Disney represents a mythology that is universal because they are rapidly acquiring every possible alternate reality that one cares to enter, except for the sexual realm and the Christian religion realm. When Disney owns all possible significant alternate universes, then only Disney can colonize one's imagination, and only Disney will give him/her the lens through which to perceive any competing claim on understanding his/her ultimate Reality. Well, visual containment helps the psyche stay in the mode and the mood for the (...) various psychic propaganda programs being run, and allows one to enjoy and prolong the fantasy, as well as empty his/her wallet of all possible contents since the only way to experience more Disney is to hand them exactly all of his/her cash. Thus, in short order, Disney has successfully colonized an awful lot of the global imagination, from young to old, male to female, from history to fantasy, and now from right to left. (shrink)

By virtue of its epistemic deficits, propaganda is very much an unethical phenomenon. Coping effectively with propaganda requires a communicative response that confronts its inherent unethicality with ethically grounded resistance. In this article, I propose two congruent plans of communicative action, each of which rests on an apparent ethical connection: J. Michael Sproule's (1994) reclaiming of classical eloquence, and Jonathan Rauch's (1993) provocative program of "liberal science.".

In this essay, I explore a documentary about the curious case of Charlie and his Orchestra. While swing music was outlawed in Nazi Germany as “degenerate,” the Nazi regime created a radio program called “Charlie and his Orchestra” for foreign consumption. The propaganda lay in the changes to the original lyrics of the songs played, making them convey the anti-Semitic and other themes of the Nazi ideology. The review discusses just how good the musicians were, and how popular the (...) program was. (shrink)

US military intervention and covert action is a significant contributor to global injustice. Discussion of this contributor to global injustice is relatively common in social justice movements. Yet it has been ignored by the global justice literature in political philosophy. This paper aims to fill this gap by introducing the topic into the global justice debate. While the global justice debate has focused on inter-national and supra-national institutions, I argue that an adequate analysis of US military and covert action must (...) focus on domestic institutions of the US. I describe many such institutions including industry lobbying, the ubiquity of US military bases abroad, US programs for training foreign militaries, secrecy of the intelligence and military agencies, pliant news media and government propaganda.<br>. (shrink)

It is very well known that from the late-1960s onwards Feyerabend began to radically challenge some deeply-held ideas about the history and methodology of the sciences. It is equally well known that, from around the same period, he also began to radically challenge wider claims about the value and place of the sciences within modern societies, for instance by calling for the separation of science and the state and by questioning the idea that the sciences served to liberate and ameliorate (...) human societies. But what is less known is how, if at all, these two sets of challenges were connected, and why Feyerabend felt it important to raise them at all. In this chapter, my aim is to explore these issues by considering why Feyerabend used radical strategies to challenge the authority of science, and what purpose, if any, they were supposed to serve. Why, for instance, did Feyerabend defend alternative medicine, psychical abilities, astrology, magic and witchcraft and why did he argue that ‘Western science’ is complicit in environmental destruction, intellectual imperialism, social oppression, and spiritual destitution. Located in their historical and political context, such defences and arguments seem peculiar, not least because science was recognised not only as a central site of the intellectual and ideological competition between the West and the Soviet Union, but also because Western victory in that site was considered inevitable. What, then, did Feyerabend think he was trying to achieve by raising radical challenges to a central component of the cultural and intellectual prestige of the Western world grounded in appeals to practices and traditions which most would regard as eccentric at best and absurd at worst? My suggestion is that Feyerabend was making a subtler point than one might suppose. For the purpose of these radical challenges was to determine if the members of Western societies would in fact honour the epistemic standards – of tolerance, critical enquiry – which were identified as being characteristic of science and definitive of the social and political values of Western liberal democracy. I suggest that Feyerabend was trying to demonstrate that scientists were, too often, guilty of the same intolerant and dogmatic attitudes which were, according to prevailing propaganda, the property of illiberal totalitarian societies. Science does not reflect the superior epistemic and political values of Western societies but are, in fact, reflective of the same vices ascribed to the Soviet Union. If that is the case, then the sciences are not symbols of our epistemic and political values, but quite the reverse, hence Feyerabend’s talk of the ‘dogmatic’, ‘totalitarian’, ‘ratiofascist’ nature of modern science. But there is a positive upshot to Feyerabend’s challenge. For even if the sciences do not yet reflect the epistemic and political values of liberal democratic Western societies, they might yet be reformed so that they are. And there is a parallel between Feyerabend’s strategy and that of many of the other radicals of the time – student activists, environmentalists, and pacifists – namely to test the commitment to tolerance and deliberative debate of the establishment by asking it to seriously engage with ideas and convictions opposed to its own. For both science and society can become ‘tyrannical’ through the same means: by exempting themselves from critical scrutiny, by promoting self-serving ‘myths’ about themselves, and by derogating and excluding alternatives, including the ‘outsider’ perspectives they offer. The chapter concludes by suggesting that Feyerabend is distinctive in virtue of his willingness to offer radical criticisms of the authority of science such that it can fulfil its legitimate ideological role – namely, of symbolising and instantiating our core epistemic and political values – such that we can offer a sincere and meaningful answer to Feyerabend’s question ‘what’s so great about science?’. (shrink)

Quassim Cassam has argued that psychological and epistemological analyses of conspiracy theories threaten to overlook the political nature of such theories. According to Cassam, conspiracy theories are a form of political propaganda. I develop a limited critique of Cassam's analysis.This paper advances two core theses. First, acceptance of conspiracy theories requires a rejection of epistemic authority that renders conspiracy theorists susceptible to co-option by certain political programs while insulating such programs from criticism. I argue that the contrarian (...) nature of conspiracy theories partially accounts for the prominence of such theories in populist movements.Second, the contrarian nature of conspiracy theories partially accounts for their attractiveness, especially among those to whom populism already appeals. I argue that for those who resent what appears from their perspective as the shaping of the epistemic landscape by alien perspectives, conspiracy theorizing may facilitate the reassertion of epistemic autonomy. (shrink)

"This book became a landmark, set up on the spot where two ways divided. Because of its imperfections and its incompleteness it laid down the program to be followed for the next few decades of my life." Thus wrote C. G. Jung about his most famous and influential work, the one that marked the beginning of his divergence from the psychoanalytic school of Freud. In this book Jung explores the fantasy system of Frank Miller, the young American woman whose account (...) of her poetic and vivid mental images helped lead him to his redefinition of libido while encouraging his explorations in mythology. Published in 1912 as Wandlungen und Symbole der Libido, this is a key text for the study of the formation of Jung's ideas and for understanding his personal and psychological condition during this crucial time. Miller's fantasies, with their mythological implications, supported Jung's notion that libido is not primarily sexual energy, as Freud had described it, but rather psychic energy in general, which springs from the unconscious and appears in consciousness as symbols. Jung shows how libido organizes itself as a metaphorical "hero," who first battles for deliverance from the "mother," the symbol of the unconscious, in order to become conscious, then returns to the unconscious for renewal. Jung's analytical commentary on these fantasies is a complex study of symbolic parallels derived from mythology, religion, ethnology, art, literature, and psychiatry, and foreshadows his fundamental concept of the collective unconscious and its contents, the archetypes. (shrink)

The particular design of any technology may have profound social implications. Computing technologies are deeply intermeshed with the activities of daily life, playing an ever more central role in how we work, learn, communicate, socialize, and participate in government. Despite the many ways they have improved life, they cannot be regarded as unambiguously beneficial or even value-neutral. Recent experience shows they can lead to unintended but harmful consequences. Some technologies are thought to threaten democracy through the spread of propaganda (...) on online social networks, or to threaten privacy through the aggregation of datasets that include increasingly personal information, or to threaten justice when machine learning is used in such high-stakes, decision-making contexts as loan application reviews, employment procedures, or parole hearings. It is insufficient to ethically assess technology after it has produced negative social impacts, as has happened, for example, with facial recognition software that discriminates against people of color and with self-driving cars that are unable to cope with pedestrians who jay-walk. Developers of new technologies should aim to identify potential harmful consequences early in the design process and take steps to eliminate or mitigate them. This task is not easy. Designers will often have to negotiate among competing values—for instance, between efficiency and accessibility for a diverse user population, or between maximizing benefits and avoiding harm. There is no simple recipe for identifying and solving ethical problems. -/- Computer science education can help meet these challenges by making ethical reasoning about computing technologies a central element in the curriculum. Students can learn to think not only about what technology they could create, but also whether they should create that technology. Learning to reason this way requires courses unlike those currently standard in computer science curricula. A range of university courses on topics in areas of computing, ethics, society and public policy are emerging to meet this need. Some cover computer science broadly, while others focus on specific problems like privacy and security; typically, these classes exist as stand-alone courses in the computer science curriculum. Others have integrated ethics into the teaching of introductory courses on programming, artificial intelligence, and human-computer interaction. (shrink)

At the outset of World War I - the "Great War" - Freud supported the Austro-Hungarian Empire for which his sons fought. But the cruel truths of that bloody conflict, wrought on the psyches as much as the bodies of the soldiers returning from the battlefield, caused him to rethink his stance and subsequently affected his theory: Psychoanalysis, a healing science, could tell us much about both the drive for war and the ways to undo the trauma that war inherently (...) breeds, but its principles could just as easily serve the enemy's desires to inculcate its own brand of "truth." Even a century later, psychoanalysis can still be used as much for the justifications of warfare and propaganda as it is for the defiance of and resistance to those same things. But it is in the investigation of the motives and methods behind these uses that psychoanalysis proves its greatest strength. To wit, this edited collection presents published and unpublished material by analysts, writers, and activists who have worked at the front lines of psychic life and war from various stances. Set at a point of tension and contradiction, they illustrate the paradoxical relation of psychoanalysis as both a site of resistance and healing and a necessary aspect of warmaking, propaganda, and militarism. In doing so, we venture from the home front - from the trauma of returning veterans to the APA's own complicity in CIA "black sites" - across international borders - from the treatment of women in Latin American dictatorships to the resistance to occupation in Palestine, from mind control to an ethics of responsibility. Throughout, a psychoanalytic sensibility deconstructs the very opposition that it inhabits, and seeks to reestablish psychoanalysis as the healing discipline it was conceived to be. (shrink)

In this paper I argue that although the Republic’s tripartite theory of the soul is not explicitly endorsed in Plato’s late work the Laws, it continues to inform the Laws from beneath the surface of the text. In particular, I argue that the spirited part of the soul continues to play a major role in moral education and development in the Laws (as it did in earlier texts, where it is characterized as reason’s psychic ‘ally’). I examine the (...) class='Hi'>programs of musical and gymnastic education in the Laws and highlight parallels to the accounts of the spirited part of the soul and its role in moral education and virtue that are offered in Republic and Timaeus. I also examine the educational role given to the laws themselves in Magnesia, and I suggest that the education provided through them is largely directed at the spirited part of the soul as well. (shrink)

