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The Post-modern reader

New York: St. Martin' Press (1992)

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  1. Postmodernism and Immune Selfhood.Alfred I. Tauber - 1995 - Science in Context 8 (4):579-607.
    The ArgumentTwo research traditions in immunology, supposedly centered on the same issue of immune identification, have followed different theoretical goals and originated form competing phillosophical foundations. these may be labelled modernist and postmodernist, respectively, thereby applying cultural and philosophical categories to immunology in order to articulate potential scientific resonances with the broader culture. To accept that exercise and important caveat is imposed, namely, this translation is most appropriately discussed at the level of metaphor. In other words, I will structure my (...)
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  • Time, modernity and time irreversibility.Elias José Palti - 1997 - Philosophy and Social Criticism 23 (5):27-62.
    As soon as 'modernity' was defined as a particular way of con ceiving of time, the questions of tempo rality came to be situated at the heart of the ongoing debate regarding the legitimacy or illegitimacy of the 'modern age'. This has, in turn, readily led to a no less passionate search for the assessment of modernity's foundations which are thought to rest in its typical sense of experiencing temporality. This polemic instance, however, involves polarized perspectives and the consequent risk, (...)
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  • Frederick Antal and the Marxist challenge to art history.Jim Berryman - 2022 - History of the Human Sciences 35 (2):55-76.
    First published in 1948, Frederick Antal’s Florentine Painting and Its Social Background was an important milestone in anglophone art history. Based on European examples, including Max Dvořák, it sought to understand art history’s relationship to social and intellectual history. When Antal, a Hungarian émigré, arrived in Britain in 1933, he encountered an inward-looking discipline preoccupied with formalism and connoisseurship; or, as he phrased it, art historians of ‘the older persuasion’ ignorant of ‘the fruitful achievements of modern historical research’. Despite its (...)
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  • Changing Cityscapes and the Process of Contemporary Gentrification: An examination of the transformation of Ringsend within the context of post-industrial growth in Dublin.Mary Benson - unknown
    The process of contemporary gentrification is a key feature of post-industrial growth and urban re-generation. A central concern of this research is to investigate the implications of the process of gentrification at the level of locality. This study approached this investigation by an examination of these processes within a particular inner city neighbourhood in Dublin called Ringsend. It is the understandings and experiences of contemporary processes that this research has aimed to capture. The aim of this research was to examine (...)
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