La conviction des auteurs de cet ouvrage est que l'éthique catholique peut apporter une contribution pertinente à la réflexion bioéthique dans une société pluraliste et à des décideurs responsables qui respectent la dignité inaliénable de tout être humain confronté à la maladie, à la souffrance et à la mort. L'objectif principal de ce livre précis, concret et documenté (références multiples aux Ecritures et au Magistère) est pédagogique. Il est donc accessible à tous ceux qui s'interrogent sur les pratiques médicales ou (...) biomédicales alimentant le débat actuel et qui recherchent un éclairage chrétien. Tout lecteur pourra se sentir interpellé par l'option suivie par les auteurs en faveur d'une éthique de l'hospitalité qui préside aux pratiques et aux enjeux de la médecine. Un guide unique et essentiel qui s'inspire de la morale de gradualité prônée par le pape François pour promouvoir la miséricorde. (shrink)

The goal of this paper is to give an account of the pragmatic and social function of slurs, taken as speech acts. I develop a theory of the distinctive illocutionary force and pragmatic structure of slurs. I argue that slurs help to produce subjects who occupy social identities carved out by pernicious ideologies, and that they do this whether or not anyone involved intends for the slur to work that way or has any particular feelings or conscious thoughts associated with (...) using or being targeted by the slur. I offer an Althusser‐inspired account of what an ideology is, as well as of the mechanisms by which slurs can serve to cue and strengthen ideologies. A slur, I argue, is a kind of interpellation, which reduces its target to a generic identity and derogates and subordinates its target. I explore how slurs and ideologies work in tandem to constitute and fortify one another. I end by applying my account to see how well it fits and helps illuminate three quite different, especially complex slurs. (shrink)

The author traces the ways in which various patients and collective associations of patients come to regard themselves as the users of future stem cell technologies. The author uses Althusser’s notion of interpellation, whereby an identity is the result of the situated encounter of a subject and an authority, to analyze the ways in which patient associations’ current involvement with basic research is related to the enactment of science as a series of technology development projects. The author argues that this (...) ‘‘project-ness’’ forms a certain privileged logic that interpellates patients and their associations in specific ways. Through the listings of illnesses circulated in the mass media, which are hoped to be treatable or curable with stem cell therapies, patients come to recognize themselves as the projected users of stem cell technologies. The author fleshes out the process of this userfication and the various responses made by patients and their associations when hailed by the entrepreneurial projects of stem cell research. (shrink)

Drawing on ethnographic research with two Orthodox Jewish outreach organizations, this article conceptualizes interpellative styles and offers a framework to analyze how styles are variously situated, mediated, performed, and disruptive. I mobilize a micro-interactional approach to parse out how these four dimensions shape ideological recruitment and their roles in the choreographies of identity disruptions and repairs. The two case studies illuminate why and how groups deploy different interpellative styles and what elements shape whether styles are effective. In these (...) ways, the article contributes to scholarship on how people become persuaded to take on new identities and provides insight into the resistance and failures groups encounter when attempting to interpellate others. I conclude with a discussion of how a theory of interpellative styles can be applied more broadly and used to investigate the overlap between cultural, physiological, and psychological processes in identity formation and alteration. (shrink)

This article examines the points of similarity and the differences between the Patočkian concept of interpellation and Merleau-Ponty’s concept of chiasmus. These two modes of relating-to-being through language and body, perception and space share the same character of reversibility and openness to the other. However, the “co-respondance” between the subject and the world is not approached by the two phenomenological philosophers from the same perspective. Being-questioned is the inter-psychical event specific to one’s experience of others and of the world; the (...) chiasmatic structure is the bedrock of the ontological relationship and the intercorporeity of beings. Close, but distinct one from the other, interpellation and chiasm partially reveal the common preoccupations of two philosophers whose dialogue History never allowed to occur. (shrink)

By conceiving interpellation as a general mechanism for the social constitution of human subjects, authors such as Judith Butler, Ernesto Laclau and Slavoj Žižek have emancipated interpellation from its conservative roots as an ideological dispositif. I examine this conceptual shift through the work of Ernesto Laclau, who, using interpellation as a model for the Gramscian process of articulation, shifts it from the conservative to the radical side of the political ledger. But, we will see, Laclau’s theory runs into various difficulties. (...) I get around these by suggesting a generalization of the concept of interpellation that realizes Althusser’s seminal project of combining his own anti-humanist reading of Marx with Lacan’s “return to Freud.”. (shrink)