II. Without mentioning what most of the article is about, Fish plucks out some remarks from a small part of it and condemns me as being antiblack, antifeminist, and so forth. It seems to me that Fish, after removing a few sentences from context , then does three other things: he summarizes or rephrases these remarks in such a way as to turn them into a polemical statement; he makes an inference—all his own; and he then attacks the inference he (...) has made. In his second paragraph, speaking unfavorably of the old-fashioned hope of finding universal values, he states: “It follows, then, … that works which advocate or have their origin in particular attitudes, strategies, sectarian projects, or political programs do not qualify as literature and should not be treated as such by literary scholars” . It by no means ”follows,” except perhaps in Fish’s mind. It follows merely that some of these concerns—if pursued in isolation from other contexts and in a spirit of propaganda—are not, by themselves, an adequate substitute, or replacement, for approaches that may provide a center from which to move to the subjects Fish mentions. I certainly have no wish to exclude these subjects from the curriculum. In fact, I have probably devoted as much of my teaching to some of them, especially political writing, as has Fish. I realize that for Fish himself our reactions in reading are inevitably subjective and that no text can be viewed as a settled thing. But I must plead that the reader, before condemning me because of Fish’s remarks, judge me by what I said rather than by what he inferred or magnified. I said only that, facing a decline in numbers of students, English departments found it more tempting than ever to provide courses on subjects often removed from larger contexts and treated in comparative isolation rather than to require more general study of history, philosophy, sociology, or psychology. I should like to repeat that I was not condemning departments for doing this. I felt it was rather sad that what Fish calls the “market,” and the fondness of so many students now for propagandistic approaches, should force us to jettison much that was more rigorous and demanding therefore less popular. Walter Jackson Bate is the Kingsley Porter University Professor of English at Harvard University. Among his many books are John Keats and Samuel Johnson , both of which were awarded the Pulitzer Prize. (shrink)

Joaquin Segura. Untitled (fig. 40) . 2007 continent. 1.2 (2011): 117-124. The interview that follows is a dialogue between artist and gallerist with the intent of unearthing the artist’s working strategies for a general public. Joaquin Segura is at once an anomaly in Mexico’s contemporary art scene at the same time as he is one of the most emblematic representatives of a larger shift toward a post-national identity among its youngest generation of artists. If Mexico looks increasingly like a foreclosed (...) home burning to the ground, Segura could likely be the one walking away, charred matchstick between thumb and forefinger and shit-eating grin on his face. His corrosive attacks on institutions, ideologies, and power reflect a deep general distrust of authority, increasingly evident within the work of younger Mexican artists. It is perhaps most directly the result of President Calderon’s deeply unpopular war against the cartels but no doubt equally the product of decades upon decades of rampant corruption and errant policy within Mexico. Brett W Schultz (BWS): A recurring—if not dominant—theme within your current work and investigation explores ideological extremism in reaction to some perceived political and economic disenfranchisement, especially that espoused and practiced by right-wing groups in United States. That's exactly why I thought of you when I was approached to contribute a piece to an issue on the subject of the moraine—taken metaphorically here to signify a certain set of beliefs that have resurfaced within mainstream American culture in the wake of a probably over-exaggerated political sea-change, marked by Obama's election. You're a Mexican artist who now lives and works in Guadalajara, far from the border cities where such concerns would seem more likely to be relevant to a contemporary artist; of course, you're even farther from the culture that birthed this nature of extremism. What interests you so intensely about this movement, if we can call it that? Joaquin Segura (JS): I think there are several seminal points that you touch on in this particular question. There's a very specific set of interests that make me address the socio-political issues I've been dissecting through my practice in the last few years. First of all, I don't really consider myself a 'mexican' artist. As I've made clear in the past, I don't really believe in the notion of 'identity' or the idea of 'nation', which I find totally laughable and heartwarmingly passé. I'm convinced that these are totally outdated models of understanding our differences and similarities, expanding our already immense and irreconcilable cultural abysses instead of bringing them together, thus resulting in their total dispersion among the complex and extremely arbitrary weaving of contemporary social nucleii. Pretty much a frankly bad joke, if I may say so. The fact that I live and work in Mexico is a completely random geographical and temporal factor, which of course affects what I think and what I do, but I've chosen not to be limited by this specific circumstance. In the past, while working abroad, I've taken advantage of this preconception of Mexico—to be more exact, pretty much all of Latin America—as one of the last barbaric bastions of western civilization. Totally amusing, if you ask me about it. I consider my practice to be, among other things, a gonzo strategy of deceit: there are quite a few roles you can adopt in this approach that may actually reveal themselves to be a privileged vantage point. In my experience, the gentle savage is one of the most effective ones to establish my standing position. Thus, I'm a mexican artist if I need it to prove my point. If it's not necessary in a specific circumstance, I'm not. Quite simple, I think. Said in other words, it's just an ace I can play to win a particular match. It has worked so far, at least for me. L: Hey, America… , 2009. R: The Inaugural Address , 2009. I am interested in the nature of power and the rise and fall of totalitarian ideological and political apparatuses nowadays. But I guess, going even further, I'm essentially fascinated by the fissures and contradictions that have made these structures spectacularly crumble to the ground. I do believe extreme ideologies have played a crucial role in the globalization of socio-political crisis. In the end, our world is nothing more than a fading monument to all things gone wrong—the inspiring triumph of failure, in every sense. I see this as an exciting parable. And of course, it is an undeniable fact that the US, through their influence in world economy, international policies and general attitude towards the rest of the planet is the largest structure waiting to collapse. I think we are all secretly awaiting that moment of splendor, even americans. It'll be disastrous and as nasty as it can get, but it will also be liberating and incredibly inspirational. Not just because it’s the US but because it'll prove that absolutely everything is susceptible to fall. And not only that, most importantly, it would confirm that radical change may actually be possible and not just one more of the unfulfilled promises modernity has left us to struggle with on our own. BWS: I want to talk first about two of your works in particular: Hey, America... and The Inaugural Address . I feel like your more recent work has a subtle —or even hidden—sinisterness, but these two works are perfect examples of how brutally confrontational your earlier work has been. When we showed Hey, America... at Mexico City's Zona Maco art fair in 2010, there were at least a couple visitors to our stand who were absolutely ready to punch me in my gringo face for having done so. Certainly the shock value of these works is crucial to their central ideas, but can you tell me more about your intentions and how these works relate to your general oeuvre? JS: So funny. Perhaps we do deserve to be punched in the face. I think that's what I'm sometimes looking for, but I hardly ever get it. I do think of such works as some sort of logical trap, a somewhat perverse ambush waiting for someone to walk into head-on. I think what I tried to do with those two specific works, as well as some other past projects, is just emphasize issues or themes that do disturb or make me uneasy and restless. I consider my essential intention a need to make clear that we do not have to look the other way, ignore or forget. We must address, understand and solve these manifestations of senseless violence and absurdity because if we don't confront them this way, they'll end up consuming us. In other words, I do consider these works as a personal need of coming to terms with the nonsense of the world we all are living in. I don't particularly consider myself to be someone with a clear set of beliefs. Perhaps my only certainty would be that everything is there to be denied, demolished and obliterated—even my supposed unquestionability of that particular 'dogma.' My practice is a reflection of that paradox, and I do think that's how these two pieces relate to a wider body of work. Every democratic system and so-called developed contemporary society is deeply flawed on the inside, and that is because each has swept things under the rug. Of course, there's tolerance, good will and eagerness to make a difference but there's also hatred, pain and fear lingering all around. We must learn to relate to both sides of the spectrum. In a way, I approach the themes behind these particular works in what I think to be a non-biased, somewhat 'neutral' way. I do think there's an encryption process going on in the way I work, some sort of formal refinement of this somewhat outrageous content. A digest of infamy, if we can refer to it that way. It is up to the individual experiencing the work to decide which way these pieces lean. They can easily be seen from both positions and I'm ok with that. If you look closely at these works, there's nothing that establishes an unrelenting position—neither support nor rejection. I don't want my personal political views to directly set an agenda for the spectator as that’s essentially propaganda, which is one of the things I absolutely despise. To sum it up, I strive for the spectator to complete the piece in that sense. The work then becomes a reflection of his or her own contradictions, a playground of the mind. I'm interested in achieving a deadpan and deadlock state in the observer. So, in a way, those visitors threatening to beat the shit out of you unconsciously became that particular issue the work is alluding to. Just blind and senseless reaction to god knows what people feel must be defended, the overwhelming virtue of ambiguity. Beautiful. Perhaps you can also think of my practice as a uber-sophisticated and snobbish version of Punk'd. And you wouldn't be far from what I'm trying to convey. Untitled (Disturbance Scenarios #2) . 2010. BWS: To me, an important transitional marker in the overall trajectory of your work is the series, Disturbance Scenarios , which evokes a similar generalized state of panic, paranoia, and impending doom through its incorporation of sensationalist newspaper headlines, yet also suggests this slyly mysterious meta-narrative via the context in which the newspaper itself is placed. How did you arrive at this series and why did you choose photorealistic painting as the medium for it? JS: I consider this series to be a by-product of the process I follow when making work. I spend an important part of my time just doing research, going through documentation and accumulating visual or historical references for the themes or episodes I'm interested in, in that particular moment. These are, of course, valuable assets that connect among themselves in a mysterious and almost undetectable manner, sometimes a few years between one and the other. I've employed similar production strategies in the past, in ongoing series like Random Moments of Urban Decay , in which I document what I consider to be physical traces of ethnic, religious or ideological violence in the form of text graffiti, invisibly scattered in different cities of the world, mostly in the US. Disturbance Scenarios was started in early 2010, following a particularly intense period of traveling here and there that lasted for most of the year. I've always felt compelled by text, as I find quite intriguing the idea of how words can create equally intense evocations of what I call a mental panorama of uneasiness than those produced by aesthetically-charged imagery; of course, if handled right. I have a close relationship to print media—due both to my academic background and to my attraction to its ubiquity and almost unlimited influence, which in the end, is nothing else but power—so I found myself with a growing archive of newspaper headlines snapshots from cities like Melbourne, Auckland, London, and LA. Going through them, I noticed that they had in common a very specific thematic slant: they were all about some sort of conflict: energy crisis, political unrest, local episodes of domestic violence, you name it. So as you very well put it, I felt they all connected through this feeling of anxiety and anguish and I decided to start thinking of them as a body of work. Basically, I felt an interest in creating what I think of as my personal fragmented prefigurements of the end of civilization. There were few elements on the shots that could give away its actual location, geographically speaking, and I liked that. I find this sensation of vagueness and uncertainty quite alluring. The more subtle, the more perverse. The formal resolution of the series—as photo-realistic painting—is linked to my intention of creating distance between me as the artist and the themes I work with. I rarely execute my own work, and that is more a personal choice as I'm more interested in the ideas I mingle with than in the actual outcome of that process, understood as an "art-object" with certain market value. I did some tests with light-jet prints of those snapshots and I found them devoid of that nightmarish, disturbing indistinctness that I felt was so important for them to be able to project the turmoil I experienced upon encountering them and in conceiving of them as a series. So I thought that photorealistic painting would be an interesting resource to play with, as I hardly had worked with that medium before because of my lenient animosity toward painters and their craft. So they were executed like that and I think it turned out to be just right. Homemade (Napalm #2) . 2010. BWS: Though Disturbance Scenarios remains ongoing, it's an interesting contrast to another series of yours, Homemade, which are these beautifully banal photographs of the ingredients used to make improvised explosives. Whereas Disturbance Scenarios still confronts the viewer aggressively with its visual emphasis on loaded texts, in Homemade , you've dropped the surface-level bravado entirely. They're pieces that require explanation to someone not already versed in the fine art of amateur explosive-making. You weren't known for subtlety in your past work; why this change in direction? JS: I'm personally convinced that these are just two angles of the same conceptual preoccupation. I mentioned before my obsession with the idea of encryption. I'm quite enticed by how these processes of translation can politically and semantically alter and deviate purportedly subversive materials such as the ones these works allude to. I do think subversion is futile. I was really troubled by that thought for some time, but I think now I understand that it's not really that important. What is really significant is to elaborate on these alternate views, to envision and refine possible escape routes. It doesn't really matter if they go nowhere, but that is because nothing really matters. A "mute" artwork is a notion that captivates me. When you look at the works you mention, you know there's something off, but it's not fully clear how and why that is. I rely on that insecurity—on that moment of hesitation. And that can also be achieved through an approach like the one I'm now interested in. Let's just call it a smoke screen, a surrogate ruse to get to the same point: to talk about impotence and defeat in contemporary life. The notion that readily accessible information is actually a weapon is a double-edged fallacy: sure, you can make use of whatever resources you can lay your hands on, but that doesn't set you free because freedom is impossible. Still, that doesn't mean you can't blow up stuff during the process, metaphorically or not. I didn't understand the nature of subtlety before. I used to think that you needed to be loud and manifest anger and unconformity in the most aggressive manner possible. Then I finally realized that you can actually permeate and rarify a battleground—because after all, this is low-intensity war—if you actually aim at silently building up the contradictions and making the symbolic value of ideas and acts clash within themselves. Or perhaps it is that I am just getting old. I guess I used to be an angry kid until recently. Now I think of myself as a disenchanted post-teenager, and of course that reflects in my work and my approach to art-making. Kind of a rite of passage and I laugh at it because, overall, it has been overwhelmingly fun. And that doesn't mean that I'm not ready to stick it in someone or something's face again if I feel like it. BWS: You're now taking the subtlety of the Homemade series even further with your newest series, Definitive Reader For a Botched Revolution , in which you photograph a series of politically-charged books side-on, negating their content entirely—essentially reducing them to purely aesthetic objects in which the subject matter is only revealed in the title of the work. Can you talk about the ideas behind this series? Furthermore, is your recent interest in this idea of the "botched revolution" an indication of a general attitudinal or philosophical shift you've since adopted? JS: This new series of works is the logical outcome of a brief period I went through. Probably the last couple years, in which due to a number of circumstances that don't really have to do with my art-making, I was forced to renegotiate my ideas, my beliefs and practically everything that surrounds me. It was quite distressful and turbulent, but in the end, I think it was also almost epiphanic. I came to terms with myself and now I'm calm and serene. That is, of course, my personal take on it but I mention it because I do think it's important to address this shift you mention. The idea of an artwork as a container for latent revelations enthralls me quite a bit. That's how I see these particular works: art as an incendiary agent. It's up to the artist and the spectator to do whatever they please with it. I think the detachment and almost surgical cleanliness from the Definitive Reader series is also my take at poking fun of the way some art is totally innocuous and uncompromising. These images may be pleasing to the eye, but there's something twisted and rotten within them, well hidden beneath. You'll either see it or not, but without a doubt, it will not cancel its presence. This series is intrinsically linked to Homemade . I'm pretty much horsing around with similar ideas and statements here. And well, yes, I do think any revolution is a botched one. There's nothing too heavy about their own downfall. Decay and breakdown are here and will not go away. Perhaps we must learn to embrace them in one way or another, for our own sake. L: Untitled (T.A.Z.). R: Untitled (United States Marine Guidebook of Essential Subjects) . 2011. BWS: Finally, let's discuss the near future. You've got an upcoming solo show at the Sala de Arte Público Siqueiros [SAPS] in Mexico City this summer. What can we expect from that? What else do you have planned? JS: I'll go and get seafood as soon as I'm done with this interview. It's pretty good here in Guadalajara. That's my top priority at this very moment. About my solo project at SAPS, it's due to open in late July. I'm quite looking forward to it. I'm still closely working with the curator on the general feel for the show but I can say that it'll be more of a revision of past works that have not been shown in Mexico City except for a couple pieces. It definitely won't be a showcase for new projects, although we may include one or two previously unseen works. What you can expect is a rereading of what I've been working on during the past few years. In a way, that's exciting to me because for some reason I don't really care about, I'm not that active in Mexico City even though that's where I lived and work for years. I've hardly shown there after my solo project at Yautepec in February of 2010. It'll be nice to see how it all comes together and I'm more thrilled about it because I totally love the space and I think they're doing an excellent job with their programming and its direction. And in a certain way it feels like going back home. About everything else, I need a period to reflect and fully understand what I've been thinking and working on. I've got a few group shows here and there: New York, San Francisco, and Melbourne are the ones happening soon. I will present my censored project Untitled ( Gringo Loco ) as part of the programming of the Museo de Arte de Zapopan in Guadalajara, two years after being escorted at gunpoint from the installation site by police sent by the extreme right-wing mayor of the city, which I found pretty amusing for an otherwise typical Saturday afternoon. I'm also involved in a couple "curatorial" projects. In my case, "curatorial" means that I help put together stuff I like and I'm interested in. One of them will open in late September of 2011 at Arena Mexico Arte Contemporaneo, and I will work with three of whom I consider to be some of the best artists in a lively and active scene such as the one here in Guadalajara. But most importantly, I've been doing heavy research so there are also a number of projects that I've yet to finalize. That'll be my main focus during the rest of the year, even though I really enjoy procrastination. There'll be time for that later. Or maybe not. We'll see. About Joaquin Segura The action, installation, intervention and photographic work of Joaquin Segura (b. Mexico City, 1980) has been shown in solo and group exhibitions in Mexico, the United States, Europe, and Asia. Some spaces that have featured his work include La Panaderia, Museo de Arte Carrillo Gil, Centro de la Imagen and Ex-Teresa Arte Actual in Mexico City; El Museo del Barrio and apexart, New York, NY; Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain; National Center for Contemporary Art, Moscow, Russia; and Palace Adria in Prague, Czech Republic. In 2008 and 2009, Segura was an artist-in-residence at the International Studio and Curatorial Program, New York, NY and at the 18th Street Arts Center, Santa Monica, CA. He is represented YAUTEPEC in Mexico City and by Arena Mexico Arte Contemporáneo in Guadalajara. Further Reading Joaquin Segura’s website YAUTEPEC artist page for Joaquin Segura Capps, Kriston. “ID-ENTITY: Washington, DC.” ART PAPERS . 2009. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Rhetoric, Reflection, and Emancipation: Farrell and Habermas on the Critical Studies of CommunicationG. Thomas GoodnightThere are moments in history that appear to be alive with emancipatory possibilities. Such were the years moving toward the end of the long twentieth century. In spring 1989, students protested the communist regime in China; the Tiananmen Square massacre initiated an episode of opposition and commenced China’s modern journey toward global reengagement. Revolutions in (...) Europe that autumn were more peaceful. On August 23 two million Estonian, Latvian, and Lithuanian citizens held hands and announced the Baltic Way as a departure from Soviet rule. Transitions rapidly followed in Hungary, Bulgaria, and East Germany, culminating in the Velvet Revolution where on November 17 student protests were beaten back by police in Prague only to be followed three days later by an assembly of 200,000 demanding the transfer of power from the Communist Party. On December 3, George Bush and Mikhail Gorbachev jointly announced an imminent end to the fifty-year-old Cold War. During this time of hopeful transition, two scholars were at work refiguring the philosophical mission of the Frankfurt school, transforming critique from its early totalizing posture into the critical study of communication.Thomas B. Farrell and Jürgen Habermas were trained in different traditions but adjacent disciplines, communication and sociology. Their works [End Page 421] share a commitment to philosophical inquiry directed toward critique and understanding the cultural, social, and linguistic constitution of communication. As a rhetorician and as a philosopher, these scholars share an evident passion for scholarly argument and for engagement with the controversies of public culture. In different ways, both were at work during the portentous years of transition from the Cold War to new democracies and incipient globalization. Each constructed a guarded program of hope in the possibilities of communicative reflection and reasoning. In the post-World War II era, such a broad, positive vision took long to develop. After the brutal realities of the Holocaust became publicly known in the late 1940s, “the generous faith in rationality and the possibilities of human progress which underlay much of earlier historical thought seems discredited today” (Katznelson 2003, 2). The Enlightenment possibilities for reason had been invested in the technical efficiency of modern institutions that produced the capacity to kill systematically without constraints. Ira Katznelson points to a generation of scholars—including individuals at Chicago, Columbia, the New School, and others—who began in the 1950s to engage in a project that would “shade the Enlightenment’s philosophical anthropology, thicken its defenses against evil, deepen its capacity to reason, and restore” an Enlightenment more critical and less susceptible to co-optation by the excesses of nationalism, ideology, and evil (2003, 2). The work of Farrell and Habermas belongs to the extended post-Holocaust moment, where the possibilities of reflective reason in ethical and moral deliberations were set carefully on a road to personal and collective emancipation.Max Horkheimer saw in the modern, postwar welfare state little reason for optimism. Writing in 1946 at the beginning of the Cold War, he concluded: “Language has been reduced to just another tool in the gigantic apparatus of production in modern society” (1974, 22). “Salestalk” by “the surrogates of culture” creates an “illusory triumph of democratic progress that consumes the intellectual substance on which democracy has lived” (Horkheimer 1974, 31). Scientifically engineered propaganda renders public opinion as “a substitute for reason.” With such tools, the forces of barbarism are always waiting in the wings to seize power. Early on, Habermas shared these views. His thesis, in The Structural Transformation of the Public Sphere (1989a), tracks the opening possibilities of communicative reasoning in the liminal spaces of eighteenth-century coffeehouses where frank talk replaced hierarchically driven politeness, the development of these talks into the practices of deliberative democracy, and the decline of deliberative democracy with the union of the state and mass media in producing spectacles in [End Page 422] support of rituals of legitimation. Habermas broke with Horkheimer over the dissertation, however. A thesis of decline, by itself, leaves open only the route of totalizing critique. While never far from critique of institutional practices, Habermas spent his career in opening a positive... (shrink)

