The Post-Modern Reader edited by Charles Jencks An Anthology of a World Movement Post-Modernism has been debated, attacked, and defended for a generation, but only in the last few years has it come into focus as a coherent way of thought embracing all areas of culture. This is the first anthology that presents the synthesising trend in all its diversity, a convergence in architecture and literature, film and cultural theory, sociology, feminism and theology, science and economics. It (...) is however, a synthesis with a difference; it is one which stresses a contested pluralism, the ‘dialogic' that underlies the growth of sciences as well as the development of other art forms such as the novel. Some of the key historical texts are reprinted in part - those of Daniel Bell on the post-industrial society and Jean-François Lyotard on the post-modern condition. The new cultural logic of contested pluralism is analysed in seminal papers by Andreas Huyssen and Jim Collins. The fundamental ideas on post-modern literature are defined by Umberto Eco, John Barth and David Lodge and the theories they present challenge the notion of post-modernism as an ultra avant-garde movement and the expression of a consumer society. New Cultural Theory Late Modernism Literature, Art, Architecture and Film Sociology, Politics and Geography Feminism Science and Religion Tito Arecchi, John Barth, Jean Baudrillard, Daniel Bell, Charles Birch, David Bohm, Jim Collins, Norman K Denzin, Umberto Eco, Edward Goldsmith, David Ray Griffin, Jürgen Habermas, David Harvey, Ihab Hassan, Linda Hutcheon, Andreas Huyssen, Charles Jencks, Heinrich Klotz, Hans Küng, David Lodge, Jean-François Lyotard, Robin Murray, Craig Owens, Paolo Portoghesi, Margaret Rose, Susan Rubin Suleiman, Edward W Soja. (shrink)

As a grand narrative of progress, the utopian project of modernity is primarily concerned with notions of rationalism, universalism, and the development of a metalanguage. The triumph of the Moderate Enlightenment has seen logics of domination, accumulation and individualism incorporated into the project of modernity, with these logics giving rise to globalised capitalism as the metalanguage of modernity and neoliberal economics as the grand narrative of rational progress. The project of modernity is all but complete, requiring only the formality of (...) an end. However, rather than utopia, the foreseeable endpoint of modernity is environmental collapse, with neoliberal economics also serving as a grand narrative of environmental destruction. As an anti-modern response, postmodernism has been a triumphant failure. While there is much to be gained from the postmodern critique of modernity, its incredulity towards metanarratives has left it incapable of forming an adequate response to modernity, especially in regards to action on climate change. Postmodernism is better characterized as a crisis located within modernity itself and it will be argued that rather than the pursuit of the modern or the post-modern, we need to re-imagine ourselves as proto- historical to overcome the impasse of late-capitalism. (shrink)

I want to do a couple of things in this essay. First, I want to articulate the central direction that postmodern thinking or philosophy takes. Second, I want to present a brief sketch of African philosophy, focusing mostly on some aspects of African ethics. Third, I want to gesture towards the view that while postmodern thinking seems to suggest that African philosophy is a legitimate narrative or “language game” it could be argued that given its central ideas and doctrines African (...) philosophy may be open to some of the worries facing modern thinking. (shrink)

Towards Post-Modern Trade Relations? A Review of Dennis Patterson and Ari Afilalo, The New Global Trading Order: The Evolving State and the Future of Trade.

This essay connects Benedict Anderson’s analysis of print capitalism as the enabling feature of modernity for the emergence of nationalism with an account of pre-modern sacral imaginings. It argues, following Bronislaw Szerszynski, that the contemporary post-modern ordering of the sacred vis-à-vis nature and culture designates a ‘partial-return’ to pre-modern imaginings and a reterritorialisation of religions which engenders emerging multiplicities and co-existing differences. It argues furthermore that the nation state, an institution of modernity cannot adequately respond to (...) the antagonisms generated by the post-modern ordering of human communities and their identities. However, though this new ordering may be conceived, following Robert Bellah, as neo-archaic, it may also be conceived as neo-medieval. Accordingly, this essay proposes that the most congenial configuration to the post-modern ordering is the neo-medieval model of fuzzy borders and overlapping jurisdiction, particularly as it pertains to Albanian national identity and EU integration as a post-secular alternative to secular national-determination on the one hand, and neo-Ottomanist theocracy on the other. (shrink)

This paper gives a short description of basic features of the dominating mindset in the Western world between the 1970s and today, often called “post-modern”, through a re-reading of John Ashbery’s poem “Self-Portrait in a Convex Mirror” . In doing so, it applies the viewpoint of an interdisciplinary history of ideas. Since collective mindsets have become the most important contextual political factors, the implications are multiple.