Responding to the polemic critiques of Quentin Tarantino’s 2012 film, Django Unchained, this essay uses Lacanian and Žižekian discussions of the gaze in order to understand what the film communicates about the racist ideology of American slavery. Tarantino’s film is at once more nuanced than most Hollywood films about the period and also more clearly problematic. Unlike other recent films about slavery in the United States, such as the recent Lincoln, in Django Unchained, every character other than a German bounty (...) hunter, Dr. King Schultz, is interpellated in the racist ideology that supports the institution of slavery; and the characters of the film, black and white alike, go to great lengths to preserve the ideology that rests on the subjugation of all black Americans. Tarantino’s rendition of this interpellation is made still more enjoyable as his main characters, Schultz, and the slave-turned-bounty-hunter, Django, embody two manifestations of the gaze, the screen and the stain or spot. However, because the Lacanian letter insists on arriving at the end of the film, the conclusion to Django Unchained also appears to suggest that the film’s villain, though physically defeated, was correct in his pronouncement that 9,999 out of 10,000 black people are biologically servile. (shrink)

In this project, I combine theoretical resources from metaethics and philosophy of language with contemporary issues in critical philosophy of race. Drawing from these literatures, I examine the nature of racial norms by developing a non-ideal, situated, and intersectional approach to second-personhood. Second-personhood, as I propose in the first half of the dissertation, serves two explanatory functions with respect to the nature of racial norms. First, second-personhood highlights how manifestations of moral and political agency are embedded in interdependent forms of (...) I-you and we-you relationships. Second, with respect to language, second-personhood provides an account of how speech acts, when understood as a subset of embodied action, come to bear normative force. These features of second-personhood then undergird the three distinct sites of analysis that I examine in the latter half of the dissertation. There, I propose that we can examine collective, interpersonal, and personal levels of racial discourse to see the functioning of racial norms through second-personhood. (shrink)

Cet article a pour objectif d’exposer les potentialités d’adaptation de la théorie de l’interpellation d’Althusser à un cadre phénoménologique, et ce à l’aide de ses récupérations par Judith Butler et Sara Ahmed. Non seulement leurs écrits aident à pallier plusieurs critiques émises à l’égard de la théorie althussérienne de l’idéologie – notamment son déterminisme latent et son universalisation du sujet –, mais ils nous aident aussi à mieux comprendre comment l’idéologie fonctionne au niveau du corps marginalisé. En effet, l’idéologie agit (...) comme une orientation discursive et corporelle du sujet dans le monde, et ce en limitant son espace, sa temporalité et les objets lui étant accessibles. En liant interpellation et corps, il nous sera également possible de pousser la théorie de l’émancipation butlérienne vers une performativité corporelle ayant pour objet le corps vécu. À cet effet, nous soulignerons que les écrits d’Ahmed sur l’interpellation bonifient ceux de Butler, car ils ouvrent la porte vers une résistance à l’idéologie ancrée dans le corps via le concept de désorientation. Bien que la désorientation puisse servir de mécanisme d’assujettissement, elle peut également, selon certaines phénoménologues, créer de nouvelles voies d’émancipation (et possibilités) pour le sujet marginalisé. (shrink)

Ce travail explore la possibilité d’articuler les notions de « multitude », « pouvoir constituant » et « interpellation plébéienne » dans une structure conceptuelle commune laquelle, sans chercher à gommer leurs différences, soit capable de mieux saisir les changements à l’ordre institué provoqués par les mobilisations que plusieurs pays de l’Amérique latine connaissent depuis quelques années.

