54 found
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  1.  19
    The Fold: Leibniz and the Baroque.Ian Buchanan, Deleuze Gilles & Tom Conley - 1994 - Substance 23 (3):124.
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  2.  22
    Story and Discourse.Tom Conley & Seymour Chatman - 1979 - Substance 8 (2/3):199.
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  3.  15
    The World, the Text, the Critic.Tom Conley & Edward W. Said - 1985 - Substance 14 (1):98.
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  4. Folds and Folding.Tom Conley - 2011 - In Charles J. Stivale (ed.), Gilles Deleuze: Key Concepts. Mcgill-Queen's University Press.
     
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  5.  18
    What Is Philosophy?The Fold: Leibniz and the Baroque.John J. Stuhr, Gilles Deleuze, Felix Guattari, Hugh Tomlinson, Graham Burchell & Tom Conley - 1996 - Journal of Aesthetics and Art Criticism 54 (2):181.
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  6.  22
    A Derrida Reader Between the Blinds.Tom Conley & Peggy Kamuf - 1992 - Substance 21 (2):137.
  7.  17
    From Antidote to Anecdote: Montaigne on Dissemblance.Tom Conley - 2009 - Substance 38 (1):5-15.
  8. The Film Event: From Interval to Interstice.Tom Conley - 2000 - In Gregory Flaxman (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema. University of Minnesota Press. pp. 303--325.
     
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  9.  31
    Deleuze and the Filmic Diagram.Tom Conley - 2011 - Deleuze and Guatarri Studies 5 (2):163-176.
    This article aims to consider how the ‘diagram’ or ‘little machine’ is integral to the dissociative, at once polyvocal and polymorphous writing that marks the work of Blanchot and that, in turn, informs the disjunctive – hence critical and productive – operation within the register of Deleuze's writings on cinema. I shall consider a number of Deleuze's ‘keywords’ or recurring formulas as diagrams, that is, as intermediate configurations at once visual and lexical, in order to show how, like rebuses or (...)
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  10. Cinema and its Discontents.Tom Conley - 2009 - In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
  11.  61
    Cinema and its Discontents: Jacques Ranciere and Film Theory.Tom Conley - 2005 - Substance 34 (3):96-106.
  12.  39
    Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance.Tom Conley & Charles J. Stivale - 2004 - Substance 33 (2):165.
  13. Experiments. The Strategist and the Stratigrapher.Tom Conley - 2009 - In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
     
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  14. "There's a New World Here": Pantagruel Via Oronce Finé.Tom Conley - 2010 - In Christie McDonald & Susan Rubin Suleiman (eds.), French Global: A New Approach to Literary History. Columbia University Press.
     
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  15. Parages.John Leavey, Tom Conley, James Hulbert & Avital Ronell (eds.) - 2010 - Stanford University Press.
    _Parages_ brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays—"Living On," "Title To Be Specified," and "The Law of Genre," are by now canonical. The fourth, "_Pa_ce Not" as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's (...)
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  16.  30
    A Fable of Film: Ranciere's Anthony Mann.Tom Conley - 2004 - Substance 33 (1):91-107.
  17.  4
    Fiche de Fragment: Reading Blanchot with Char.Tom Conley - 2021 - Substance 50 (2):11-24.
  18.  15
    WastedLa Crue.Tom Conley & Lucette Finas - 1976 - Diacritics 6 (2):32.
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  19.  15
    Michel de Certeau and the Textual Icon. [REVIEW]Tom Conley - 1992 - Diacritics 22 (2):38.
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  20.  21
    Unpacking Duchamp. Art in Transit.Tom Conley & Dalia Judovitz - 1997 - Substance 26 (1):170.
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  21.  19
    Ideological Warefare: Ricardou's Purge of Bachelard.Tom Conley & Verena Conley - 1971 - Substance 1 (1):71.
  22. The Essays and the New World.Tom Conley - 2005 - In Ullrich Langer (ed.), The Cambridge Companion to Montaigne. Cambridge University Press.
     