This editor’s introduction to the issue recalls the main methodological approaches to persuasion, rhetoric and propaganda in social psychology. It summarizes the classical theories issued from Hovland’s Yale Communication Program in experimental social psychology, like dissonance, attitude changes, inoculation approach, elaboration likelihood model. Yet there are, today, competing perspectives on persuasion, which turn attention to the meaning of persuasion in modern complex societies, in technology and the media. These perspectives place emphasis not on changes of attitudes, but on communication, (...) social influence and group processes. It is shown that the collection of articles in this issue brings out these diverse approaches in social psychology. Broadly, it encompasses social psychological studies based on the research of attitudes and attitude changes on the one hand, and those based on the studies of influence and communication on the other. (shrink)

Abstract:This essay reviews the 2013 Human Life International (HLI) propaganda video, Central America and Mexico: Fighting for Life, Faith, and Family, which, we argue, illustrates the well-orchestrated counteroffensive against reproductive and sexual rights movements occurring in the region. First we summarize the film's key themes, including the assertion that Catholicism is fundamental to Mexican and Central American identities and that the international “pro-abortion movement” is waging war against Catholics. Second, we note the development of a new strategic alliance between (...) Catholics and evangelicals that relies on lay religious activists working in the fields of medicine, bioethics, law, and government. Third, we show how the video appeals to HLI donors by asking them to support crisis pregnancy centres, homes for unwed mothers, adoption programs, and “natural” fertility assistance. We argue that the film conspicuously ignores the consequences of abortion bans already in place in Nicaragua, El Salvador, and Honduras, and does not consider that what it terms “international pressures” also includes treaty obligations with the United Nations and Organization of American States. This essay offers insights into the strategies used by opponents of reproductive and sexual rights movements in Mexico and Central America. (shrink)