If neoliberalism names a mode of « governance by debt », the task which is addressed here, starting from Althusser’s article on Ideology and State Ideological Apparatuses is that of the formation of « subjects » within the framework of a social structure where paramount importance is given to « liberty ». The mobile hypothesis adopted here involves the reformulation of the question of subjectivity in terms not only of the interpellation of the subject by the policeman, as in the (...) Althusserian scenario, but also in terms of its interpellation through advertising. Without postulating a suppression or replacement of the earlier apparatus, the challenge addressed here is to try to envisage how State coercion is redoubled by Market conditioning. If the “classical” mode of interpellation couples the Forbidden to the logic of guilt, what is to be examined in the case of this new apparatus is the coupling of hedonistic permissiveness and victimization, to ensure that that consumers, all by themselves, will walk to credit. In considering these issues, we shall draw upon two contemporary readers of Althusser’s text, Slavoj Žižek et Judith Butler. (shrink)

This essay starts from the theory of disputes and progresses towards a theory of ‘interpellation’, which it aims to outline. The starting point is given by Lyotard's differend, which provides a first contrast between dispute and quarrel. Dispute can be seen as the more irenic pole of a system where quarrel would be identified as clearly agonistic. The essay first revisits the differend in the light of Habermas's theory, which posits that discussions take place against the background of a lifeworld. (...) This enables ways of conceptualizing both dispute, as emerging from the possibilities offered by language games, and quarrel, which belongs to the world of incomprehension. This first model is subjected to the test of Lewis Carroll's ‘Alice in Wonderland’ books, where dissensus is transformed into consensus, where a quarrel may end up in a dispute which respects conventions. But the crucial point of the essay is to provide a philosophy of language which enables the conceptualization of quarrels. The essay revisits the conceptions put forward in The Violence of Language and A Marxist Philosophy of Language but then carries the analysis into new territory. Finding inspiration in Althusser's theory of interpellation and in Judith Butler's reading of Althusser, the essay shows that quarrels enact both interpellation and counter-interpellation, and views further quarrels as one of the characteristics of human language. (shrink)

During his campaign for president in 2016, Donald Trump repeatedly instructed his supporters and event security to remove protesters from his rallies, most often, by issuing a directive to “get them out”. These occasions, far from being a distraction from the political process, emerged as potent rituals of participation and the activity of removing protestors became a tool of interactional messaging. Specifically, activities of ejecting protestors were semiotically and discursively elaborated so as to cast them as the virtual realizations of (...) a larger political project of “making America great again.” Various aspects of this include the way these events came to signify about Trump’s persona and the brand of leadership he promised, about immigration reform and border control, about the possibilities for political participation and about a more diffuse struggle against the supposed tyranny of political correctness. Moreover, supporters who responded to the the instruction by attempting to remove protestors were interpellated by it as agents in the local scene of action and were thereby written into the larger populist narrative that Trump articulated. (shrink)

This article provides a critical rereading of Andrea Dworkin’s infamous text Intercourse. I use Judith Butler’s post-structural theory to contest the common view that Dworkin forwards an immutable position on heterosexual intercourse. Instead, I argue that she identifies a particularly pernicious discourse used to represent vaginal penetration – the discourse of intercourse-as-violation. This discourse is important for feminists to consider because the codification of sex acts affects the codification of gendered social actors. The article continues to explore how Dworkin’s text (...) positions readers as gendered subjects in order to better understand why her work is seldom given careful contemplation. When read as positing an essentialist position on heterosex, heterosexed male readers are brought into social being as perpetrators of sexual violation while female readers are positioned as morally superior victims. This distasteful position is quickly rejected as readers form affective attachments to her work based in disindentification. (shrink)

This article is concerned with some of the ramifications of the affective dimension of Fanon’s writing. In their latest book, Commonwealth, Michael Hardt and Antonio Negri take Fanon’s attempt to transcend European universality through the struggle for a ‘new universality’ as an exemplary schema that informs their politics of alter-modernity. In the article, I show that the affective dimension of Fanon’s search for a new universality is far more anti- than alter-European, albeit in an ambivalent way. I analyse how this (...) difference between an affective ‘anti’ and an intellectual ‘alter’ arises in Fanon’s analysis and experience of racism. I refer to this particular experience as mis-interpellation and analyse the equally particular affect it generates. More generally, I show that if one is to make use of Fanon’s work today one cannot separate the intellectual and the affective that are so intertwined in his analytical work as Hardt and Negri do. To do so is to abstract from the serious political ramifications that the presence of this affective dimension entails. (shrink)