This book offers an historical and critical guide to the concepts of the post-modern and the post-industrial. It brings admirable clarity and thoroughness to a discussion of the many different uses made of the term post-modern across a number of different disciplines (including literature, architecture, art history, philosophy, anthropology and geography). It also analyses the concept of the post-industrial society to which the concept of the post-modern has often been related. Dr Rose (...) discusses the work of many theorists in the area, including Hassan, Lyotard, Jameson and the architectural historian Charles Jencks, and also looks at analyses and uses of the concepts of the post-modern and post-industrial by Frampton, Portoghesi, Peter Fuller and others. (shrink)

This thesis is to make sure the art's political possibility especially in the age of the technological reproduction. Since Benjamin declared the death of the 'aura' in the modern art, the concept of the art has been criticized and changed, that of the simulacre which Plato had blamed in his 'republics' newly appeared passing through the post-modern application of Baudrillard. But the simulacre is not negative any more here, even though it was the side effect of the (...) mimesis(the poetic process, so long as it is not oblivious that simulacre is just the fake reality as Plato and Baudrillard said, it was different from the real. The artwork could not be free from the destiny of the dream, for it is available after awakening out of it. In the post-modernism the distinction between the dream and the real disappeared, which could be linked to understanding the fetishism of the technological reproduction widely spreading among the highly industrialized people. The semiology of Saussure could be borrowed to make people isolated of it awakened to the revolutionary subject. That is to say, if the simulacre is like the dreaming, to draw the social revolutionary possibility of it, they need to overcome these fetishism, that is, the learning that this dream is not the reality, and after that they can leap as another subject perceiving the power of that dream. According Freud, the dream is based on the unconscious process of the empty signs. And the teaching of 'the signs of the equivalent differences' in Saussure makes us free from the essentialism of the word(a sort of the fetishism), know that we are so much as the sign or the citizen empty in it, and so get to know that we need another signs, or neighbors even though, and for they are empty, too. The revolutionary subject is not based on the great individual subject but the empty(lost) 'us' that so need to associate each other. And the post-modern art, popular mass art can help us being social subjects. That is what Benjamin had dreamed in post-aura art through 'the artworks in the age of the technological reproduction'. (shrink)

Presents an extensive historical, analytical and descriptive survey of the major Post-modern designers and their works. Features a wide range of designer objects including furniture, ceramics, metalware, lighting, jewelry, fabrics and carpets with illustrations of the best and most representative examples.

Os conceitos de modernidade e pós-modernidade têm sido usados em sentidos múltiplos a ponto de se terem generalizado confusões profundas que não raro enfermam de enorme igno­rância histórica e de uma grande falta de rigor analítico. O presente ensaio elabora uma breve arqueologia do termo “pós-moderno” e a partir dele procura identificar os elementos fundamen­tais da modernidade de modo a se poder estabelecer o que caracteriza afinal a pós-modernidade.

This essay argues that through a new and radical relationship with digital technologies that are oriented towards networking and automaticity, humans have become estranged from what philosopher Arnold Gehlen termed the ‘circle of action’ that expressed our ancient adaptation to tool use and constituted the basis for our capacity for reflective consciousness. The objectification of the material and analogue relationship that enabled humans to ‘act’ upon the world and to construct the basis for our collective endeavours, this paper shows, is (...) beginning to redirect the social orientation that tool use enabled, back to a form of individualism I term a ‘post-modern vanity’. Computer-driven automation on a networked and global scale is engendering a new illusion regarding our relationship with technology. Greek philosophy, later religion, and then the Enlightenment all saw our relation to technology as evidence of either our ‘specialness’ or our inherent ‘mastery over nature’. These perspectives resulted in our acquiring a ‘reasoned self-delusion’ wherein for the individual life had meaning and was ontologically tolerable—we thought ourselves to be of a realm beyond raw nature. Automation, however, to an unprecedented degree, objectifies and exteriorizes the processes of technology use, alienating the individual from the ‘circle of action’. This process is throwing us back to another form of what this essay terms a ‘reasoned self-delusion’ where we increasingly believe that we no longer need each other so much. The cult of computer efficiency and the virtual sphere of the network that it has spawned, I argue, is a largely barren sphere of radical individualism, a post-modern vanity, where we exist at a borderland closer to nature and to the animals than we have been for thousands of years. (shrink)

