Disturbed by these acrimonious arguments, the authors - former colleagues and university-press board members - embarked on an ambitious project to reexamine a number of major literary and philosophical works dealing with the liberal arts and education. With their discussions ranging from Plato to Rousseau, from Cicero to Vico, from Erasmus to Matthew Arnold, Sousa and Weinsheimer offer not a history of education philosophy but an examination of the present.

This book offers the first full-length study of philosophical dialogue during the English Enlightenment. It explains why important philosophers - Shaftesbury, Mandeville, Berkeley and Hume - and innumerable minor translators, imitators and critics wrote in and about dialogue during the eighteenth century; and why, after Hume, philosophical dialogue either falls out of use or undergoes radical transformation. Philosophical Dialogue in the British Enlightenment describes the extended, heavily coded, and often belligerent debate about the nature and proper (...) management of dialogue; and it shows how the writing of philosophical fictions relates to the rise of the novel and the emergence of philosophical aesthetics. Novelists such as Fielding, Sterne, Johnson and Austen are placed in a philosophical context, and philosophers of the empiricist tradition in the context of English literary history. (shrink)

The article is about the poetic-practical philosophy of dialog of Lesia Ukrainka, which is manifested in the dramatic creativity of the prominent poetess, her translation activity and the concept of “person-nature relations”. In the text it is shown that Lesia Ukrainka created a new genre of contemporary drama on the basis of application of “Socratic dialog”, which started an important direction in contemporary literature and coincides with a leading trend of world philosophy associated with the paradigmatic turning point from (...) the philosophy of subjectivity to the philosophy of inter-subjectivity. The kinship of the Socratic philosophy of dialog and “Socratic drama” is also referred to. The author also showed that the meaning of Socratic dialog of Lesia Ukrainka in the resolution of the main problems of world outlook of modernity and the role of argumentation, in particular, the method of elenctics, the realization of such notions as “truth” and “verity”, which is particularly important the modern day situation of “posttruth” and “post-morality”. Against the background of the global environmental crisis, it is important to look at the way how Lesya Ukrainka suggests treating nature as a subject and partner in dialogue. This paradigm continues and deepens the Romantic concept of nature as a partner in a conversation and co-creator of the liber mundi ("the book of the world"). It also opens the opportunity to apply hermeneutical methods of understanding nature as a common world (Mitwelt) of communication, love and creativity. The article also analyzes the topic of dialogue between cultures, as well as perception and understanding of another culture as a subject in a dialogue. We can see this focus in Lesya Ukrainka's approach to translation of poetic texts produced by cultures from distant places and epochs. (shrink)

In this paper, I endeavor to penetrate to the heart of Janusz Kuczyński’s writings about his concept of universalism and to offer my own deliberations upon it based upon my previous writings concerning universalism and dialogue and on my considerations of necessary conditions for the possibility of universal dialogue taking place. To this end, I posit ten conditions for the possibility of entering into genuine universal dialogue. For clarification of Kuczyński’s concept of universalism, I analyze his concept (...) into meta-universalism and holistic universalism. I also discuss the important role of complementarity in the selection of the content of both types of universalism. Finally, I discuss how the phenomenological epoché can be employed to choose the basic values that constitute the shared values of universalism. In so doing, I make reference to Chinese philosophy to illustrate the universality of ethical values. (shrink)

This book brings together researchers with cognitive-scientific and literary backgrounds to present innovative research in all three variations on the possible interactions between literary studies and cognitive science. The tripartite structure of the volume reflects a more ambitious conception of what cognitive approaches to literature are and could be than is usually encountered, and thus aims both to map out and to advance the field. The first section corresponds to what most people think of as "cognitive poetics" or "cognitive (...) literary studies": the study of literature by literary scholars drawing on cognitive-scientific methods, findings, and/or debates to yield insights into literature. The second section demonstrates that literary scholars needn't only make use of cognitive science to study literature, but can also, in a reciprocally interdisciplinary manner, use a cognitively informed perspective on literature to offer benefits back to the cognitive sciences. Finally, the third section, "literature in cognitive science", showcases some of the ways in which literature can be a stimulating object of study and a fertile testing ground for theories and models, not only to literary scholars but also to cognitive scientists, who here engage with some key questions in cognitive literary studies with the benefit of their in-depth scientific knowledge and training. (shrink)

The notion of dialogue is foundational for both Juri Lotman and Mikhail Bakhtin. It is also central in Charles S. Peirce’s semeiotics and logic. While there are several scholarly comparisons of Bakhtin’s and Lotman’s dialogisms, these have yet to be compared with Peirce’s semeiotic dialogues. This article takes tentative steps toward a comparative study of dialogue in Peirce, Lotman, and Bakhtin. Peirce’s understanding of dialogue is explicated, and compared with both Lotman’s as well as Bakhtin’s conceptions. Lotman (...) saw dialogue as the basic meaning-making mechanism in the semiosphere. The benefits and shortcomings of reconceptualizing the semiosphere on the basis of Peircean and Bakhtinian dialogues are weighed. The aim is to explore methodological alternatives in semiotics, not to challenge Lotman’s initial model. It is claimed that the semiosphere qua model operating with Bakhtinian dialogues is narrower in scope than Lotman’s original conception, while the semiosphere qua model operating with Peircean dialogues appears to be broader in scope. It is concluded that the choice between alternative dialogical foundations must be informed by attentiveness to their differences, and should be motivated by the researcher’s goals and theoretical commitments. (shrink)

Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.