This article treats ambiguous heterosexual experiences—not quite rape, but not quite “just sex” either—as a form of domination, distinct from both coercion and productive power. It argues that if we wish to make sense of the power dynamics involved in these experiences, it may be useful to view the domination that takes place as a kind of interpellation, understood in the Althusserian sense as a mutually constitutive dynamic in which ideologies create “good subjects,” and subjects reproduce ideology. Considering heterosexual domination (...) as a form of Althusserian interpellation enables us to see the power in question as an embodied, intersubjective relation that demands the complicity of dominated persons, with lasting effects on their subjectivity. This approach avoids positing the dominated as helpless victims or passive objects, while bearing witness to and shedding light on their experiences. (shrink)

Enracinée dans la prière, fondée sur la Bible seule, centrée sur le Christ, et insistant sur la lutte contre le Malin, sur l'engagement éthique et sur la proximité du Royaume de Dieu, la théologie de Martin Luther, soutenue par le courage et l'humour d'un écrivain hors du commun, rencontre maintes préoccupations théologiques actuelles ; mais elle interpelle aussi des théologies souvent embarrassées par le sola scriptura et le solus Christus, promptes à faire de l'homme une victime et limitant l'eschatologie à (...) l'avènement du Christ dans l'intériorité du croyant. De la théologie contemporaine, elle peut apprendre que toute exégèse est située, que l'assertion n'est pas le seul registre du discours théologique, que le dialogue religieux ne se réduit pas à l'anathème et que l'action de Dieu dans l'histoire n'est pas univoque. Martin Luther's theology is rooted in prayer, founded only on the Bible, and centred on Christ ; it lays stress on the struggle against the Devil, on moral commitment, and on the proximity of God's Kingdom ; it is kept up by the courage and humour of an extraordinary writer. As such, it meets with many modern theological preoccupations, but it also challenges theologies that are often embarrassed by the sola scriptura and the solus Christus, theologies that are ready to victimize man and limit eschatology to the coming of Christ into the believer's inner self. From contemporaneous theology it can learn that each exegesis has its context, that doing theology does not only consist of uttering statements, that the religious dialogue does not confine itself to the anathema, and that God's acts in history are not univocal. (shrink)

“What does ‘interpellation’ actually mean?” asks Warren Montag. Returning to the foundational concept of Althusser’s writings, Montag highlights its difficulty and importance. Examining what appears to be a settled matter, Montag argues for a renewed interest in the violence underpinning the concept: “there is nothing illusory about the means of subjection,” he writes.

I propose a reconsideration of the role that ‘interpellations’ play in the dynamic process of identity construction. ‘Interpellation’ is a quasi-technical term introduced by Louis Althusser (1969) that I reinterpret using the lens of contemporary social ontology. I therefore look at it as an identity proposal that the individual can either accept, reject, negotiate, or outright ignore. In the original text, Althusser mentions the fact that the individual’s acceptance is the essential moment of an interpellation, but he does not elaborate (...) on the other options available to the individual. I believe it is important to analyze the individual’s options and the factors that may influence whether the individual’s freedom of choice is fully exercised in such contexts. I further discuss the human vulnerabilities that cause ‘interpellations’ to be adopted without much reflection, even in the absence of a repressive system that would try to enforce a mainstream ideology. (shrink)

