This selection of the major works of constitutional theory during the Weimar period reflects the reactions of legal scholars to a state in permanent crisis, a society in which all bets were off. Yet the Weimar Republic's brief experiment in constitutionalism laid the groundwork for the postwar Federal Republic, and today its lessons can be of use to states throughout the world. Weimar legal theory is a key to understanding the experience of nations turning from traditional, religious, or command-and-control forms (...) of legitimation to the rule of law. Only two of these authors, Hans Kelsen and Carl Schmitt, have been published to any extent in English, but they and the others whose writings are translated here played key roles in the political and constitutional struggles of the Weimar Republic. Critical introductions to all the theorists and commentaries on their works have been provided by experts from Austria, Canada, Germany, and the United States. In their general introduction, the editors place the Weimar debate in the context of the history and politics of the Weimar Republic and the struggle for constitutionalism in Germany. This critical scrutiny of the Weimar jurisprudence of crisis offers an invaluable overview of the perils and promise of constitutional development in states that lack an entrenched tradition of constitutionalism. (shrink)

As an effect of the recent economic and financial crisis in the USA, a vast number of people have suddenly lost their jobs and income and often also their home. Many of them still live in their cars or even just in the streets. In spring 2007, the young.

In lieu of an abstract, here is a brief excerpt of the content:Prima parte – Descrizione del sermonarioNel 1494 Johann Meder, francescano osservante, affronta il compito di predicare la Quaresima a Basilea. Davanti all'interrogativo su come conquistare l'attenzione degli ascoltatori, vincendone la distrazione senza diventare un "adulterator verbi Dei," concepisce un ciclo profondamente innovativo, dato alle stampe l'anno successivo. Nella stessa città un altro ciclo di predicazione sui generis vede la luce in concomitanza alle prediche di Meder: in quei (...) giorni infatti viene pubblicato a Basilea il Narrenschiff di Sebastian Brant, testo di immediato successo, rapidamente tradotto e diffuso in tutta Europa. Lo studio dei due testi mostra precisi contatti e convergenze di interessi tra il predicatore francescano e Brant, tra pulpito e tipografia. Se il Narrenschiff si caratterizza fin da subito per le sue xilografie, che annoverano tra gli autori il giovane Dürer, è proprio il comune interesse per l'uso delle immagini a caratterizzare il rapporto tra Brant e Meder. Basti qui anticipare che le prediche di Meder vengono stampate con un corredo di xilografie, opera di uno dei migliori illustratori del tempo influenzati da Dürer, che rendono questa edizione un unicum nel panorama dei sermonari alla fine del Quattrocento.L'intreccio di questi fatti accresce l'interesse di una ricerca che indaghi come si comporta un predicatore osservante nella Basilea di Brant e Dürer. Pur essendo state già notate alcune particolarità del sermonario di Meder, questo testo ha ricevuto finora un'attenzione solo cursoria. Questo articolo si propone di mettere in luce quattro elementi: nella prima parte l'architettura generale del quaresimale, in maniera particolare il suo impianto teatrale; nella seconda parte la sincronia tra predicazione e Narrenschiff, il rapporto tra Meder e Brant e le caratteristiche dell'edizione del Quadragesimale novum come sermonario illustrato.1. Basilea 1494: il Narrenschiff e un ciclo di prediche quaresimaliIl volto di Basilea lungo il XV secolo è segnato da tre avvenimenti determinanti: il concilio, l'università, la stampa. Li evochiamo rapidamente per la loro incidenza sull'identità e lo spessore culturale della città. Il concilio pose per diversi anni Basilea al centro della cristianità, permettendole di assumere un ruolo e una notorietà europea. Uno dei frutti del nuovo profilo assunto dalla città fu la nascita dell'università, la quale, dopo una prima breve esperienza , venne rifondata su più solide basi nel 1460, contribuendo a creare le condizioni favorevoli per il precoce impianto della stampa e il suo rapido sviluppo, che rese Basilea presto uno dei centri di eccellenza, soprattutto per i libri illustrati.Dentro a queste coordinate si colloca Brant, nato a Strasburgo nel 1457 e giunto come studente nel 1475 a Basilea, dove si licenzia in diritto nel 1484 e diviene doctor utiusque iuris nel 1489. All'università Brant ricopre la cattedra sia di diritto che di poesia, affiancando all'insegnamento il lavoro presso diversi editori, fino al 1501, quando torna a Strasburgo, dove morirà nel 1521. Se nel 1494 Brant è ormai un esperto protagonista nella vita di Basilea, Meder vi si è inserito da poco, dall'anno precedente. È un uomo intorno ai sessant'anni e un predicatore esperto, con un curriculum ormai ventennale in diversi conventi francescani lungo la valle del Reno, tra Magonza e Basilea, dove risiederà fino al 1502.Nei giorni di Carnevale del febbraio del 1494, alla vigilia della Quaresima, viene pubblicato il Narrenschiff. Come è noto si tratta di una satira morale che, capitolo dopo capitolo, passa in rassegna le follie del mondo, soprattutto cittadino. È una critica alla follia non ancora capace di quell'ironia che sarà di Erasmo, ma che, pur condannando tutto e tutti, crede possibile l'azione educatrice della sapienza e dunque il 'rinsavimento' dei folli. Se si chiede chi siano i folli, la risposta di Brant è tutti, e la prima follia è non volerselo sentire dire. Proprio per questo Brant ha costruito uno spiegel nel quale ognuno possa vedere la propria follia, perché l'inizio della sapienza è il riconoscimento della stoltezza e della.. (shrink)