Cognitive Literary Studies is gradually making its mark on the publishing world with a growing number of theoretical works that blend scientific approaches with the practice of literary theory. To some extent, this slowly emerging current could even be construed as the missing link, if not the ideal interface, between science and the humanities. At the crossroads of these two areas of study, Cognitive Literary Studies offers an extraordinary opportunity to bridge the “gulf of mutual incomprehension” between literary intellectuals and (...) scientists, one that C.P. Snow famously identified in the wake of World War II.1 Perhaps, along the way, this polymorphous field could even share “the excitement of connecting... (shrink)

The aim of this article is to demonstrate that globalization, as it proceeds today, will only lead to a clash of civilizations and to the destruction of the fragile cultural identities. This leads to folds of the cultural minorities and the seeking of their recognition that can be expressed through violence. For globalization to succeed in integrating its noble objective of all cultures, it must proceed by inclusion instead of being exclusive. Intercultural dialogue has a central role in such (...) a globalization to achieve peace between cultures. In this dialogue, the community paradigm of African cultures can be used as a model for approaching any culture. (shrink)

Literature-Philosophy apprehends the encounter of literature and philosophy as an open dialogue, where the commonality of a specific distance with regard to ἐπιστήμη serves to open up discourse beyond knowledge and epistemology. This article serves the purpose to argue for reading in translation as a core element of the methodological toolkit and part of a study-focus on Literature-Philosophy in a curriculum of Global Philosophy. It will therefore start by sketching a contextualization of Tschuang-Tse. Reden und Gleichnisse, (...) Martin Buber’s poetic renderings of 莊子, to introduce into how and why his philosophy of dialogue in her educational form stays trapped within an aesthetically motivated hierarchy of explanation. Le maître ignorant by Jacques Rancière will provide a restructuring of the educational encounter as a kind of emancipatory literary poetics of subjectivation inquiry and experience that is political, rather than power-related. (shrink)

Literature-Philosophy apprehends the encounter of literature and philosophy as an open dialogue, where the commonality of a specific distance with regard to ἐπιστήμη serves to open up discourse beyond knowledge and epistemology. This article serves the purpose to argue for reading in translation as a core element of the methodological toolkit and part of a study-focus on Literature-Philosophy in a curriculum of Global Philosophy. It will therefore start by sketching a contextualization of Tschuang-Tse. Reden und Gleichnisse, (...) Martin Buber’s poetic renderings of 莊子, to introduce into how and why his philosophy of dialogue in her educational form stays trapped within an aesthetically motivated hierarchy of explanation. Le maître ignorant by Jacques Rancière will provide a restructuring of the educational encounter as a kind of emancipatory literary poetics of subjectivation inquiry and experience that is political, rather than power-related. (shrink)

This paper responds to a piece of dialogue from Flora Nwapa’s novel Women are Different, in which Comfort mockingly says, “They took up the job voluntarily. Now you will soon tell us that they are celibate because of us.” There are two different interpretations of the use of “because,” and the claim is obviously false on only one of these.

This paper is an account of the conference titled Kanade, di goldene medine? Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la littérature et la culture juives canadiennes, which took place in Łódź in April, 2014 as a result of collaboration between the University of Łódź and Concordia University. As a venue for discussing Canadian Jewish identity and its links with Poland, the conference supported a dialogue between Canadians, Polish Canadianists, and European scholars from further afield. Established (...) and young scholars attended from Germany, the United Kingdom, France, Belgium, the Czech Republic, and Canada, in addition to many Polish participants. The presence of scholars such as Goldie Morgentaler or Sherry Simon as well as curator Barbara Kirshenblatt-Gimblett contributed to an examination of both past and present Canadian and Polish Jewish life and led to an examination of Polish and Canadian literature and history from a highly personal perspective. Conference-goers took advantage of the opportunity to get to know Łódź, via walking tours and a visit to the Łódź Jewish community’s Lauder-funded centre on Narutowicza. The paper aims, as well, to investigate how the history of Jewish Łódź is conveyed in the novels of Joseph Roth and Chava Rosenfarb. (shrink)