This paper elaborates a theory of ‘unbecoming’ to explore how a queering of the subject might transform oppressive social conditions. In this analysis of the subject’s deconstructive relation to the law I take up the interpellation scenario forwarded by Louis Althusser and Judith Butler’s theory of performativity to argue that being ‘unbecoming’ potentially not only alters subjectivity, it also alters the very law that hails the subject into being. First, I deconstruct both subject and law in their relation to each (...) other as performatives, for it is at this threshold of undecidability that the possibilities for political transformation emerge. Second, I demonstrate the creative and transformative political force of queer performativity to show that our agency as political beings lies not merely in affirmative representations of identity. Political agency also emerges in the creative force of a becoming that is also an unbecoming, where in and through our abjection from the social order we critique and transform it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:When an Arab Laughs in Toledo: Cervantes’s Interpellation of Early Modern Spanish OrientalismE. C. Graf (bio)My purpose has been to place in the plaza of our republic a game table which everyone can approach to entertain themselves without fear of being harmed by the rods; by which I mean without harm to spirit or body, because honest and agreeable exercises are always more likely to do good than harm.—Miguel (...) de Cervantes Saavedra, Prologue to Novelas ejemplares [my translation]We are engaged in a technical enterprise at the species scale.—Jacques Lacan, “L’agressivité en psychanalyse” [my translation]While I was all intent on watching him, he looked at me, and with his hands he spread his chest and said: “See how I split myself!”!—Dante Alighieri, Inferno 28.28–30 Click for larger view View full resolutionFigure 1.Sandro Botticelli, The Virgin and Child (c. 1490). Courtesy of the Fogg Art Museum, Harvard University; ©1999 President and Fellows of Harvard College. Click for larger view View full resolutionFigure 2.Salvador Dalí, Dream Caused by the Flight of a Bee around a Pomegranate One Second Before Awakening (1941). Courtesy of Museo Thyssen-Bornemisza, Madrid; ©1999 Artists' Rights Society (ARS), New York.For much of this century, Hispanists have labored in an effort to elevate Miguel de Cervantes Saavedra’s El ingenioso hidalgo don Quijote de la Mancha (1605, 1615) to the coveted status of the “first modern novel.” Today this kind of criticism may strike our postmodern sensibilities as a rather traditional enterprise, the kind more interested in establishing an elite hierarchy of literary tastes than in saying anything new about an author or text. For many, the study of literature is still an aesthetic beauty pageant in which “great books” like Laurence Sterne’s Tristram Shandy (1767) or Marie de la Vergne de La Fayette’s La princesse de Clèves (1678) are paraded across the stage in a contest to seduce the Western intelligentsia. 1 The postmodern student of literature may not have much concern for this age-old territorial contest, but she might be interested to learn that the fallout from Hispanism’s quest for the “first modern novel” has involved so much attention to, indeed complication of, Don Quixote, that the book now resembles more a postmodern text than an early modern one. At the turn of the century, we have been left with what Jorge Luis Borges would recognize as an “aleph”: an infinite ideological labyrinth that reflects and/or cannibalizes all forms, thereby escaping all attempts [End Page 68] to describe it. 2 Whatever we currently mean by “Cervantes” (an author, a collection of texts, an ideological construction, and so forth) carries with it an impressive range of critical responses. Cervantes has been labeled converso (Castro, Canavaggio), Christian humanist (Castro, Bataillon, Forcione, Herrero, Vilanova), disillusioned secularist (Lukács, Cascardi), precapitalist (Johnson), anti-essentialist (Wilson), anti-Eusebian (Presberg), Menippean (Bakhtin), feminist (El Saffar, Rabin, Cruz), sadist (Nabokov), ethnocentric imperialist (Mariscal), medieval (Gorfkle), homophobic (Martín), non-organicist Aristotelian (Read), and either discursively or actually homosexual (Combet, Rossi, Smith, Arrabal). This list is nowhere near complete, but the reader will grasp the robust effects of the plurality of perspectives on Cervantes.Each of these interpretations is valid to varying degrees within various contexts, but at present I am interested in reading Cervantes as the author of a multicultural manifesto on behalf of the Moriscos of Southern Spain. 3 Within the contexts of French Marxist philosopher Louis Althusser and Palestinian postcolonial literary critic Edward Said, materialist, postcolonial, and multicultural critiques of various forms of power and their ideologies can be seen as the fundamental propositions of Cervantes’s Don Quixote. 4 Cervantes’s ultimate orientation may perhaps be inescapably Eurocentric, but his responses to the European experience of the rise and expansion of an ethnocentric militaristic nation state are relatively centrifugal when compared to the attitudes of many of his contemporaries.In surveying some of the antihegemonic details of Cervantes’s novel, I am also interested in dispelling the popular myth of Don Quixote. Especially in the English-speaking world, and particularly in the United States, Don Quixote remains captive to a... (shrink)