The author discusses some aspects of the problem how to transform the former socialist into democratic states. In the first part he argues that the ‘socialist societies’ were not societies in the modern sense but organized in the way of traditional community without (civil) society---with the absolute domination of politics over all spheres of societal activities, in which the only permitted (Communist) Party, mostly reduced to the power of the secretary general, used to decide over almost everything. The psychic (...) functional basis of socialism was happy consciousness and collective narcissism. In the second part the author warns that the realization of the “European way of Iife,” as a basic program of changes in Europe in 1989, was misunderstood because it was conceived as a fixed content and not as a procedure of attaining agreement. In the third part he concludes that nationalism and fervent religiosity, which predominate in several ex-socialist countries, are main obstacles of the transformation of the former socialism because of their exclusion of the different. This tends to continue the societyless community, filled with again absolutized (national or religious) contents, namely with new forms of collective narcissism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.3 (2005) 235-237 [Access article in PDF] Determined by Chaos: The Nonlinear Dynamics of Free Will Jessica Wahman Keywords free will, chaos theory, determinism, materialism In "antidepressants and the Chaotic Brain: Implications for the Respectful Treatment of Selves," Douglas Heinrichs provides an intriguing justification of individuated and longer term therapy for depressive clients. He does not reject medication as a therapeutic strategy, nor does he (...) question the materialist basis of the traditional medical model. Rather, he offers a physically deterministic account of depression that is at the same time compatible with a sense of human agency and individuality. Heinrichs suggests that human physiology and its psychiatric disorders are better accounted for by the nonlinear dynamics of chaos theory than by the traditional account of neurotransmitter production and reuptake. Because the latter, microscopic, explanation suggests a direct cause-and-effect relationship between synaptic activity and subjective affect, it cannot account for the wide variation of responses to the same medications, nor can it satisfy the client's fears that her drug-induced well-being is not fully hers to control. Chaos theory, he asserts, can provide a better explanation by treating the human organism as a complex holistic system whose patterns resemble a topographical map of probability more than they do a unidirectional vector model of cause to effect. Like the weather, human affect and behavior are physically determined but difficult to predict, and so careful attention to both the individual history of the client and the uniqueness of responses to medication are a necessary part of any successful therapeutic program.Connected to this theory of nonlinear physiology is Heinrichs's account of autonomy and agency under this rubric. He notes that a psychology based on chaos theory is not only compatible with the notion of free will, it can better explain why the successful use of medication actually increases freedom and autonomy instead of limiting it. It is here that I wish to focus my comments, because his interpretation of free will may give us, to borrow a phrase from Daniel Dennett, a "variet[y] of free will worth wanting" (1984, title page). Free will, in this case, is not a metaphysical ability to act above and beyond our material causes, but is instead a property of the material system itself, namely when that system feels itself capable of greater psychic mobility around the topographical map of probabilistic patterns.According to this model, our ability to reason, plan, and act on the decisions we make is itself a [End Page 235] part of our chaotically determined neurologic system. When we are healthy, we are able to reason in our best interests and act on those reasons. This is modeled as an ability for the organism to metaphorically "move about" the map of its own possibilities, and more important, to both enter and escape certain states, known as chaotic attractors, into which it is likely to be drawn. "Where" we wind up, psychologically speaking, at any point in time is determined by our own system, and so we may say that in such a case we are autonomous and our choices are made freely. Depression, on the other hand, can be compared to a deep groove in the map, a chaotic attractor that is hard to escape, and so the system quite literally becomes "stuck in a rut." This is subjectively experienced as the tendency for thought processes and activities to fall into negative and self-defeating patterns despite the best efforts of the client to escape these habits. So long as the organism does not have a sense of being "trapped" in an attractor (whether a depressive or, for example, manic or compulsive state), then that organism may be said to be free. Medication and the therapy that accompanies it, so far as it facilitates our ability to escape deep chaotic attractors, promotes our own freedom of will. If a car cannot spin its way out of a ditch, does the tow truck hinder or promote its freedom by hauling it back onto solid pavement where it may again... (shrink)

Ibsen’s plays can be interpreted as experiments in which the ideology of individualism is confronted with the realities of an individualistic society. The result allows of no misunderstanding. The individual has no real chance.Ibsen makes as good a case as possible for the ideology of individualism, because in the choice of his subjects he usually avoids the social problems proper, the questions of poverty and starvation, and concentrates his attention nearly exclusively on private life and spiritual conflicts. This first omission, (...) however, turns into a radical attack. In Ibsen’s plays the soul, this fundamental conception of modern ideology, reveals itself as a focal point of all the social contradictions. In the psychological analysis within his plays, reality acquires a stronger pungency and harsher bitterness than in most of the plays of social propaganda of the time. Even in their private lives, men are mirrored as being dominated by the laws of a society based on private property and competition. A real development of their personalities is denied them. The more they attempt consciously to achieve this, the more intense grow the conflicts within themselves and with others.Ibsen returns to this fundamental conflict ever again in the relationship of man and wife, of parent and child, of lover and beloved. The indomitable influence of these social and economic forces permeates every single trait of his characters, pervades the general atmosphere of his plays : the inexorability of social conditions, which subject the destiny of the individual to the play of blind accident, is echoed in the fear and the terror that animate these plays and that embrace even amorous relationships. Abstract idealistic programs do not change such impotence as the playwright portrays, but help to safeguard it.But Ibsen is not a pessimist. The female characters that he creates represent a glance towards a freer development of humanity. They represent the ability to achieve real happiness and real enjoyment. The demands of these women, which seem egoistic but are clung to with determination of real conviction, are superior to the idealistic assurances of the men who, in reality, bow to the power of the material facts of life.There is a certain rigorousness and utopianism in Ibsen which he shares with certain tendencies of modern society, tendencies to which his conscious intentions are opposed. More characteristic for his general significance, however, is his critical attitude, that would do away with the misery of his time in order to pave the way for a life of real happiness. Because of his individualistic starting point, and in spite of it, he remains a resolute enemy of bourgeois individualism.Les drames d'Ibsen peuvent être considérés comme une expérience qui confronte l'idéologie individualiste avec la réalité de la société individualiste. Le résultat est clair : il apparaît que l'individu n'y a pas de chances réelles. Ibsen rend la justification de l'idéologie bourgeoise aussi facile que possible : il n'aborde guère, dans le choix de sa matière, les questions sociales à proprement parler, la misère matérielle, il se contente presque uniquement de la vie privée et de l'intimité du sujet. Mais en fait, cette concession devient une accusation radicale. L'âme— ce concept fondamental de l'idéologie bourgeoise — se révèle, dans l'oeuvre d'Ibsen, comme le réflexe des contradictions sociales. Par l'analyse psychologique et dramatique des individus, la réalité amère du système „harmonique“ est mise dans une lumière plus crue que dans la plus grande partie de la littérature à tendances sociales de l'époque. Même en tant que personnes, les hommes sont dominés par les lois d'une société, fondée uniquement sur la propriété privée et la concurrence. Un véritable déploîment de leur individualité leur est interdit ; ils sont les victimes d'antagonismes avec eux-mêmes et avec les autres, antagonismes d'autant plus profonds qu'ils cherchent consciemment à mener leur vie individuelle. L'analyse d'Ibsen est particulièrement frappante lorsqu'elle s'attache aux relations entre époux, amants, parents et enfants. L'auteur suit l'influence insurmontable des puissances économiques et sociales jusque dans les traits de caractère les plus particuliers ; de même, ces puissances commandent l'atmosphère générale des pièces : l'angoisse et l'horreur qui les traversent et qui pénètrent jusqu'aux relations érotiques, reproduisent le caractère impitoyable d'une société où chaque destin individuel est livré au hasard aveugle. En même temps, le poète montre que des revendications idéalistes et abstraites contribuent plutôt à la stabilisation de cette impuissance.Cependant, Ibsen n'est nullement pessimiste. Les grandes figures de femmes nous font apercevoir des perspectives d'un développement plus libre de l'être humain : elles représentent la capacité de véritable bonheur et de jouissance authentique. Les revendications, en apparence égoïstes, que ces femmes maintiennent sans fléchir, sont supérieures, même moralement, aux affirmations des hommes qui, en pratique, se soumettent constamment à la force brutale des faits.Dans un dernier paragraphe, on fait la part des tendances progressistes et conservatrices d'Ibsen. Un certain rigorisme, l'agnosticisme et l'utopisme — lequel se trouve surtout dans son idée de la force rédemptrice de la nature — lient Ibsen aux tendances de la société bourgeoise que consciemment il combat. Cependant le motif critique le caractérise plus authentiquement : mettre un terme à la misère du présent qui est un obstacle au bonheur humain. C'est ainsi que, en dépit et à cause de son point de départ idéaliste, Ibsen reste un adversaire décidé de l'idéalisme bourgeois. (shrink)

Historian Dmitry Peretolchin quotes several of my publications on the creation and application of political technologies in the United States in his program about Saul Alinsky on the House of Cards podcast on the Den TV channel. An advertisement for the conference "Russian World Against the Global Reich" was inserted into this broadcast. This article: analyzes the statements of the podcast about Alinsky and his main ideas; showes that the main source of Alinsky's political technologies is the experience of professional (...) revolutionaries in Russia and that they in no way confirm the idea of a global Reich; describes the political technology that Alexander Prokhanov and his media complex uses to implement the Fifth Empire project, which is currently merged with the ideology of the Russian World; analyzes the ideological orientation of the House of Cards podcast and the Picture of the World club on the Den channel. The articles illustrates how the authors of the podcast are working to substantiate the propaganda direction of the media complex. The article also aims to show that political technologies, in particular, technologies of co-organization continue to develop and be implemented in countries with different political systems and can be applied to various types of social movements. (shrink)

By the late nineteenth century, science was well established in the public mind as the primary method by which useful knowledge of the material universe is obtained. Surely, it was thought, if science can discover cathode rays and radio waves, then it should easily authenticate a phenomenon that is far more widely experienced: the supernatural power of the human mind. Non-physical, “psychic” energy appeared to be everywhere, as an integral part of human experience. Indeed, psychic forces are seemingly (...) built into the cores, the souls, of each of us. It should be just a matter of securing the evidence with the hard cement of scientific procedure. At least this was the view of many Victorian scientists, and so was begun a program to verify psychic phenomena scientifically, a task that has continued without success until the current day. By the time the fourth decade of the twentieth century was underway, the search for psychic energy had stalled. The huge database of anecdotal human testimony proved too unreliable, too easy to explain away as subjective desire, fakery, or delusion. Whenever serious attempts were made to gather objective data under controlled conditions, plausible explanations such as trickery or simple coincidence were readily found--if not by the investigators, then by their critics. Although these plausibilities were not always conclusively proven, they were never conclusively ruled out. And, as long as ordinary explanations for reports of suggested psychic phenomena.. (shrink)

Metaphysical considerations aside, today’s inheritors of the tradition of natural philosophy are primarily scientists. However, they are oblivious to the human factor involved in science and in seeing how political, religious, and other ideologies contaminate our visions of nature. In general, philosophers observe human (historical, sociological, and psychological) processes within the construction of theories, as well as in the development of scientific activity itself. -/- In our time, feminism—along with accompanying ideas of identity politics under the slogan “diversity, inclusion, equity”—has (...) emerged in science policies. The vast majority of scientists (including myself) are convinced that discrimination is reprehensible. We also believe that all individuals of any sex, race, ethnic group, or ideology should be valued in academia solely based on his or her merits and potential through equality programs. However, as I will show in this article, political indoctrination has inadmissibly undertaken the struggle for equality in academic institutions in Western countries. I argue here that universities and research institutes should be politically free (neutral) to encourage academic freedom. -/- One negative aspect of equality programs is that worldwide, scientists are harassed for expressing opinions related to the “gender” issue. This situation severely restricts scientists’ freedom of expression, even within the limits of the law. Codes of conduct extending beyond legal boundaries are examples of this issue. Scientists who express their views about “gender” are often harassed, bullied, and socially or academically excluded. Thus, we are witnessing a wave of proselytizing in research institutes and science-associated media. Today, there is widespread biased propaganda of “victimhood”. This propaganda proposes positive discrimination and increasing women’s participation in unnatural ways. It also bends the history of science by overvaluing the creations of forgotten women, offering lectures on indoctrination, organizing congresses on gender and science, and persecuting anyone who sees the subject differently. All of this covered by a multitude of associations that financially benefit from these discourses through succulent subsidies of public money. Apparently, feminism is no longer about fighting against discrimination. Instead, it is about imposing an ideology and giving more power to one group of people. Thus, we must ask whether the end justifies the means. (shrink)