The dialogue being a form of communication represents a dynamic structure. Speech communication analysis is mostly based on the material of spontaneous dialogue, but it can be analyzed on the material of a fiction dialogue as well. The fiction dialogue appears to be the product of one of the most complicated types of communication. It refers to fiction and literature and its subjects are the author, the readers and the characters. The functional-communicative approach in the (...) analysis of a fiction dialogue reveals new possibilities for the communicative analysis of the communicative behavior of a certain character. The article deals with the description of the dialogue function in the stories by V. M. Shukshin. The specificity of the artistic dialogues is defined by its aesthetic function. The dramatic category becomes the principle of V. M. Shukshin’s poetics. Verbal and visual form created by the writer is a peculiarity of his artistic system. Polyfunctionality of the dialogues in Shukshin’s stories determines his dominant, text forming function. The dialogue in this case possesses a high level of informativeness: it moves the action, develops the plot, exposes the interrelation between the characters thus defining their behaviour. The test of the characters in Shukshin’s works is made by means of dialogues, that’s why the characterological function is very important. It represents an essential feature of the writer’s prose style. The dialogue is a means of modeling the ‘speech mask‘ that reflects the peculiarities of speech behavior of Shukshin’s characters. In Shukshin’s stories, the dialogue performs an evaluating function as it gives the opportunity to deliver some evaluating positions. The evaluating position is the perception and evaluation of the depicted objects by the author and actors. It’s the dialogues that expose the Shukshin’s characters’ peculiarities of the worldview, ethics and values. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Buddhist-Christian Dialogue in an Age of ScienceNancy R. HowellBuddhist-Christian Dialogue in an Age of Science. By Paul O. Ingram. Lanham, MD: Rowman and Littlefield, 2008. 155 pp.To my knowledge, Paul Ingram’s Buddhist-Christian Dialogue in an Age of Science undertakes a new project: Systematic and methodological analysis of how Buddhist-Christian dialogue can be shaped by focus on the natural sciences, or, alternatively, how science-religion (...) class='Hi'>dialogue can be enhanced through interreligious dialogue. Either description is appropriate and remarkable in light of the accomplishments of a modestly brief book. While I have participated in multireligious dialogue on science, never have I seen a cogent guide for undertaking the conversation until Ingram’s book appeared.The thesis of Ingram’s argument is that bringing the natural sciences into Buddhist-Christian dialogue promises mutual creative transformation of Buddhism, Christianity, and the natural sciences (p. 2). In such a compact sentence is much to be explained, and Ingram unfolds the meaning of the thesis particularly in chapters 2 and 6. Ingram describes both Christian and Buddhist understandings of the relationship of science and religion, as well as approaches to dialogue between the religions. Ingram’s book is focused on conceptual interreligious dialogue, which engages theological and philosophical worldviews and self-perceptions and how the religions can learn from each other (p. 10). (Not surprisingly, the Whiteheadian Ingram names John B. Cobb Jr. as an exemplar for conceptual dialogue.) Ingram proposes that Buddhism and Christianity enter conceptual dialogue with the natural sciences, with the goal of mutual creative transformation (p. 15). Creative transformation is a Whiteheadian concept defined as “a process of growth and novelty,” “the essence of life itself,” and “a process that alters the nature of...elements without suppressing or destroying them” (p. 120). Creative transformation is possible when all participants in the dialogue Ingram proposes have some particularity to contribute, so the challenge in Ingram’s book is to describe how Buddhism and Christianity have particular contributions to make to dialogue about the natural sciences, as well as whether the sciences can be creatively transformed by encounter with world religions (p. 121).The structure of the book, which includes chapters on Buddhist and Christian encounter with cosmology, evolutionary biology, and cognitive sciences, provides specific awareness of the literature about how the religions have individually engaged the natural sciences. Ingram presupposes and names the awe, wonder, and reverence generated by the natural sciences, whose insights shape our worldviews and inform understanding of ourselves. Scientific insights, according to Ingram, generate “an urgent cultural need to reflect thoughtfully and critically on these changes and challenges in a constructive dialogue involving the world’s religious traditions” (p. 130). Ultimately the dialogue must overcome compartmentalized, disciplinary knowledge and engage in integrative, inclusive, multireligious dialogue (p. 130). Ingram envisions that the “purpose of interdisciplinary and interreligious dialogue is mutual creative transformation” (p. 130), which can occur only when the complex details of the sciences and Buddhist and Christian traditions are honored. [End Page 209]Following Ian Barbour, Ingram recommends a critical realist stance, which he adopts as his approach. He understands critical realism to mean that scientific, Christian, and Buddhist conclusions, practices, and worldviews intend to correspond with reality. However, correspondence to reality, “the way things really are,” (p. 37) must be understood provisionally, so that conclusions and worldviews must always be subjected to correction and reformulation. In Ingram’s view, the need for reformulation is the justification for Buddhist–Christian–natural science dialogue because no single view “possesses the final truth about the natural order or ultimate reality” (p. 37). Buddhism, Christianity, and the natural sciences offer distinctive expressions of the search for truth, which (Ingram avers) “requires...some form of mutual critical integration” in the process of dialogue (p. 37).Concentrating more on the constructive methodology of the book (rather than the three chapters with examples of engagement of the natural sciences with Buddhism and Christianity), I want to address one feature of the argument. Chapter 1, “A Common Cosmology,” proposes appropriately that “[while] scientific cosmology cannot simply replace the basic content of religious creation myths, current scientific cosmology can clarify and transform religious creation myths” (p... (shrink)