This paper takes up Avtar Brah's (1999) invitation to write back to the issues she raises in her mapping of the production of gendered, classed and racialised subjectivities in west London. It addresses two topics that, together, illuminate racialised and gendered interpellation and psychosocial processes. The paper is divided into two main sections. The first draws on empirical research on the transition to motherhood conducted in east London to consider one mother's experience of giving birth in the local maternity hospital. (...) The maternity ward constituted a site where racialised difference became salient, leading her to construct her maternal identity by asserting her difference from Bangladeshi mothers and so self-racialising, as well as ‘othering’ Bangladeshi mothers. The paper analyses the ways in which her biography may help to explain why her experience of the maternity hospital interpellates her into racialised positioning. The second section focuses on media responses to the riots in various English cities in August 2011. It examines the ways in which some media punditry racialised the riots and inclusion in the British postcolonial nation. The paper analyses three sets of commentaries and illuminates the ways in which they racialise the debate in essentialising ways, reproducing themes that were identified in the 1980s as ‘new racism’ and apportioning blame for the riots to ‘black gangster culture’. While these media pronouncements focus on racialisation, they are intersectional in implicitly also invoking gender and social class. The paper argues that the understanding of the mother's self-racialisation is deepened by a consideration of the racialised discourses that can be evoked (and are contested) in periods of social unrest. The paper thus draws on part of the methodology of ‘The Scent of Memory’ in layering media readings and biographical narratives to analyse the contemporary psychosocial space of racialisation. (shrink)

Judith Butler's theory of the constitution of subjectivity conceptualizes the subject as a performative materialization of its social environment. In her theory Butler utilizes Louis Althusser's notion of interpellation, and she critiques the constitutive paradoxes to which its tautological framing leads. Although there is no pre-existing subject, as it is constituted in the turn to the interpellative hail, Butler nonetheless theorizes a guilt and compulsion acting on an “individual” that compels his or her turn to answer the hail. There (...) is a price to pay for subjectivity in Butler's schema: the reprimand of the interpellative law that punishes at the same time as it constitutes. But a return to Althusser's text finds that he does not rely so much on coercion and guilt in his explanation of the subject's answer to the hail. Althusser can instead be read as suggesting that we are already an instantiation and enactment of power-ideology and, to paraphrase Michel Foucault, are already the principle of our own “subjection.” This contests the notion that we are in any way compelled to submit to an external, punitive force to become subjects. As subjects, we are always-already the embodiment of the field of society-power-ideology. (shrink)

이 글에서 나는 스피노자 『신학정치론』의 히브리 신정 분석이 알튀세르의 이데올로기론에 어떻게 활용되는지를 다룬다. 이는 단지 알튀세르의 이데올로기론의 원천이 스피노자임을 밝히기 위해서라기보다, 알튀세르가 이 사례를 부분적으로만 활용하면서 스피노자 분석의 핵심 중 하나를 누락시키기 때문이다. 나는 스피노자의 히브리 신정 분석이 알튀세르의 이데올로기적 국가장치 개념을 예증하는 탁월한 사례라는 것, 그러나 스피노자의 분석에서 호명은 개인보다는 대중에 대해, 그리고 대중의 감정을 통해 이루어지며, 마찬가지로 대중 감정의 메커니즘에 의해 작동을 멈출 수도 있다는 것을 보여준다. 이를 통해 알튀세르가 이 사례를 철저하게 활용했더라면 그의 이데올로기론에 가해지는 주된 비판인 (...) 기능론의 혐의에서 벗어날 수도 있었음을 주장하고자 한다. (shrink)

Cet article analyse des séquences de débat polémique tiré d’un talk-show télévisé et fortement conflictuelles. A partir de la notion d’interpellation, et en combinant des éléments provenant de la théorie de l’énonciation et la linguistique interactionnelle, l’article montrera que le dispositif interpellatif mis en place conduit inévitablement au « clash ». En effet l’interpellativité qui est au cœur du dispositif est en prise directe avec le fait que les participants ont recours à des modes d’adresse qui accentuent la virulence des (...) échanges, interrompant leur interlocuteur et allant même jusqu’à l’insulter. La raison d’être de ce dispositif relève d’une volonté non pas d’informer mais de divertir le public en lui livrant le spectacle d’un affrontement et en faisant davantage appel à ses émotions qu’à sa raison. (shrink)

