Abstract

James Martel’s The Misinterpellated Subject attempts to productively expand upon Althusser’s theory of interpellation through the development of a concept Martel calls “misinterpellation.” Martel puts this concept to use to develop a critical mode of reading as part of an explicitly political project, which Martel links with anarchism. The book is lofty in its ambitions, but the most interesting aspects of Martel’s book are buried beneath less compelling passages of literary criticism.