Extending literature on health information to entertainment television, we analyze the prostate cancer narrative presented in the police drama, NYPD Blue. We explain how the physician-patient interaction depicted on the show followed (and sometimes did not follow) the medical dialogue model. Findings reveal that the producers of this show advocate a more dialogic model of medical interaction. Portrayals of incompetent, ineffective physicians are contrasted with the superior, effective efforts of other physicians. The audience learns that a non-dialogic approach (...) characterizes “bad doctors,” while the dialogic method typifies “good doctors.” Likewise, medical professionals can use such texts to enhance physician-patient interaction. (shrink)

Aim: The aim of this paper is to present the development and evaluation of an art psychotherapy brief treatment method for complex depression for patients referred to mental health services.Background: Art Psychotherapy literature describes a range of processes of relational change through the use of arts focused and relationship focused interventions. Complex depression has a prevalence of 3% of the population in the West and it is recorded that in 2016 only 28% of that population were receiving psychological treatment. (...) This study was developed to test the hypothesis of whether an accessible and acceptable approach to the treatment of complex depression could be developed in relation to existing evidence-based practice within mental health services.Method: The United Kingdom Medical Research Council phased guidance for complex intervention development was used to develop the intervention. The process included producing a literature overview, systematic description of clinical practice, including a logic model and a clinical protocol. The art psychotherapy protocol described an arts-based dynamic interpersonal therapy approach, offered 1:1 over 24 sessions. Further to this the intervention was tested for referrer acceptability. The intervention is in the early stages of evaluation, using changes to the patient's depression and anxiety measured pre- and post-treatment with a follow-up measure at 3 months following completion of treatment.Results: Phase I of the study provided a good basis for developing a logic model and protocol. The authors found that there was good clinical consensus about the use of a structured clinical art psychotherapy method and the literature overview was used to support specific examples of good practice. The verification of clinical coherence was represented by a logic model and clinical protocol for delivering the intervention. The acceptability study demonstrated very high levels of acceptability for referrers reporting that ADIT was acceptable for patients with complex/major depression, that they were likely to refer to ADIT in the future that the use of arts was likely to improve accessibility the use of arts was likely to improve outcomes and that offering ADIT was an effective use of mental health resources.Discussion: Phase I of this intervention development study demonstrated theoretical and practice coherence resulting in a clinical protocol and logic model. Whilst Phase II of this study showed promising results, Phase II would need to be sufficiently scaled up to a full trial to further test the intervention and protocol. (shrink)

The author applies the fields of gender studies, psychoanalysis, and literature to Talmudic texts. In opposition to the perception of Judaism as a legal system, he argues that the Talmud demands inner spiritual effort, to which the trait of humility and the refinement of the ego are central. This leads to the question of the attitude to the Other, in general, and especially to women. The author shows that the Talmud places the woman (who represents humility and good-heartedness in (...) the Talmudic narratives) above the character of the male depicted in these narratives as a scholar with an inflated sense of self-importance. (shrink)

Hughes’ second major work can be read as an amplification of his first work, The Texture of the Divine, in which attention was paid to “secondary” themes in Jewish philosophy pertaining to aesthetics, poetics, and rhetoric; these themes have often been marginalized in histories of Jewish philosophy. In both works, Hughes focuses upon the importance of cultural history in understanding philosophical texts, exploring motifs and tropes often left out of more mainstream histories of Jewish philosophy. In The Art of (...) class='Hi'>Dialogue, he argues that, inasmuch as a text’s content cannot be separated from its form, we must become more sensitive to why particular thinkers chose the form of dialogue over others: what did this genre allow the thinker to accomplish, and how are the literary features of the dialogue instrumental in the construction of philosophical arguments? Hughes notes that Jewish thinkers were more apt to employ the dialogue during periods in which it was popular in non-Jewish writings. Although the dialogue form itself has had a venerable history in Jewish thought, Hughes argues that there is no evidence that Jewish philosophers looked to this body of rabbinic literature when composing their own dialogues.To make his case that Jewish writers were influenced by their non-Jewish peers, Hughes examines a number of works, drawn from various periods in Jewish. (shrink)

Aaron W. Hughes presents the first major study of dialogue as a Jewish philosophical practice. Examining connections between Jewish philosophy, the literary form in which it is expressed, and the culture in which it is produced, Hughes shows how Jews understood and struggled with their social, religious, and intellectual environments. In this innovative and insightful book, Hughes addresses various themes associated with the literary form of dialogue as well as its philosophical reception: Why did various thinkers choose (...) class='Hi'>dialogue? What did it allow them to accomplish? How do the literary features of dialogue construct philosophical argument? As a history of philosophical form, context, and practice, this book will interest scholars and students working at the intersections of religious studies, philosophy, and literature. (shrink)