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  23.  21
    Film Theory After Deleuze.Tom Conley - 2001 - Film-Philosophy 5 (2).
    _Apres Deleuze: Philosophie et esthetique du cinema_ Edited by Dominique Chateau and Jacinto Lageira Paris: Dis Voir, 1996 ISBN: 2-912-308-003 152 pp.
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  24.  17
    What Is Criticism?Tom Conley & Paul Hernadi - 1983 - Substance 12 (3):99.
  25.  16
    Rabelais's Carnival: Text, Context, Metatext.Tom Conley & Samuel Kinser - 1991 - Substance 20 (2):106.
  26.  16
    The Graphic Unconscious in Early Modern French Writing.Michael Randall & Tom Conley - 1996 - Substance 25 (2):132.
  27.  18
    A Writing of Space: On French Critical Theory in 1973 and its Aftermath.Tom Conley - 2003 - Diacritics 33 (3/4):189-203.
  28.  15
    Film Hieroglyphs: Ruptures in Classical Cinema.Peter Brunette & Tom Conley - 1993 - Substance 22 (2/3):347.
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  29.  15
    Overdetermination and Surface of Jean Renoir.Tom Conley - 1974 - Substance 3 (9):67.
  30.  14
    Changes in XVIth Century Taste: Permutations of the "Conte", 1530-1572.Tom Conley - 1971 - Substance 1 (2):73.
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  31.  19
    The Reconfigured Eye: Visual Truth in the Post-Photographic Era (Review).Tom Conley - 1994 - Philosophy and Literature 18 (2):382-383.
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  32.  13
    Notes on a Course Entitled "La Civilisation Francaise".Tom Conley - 1971 - Substance 1 (2):123.
  33.  13
    Taking Chances: Derrida, Psychoanalysis, and Literature.Tom Conley, Joseph H. Smith & William Kerrigan - 1986 - Substance 15 (2):131.
  34.  14
    Border Incidence.Tom Conley - 2007 - Symploke 15 (1):100-114.
  35.  12
    Le Proces du roman: ecriture et contrefacon chez Charles Sorel.Tom Conley & Martine Debaisieux - 1990 - Substance 19 (2/3):191.
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  36.  11
    Title.Jacques Derrida & Tom Conley - 1981 - Substance 10 (2):4.
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  37.  12
    Filming and Judgment, Between Heidegger and Adorno (Review).Tom Conley - 1991 - Philosophy and Literature 15 (2):337-338.
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  38.  7
    The Radicality of Modern ArtThe Structure of Art. [REVIEW]Tom Conley & Jack Burnham - 1973 - Diacritics 3 (1):19.
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  39.  10
    "Accent Grave": Kline and Blanchot.Tom Conley - 1976 - Substance 5 (14):76.
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  40.  10
    Sexuality/Textuality: A Study of the Fabric of Montaigne's "Essais".Tom Conley & Robert D. Cottrell - 1982 - Substance 11 (3):82.
  41.  10
    Putting French Studies on the Map.Tom Conley - 1998 - Diacritics 28 (3):23-39.
  42.  10
    The History and Power of Writing.Tom Conley - 1995 - History of European Ideas 21 (6):781-784.
  43.  5
    Wasted. [REVIEW]Tom Conley - 1976 - Diacritics 6 (2):32.
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  44.  8
    Upwellings: First Expressions of Unbelief in the Printed Literature of the French Renaissance.Tom Conley - 1995 - History of European Ideas 21 (2):304-306.
  45.  8
    Book Review: Boundaries: Writing and Drawing. [REVIEW]Tom Conley - 1995 - Philosophy and Literature 19 (2):410-411.
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  46.  4
    Freud: Notes on Pathology and the Art of History.Tom Conley - 1991 - Paragraph 14 (2):115-122.
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  47.  4
    The Color Line. [REVIEW]Tom Conley - 1981 - Diacritics 11 (4):58.
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  48.  4
    Cataparalysis.Tom Conley - 1978 - Diacritics 8 (3):41.
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  49.  17
    Poetics of the New History: French Historical Discourse From Braudel to Chartier.Tom Conley & Philippe Carrard - 1994 - Substance 23 (1):123.
  50.  6
    Apollinaire and the Faceless Men: The Creation of a Modern Motif.Tom Conley - 1992 - History of European Ideas 14 (6):878-878.
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