A thirteenth-century manuscript attributes a short fragment of a speech Pros Basilea to the fourth-century orator Themistius. Its editors argue that the piece is authentic and was addressed to Theodosius I. In fact, style and vocabulary, geographical references, and the way the divinity of the emperor is highlighted, strongly argue against its authenticity. The fragment must be dated much later than the fourth century: this article suggests a date in the reign of Justinian.

Etienne Thourneysers Werk übte maßgeblichen Einfluss auf seine Zeitgenossen aus, darunter vor allem die Aufklärer Mendelssohn, Basedow, Lavater und Lessing. Gisela Luginbühl-Weber widmet sich dem Schweizer Autoren mit dem Ziel, sein bahnbrechendes und zu Unrecht in Vergessenheit geratenes Werk zu dokumentieren.

A cavallo tra i due concili di Costanza e Basilea, che hanno fortemente influito sul giudizio della Chiesa in relazione alle donne visionarie, si staglia la figura di Francesca Bussa dei Ponziani. Le visioni politiche di Francesca rappresentano un fulgido esempio di come i modelli brigidini e cateriniani siano stati ripresi e rimodellati su un nuovo, mutato contesto storico. La sua consolidata autorità le consentì di ammonire a più riprese papa Eugenio IV riguardo alla sua partecipazione al concilio di (...) Basilea, intervenendo attivamente nello scenario religioso e politico romano. (shrink)

Guilt and forgiveness, with their attendant philosophical and religious ramifications, permeate writing on the Holocaust and can also be related to South Africa’s recent history and present situation. Two controversial and provocative books (both possibly autobiographical) which tackle the question of guilt and forgiveness head on are Simon Wiesenthal’s The Sunflower and Bernhard Schlink’s The Reader, both of which have led to much debate. The central event in both texts is the slaughter of innocents, burned to death in a (...) building during World War II, while the perpetrators (an SS officer who tells his story in The Sunflower and a concentration camp warder who refuses to tell hers in The Reader) either kill those trying to escape or totally ignore the screams of the victims. The reader has to decide whether it is plausible that years later these murderers feel genuine guilt and, if so, whether they should be forgiven – and by whom. The Reader can be seen as the obverse of The Sunflower. The two should be read in conjunction for an intriguing view of the human psyche, the dichotomy in the soul of a person preceding and succeeding his/her horrific deeds, and the questions arising of whether death can be faced by the wicked with a clear conscience, whether the fear of meeting one’s Maker engenders belated remorse, whether one changes if found out, and whether ignorance of mind betokens evil of soul which can be overcome with learning and insight. (shrink)

ZusammenfassungDie wichtigsten Werke Edmund Schlinks zur ökumenischen Theologie erscheinen in einer Neuedition. Die im ersten Band enthaltenen Vorträge stellen heraus, dass Ökumene von Gott her empfangen wird. Der Mensch trägt in der Gestalt der Buße, durch die Überwindung theologischer Reduktionismen zur Ökumene bei.SummaryThe most important works of Edmund Schlink concerning the ecumenical theology will be published in a new edition. The lectures contained in the first volume of this edition emphasize: ecumene can be received by God. Man contributes to (...) ecumene by penance, by overcoming of theological reductionisms. (shrink)