This book demonstrates the presence of literature within speech act theory and the utility of speech act theory in reading literary works. Though the founding text of speech act theory, J. L. Austin's _How to Do Things with Words_, repeatedly expels literature from the domain of felicitous speech acts, literature is an indispensable presence within Austin's book. It contains many literary references but also uses as essential tools literary devices of its own: imaginary stories that serve as (...) examples and imaginary dialogues that forestall potential objections. _How to Do Things with Words_ is not the triumphant establishment of a fully elaborated theory of speech acts, but the story of a failure to do that, the story of what Austin calls a "bogging down." After an introductory chapter that explores Austin's book in detail, the two following chapters show how Jacques Derrida and Paul de Man in different ways challenge Austin's speech act theory generally and his expulsion of literature specifically. Derrida shows that literature cannot be expelled from speech acts—rather that what he calls "iterability" means that any speech act may be literature. De Man asserts that speech act theory involves a radical dissociation between the cognitive and positing dimensions of language, what Austin calls language's "constative" and "performative" aspects. Both Derrida and de Man elaborate new speech act theories that form the basis of new notions of responsible and effective politico-ethical decision and action. The fourth chapter explores the role of strong emotion in effective speech acts through a discussion of passages in Derrida, Wittgenstein, and Austin. The final chapter demonstrates, through close readings of three passages in Proust, the way speech act theory can be employed in an illuminating way in the accurate reading of literary works. (shrink)

This paper examines the roles of dialogue in the process of communication with stakeholders. The conceptual frameworks of corporate social responsibility (CSR) and stakeholder relationships frequently present the initiation of a dialogue with stakeholders as a way for an organization to respond to criticisms of its social and environmental policies and actions. The paper discusses dialogue in the stakeholder and CSR literature. This is followed by the analysis of in-depth semi-structured interviews in the empirical section. Theoretical (...) discussion and empirical examples demonstrate that the role of stakeholder dialogue in implementing CSR strategy is crucial in many ways. The case examples taken from the interviews with the heads of two large companies and two non-governmental organizations illustrate the practical difficulties that may be encountered in applying the principle and practice of dialogue to the implementation of CSR programs in the real world. (shrink)

Hans-Georg Gadamer, the major proponent of philosophical hermeneutics, reveals himself here as a highly sensitive reader and critic of the German literary tradition. This is not the work of a specialist as narrowly defined in the typical literary study. Although he is a master of the techniques of criticism, Gadamer always sees the study of literature as a fundamentally human activity where human beings, generation after generation, pose their questions to an encroaching darkness that threatens to rob them of (...) their confidence in the meaning of life and death. Never pedantic or antiquarian, these studies show such literary giants of the German past as Goethe and Hölderlin as our contemporaries. Gadamer demonstrates his ability to achieve the creative interplay of literature and philosophy which, in isolation, easily degenerate into sterile academic games. Typical of this dialogue are essays on Rainer Maria Rilke, including an examination of a problem of punctuation in one of his poems. What would be, in less capable hands, one more solution to a literary problem, turns out to be one of Gadamer's creative approaches to the mystery of man's relation to time and death. (shrink)

Hans-Georg Gadamer, the major proponent of philosophical hermeneutics, reveals himself here as a highly sensitive reader and critic of the German literary tradition. This is not the work of a specialist as narrowly defined in the typical literary study. Although he is a master of the techniques of criticism, Gadamer always sees the study of literature as a fundamentally human activity where human beings, generation after generation, pose their questions to an encroaching darkness that threatens to rob them of (...) their confidence in the meaning of life and death. Never pedantic or antiquarian, these studies show such literary giants of the German past as Goethe and Hölderlin as our contemporaries. Gadamer demonstrates his ability to achieve the creative interplay of literature and philosophy which, in isolation, easily degenerate into sterile academic games. Typical of this dialogue are essays on Rainer Maria Rilke, including an examination of a problem of punctuation in one of his poems. What would be, in less capable hands, one more solution to a literary problem, turns out to be one of Gadamer’s creative approaches to the mystery of man’s relation to time and death. (shrink)