Before going further, it will be helpful to consider briefly the notion that novelty per se is a fundamental human need. Experiments with human beings, as well as with animals, indicate that the maintenance of normal, successful behavior depends upon an adequate level of incoming stimulation—or, as some have put it, of novelty.2 But lumping all novelty together is misleading. At least three kinds of novelty need to be distinguished. Some novel patterns arise out of, or represent, changes in the (...) fundamental rules governing the organization of musical processes and structures. By significantly weakening our comprehension of the musical relationships presented—undermining not only our understanding of what is past but our ability to envisage what is to come—such systemic change seriously threatens our sense of psychic security and competent control. Far from being welcome, the insecurity and uncertainty thus engendered is at least as antipathetic, disturbing, and unpleasant as stimulus privation. Novel patterns may also result from the invention of a new strategy that accords with prevalent stylistic rules. Though they may initially seem to threaten existing competencies, the function and significance of novel strategies within the larger set of stylistic constraints can usually be grasped without too much delay or difficulty. For a while the tensions produced by strategic innovation may seem disturbing. But in the end, when our grasp of the principles ordering events is confirmed and our sense of competency is reestablished and control is reinforced, tension is resolved into an elation that is both stimulating and enjoyable. Most novel patterns—original themes, rhythms, harmonic progressions, and so forth—involve the innovative instantiation or realization of an existing strategy or schema .3 Novelties of this kind not only enhance our sense of control—a feeling that we know how things really “work”—but provide both the pleasure of recognition and the joy of skillfully exercising some competency. We enjoy novelty—the stimulation of surprise, the tension of uncertainty—as long as it can be accommodated within a known and understandable set of constraints. When the rules governing the game are abrogated or in doubt—when comprehension and control are threatened—the result is usually anger, anguish, and desperation.These responses to novelty are consequences of fundamental and poignant verities of the human condition: the centrality of choice in human behavior. Because only a minute fraction of human behavior seems to be genetically specified, choice is inescapable.While in lower organisms, behavior is strictly determined by the genetic program, in complex metazoa the genetic program becomes less constraining, more “open” as Ernst Mayr puts it, in the sense that it does not lay down behavioral instructions in great detail but rather permits some choice and allows for a certain freedom of response. Instead of imposing rigid prescriptions, it provides the organism with potentialities and capacities. This openness of the genetic program increases with evolution and culminates in mankind.4The price of freedom is the imperative of choice. Human beings must choose were to sow and when to reap, when to work and where to live, when to play and what to build. Intelligent, successful choices are possible only if alternative courses of action can be imagined and their consequences envisaged with reasonable accuracy. 2. For further discussion, see my Music, the Arts, and Ideas , p. 50.3. Rules are transpersonal but intracultural constraints—for instance, the pitch/time entities established in some style, as well as grammatical and syntactic regularities. Strategies are general means for actualizing some of the possibilities that are potential in the rules of the style. The rules of a style are relatively few, while the number of possible strategies may, depending upon the nature of the rules, be very large indeed. The ways of instantiating a particular strategy are, if not infinite, at least beyond reckoning.4. François Jacob, The Possible and the Actual , p. 61. See also Stephen Jay Gould, Ever Since Darwin , p. 257. (shrink)

The central question: "What is the Human?" is since Platon till today not answered. Kant distinguishes a physiological and a pragmatic anthropology: The Human knows the nature by senses, but himself by "pure apperception... from physical determinations independently personality (homo noumenon)..., different to... (homo phenomenon)". Kant's idea of the anthropology according to R. Brandt is a holistic totality with three spheres: phenomenal, pragmatic and moral-teleological. The philosophical (Gelen, Scheler), pedagogical (Roth, etc.), medical (V. von Weizsäcker, etc.), also the new anthropology (...) of Gadamer/Vogler considers the human multidimensional, but not enough holistic [Lit.: Michailov, Neu: Soc. Resp. Philos. In: Proc. 21st World Congr. Philos. Istanbul. Press FISP279‐280, 2003; J. Psychosom. Res. 58/6, 85‐86, 2005]. CONCEPTION: Philosophy as "the unique science, which considers a systematic interdependence and gives all other sciences a systematic unity" (Kant) in co-operation with the anthropological sciences could create an integral anthropology, i.e. a general - philosophical (normative), pedagogical (educative), medical (prophylactic/curative), based on a special anthropology (from biological to theological). The last oneshall consider the human [with his "spheres" somatic, psychical, mental/logical, philosophical (epistemology, ethics, aesthetics), spiritual/theological-metaphysical: individual] as well as his interaction with environment and society (natural, social anthropology) on the last level of knowledge, also under consideration of the big cultures – Brahmanism, Buddhism, Christianism, Confucianism, Mohammedanism. CONCLUSION: An integral anthropology could give the way for a transformation of the "false programmed" (Steinbuch) "homo actualis" (Binswanger) by society, i.e. "zoon politicon" (Aristoteles), into a homo sanus, humanus et spiritualis (in context of illumination and perfection/Kant). Scientific and political support of anthropological research is conditio sine qua non for realization of UNO-Agenda 21, which aims are better health, education, ecology, economy in all countries. (shrink)

This process is the transformation of the self, even to the extent that we no longer recognize ourselves although, oddly, something in us will then recognize our ‘new’ self as being what we really are, or at least what we started out to be. Then, in a way, we are like the seedling of some wonderful tree which has been overtaken by a parasitic plant until very little of the original tree is recognizable – it may have become dwarfed, hollowed (...) out or even killed by the parasite, which is our egoic mask. With meticulous pruning and therapy, the tree can be uncovered and possibly healed, but then it will be a test of the tree’s original nature and soil to see whether it will endure and grow straight and tall, with roots that will hold against adversity. For this purpose, I have assembled twelve steps to describe the transformational process (consider it coincidental that the alcoholic recovery program also has twelve steps but there is, inevitably, some correspondence between the two systems). Although I describe these steps here as if they were a progression, you’ll find that they really work in parallel or in stages wherein first one line will seem emphasized, and then another at a different point in your evolution. These steps induce a gradual change in our psychic shape (the way that we fit with each other and with our circumstances), and also they are an alchemic progression, in that each prepares our neurochemical apparatus to attune to the next stage more readily. (shrink)

In this paper, I will try to exploit the implication of Leibniz's statement in Monadology (1714) that "there is a kind of self-sufficiency which makes them [monads] sources of their own internal actions, or incorporeal automata, as it were" (Monadology, sect.18). Leibniz's monads are simple substances, with no shape, no magnitude; but they are supposed to produce the phenomena resulting from their activities, which for us humans look as the whole world, the nature. The activities of a monad are characterized (...) by mental terms, perceptions (internal states) and appetites (which change the internal state). By means of perceptions, a monad becomes a "perpetual living mirror of the universe"; it can receive the information of other monads and it can send its own, in turn, to others. The communication and interconnection thus produced result in the physical and the psychical phenomena observed by us, humans. According to Leibniz, all monads are governed by the teleological law given by the God, and the world of phenomena are governed by the causal and mechanical law. Leibniz argues that there is a pre-established harmony among the monads so that this double character is no problem. Now, I will propose an informational interpretation of monadology, which regards the monads as an automaton governed by the God's program and arranged appropriately; and I will argue that Leibniz's scenario can be defended in terms of this interpretation. The crucial part of this interpretation is that the God's program and the monads' activities are related with the phenomenal world by means of a coding by God. This interpretation is also defended on the textual basis, with a special reference to Leibniz's distinction between primitive and derivative forces. Drawing on R. M. Adams's careful reading of Leibniz's texts (Leibniz: Determinist, Theist, Idealist, 1994), I will argue that his rendering is quite in conformity with my interpretation, although he does not seem to be aware of the notion of coding. (shrink)

US military intervention and covert action are significant contributors to global injustice. Discussion of this contributor to injustice is relatively common in social justice movements. Yet it has been ignored by the global justice literature in political philosophy. This paper aims to fill this gap by introducing the topic into the debate. While the global justice debate has focused on inter-national and supra-national institutions, I argue that an adequate analysis of US military and covert action must focus on domestic institutions (...) of the US. I describe many such institutions including industry lobbying, the ubiquity of US military bases abroad, US programs for training foreign militaries, secrecy of the intelligence and military agencies, pliant news media and government propaganda. (shrink)

This doctoral thesis examines the phenomenon of Filipinization, specifically understood as the ideological construction of a “Filipino identity” or ‘Filipino subject-consciousness” within the highly determinate context provided by the Filipino ilustrado nationalists such as José Rizal, Marcelo H. del Pilar and their fellow propagandists inasmuch as it leads to the nineteenth (19th) century construction of the modern Philippine nation. Utilizing Jacques Derrida’s deconstructive thinking, this study undertakes a genealogical critique engaged on the concrete historical examination of what is meant by (...) the term “Filipino” across a select historical timeline (1864-1898) and the various notions of Filipino identity implied by the different contexts within which the term “Filipino” has been employed. More specifically, it undertakes a selective philosophical excavation of three seminal texts in the history of Filipinization, viz.: 1) the Manifiesto of Padre Jose Burgos; 2) the writings of the Filipino ilustrados in La Solidaridad; and 3) Jose Rizal’s Annotations on Dr. Antonio de Morga’s Sucesos de las Islas Filipinas. -/- The philosophical claim of this work is the idea that Filipinization, taken as the differential construction of Filipino identity, is the effective translation of the colonial epistemic violence of Eurocentric racism and its consequent “horror of absolutism” into the homo-hegemony of Filipino nationalisms. By fetishizing the notion of a carefully constructed and essential “Filipino-identity,” Filipinization and the current nationalist discourses that utilize them, unwittingly, stands complicit with the same colonial violence and hegemony that they wish to combat. This happens precisely when the very structures of colonial oppression, on the ideological and practical levels, are transmogrified into nationalist ideals that assume legal and political power unto themselves in a self-referential and self-legitimating fashion. -/- Three processes will demonstrate the above thesis: first, by examining historical texts and setting itself against established nationalist historiographies, a genealogical analysis of the term “Filipino” reveals it as a pliable signifier whose semantics have evolved through time. From its originary referent in the Spanish criollo (creole), it has come to refer to people who would have been otherwise entirely alien to this class, viz., the mestizos (both Spanish and Chinese), the principalia (native elite), and eventually, the lowland Catholicized natives themselves. The historical hermeneutic of this identity-discourse in Padre José Burgos’ Manifiesto yields the fact that what gives the term “Filipino” its semantic consistency as a class concept is its essential constitution as a Hispanic and Catholic identity. -/- Second, from this semantic identification of the term “Filipino” as a Hispano-Catholic identity, we proceed to clarify the meaning of Filipinization in terms of the nationalist propaganda carried out by the Filipino ilustrados in the fortnightly periodical La Solidaridad. Here, the specific ilustrado construction of Filipino identity as a Spanish citizen (ciudadano Español) is revealed precisely as a political and legal construct that served as the basis for their own politics of social inclusion/exclusion. Filipinization can only be applied to those who have been hispanized and Christianized and never to those tribes who have resisted and remained outside Spanish colonial authority. Filipinization is thus revealed as a process of Hispanization and Christianization whereby the recipients of Spanish colonial hegemony are transformed into the religiously docile bodies of the Spanish Empire. -/- From this highly determinate context, the study proceeds to examine Rizal’s ontological grounding of collective Filipino-ness in the mythological construction of the pre-hispanic past as the source of a unique Filipino ancestrality. In his work on de Morga’s Sucesos, what is revealed is a mythologization that grounds a native, essential Filipino identity within a past unscathed by the Spanish colonial experience. Such mythologization, however, can only be possible through an anachronistic nationalist interpretation of historical data. Here, Filipinization is revealed as an exclusive prerogative, a nationalist program by which Rizal and the ilustrado class can combat the evils and excesses of the Spanish colonial enterprise. Ironically, though, this same struggle for emancipation also became an instrument by which the ilustrado class can retain their unjustified position of power over those who belonged to the colonial underside, thus, securing the possibility of perpetuating their own ilustrado bourgeois class interests. -/- Such discursive complicity is the essence of the myth of Filipinization: it presents nationalist identity discourse as an anti-colonial enterprise while being underlined by an economy of motives designed to cater primarily to the exclusive interests of the elite and ilustrado class. Thus, instead of securing the genuine, inclusive emancipation of all colonial subjects and a more humane existence for the poor and suffering majority, ilustrado nationalism has, ironically, merely reinforced those operative structures of colonial discrimination and oppression when the ilustrados: 1) grounded their racial theory upon the very same discourse of Eurocentric superiority that they are precisely supposed to question and 2) claimed a patrimony over Filipinas as their exclusive sovereign inheritance. These two factors illustrate how the manifest transfer of power from the Spanish Empire to the Philippine sovereign nation (and later as a nation-state) illustrate how Filipinization merely has transmogrified the face of Spanish colonialism into its new, subtle, and worse form in Filipino nationalism. -/- In this vein, the existence of the 19th century modern Philippine nation merely masked and deferred the crisis that was supposed to transfer power from the Spanish Empire to the multitude of the poor and suffering native indio majority. This crisis became all the more difficult to address be-cause of the duplicitous character of the discourse of Filipinization itself. It has not only effectively transferred power into the hands of the nationalist elite but also captured authentic emancipatory discourse within the identity-trap against which it can only hope to get out. This study concludes with the claim about the impossibility of ever escaping and overcoming the epistemic and practical violence necessarily contained within the historical discourse of colonialism. Or simply, we have no language or discourse that would enable us to overcome the complicity of Filipinization with the very (epistemic) violence against which it has set itself. (shrink)

