ideas about history, society, art, religion, or whatever—she assumes in short that these professors are intellectuals. But that is scarcely a term that describes your typical American philosopher. Nor do I mean this condescendingly: on the contrary, just what is significant and valuable about contemporary philosophers in the analytic mold (as almost all of Borradori’s interviewees are) is the narrowness of their focus on problems and methods of logic and the natural sciences, the two Archimedean levers by which analytic philosophy has come far closer than anyone could have predicted to moving the conceptual universe decisively.Of course, not everyone views matters this way, and Richard Rorty in particular has made a spectacular career out of disputing this image—largely a self-congratulatory one, as he takes it—of the analytic tradition. Whether his dissent is justified or not, his role in the collection constitutes another of its problems, because he is not just one of the group of thinkers whom Borradori is interviewing: beyond this, it is Rorty’s ideas which supply Borradori with an intellectual program (in default of one of her own), which necessarily distorts her presentation of the other philosophers’ thoughts, and her line of questioning in these interviews. So, for example, all the interviewees are subjected to questions about American Pragmatism generally and John Dewey in particular, not because these things are of any inherent significance to most of them (as several of them point out, politely), but because Rorty thinks that they should be, and because Borradori follows his line unquestioningly. Thus most of the conversations recorded here are at cross-purposes to start with.Borradori provides brief introductions for each interview, betraying little familiarity with the work of the philosophers, particularly when the work involved is at all technical, or more than about ten years old. Except to summarize these summaries her general introduction for the volume does no more than to indulge in the kind of military and cartographic metaphors made tiresomely familiar by such recent European thinkers as Foucault. Little seems to have been lost in the retranslation of this volume from the Italian, except that the historian of science George Sarton has somehow become “Georges Sardon” (p. 31).David GormanNorthern Illinois UniversityCopyright © 1995 The Johns Hopkins University Press... (shrink)

In a contribution to a symposium on xenophilia, this essay — a study of Brian Friel’s 1980 play Translations — raises the question of whether all xenophilia is by nature doomed to fail. Set in Ireland in 1833, the drama centers on the tension arising from a young British lieutenant’s falling in love with an Irish-speaker while he is in her country to translate Irish place-names into English for an imperial cartographic survey. While the lieutenant is referred to in (...) the play as a Hibernophile, the essay interprets his love as xenophilic: love for the foreignness rather than the Irishness of what he encounters. The lieutenant’s love of foreign places and their names impedes his effort to systematize Ireland for imperial ends, and his love for an Irish woman brings about his own undoing. Applying Simone de Beauvoir’s view of alterity to the lieutenant’s xenophilia, the essay questions whether the English written over the Irish in this play and the lieutenant’s desire written over the objects of his love obscure enough of the other’s otherness to render his xenophilia no longer viable. (shrink)

The idea of dignity seems indissociable from that of humanity, whether in its universal dimension of ‘human dignity’, or in the individual ‘dignity of the person’. This paper provides an outlook on the ethics governing the sciences and technology, in particular the biological sciences and biotechnology, and recalls the notion of ‘glory’, both human and divine, as it infuses a great part of the Middle Ages and the Renaissance cultures, just before the scientific revolution in Europe.

Rappe, Sara L. “Socrates and Self- knowledge” .

Thoroughly researched contributions from conferences at Harvard and Paris on coping with ignorance in late medieval and early modern administrative practices, science, literature and the arts, are tightly connected by a new theoretical framework on how to historicize ignorance.

In this paper I defend the traditional anti-intellectualist claim that a form of knowing how to Φ (e.g., knowing how to play the guitar) exists that entails the ability to Φ (play the guitar), and that this knowledge cannot be reduced to propositions (such as ‘S knows a way _w_ to Φ’, where _w_ is a means of Φing). I also argue that S can know how to Φ in the absence of the ability to Φ, and for this (...) knowledge to be likewise irreducible to propositions. This is made possible when one distinguishes between type and token actions. Moreover, I contend that type and token actions, and one’s ability to engage in them, are differentiated at the level of motor representations. Motor representations provide an alternate means of grading knowledge how to that presented by Carlotta Pavese, insofar as this form of gradable knowledge is likewise irreducible to propositions. (shrink)