This article was inspired by Georges Didi-Huberman’s keynote lecture “Que ce qui apparaît seulement s’aperçoit” delivered in 2015 at Charles University in Prague during the “Dis/appearing” conference organized by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie. Didi-Huberman’s lecture consisted of various reflections concerning the meaning of the image as instances of flaring up and fading away. During his talk, Didi-Huberman used evocative images – recollections – which he had collected over the years; impressions while walking in the streets, melancholic musings (...) about love, and thoughts gathered from literature en route. From this, the article identifies seven cases through which Didi-Huberman has conceptualized images; the nymph, the butterfly, the passer-by, the surface, the dance, the silence, and sophrosyne. These cases attest to the influence of Aby Warburg on the writing of Didi-Huberman and, taken together, identify what these cases of the image have in common; namely, that images occupy an interspace: the fleeting instant of appearance/disappearance. Didi-Huberman explains images – “Dante’s Beatrice and Baudelaire’s fleeting beauty” as “the paradigmatic ‘passer-by.’” Through these cases, this article poetically draws the reader’s attention to what Didi-Huberman calls “non-knowledge”; those fleeting, mobile, paradoxical aspects of images that resist clear categorization and can be thought of as fireflies against the night sky. The article asks: is it possible to characterize this genre? To denominate the collection of thoughts that welcome the image as a witness to the history of thought? The study of images can be understood, following Giorgio Agamben’s interpretation of Aby Warburg’s oeuvre, as “the nameless science.”. (shrink)

In this book, Joseph Cimakasky examines Plato’s use of the term exaíphnēs, revealing a pattern that links Plato’s theory of Ideas with philosophical education.

In recent times, African states have experienced multiple challenges. The most disturbing one is the inability to evolve a sustainable culture of dialogue that is suitable for the mitigation of ethnic conflicts in contemporary Africa. It is this failure that has generated many other problems in other spheres. These problems, in concert, have made the socio-political space largely that of frustration, despair and disappointment. This accounts for the social design of unhealthy alliances and the basis for the affirmation of (...) parochial primordial frivolities at the detriment of a trans-national identity. But why have the affirmation of these primordial alliances and its attendant conflicts remain daunting, intricate and resilient, in spite of the several attempts by scholars to mitigate it? This paper argues that extant discourse of the above concern fails because it ignores the value of the conditions for the practical realisation of agreement in situations of conflict. The attempt here is to explore indigenous mediation strategies especially from the traditional Igbo speaking people in South-Eastern Nigeria in arriving at trans-national identity in Africa, which will be inclusive other than the divisive structure that has exclusive character in extant discourse. This paper, therefore, will employ the analytic-descriptive method to interrogate the above in a manner many scholars are wont to ignore. Hence, it is expected that this paper will initiate a perspective that will challenge extant interpretation of the conditions of dialogue and consequently human solidarity in African States. (shrink)

ABSTRACT:Many companies engage in dialogue with nongovernmental organizations about societal issues. The question is what a regulative ideal for such dialogues should be. In the literature on corporate social responsibility, the Habermasian notion of communicative action is often presented as a regulative ideal for stakeholder dialogue, implying that actors should aim at consensus and set strategic considerations aside. In this article, we argue that in many cases, communicative action is not a suitable regulative ideal for dialogue (...) between companies and NGOs. We contend that there is often an adversarial element in the relation between companies and NGOs, and that an orientation towards consensus can be in tension with this adversarial relation. We develop an alternative approach to stakeholder dialogue called ‘agonistic deliberation.’ In this approach, conflict and strategic considerations play a legitimate and, up to a certain point, desirable role. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Toward a Theoretical Framework for the Study of Humor in Literature and the Other ArtsJerry Farber (bio)With a clearer understanding of the way humor works, we might be better able to give it the attention it deserves when we study and teach the arts. But where do we turn to find a theoretical framework for the study of humor—one that will help to clarify the role that humor (...) plays in the arts and that will help us as well to understand differences in the way individual perceivers respond to humor in art?A superiority theory of humor emerged in classical times and more or less held the stage through the seventeenth century; now, however, though an occasional attempt to revive it is still made,1 superiority theory is usually regarded as far too narrow in scope to be useful as a general account of humor. What are commonly referred to as "release" (or, occasionally, "relief") theories— and associated with Spencer and Freud—were for a time very influential, but are somewhat narrow too in their own way, and furthermore, as Noël Carroll puts it, "have the liability of presupposing hydraulic views of the mind that are highly dubious."2 Incongruity theory, which has been around in one form or another since at least the eighteenth century, dominates contemporary humor theory but is still widely regarded as not quite there yet. And so humor remains somewhat mysterious and elusive. Or not even that. It may be that most people, even teachers in the arts, bypass theory entirely and simply accept humor as a given: an unanalyzable fact of human life. I've sometimes wondered if it may be that we don't want to understand humor, either because we're afraid that this understanding will spoil the game or, just possibly, because we sense that, as a consequence of it, we may discover things about ourselves that we would prefer not to know.Is a well-founded, broadly inclusive theoretical framework for the study and teaching of humor in the arts achievable? I want to propose that it is if [End Page 67] we take incongruity theory a few steps further, integrating an analysis of the humorous situation (that is, what we perceive: the caricature, the witty dialogue, the bit of stage business) with an analysis of what goes on in the perceiver (the humor experience itself).A General Theory of HumorIncongruity theory, though clearly the front-runner these days, continues to be problematic, making too much sense for us to discard it, but not quite enough sense to get us where we need to go. Thus, Carroll concludes his recent overview of this theoretical tradition: "Though promising, the Incongruity Theory of Humor remains a project in need of further research."3 Reading this we may find ourselves wondering, just as we might about some writer or performer who's been on the scene for a good long time, how much longer this centuries-old theoretical approach gets to remain "promising."What have been the major problems associated with incongruity theory? For one thing, it doesn't tell us much about the affective dimension of humor.4 Neither does it satisfactorily explain differences in the way individual perceivers respond. The major weakness of incongruity theory, however, has been a failure to account adequately for all of those instances of incongruity that are not funny: for example, brainteasers, logic problems, and puzzles. One way of dealing with this problem has been to keep adding on exclusionary clauses until the category has been pared down satisfactorily. In other words, humor is based on incongruity, provided that we exclude situations that inspire fear, or are disgusting, or are perceived instrumentally, or are regarded primarily as a puzzle, and so on. But, of course, this is patchwork. What we need is a humor theory where stipulations such as these don't have to be added on, because they follow logically from the theory itself.It's been proposed repeatedly that the incongruous elements in humor are likely to be connected in some way, though some of the terms that have been advanced to identify this connection are unnecessarily limiting if... (shrink)