This essay is part of a special issue celebrating 50 years of Political Theory. The ambition of the editors was to mark this half century not with a retrospective but with a confabulation of futures. Contributors were asked: What will political theory look and sound like in the next century and beyond? What claims might political theorists or their descendants be making in ten, twenty-five, fifty, a hundred years’ time? How might they vindicate those claims in their future contexts? How (...) will the consistent concerns of political theorists evolve into the questions critical for people decades or centuries from now? What new problems will engage the political theorists (or their rough equivalents) of the future? What forms might those take? What follows is one of the many confabulations published in response to these queries. (shrink)

Hegel's Phenomenology of Spirit points the way to a new, post-modern form of normativity, and so self-consciousness. Its practical aspect is a magnanimous form of agency exercised by self-conscious individuals who thereby create a new kind of recognitive community structured by rationalizing recollection in the form of confession, forgiveness, and trust.

The paper asserts that the post-modern rejection of “modern” theoretical accounts including ethical-theoretical accounts as unacceptable meta-narratives would concur with an Aristotelian critique of contemporary ethical theories. Hence and Aristotelian critique will be similar to a post-modern critique. The paper sketches an account of what post-modernism in philosophy is and shows its similarity to Aristoteleanism in rejecting “modern” approaches in a significant way since an Aristotelian approach uses different criteria for what counts as (...) ethical knowledge. The paper suggests that if one follows the lead of Aristotle outlined in Book One Chapter Three of the Nichomachean Ethics applied ethics can be seen as similar to what Aristotle called “Rhetoric,” for in the Rhetoric Aristotle shows how one should engage in discourse about issues of the just and the good. The final section addresses the problem of how an Aristotelian approach can avoid the relativism of post-modernism. (shrink)

Résumé Cet article met en cause l’idée de John Gray selon laquelle la conception moderne de l’homme est commune à toutes les variantes de la tradition libérale. En raison notamment de son aspiration universaliste, et des notions de Raison neutre et de nature humaine qu’implique cette conception, il propose en revanche une version du libéralisme qui ne saurait être « classique », mais plutôt « post-moderne » ou « communautaire ». Il s’agit d’un libéralisme qui n’émet aucune réserve vis-à- (...) vis de la communauté en tant que telle et n’exige de celle-ci que le respect du droit des individus à faire leurs propres choix de façon autonome, morale et compréhensive. Dans ce sens on peut dire que le libéralisme post-moderne refuse les préjugés sociaux tout en restant fidèle à l’individualisme qui, en partant du social et du commun, arrive à ce qui est effectivement individuel. La question est de savoir revitaliser le sens et la signification de l’humanisme en tant que projet permettant aux êtres humains de construire leurs vies dans un milieu politique et social, en toute liberté mais dans un équilibre de justice et la solidarité. (shrink)

The present work- "MODERNITY AND POSTMODERNITY DEBATE" Related Issues and Challenges- is an outcome of reflections and deliberations over recent trends of Western philosophy. It is after contemplating seriously about the project of modernity, the attempt is made to arrange the debate between modernity and postmodernity having vital metaphysical epistemological and ethical implications. It not only discusses about ethics of globalization but also establishes the close nexus of globalization with terrorism and multiculturalism. The problematic issue of identity formation and clash (...) of identities is given fair treatment The effort is made to analyse critically Indian secularism and its future prospects. The suggestive and remedial approach towards environmental problem and issue of women empowerment has been properly worked out. The author has presented his work with conceptual clarity, lucid expression, systematic presentation and critical exposition of the subject matter. It is undoubtedly a valuable contribution which will evoke an enthusiastic response from the scholars and students of philosophy. -/- This book is Peer reviewed in Philosophical Papers (journal of the Department of Philosophy, University of North Bengal), Vol. XI, March 2015 by Prof. Debashis Guha, Department of Philosophy, University of Allahabad. (shrink)