Analyses of Kafka’s The Trial often read the text as an existentialist work, arguing that the novel metaphorizes the absurdity of a modern world where God no longer exists. However, I agree with Slavoj Žižek, who posits that such a modernist reading ignores what is most vital in Kafka’s text—that the absence of God is “always already filled by an inert, obscene, revolting presence”. I argue that this “revolting presence” for Josef K is the presence of the Court; The Trial (...) describes the subject within a society organized by the symbolic order, the big Other, the symbolic network of rules regulating our lives and structuring our reality. For this reason, I read The Trial as pointing the way toward critical postmodernism. But a strictly postmodernist reading of The Trial cannot work without the Lacanian intervention of the split subject. Readings of The Trial based solely on the framework of Foucault’s power/knowledge theory, without a consideration of Lacanian subject formation, are incomplete. Foucault posits that individuals only become subjects via discourse, becoming subjects either through interpellation or via relationship to power. This begs the question, how does an individual become the desiring subject? How does a defendant such as Josef K. come to accept the power of the Court? I answer these questions by applying a necessary psychoanalytic intervention to Foucauldian readings of The Trial, interpreting the text as the narration of Josef K.’s unconscious experience as a split subject in relation to the big Other. (shrink)

Postcolonial discourse is incredibly diverse and postcolonial art in Australia has numerous critical modes. This paper describes an approach in Contemporary Indigenous art that attempts a critique of the law from within the law rather than outside of it. It takes a radical form of over-proximity, rather than avant-garde distance, and finds the gap and failure in law’s attempt at creating legal subjects of us all. In the work of Gordon Bennett, Danie Mellor and the duo Adam Geczy and Adam (...) Hill, there is a working through the political and legal ramifications of the Indigenous subject in contemporary Australia. The focus on processes of initiation and subjectivization, or what Althusser called “interpellation” and show the effects of this interpellation in the Indigenous subject and offer modes of resistance. The artists are informed by Lacanian notions of subjectivization and utilise this approach to semiotics and power as the starting point for their critique. (shrink)

James Martel’s The Misinterpellated Subject attempts to productively expand upon Althusser’s theory of interpellation through the development of a concept Martel calls “misinterpellation.” Martel puts this concept to use to develop a critical mode of reading as part of an explicitly political project, which Martel links with anarchism. The book is lofty in its ambitions, but the most interesting aspects of Martel’s book are buried beneath less compelling passages of literary criticism.

Critique and subjectivation. Foucault and Butler on the subject In her paper “What is Critique ? An Essay on Foucault’s Virtue”, Judith Butler reads Foucault’s “What is Critique ?” According to Foucault, critique is a practice of desubjugation of the subject, which would provide for it a certain form of autonomy. But what kind of autonomy is really possible for the subject, when Foucault rejects the notion of the sovereign subject ? Butler’s reading wants to solve that difficulty in Foucault’s (...) position with the notions of virtue and of speech acts. But Foucault tends more to consider the courage of the truth as a critical mode of philosophical intervention in politics, and he thinks of it as a virtue or as an êthos. Butler’s conception of the subject refuses the whole notion of an originary freedom and she prefers to think an agency which would take place in the context of the subjectivation itself, where being produced as a subject is originally being subjected to different modes of interpellation by the norms. In reading Althusser’s conception of ideology with Foucault’s desubjugation, she considers the critique as the critique of norms of recognition and the subject as vulnerable. (shrink)

Judith Butler has built her theory of interpellation through critical engagement with the work of Louis Althusser. For Butler, interpellation explains how the subject emerges in and through language, and her critique of Althusser is meant to open up psychic and discursive space for resisting status quo interpellations and the dominant ideology. In this essay, I argue that Butler’s account of interpellation suffers from two problems: first, she misreads Althusser; second (and more importantly), her account is isolating and politically demotivating. (...) I then show that rereading Althusser provides us both with a criticism (albeit avant la lettre) of Butler’s position, and a new account of the resources at our disposal for resisting (and even opposing) the dominant ideology. (shrink)

This article aims at presenting the concept of “phantasmagorical interpellation”. This theoretical effort is inspired by Walter Benjamin’s concept of “phantasmagoria” and Louis Althusser’s concept of “ideological interpellation”. The proposal is to ally their respective philosophical work-in-progress in their “anthropological” and “aleatory” materialisms in order to provide a socio-political analysis of today’s capitalist aesthetics as displayed in postmodern architecture or the design of everyday life. The aim is also to open new perspectives of resistance to the normativity of the consumer (...) imaginary using a critical interpretation of cultural creations which, following the inspiration of both authors, could reveal a new subject history capable of burst onto the scene of history. (shrink)