Objective Apeiron was founded in 1966 and has developed into one of the oldest and most distinguished journals dedicated to the study of ancient philosophy, ancient science, and, in particular, of problems that concern both fields. Apeiron is committed to publishing high-quality research papers in these areas of ancient Greco-Roman intellectual history; it also welcomes submission of articles dealing with the reception of ancient philosophical and scientific ideas in the later western tradition. The journal appears quarterly. Articles are peer-reviewed on (...) a double-blind basis. Topics ancient philosophy ancient science reception of ancient philosophical and scientific ideas in the later western tradition Article formats Original Articles. (shrink)

Dialogue is a recurring and significant component of Indian religious and philosophical literature. Whether it be as a narrative account of a conversation between characters within a text, as an implied response or provocation towards an interlocutor outside the text, or as a hermeneutical lens through which commentators and modern audiences can engage with an ancient text, dialogue features prominently in many of the most foundational sources from classical India. Despite its ubiquity, there are very few studies (...) that explore this important facet of Indian texts. This book redresses this imbalance by undertaking a close textual analysis of a range of religious and philosophical literature to highlight the many uses and functions of dialogue in the sources themselves and in subsequent interpretations. Using the themes of encounter, transformation and interpretation - all of which emerged from face-to-face discussions between the contributors of this volume - each chapter explores dialogue in its own context, thereby demonstrating the variety and pervasiveness of dialogue in different genres of the textual tradition. This is a rich and detailed study that offers a fresh and timely perspective on many of the most well-known and influential sources from classical India. As such, it will be of great use to scholars of religious studies, Asian studies, comparative literature and literary theory. (shrink)

The title of the paper productively suggests a double-meaning of truth vis-à-vis dialogue. The claim is both that the concept of truth is essential for a comprehensive conception of dialogue, and that dialogue points toward a concept of truth beyond dogmatic infallibity or doxastic relativism. At stake is to show how truth entails an essentially dialogical moment, and dialogue, if conceived philosophically, must entail the concept of truth.In theological as well as philosophical dogmatism, a final truth (...) is assumed. Interesting are positions such as Cardinal Ratzinger/Pope Benedict XVI’s or Karl-Otto Apel’s “transcendental pragmatics” since they attempt to engage in dialogue yet assume an “infallible” or “ultimately grounded” foundation for their own assumptions. Radically opposed to this infallibilism is the postmodern relativistic view according to which the “groundless grounds” of human understanding make all claims to truth meaningless. Since understanding and dialogue are situated in contingent cultural contexts, as Richard Rorty argues, no ascent to truth is ever possible. The result of our analysis suggests that both positions lead to an insulation of experience from true dialogicalchallenge. Dogmatic positions miss the dialogical core of truth, as they believe that insulated truth-content remains “true” regardless of engaged and challenged reassertions. Doxastic conceptions miss the truth-relation of dialogue, as they fail to capture the seriousness and intentionality of intersubjective and intercultural dialogue.From these critical points emerges a productive concept of dialogue that entails truth as an open-ended and dynamic, and thereby indispensable, concept. Moreover, our analysis lays out that the basic dialogical notions involve truth, openness, and reciprocity in an interconnected way. Dialogue is unavoidable for truth, as much as truth is intrinsic to dialogue. But the new synthesis of truth and dialogue allows for a pluralistic understanding of truth that still, we hope, remains truthful to its content. As such, it alone can ground a non-relativistic notion of multiculturalism. (shrink)

It is no surprise if a good quality communication unit succeeds in seizing the attention of the intended audience (or readership) and is able to let people see precisely what the author wanted them to see, while avoiding that the average addressee become aware of what the author wants to convey in an almost subliminal way. In this respect Plato is no exception. Nevertheless the study of these resources, far from having been somewhat systematic, still is largely neglected, and only (...) a minority of commentators find it important to pay head to the communicational strategies which are at work in Plato's dialogues. It will be argued that the shades of meaning and the contextualization of thought (a) systematically grant to Plato ample room for affecting the way a reader comes to perceive his points of doctrine and (b) often let him convey a biased perception of his arguments.The paper includes an outline of the already longstanding debate on these matters, a case study (Memo 80–82), and a sketchy typology of how the literary working-out is able to affect the reader's perception of the line of thought, esp. within the aporetic dialogues. (shrink)

Rosalie Osmond examines both literal and metaphorical aspects of the relationship between body and soul in seventeenth-century literature and their significance within a primarily dualistic philosophy.