In Hermann Hesse's work named "Between the Wheels", an outdated education system where childhood period expected to grow mature early creates a danger that the child shall begin to experience a second unrealistic childhood period is criticized. The introverted aggression of the soul, which is deprived of childhood, gradually begins to turn towards itself. In the work, it is stated that the "ideal of high achievement" is adopted by the education authorities and their families to children by alienating them from (...) their selves, and by using a rigid and disciplinary education system and the trauma caused by this ideal on the child self and its irreparable consequences are explained. In the work, negative educational relations exposed by the children at the Maulbronn Monastery school in Schwaben, Germany are addressed. The psychic confusion of the psychic soul of Hans Giebenrath, who enrolled this school in second place under the pressure of his family and town people, but who realized later saw that this school did not give him any opportunity to develop himself, takes him away from both his nature-loving habits and his ideal of success, and he starts to dispose of working. Returning to the town, he continues his life as "the apprentice who bends the iron wheels". The work he performs with his hand skill does not make him happy. He falls into the river and his mysterious death saddens the whole people of the town. When evaluated from an educational and scientific point of view, it is thought that it is of an importance to analyze Hesse's work, in which the contradictory elements existing between the official curriculum and the hidden curriculum draw attention, in terms of the analysis of child-specific values and existential images. The aim of this research is to analyze the existentialist images of the child self in Hermann Hesse's work named "Between the Wheels". The work has been analyzed with narrative analysis technique. From the findings obtained, two themes were reached: Under "Child Self", which is the first theme; Categories named "autonomy of the self," "undirected thinking," "free will" have been identified. Under "Existential Images", which is the second theme; Categories named "nature," "friendship" and "contradictions" have been obtained. The results of the research show that the official curriculum and Hidden Curriculum should provide children with the opportunity to learn by living in line with their interests and abilities and support them to be autonomous individuals in their decisions and actions. This research shows the importance of living together with the child self and the adult self in order for the adults around the children to establish a balanced and healthy communication with the children, and the importance of the life spent by the children with nature for the healthy evolution of the child self to the higher stages. (shrink)

This paper examines the available evidence on one of the most radical ideas in the history of eugenics and utopianism. In the mid-1920s, the zoology professor Ilia Ivanov submitted to the Soviet government a project for hybridizing humans and apes by means of artificial insemination. He received substantial financing and organized expeditions to Africa to catch apes for his experiments. His project caused an international sensation. The American Association for the Advancement of Atheism announced its fund-raising campaign to support Ivanov’s (...) project but gave it a scandalously racist interpretation. Ivanov’s own motivation remained unclear, as did the motivation of those in the Bolshevik government who supported Ivanov until his arrest in 1930. This paper discusses three hypothetical reasons for Ivanov’s adventure: first, hybridization between humans and apes, should it be successful, would support the atheist propaganda of the Bolsheviks; second, regardless of the success of hybridization, Ivanov would catch and bring to Russia apes, which were necessary for the rejuvenation programs that were fashionable among the Bolshevik elite; and third, hybridization, should it be successful, would pave the way to the New Socialist Man whose ‘construction by scientific means’ was the official purpose of the Bolsheviks. Ivanov’s ideas were arguably important for the American proponent of reform eugenics, Herman Muller, and for the Soviet anthropologist Boris Porshnev. (shrink)

The author discusses some aspects of the problem how to transform the former socialist into democratic states. In the first part he argues that the ‘socialist societies’ were not societies in the modern sense but organized in the way of traditional community without (civil) society---with the absolute domination of politics over all spheres of societal activities, in which the only permitted (Communist) Party, mostly reduced to the power of the secretary general, used to decide over almost everything. The psychic (...) functional basis of socialism was happy consciousness and collective narcissism. In the second part the author warns that the realization of the “European way of Iife,” as a basic program of changes in Europe in 1989, was misunderstood because it was conceived as a fixed content and not as a procedure of attaining agreement. In the third part he concludes that nationalism and fervent religiosity, which predominate in several ex-socialist countries, are main obstacles of the transformation of the former socialism because of their exclusion of the different. This tends to continue the societyless community, filled with again absolutized (national or religious) contents, namely with new forms of collective narcissism. (shrink)

The essay takes as its starting point the specific social experiences of the composer with the radio, in other words, the relationship of the radio to contemporary music in particular, and to the broader problem of musical reproduction. This leads to questions which extend beyond the immediate orbit of the composer.The content of musical broadcasts is examined first. The production of serious and advanced modern music plays but a minor role. The content of the programs stems largely from the (...) reservoir of „cultural goods“, and in a deteriorated form at that. On the one hand, banal works are pushed to the fore in consideration of the pre-formed taste of the public, and on the other hand, great music undergoes a process of banalization on the radio. — The thesis of the article is that the declining musical forms take on an „informatory“ character in order to make the listener more susceptible to propagandistic information. Such music distracts him and has a general tendency to „entertain“. Radio business aims to have music received as a mere background, not as a central figure. Music on the radio is nothing more than an „applied acoustical articraft for the embellishment of everyday life“, a veil.The types of radio organization are examined next. In Europe, the state-controlled public utility type predominates, whereas in America the radio, like the press, is largely dependent on the interests of the advertisers. In the authoritarian states, economic interests are both concealed and conveyed through the totalitarian propaganda.Finally the author poses the problem of the way in which the radio affects the work of art and its social manifestation. The progressive moment is emphasized, for the new mode of presentation fosters an appropriate, anti-illusory attitude on the part of the listener which is conducive to knowledge. It is an attitude which is also necessary for the interpreter on the radio. The unillusory self-presentation of the work of art is construed as the positive aim of radio transmission. The progressive trends are seriously restricted, however, by the contemporary function of the radio. Today, under favorable circumstances, it can help „reveal the mass of contradictions in the existing world.L'article part des expériences sociales spécifiques que la radio livre au compositeur : d'abord la relation de la radio à la musique actuelle, plus généralement aux problèmes de la reproduction musicale. L'étude arrive à des conclusions qui débordent le cadre de l'expérience immédiate du compositeur.On examine en premier lieu le programme musical de la radio. La production contemporaine n'y figure que dans une très faible mesure. Le programme est alimenté surtout par le réservoir des „biens traditionnels de la culture44, à vrai dire défigurés. D'un côté, par égard pour le goût du public, les productions banales s'imposent ; quant aux oeuvres de la grande musique de l'autre côté, elles n'échappent pas, à la radio, à une sorte de banalisation. L'auteur soutient que la musique en décadence prend de plus en plus un caractère d'information, c'est-à-dire : elle veut rendre l'auditeur plus ouvert aux informations de propagande. Elle le distrait et tend à la récréation. L'exploitation bureaucratique de la radio vise à faire de la musique non plus une figure, mais un arrière-plan. La musique à la radio n'est plus qu'une „activité artisanale pour enjoliver la vie quotidienne44 et un décor dont la fonction est de dissimuler.Par la suite, on passe en revue les différents types de l'organisation de la radio. En Europe, c'est „l'entreprise mixte44, contrôlée par l'État, qui domine. En Amérique, la radio — comparable alors à la presse — dépend de celui qui passe les commandes de publicité. Dans les États totalitaires, la propagande est à la fois camouflage et intermédiaire des intérêts économiques.Enfin, K. pose la question de savoir de quelle façon la technique de la radio influe sur l'oeuvre d’art et sur sa condition sociale. Le facteur de progression est souligné : le nouveau mode de représentation exige de la part de l'auditeur une attitude objective, curieuse, critique, hostile au rêve. En même temps, cette attitude doit être celle de l’interprète lui-même. Présenter l'oeuvre d’art dépouillée, libre de tout faux semblant — voilà le but positif de l’émission radiophonique. Les tendances progressives, cependant, sont malheureusement inhibées par la fonction actuelle de la radio. Aujourd'hui, celle-ci peut, tout au plus, contribuer à rendre „évidentes les multiples contradictions de notre monde44. (shrink)

The vision of cooperation between the Catholic Church and the state authorities was firmly established in the consciousness of the Polish society in the interwar period. In the collective memory there is no recollection of sharp disputes between the Church and the political and social activists about the scope of recognition of Catholic principles as the basis for lawmaking. Before 1926, the government officials were not directly involved in the disputes. This changed after the May Coup, which is discussed in (...) the text. The source basis is constituted exclusively by documents produced by the state and Church offices and institutions regarding the presence of religious education and teaching in schools. Of particular cognitive value are the state documents and drafts of legal documents, memoranda of the Polish Episcopate and correspondence between state authorities and the School Committee of the Polish Episcopate and the ordinary bishops of individual dioceses. Programs published by educators and education officials associated with the ruling politicians are also an important element for learning about the views of state officials on the place of religion in the Polish school system. Apart from propaganda works written by communist educators, there is virtually no literature on these issues. Consequently, this text is a source dissertation. Thus, according to a principle accepted in the humanities, it uses the methods of analysis and synthesis. Even a cursory review of the documentation on state-church relations in matters of education and upbringing reveals the change in their character after the May Coup. Without destroying the legal order adopted in Poland, those in power and the officials subordinate to them, through a series of minor changes, tried to subordinate the Church to the state, hoping that it would become a tool for building a new citizen — the subject of the state. The sharpness of the sharpness of disputes was particularly evident in the matters of teaching and education during the 1932 school reform and the enactment of the new constitution in 1935. (shrink)