This essay does not aim to investigate film-novel relationships per se, although the fact that the two genres now share certain generative procedures may be further evidence that fiction in print and on film lie to a great extent in a unified field not only of diegesis but also of structure. A diachronic or historical approach to the theory of fictional generators would show that, with the shifts which have occurred on present-day aesthetic thought, much of what once was considered (...) to be a static analysis of retrospective rules or established forms could now be regarded as the disguised beginning of generative theory. Aristotle's seemingly static doctrines of dramatic structure, involving such notions as peripeteia, discovery, or unity of action, to the extent that dramatists had consciously or unconsciously followed such doctrines, obviously served the production of their works, as well as their later analysis. In fact, any sort of artistic intentionality constitutes a kind of "generator," as does the deliberate adherence to outward forms as rhyme schemes, stanzas, cantos, or chapters. As we shall see, it is not always easy to distinguish between generative formulas and self-imposed forms or limits, such as the sonnet with its fourteen lines, its quatrains, and its tercets. Although the most advanced practitioners of generative theory, like Jean Ricardou, seem to view their work as a radical break with the past and the discovery of an entirely new domain of fiction, literary history would provide innumerable examples of precedents, from antiquity through the Grands Rhétoriqueurs, the Gongorists and Baroque poets, and many subsequent groups of writers down to and including the pre-modern and modern periods. Bruce Morrissette has published widely on French fiction of the classical period, Rimbaud and the Symbolist movement, the Nouveau Roman and Robbe-Grillet, and on contemporary film. He is the Sunny Distinguished Service Professor and Chairman of Romance Languages and Literatures at the University of Chicago. He translated Alain Robbe-Grillet's "ARTISTS ON ART: Order and Disorder in Film and Fiction" for the Autumn 1977 issue of Critical Inquiry. (shrink)

The prefix “post” in the terms “postmodern,” “postmodernism,” and “postmodernity” implies that in some way modernity has been relegated either to a historical past or a moral obsolescence. This supposed transition from modernity to postmodernity, however, is inherently ambiguous, because modernity's limits are by no means self-evident. Its finality, therefore, is by no means clear. This is due, not least, to the fact that the very meaning of modernity as either a historical epoch or a normative project is open (...) to question. Thus, the boundaries of modernity, which would have to be transcended by a distinctive postmodern period, are contested.…. (shrink)

I want to do a couple of things in this essay. First, I want to articulate the central direction that postmodern thinking or philosophy takes. Second, I want to present a brief sketch of African philosophy, focusing mostly on some aspects of African ethics. Third, I want togesture towards the view that while postmodern thinking seems to suggest that African philosophy is a legitimate narrative or “language game” it could beargued that given its central ideas and doctrines African philosophy may (...) be open to some of the worries facing modern thinking. (shrink)

These original essays offer new perspectives for science educators, curriculum theorists, and cultural critics on science education, French post-structural thought, and the science debates. Included in this book are chapters on the work of Bruno Latour, Michel Serres, and Jean Baudrillard, plus chapters on postmodern approaches to science education and critiques of modern scientific assumptions in curriculum development.

Jakob von Uexküll’s evolutionary views are described and analysed in the context of changes in semiotic and biological thinking at the end of Modern age. As different from the late Modernist biology, a general feature of Post-Modern interpretation of living systems is that an evolutionary explanation has rather secondary importance, it is not obligatory for an understanding of adaptation. Adaptation as correspondence to environment is a communicative, hence a semiotic phenomenon.

Jakob von Uexküll’s evolutionary views are described and analysed in the context of changes in semiotic and biological thinking at the end of Modern age. As different from the late Modernist biology, a general feature of Post-Modern interpretation of living systems is that an evolutionary explanation has rather secondary importance, it is not obligatory for an understanding of adaptation. Adaptation as correspondence to environment is a communicative, hence a semiotic phenomenon.