The need for European citizens to be more involved in scientific research has emerged from the conclusions of the studies commissioned by the EC and by independent bodies. In the first part of this contribution, I will discuss the question of whether a dialogue between society and science is desirable. I will attempt to claim that at least one of the reasons why the dialogue between science and society should be defended has been underestimated in the course of (...) most of the studies carried out: the fact the scientific knowledge helps to a create a better, more rounded, more aware human being which can only benefit society. Subsequently, I will deal with the various genres of scientific literature. While in modern times, communication of scientific discoveries has been reduced to the article, in the nineteenth century scientists made use of more varied literary forms such as journals, letters and narrative essays which were more accessible to those who were not specialists but nevertheless curious about scientific matters. I believe that these more popular forms of writing helped to close the gap between the public and science. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Kennedy Institute of Ethics Journal 10.2 (2000) 175-188 [Access article in PDF] Scope Note 38 Bioethics Resources on the Web * Once described as an "enormous used book store with volumes stacked on shelves and tables and overflowing onto the floor" (Pool, Robert. 1994. Turning an Info-Glut into a Library. Science 266 (7 October): 20-22, p. 20), Internet resources now receive numerous levels of organization, from basic directory listings (...) to elaborate "links" (cross-references to other Internet documents) that flash and glow in the dark. In many ways, the Internet functions as a direct extension of the traditional library. Following linked references across various sites is an electronic version of browsing library stacks, and the serendipitous discoveries made while "surfing the Net" recall the wonders of physically going "book-to-book." Although many of the Internet's best aspects augment library strengths by eliminating physical distance from sources, Net resources pose unique problems for researchers. It is not always clear who is responsible for the content of Web documents, when the document was produced, or how often (if ever) it is updated. Internet resource tools, then, must enable researchers to identify appropriate resources and to evaluate what they find when they get there. Web Research as Taking "Snapshots" Given the Internet's visual nature and fluid content, the process of conducting research on the Web has been likened to taking an informal picture of information on a specific date at a particular time. This metaphor also conveys the "zoom-in" aspect of searching through Web pages by going from general to specific categories. In the first section of this Scope Note, National Reference Center for Bioethics Literature (NRCBL) staff present a snapshot of bioethics resources taken during the spring months of 2000. Entries are divided into the categories of directories, electronic journals, full-text documents, news/current awareness, and teaching resources. In the two subsequent sections, this series of categories is repeated for entries on a specific topic within bioethics-genetics-and again for general search and evaluation tools. Where a Web site may contain pages applicable [End Page 175] to more than one category, multiple entries are made for that site with appropriate information for each category.Much as telecommunication advances have strengthened the relationship of patients and providers as partners, the dynamic nature of the Internet acknowledges that the researcher functions as a librarian whenever accessing the Web. It is our hope that BIOETHICSLINE and the other NRCBL databases not only will enable researchers to search the Web more efficiently, but also will help them to evaluate what they find when they get there. Bioethicsline on the Web: An International Plan in Progress Once only available through libraries, the U.S. National Library of Medicine (NLM), the funding agency for the ongoing development of the BIOETHICS LINE® database from the Kennedy Institute, has provided free Web access to that database of 63,000 citations since September 1998 through Internet Grateful Med. Plans are now underway to eliminate such specialty databases and incorporate all citations into PubMed (for journal articles) or LOCATORplus (for book-like materials and chapters in books). Both of these databases are likewise available at no cost on the Web. In the transition to PubMed and LOCATORplus some features of BIOETHICSLINE that presently are available may be lost. Researchers are encouraged to contact the National Reference Center for Bioethics Literature with search requests or for search strategy assistance with either the current or the future system ([email protected]).The inclusion of bioethics citations in PubMed and LOCATORplus will have several advantages. First, unique keywords from the Bioethics Thesaurus will be considered for inclusion in Medical Subject Headings (MeSH), the indexing vocabulary for PubMed and LOCATORplus, thereby enhancing retrieval of relevant clinical literature by offering more precise terminology covering ethical issues. Second, it will be easier to identify foreign-language materials, which are not currently included in the scope of BIOETHICSLINE. Third, the updating schedule will become more frequent. On the other hand, there may be some loss of searching precision because certain specialized features... (shrink)