Sante De Sanctis (1862—1935), a pioneer of psychology in Rome at the end of the 19th century, applied methods from the expanding field of experimental psychology to the study of dreams, which was considered one of the leading ways to gain an understanding of normal and pathological psychic life. Taking inspiration from several traditions, De Sanctis proposed a study that anticipated a scientific program that also differentiated between contemporary psychoanalytical interpretations according to which previous dream psychology was considered a (...) 'dark forest'. On the contrary, the multi-faceted methodology that he adopted for the study of an, until then, marginal phenomenon of the 'new' psychology, represented an element of originality that also included the elaboration of a psycho-physiological theory of dreams. Although the Italian psychologist's work on dreams was characterized by these important methodological changes, it disappeared from the references of those who contributed to the foundation of modern dreaming psychology after the Second World War. The present article places De Sanctis' psychology of dreams in its scientific context and singles out its originality while also analyzing the reasons for its marginalization. (shrink)

The synthetic, integrative significance of biosemiotics as a modern interdisciplinary research program is under discussion in the article. Aimed at studying the cognitive and life activity of living beings, which are capable of recognizing signals and extracting the meanings, biosemiotics serves as a conceptual node that combines some important notions of theoretical biology, evolutionary epistemology, cognitive science, phenomenology, neuroscience and neurophilosophy as well as the theory of complex adaptive systems and network science. Worlds of perception and actions of living beings (...) are built in the process of co-evolution, in structural coupling and in enactive interaction with the surrounding natural environment (Umwelt). Thereby the biosemiotic theories developed by the founders of biosemiotics (J. von Uexküll, Th. Sebeok, G. Prodi, H. Pattie) are conceptually closed to the system-structural evolutionary approach developed in synergetics by H. Haken and S.P. Kurdyumov, the conception of autopoiesis (H. Maturana and F. Varela), second-order cybernetics (H. von Foerster), the conception of enactivism in cognitive science (F. Varela, E. Thompson, A. Noë). The key to comprehending the processes of extracting and generating meanings is that every living organism lives in the subjectively built world (Umwelt), so that its Umwelt and its internal psychic organization become parts of a single autopoietic system. According to the well-known expression of G. Bateson, information is a not indifferent difference or a difference that makes a difference. Differences become information when a cognitive agent as an interpreter, acting as part of an autopoietic system, sees signs in these differences that make meanings. (shrink)

This article points out, descriptive moral psychology of human behavior patterns in the handling, in fact, from the outset exceed the boundaries of philosophy, and Cole tried to resort to ethics Fort formalism in order to avoid this problem in practice, can not be established. • Henry Rachael is further motivation for ethical behavior and the psychological concept of Cole Castle together. Although this is certainly an important contribution to the Fort Cole, but Cole Fort critical reflection on the lack (...) of methodology adopted only; secondly that the ideology behind their psychological factors; finally made ​​sense to remedy in the treatment program: to give up on life and psychological describe their condition or results of work. Authors propose a new proposal of psychology, first identified the relationship between psychologists and their research object, this object is, as the subject of people; secondly, from the possibility of speech. Description, either by himself or a third person described in the description, will be replaced by speech interaction. Authors proposed the concept of an interactive framework of doctrine, in which Cole and Rachael • Fort Henry's theory of language games can get a different position. This article attempts to demonstrate that the descriptive psychology, in its treatment of ethical problems, seems to have transgressed the boundary line against philosophy. This problematic situation cannot be circumvented by resorting to an ethical formalism-as L. Kohlberg does in his research program. Rachael M. Henry pushes one step forward to tie the psychodynamic aspect of moral behavior with Kohlberg's concept. The present author, all in affirming the important contribution of Kohlberg to psychology, indicates the insufficiency of a mere reflection of methods in Kohlberg's works. Then he dissects the ideologemes behind Kohlberg's psychology. At last he suggests a therapeutic proposal: the demand for describing psychic life, its conditions or effects, shall be dropped. The author proposes instead a program of new psychology that derives first from the relation of psychologist to his object, the human as subject; and second, from the possibilities of speech in communicative interaction. Description, whether made by oneself or by a third person, shall be substituted by speech interactions. These interactions are considered as successful when the partners in a discussion declare themselves to be understood. Within the framework of this interactionist concept, Kohlberg's and Rachael M. Henry 's theories could assume the status of various language-games. (shrink)

Margaret Cavendish is a very difficult thinker to place in context. Given her stern critique of the “experimental philosophy” in the Observations on the Experimental Philosophy, one might be tempted to place Cavendish among the opponents of Francis Bacon and his experimental thought. But, I argue, her rela­tion to Baconianism is much more subtle than that would suggest. I begin with an overview of Cavendish’s philosophical program, focusing mainly on her later natural philosophical thought in Philosophical and Physical Opinions, Philosophical (...) Letters, Observations on the Experimental Philosophy and her Grounds of Natural Philosophy. I then turn to Francis Bacon, and talk about how he understood his philosophical program in the 1620s, and how it had been transformed by later Baconians in the 1650s and 1660s. While Bacon held a vitalistic natural philosophy, what was most visible, particularly in Royal Society propaganda, was his experimentalism. But Margaret Cavendish’s natural philosophical program is, in a way, the exact contrary. While she was skeptical of Bacon’s experimentalism, she was an enthusiastic advocate for a vitalistic materialism that may well have been inspired, at least in part, by Bacon’s thought. Because of her opposition to the experimental philosophy, her contemporaries may not have seen her as a Baconian. But even so I think that she was a philosopher whom Bacon himself would have recognized as a kindred spirit. (shrink)

This paper examines the available evidence on one of the most radical ideas in the history of eugenics and utopianism. In the mid-1920s, the zoology professor Ilia Ivanov submitted to the Soviet government a project for hybridizing humans and apes by means of artificial insemination. He received substantial financing and organized expeditions to Africa to catch apes for his experiments. His project caused an international sensation. The American Association for the Advancement of Atheism announced its fund-raising campaign to support Ivanov’s (...) project but gave it a scandalously racist interpretation. Ivanov’s own motivation remained unclear, as did the motivation of those in the Bolshevik government who supported Ivanov until his arrest in 1930. This paper discusses three hypothetical reasons for Ivanov’s adventure: first, hybridization between humans and apes, should it be successful, would support the atheist propaganda of the Bolsheviks; second, regardless of the success of hybridization, Ivanov would catch and bring to Russia apes, which were necessary for the rejuvenation programs that were fashionable among the Bolshevik elite; and third, hybridization, should it be successful, would pave the way to the New Socialist Man whose ‘construction by scientific means’ was the official purpose of the Bolsheviks. Ivanov’s ideas were arguably important for the American proponent of reform eugenics, Herman Muller, and for the Soviet anthropologist Boris Porshnev. (shrink)

Since the arguments that Plato provides in the Republic for the thesis that the human soul consist of three parts (reason, spirit, appetite) are notoriously problematic, I propose other reasons for accepting tripartition: reasons that we too could endorse, or at least entertain with some sympathy. To wit, (a) the appetitive part of Plato's divided soul houses desires and tendencies we have because we are animal bodies programmed to survive (as individuals and as a species) in disequilibrium with a variegated, (...) often varying environment, (b) the spirited middle part houses status concerns that belong to us as social animals, while (c) what makes us rational animals is a faculty of reason, conceived in strikingly non-Humean terms, which determines what is best all things considered. Other psychic tendencies may then be explained in terms of the education and mutual interaction of the three parts we are 'programmed' for from birth. (shrink)

This book brings together for the first time five recent essays by Jacques Derrida, which advance his reflections on many issues: lying, perjury, forgiveness, confession, the profession of faith, and, most recently, cruelty, sovereignty, and capital punishment. Strongly linked by their attention to "performatives" and the "as if," the essays show the necessity of thinking beyond the category of acts that are possible for a subject. Derrida argues forcefully that thought must engage with the im-possible, that is, the order of (...) the unforeseeable event, the absolute future still to come. This acute awareness of the limits of performative programs informs the essays throughout and attunes them closely to events of a world undergoing "globalization." The first essay, "History of the Lie," reviews some classic and modern definitions of the lie, while renewing questions about what is called lying, as distinguished from other forms of nontruth. This inventive analysis is followed by "Typewriter Ribbon," which examines at length the famous lie recounted by Rousseau in his _Confessions_, when he perjured himself by accusing another of his own crime. Paul de Man’s reading of this textual event is at the center of Derrida’s patient, at times seriously funny analyses. "_Le parjure_, Perhaps" engages with a remarkable novel by Henri Thomas that fictionalizes the charge of perjury brought against Paul de Man in the 1950s. Derrida’s extraordinary fineness as a reader and thinker of fiction here treats, to profound effect, the "fatal experience of perjury." The two final essays, "The University Without Condition" and "Psychoanalysis Searches the States of Its Soul," address the institutions of the university and of psychoanalysis as sites from which to resist and deconstruct the nontruth or phantasm of sovereignty. For the university, the principle of truth remains at the core of its resistance; for psychoanalysis, there is the obligation to remain true to what may be, Derrida suggests, its specific insight: into psychic cruelty. Resistance to the sovereign cruelty of the death penalty is just one of the stakes indicated by the last essay, which is the text of a keynote address to the "States General of Psychoanalysis" held in Paris, July 2000. Especially for this volume, Derrida has written "Provocation: Forewords," which reflects on the title _Without Alibi_ while taking up questions about relations between deconstruction and America. This essay-foreword also responds to the event of this book, which Peggy Kamuf in her introduction presents as event of resistance. _Without Alibi_ joins two other books by Derrida that Kamuf has translated for Stanford University Press: _Points...: Interviews, 1974-1994_ and _Resistances of Psychoanalysis_. (shrink)

The work we present has a double purpose: sketching some thinking guidelines to overcome the typical Sicilian Mafia mindset and, at the same time, helping to reinforce the theoretical–methodological paradigm of group analysis by means of a dialogue with the concept of relational good. In this framework of dialogue and confrontation, since psychical, social, and economic developments influence each other, they can determine a strong repercussion in the social context of individuals. Relational good thus becomes not only an interdisciplinary intersection, (...) but also a tool that can significantly help fulfilling suitable programs of local development. (shrink)

The 2014 SSE Conference near San Francisco is now behind us, and I’d rate it as quite successful. Apart from the predictable good times shared with friends whom we see only at these get-togethers, several things in particular stood out for me. First, Gerald Pollack’s Dinsdale lecture on the fourth phase of water was unusually interesting, and in fact all the invited talks were both stimulating and entertainingly presented. (Kudos again to Adam Curry for putting together a really first-rate program, (...) and to Jerry Gin for doing such a wonderful job as local host.) Although I wasn’t monitoring the behavior of attendees generally or invited speakers in particular, I happened to sit near or next to Gerald Pollack for much of the meeting. And I have to say that I was also struck and impressed by his attentiveness and openness to the rest of the program. If he missed a presentation, I didn’t see it, and I believe he took careful notes of most (if not all) of the talks as well. I doubt this was a mere courtesy. I believe Pollack exemplifies the kind of inquisitiveness, open-mindedness, and intellectual courage I at least take to be a prerequisite for membership in the SSE, but which one sees all too infrequently in the Academy, or in the real world generally. Moreover, the conference was quite well-attended, and I was pleased (and somewhat surprised) that many of those present don’t yet qualify for membership in the AARP.1 The shortage of “young blood” has been a concern, not just for the SSE, but also for other similarly minded organizations to which I belong (e.g., the Parapsychological Association and the Society for Psychical Research)2. Indeed, the SSE Council routinely considers ways to encourage the recruitment and participation of new and young members. Brenda Dunne has certainly helped with this by organizing and hosting the New Members and Young Investigators meetings at the annual conferences, and my spies informed me that this year’s meeting was again a success (and not just because the pizza was very good). (shrink)

This article is dedicated to basing a new current of philosophy – existential axiology. The nature of this theory involves the understanding of values as responsesof a person to key existential challenges: death, solitude, dependence of the nature and the society, etc. Value is the striving of a human to clarify the meaning andsignificance of our existence, it is an act of freedom, expression of subjectivity because it’s based on our personal experience and preference. We regard values as meaningfully-significant purposes (...) of existence, that are a special type of information, reflecting the originality of the subject and expressing the most significantlonging for his own self-perfection. The sense and importance of information take effect in the programming of the psychic phenomenon and processes. Values express the maximum amount of information about the subject and emerge in the world as his highest manifestation. Since the variety in the human world is verygreat, axiological picture of the world will always be plural. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Intentionalität aus semiotischer Sicht. Peirceanische PerspektivenChristian StrubStefan Kappner Intentionalität aus semiotischer Sicht. Peirceanische Perspektiven. Berlin/New York: de Gruyter2004, ISBN 3–11-018288–2, 432 pp.1. Problem focusKappner intended only partially a Peirce-interpretation; he attempts to think further along with Peirce, and he succeeds as well. The first chapter serves as a sketch of the problem of intentionality from a historical perspective, starting from Brentano. Kappner formulates the problem correctly by stating (...) that from the contemporary standpoint on the one hand every sort of methodological mind—body dualism is obsolete, because the mainstream of research has adopted a methodological physicalism along with an anti-foundationalistic epistemology; yet on the other hand our common sense view of psychic and thus also of intentional phenomena, which is inclined towards just such a dualism, must be taken into consideration. The systematic task thus consists in describing the particular quality of psychic phenomena in such a manner that this description "is compatible with methodological naturalism" (47). Kappner's main concern is thus the attempt to anchor the intentionality of thoughts and of human consciousness in more primitive forms of intentionality which are already exhibited by non-psychic goal-oriented natural processes. The solution to this task must accomplish two things: firstly, Kappner must justify the distinction between three types of "carriers" of "intentionality": concrete objects which intentionally contain an object in themselves, i.e. signs (381f.): Ch. 7; organisms which are capable of producing "inner signs for the simulation of external processes" (cf. 320–326: insightful behavior) (382f): Ch. 8; organisms which are capable of understanding this production as their own (self-consciousness) (383): Ch. 9. I will call this distinction the "internal differentiation thesis" (IDT). Secondly, Kappner must demonstrate that these three types of carriers are founded in one another. Over and above this, Kappner asserts that sign-intentionality is founded in something which he (with Arno Ros, 263, cf. 144) calls "quasi-intentionality" (Ch. 6). I will call this the "founding thesis" (FT). Obviously FT presupposes IDT, but not vice versa. Kappner claims to have successfully concluded such an ambitious naturalization program (342). Even when one [End Page 439] does not always agree with the partial solutions of Kappner, reading the book is definitely rewarding, as it shows in what a precisely differentiated manner one can reflect on a central problem of the "philosophy of mind" using Peirce's array of semiotic instruments.The reader is, naturally, astonished to hear the name Peirce in the context of a program for the naturalization of intentionality, for Peirce himself never used the concepts of "intention" and "intentionality" in the sense in which Brentano used them (47, 66), and himself clearly espoused an antifoundationalism and a methodological monism—but never a methodological naturalism; rather its opposite, namely a methodological idealism which can only conceive of physical properties as derived from psychic properties (synechism; 50–54). The reader is all the more eager to see how Kappner will prove his thesis to the effect that Peirce nevertheless has made a systematic contribution to the solution of the problem of intentionality under contemporary conditions. The decisive methodological step of Kappner (60) in Ch. 2 consists in declaring Peirce's metaphysics to be independent of his epistemic realism, which holds reality to be independent of the subject's mode of access to this reality. It is first at the end of the work that Kappner can precisely formulate what he means by Peircean naturalism: "For [Peirce], it is not primarily a question of how in (mere) thought relations to real things can be produced [as it is for Brentano and Husserl], but rather the opposite, namely how the progressive distancing of humans from the linguistic or mentally denoted object was and is possible [ellipsis]. In my opinion Peirce's approach can above all for this reason be characterized as 'naturalistic'" (376). This is plausible—of course, only under the assumption (not acknowledged as such by Kappner) that something like a "protodistancing" from the world can already be ascertained in the realm of quasi-intentionality. Nevertheless, Kappner employs two different concepts of "naturalistic": a naturalistic theory of intentionality means (1... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Intentionalität aus semiotischer Sicht. Peirceanische PerspektivenChristian StrubStefan Kappner Intentionalität aus semiotischer Sicht. Peirceanische Perspektiven. Berlin/New York: de Gruyter2004, ISBN 3–11-018288–2, 432 pp.1. Problem focusKappner intended only partially a Peirce-interpretation; he attempts to think further along with Peirce, and he succeeds as well. The first chapter serves as a sketch of the problem of intentionality from a historical perspective, starting from Brentano. Kappner formulates the problem correctly by stating (...) that from the contemporary standpoint on the one hand every sort of methodological mind—body dualism is obsolete, because the mainstream of research has adopted a methodological physicalism along with an anti-foundationalistic epistemology; yet on the other hand our common sense view of psychic and thus also of intentional phenomena, which is inclined towards just such a dualism, must be taken into consideration. The systematic task thus consists in describing the particular quality of psychic phenomena in such a manner that this description "is compatible with methodological naturalism" (47). Kappner's main concern is thus the attempt to anchor the intentionality of thoughts and of human consciousness in more primitive forms of intentionality which are already exhibited by non-psychic goal-oriented natural processes. The solution to this task must accomplish two things: firstly, Kappner must justify the distinction between three types of "carriers" of "intentionality": concrete objects which intentionally contain an object in themselves, i.e. signs (381f.): Ch. 7; organisms which are capable of producing "inner signs for the simulation of external processes" (cf. 320–326: insightful behavior) (382f): Ch. 8; organisms which are capable of understanding this production as their own (self-consciousness) (383): Ch. 9. I will call this distinction the "internal differentiation thesis" (IDT). Secondly, Kappner must demonstrate that these three types of carriers are founded in one another. Over and above this, Kappner asserts that sign-intentionality is founded in something which he (with Arno Ros, 263, cf. 144) calls "quasi-intentionality" (Ch. 6). I will call this the "founding thesis" (FT). Obviously FT presupposes IDT, but not vice versa. Kappner claims to have successfully concluded such an ambitious naturalization program (342). Even when one [End Page 439] does not always agree with the partial solutions of Kappner, reading the book is definitely rewarding, as it shows in what a precisely differentiated manner one can reflect on a central problem of the "philosophy of mind" using Peirce's array of semiotic instruments.The reader is, naturally, astonished to hear the name Peirce in the context of a program for the naturalization of intentionality, for Peirce himself never used the concepts of "intention" and "intentionality" in the sense in which Brentano used them (47, 66), and himself clearly espoused an antifoundationalism and a methodological monism—but never a methodological naturalism; rather its opposite, namely a methodological idealism which can only conceive of physical properties as derived from psychic properties (synechism; 50–54). The reader is all the more eager to see how Kappner will prove his thesis to the effect that Peirce nevertheless has made a systematic contribution to the solution of the problem of intentionality under contemporary conditions. The decisive methodological step of Kappner (60) in Ch. 2 consists in declaring Peirce's metaphysics to be independent of his epistemic realism, which holds reality to be independent of the subject's mode of access to this reality. It is first at the end of the work that Kappner can precisely formulate what he means by Peircean naturalism: "For [Peirce], it is not primarily a question of how in (mere) thought relations to real things can be produced [as it is for Brentano and Husserl], but rather the opposite, namely how the progressive distancing of humans from the linguistic or mentally denoted object was and is possible [ellipsis]. In my opinion Peirce's approach can above all for this reason be characterized as 'naturalistic'" (376). This is plausible—of course, only under the assumption (not acknowledged as such by Kappner) that something like a "protodistancing" from the world can already be ascertained in the realm of quasi-intentionality. Nevertheless, Kappner employs two different concepts of "naturalistic": a naturalistic theory of intentionality means (1... (shrink)

The Joint International Conference on Logic Programming, sponsored by the Association for Logic Programming, is a major forum for presentations of research, applications, and implementations in this important area of computer science. Logic programming is one of the most promising steps toward declarative programming and forms the theoretical basis of the programming language Prolog and its various extensions. Logic programming is also fundamental to work in artificial intelligence, where it has been used for nonmonotonic and commonsense reasoning, expert systems implementation, (...) deductive databases, and applications such as computer-aided manufacturing. Krzysztof R. Apt is project leader at the Centre for Mathematics and Computer Science in Amsterdam and part-time Professor in Computer Science at the University of Amsterdam. Topics covered: Theory Foundations. Programming Languages. Implementation. Programming Methodologies and Tools. Applications. Deductive Databases. Artificial Intelligence. Parallelism. (shrink)

The First International Workshop brings together researchers from the theoretical ends of the logic programming and artificial intelligence communities to discuss their mutual interests. Logic programming deals with the use of models of mathematical logic as a way of programming computers, where theoretical AI deals with abstract issues in modeling and representing human knowledge and beliefs. One common ground is nonmonotonic reasoning, a family of logics that includes room for the kinds of variations that can be found in human reasoning. (...) Topics covered: Stable Semantics. Default Logic. AutoEpistemic Logic. Truth Maintenance Systems. Implementation Issues. Diagnosis. Applications. Inheritance Reasoning. Logics of Belief. Inconsistency and Non-Monotonicity. (shrink)

Doctoral programs at U.S. universities play a critical role in the development of human resources both in the United States and abroad. This volume reports the results of an extensive study of U.S. research-doctorate programs in five broad fields: physical sciences and mathematics, engineering, social and behavioral sciences, biological sciences, and the humanities. Research-Doctorate Programs in the United States documents changes that have taken place in the size, structure, and quality of doctoral education since the widely used (...) 1982 editions. This update provides selected information on nearly 4,000 doctoral programs in 41 subdisciplines at 274 doctorate-granting institutions. This volume also reports the results of the National Survey of Graduate Faculty, which polled a sample of faculty for their views on the scholarly quality of program faculty and the effectiveness of doctoral programs in preparing research scholars/scientists. This much-anticipated update of such an essential reference will be useful to education administrators, university faculty, and students seeking authoritative information on doctoral programs. (shrink)

In Minker and Rajasekar (J Log Program 9(1):45–74, 1990), Minker proposed a semantics for negation-free disjunctive logic programs that offers a natural generalisation of the fixed point semantics for definite logic programs. We show that this semantics can be further generalised for disjunctive logic programs with classical negation, in a constructive modal-theoretic framework where rules are built from _claims_ and _hypotheses_, namely, formulas of the form \(\Box \varphi \) and \(\Diamond \Box \varphi \) where \(\varphi \) is (...) a literal, respectively, yielding a “base semantics” for general disjunctive logic programs. Model-theoretically, this base semantics is expressed in terms of a classical notion of logical consequence. It has a complete proof procedure based on a general form of the cut rule. Usually, alternative semantics of logic programs amount to a particular interpretation of nonclassical negation as “failure to derive.” The counterpart in our framework is to complement the original program with a set of hypotheses required to satisfy specific conditions, and apply the base semantics to the resulting set. We demonstrate the approach for the answer set semantics. The proposed framework is purely classical in mainly three ways. First, it uses classical negation as unique form of negation. Second, it advocates the computation of logical consequences rather than of particular models. Third, it makes no reference to a notion of preferred or minimal interpretation. (shrink)