The post-Holocaust suicide of a concentration camp survivor is particularly unsettling. One thinks, for instance, of Cliff Stern's devastated response to Professor Louis Levy's death in Woody Allen's movie Crimes and Misdemeanors. Loosely based on Primo Levi, Allen's professor provides in short documentary clips an astute analysis of the contradictions of a loving God in the Old Testament and stoically counsels embracing life despite the indifference and occasional cruelty of the universe. Having experienced, understood, and accepted the absurdity and injustice (...) of life, Levy, one might think, would rage to the bitter end against the dying of the light. But for no apparent reason, he kills himself. Cliff's response... (shrink)

Alonso de Cartagena’s thought is representative of a group of elite lawyers who put their university education at the service of centralized political power, which is going to be provided with great part of the features that had been identified with the Church along the Middle Media. This concept would be developed in most part of Europe, but in Castilla is going to adopt peculiar features. Indeed, the Castilian scholars will endeavor to show that their kingdom is independent of the (...) Empire by virtue of its Goth origins, and will assign a unitary character, with the intention of representing not only Castilla but the whole of Spain. What the Bishop of Burgos wrote during his stay in the Council of Basle perfectly represents this trend. (shrink)

A number of attempts have been made to conceptualise legal reasoning along falsificationist lines. This paper criticises a recent one by Bernhard Schlink. After familiarising the reader with falsificationism, I argue that falsificationism is premised on an epistemological asymmetry between singular observation statements and universal hypotheses, and that absent such an asymmetry in the context of statutory interpretation, framing jurisprudence in falsificationist terms is unwarranted and misleading. To get off the ground, legal falsificationism would need to combine with some (...) kind of broadly intuitionist moral cognitivism, but even then, it would still misrepresent what is going on in legal reasoning. The arguments in this paper apply mutatis mutandis to all falsificationist theories of legal and ethical reasoning. I point to some by Albert, Canaris and Larenz. (shrink)

La mayoría de la gente o no conoce a Adrienne von Speyr o piensa en ella como en una extraña figura mística que trabajó con el teólogo Hans Urs von Balthasar. Sin embargo, pocos la conocen como médica de Basilea entre los años 30 y 50 del siglo XX. Ejerció su profesión con una pasión inspirada por su fe, integrando constantemente ciencia y espiritualidad. El objetivo de este artículo es presentar esta faceta poco estudiada de la vida de Adrienne (...) von Speyr, y el modo en que su actividad médica modeló su lectura de las Escrituras, en particular del capítulo 11 del evangelio de Juan. También y sobre todo destaca la originalidad de su contribución a la ética médica de su época. (shrink)

Die anhaltende Popularität von juristisch geprägter Literatur zeigt, dass das Ringen um die Gerechtigkeit im Recht ein brisantes Thema ist, das gesellschaftliche Aufmerksamkeit auf sich zieht, provoziert und immer wieder neu zum Nachdenken herausfordert. Zeitgenössisch sind es Autor*innen wie Juli Zeh, Bernhard Schlink, Georg Oswald oder Ferdinand von Schirach (sogenannte Dichterjurist*innen 1 ), die die Frage nach Recht und Gerechtigkeit literarisch verbinden und deren Problemkontexte beleuchten. Juli Zeh lässt ihrem Roman Spieltrieb die Erzählerinstanz sprechen: „Das Recht ist kein Kreißsaal (...) für die Gerechtigkeit […]“ (2013, 518). Auch Ferdinand von Schirach bemüht sich herauszustellen, dass für ihn Recht nicht gleich Gerechtigkeit bedeutet. Als Strafverteidiger sagt er über die Justiz: „[W]ir sprechen […] nicht Gerechtigkeit, sondern Recht“ (Heise 2009).3 In seinen Bestsellern (angefangen von z. B. Der Fall Collini über Terror bis zu seinem neusten Stück Gott) provoziert er das Gerechtigkeitsempfinden seiner Leser*innen und lässt sie am Ende gerne selbst das Urteil fällen. In Terror (2016) soll das Publikum als Jury selbst entscheiden, ob der Kampfpilot das entführte Passagierflugzeug, das auf ein voll besetztes Fußballstadion zugesteuert ist, hätte abschießen dürfen. Hier geraten u. a. die Gewissensentscheidung des Piloten und die Rechtsgrundlage in einen Konflikt. Nicht selten macht er den Leser*innen das Recht schwer erträglich, wenn er z. B. wie im Erzählband Schuld (2017) auf brutale Weise beschreibt, wie eine minderjährige Kellnerin auf einem Volksfest von einer Gruppe von Männern vergewaltigt wird, aber aus Beweismangel letztendlich keiner dieser Männer schuldig gesprochen werden kann. In der Literatur werden vielfältige Zugänge zum Verhältnis von Recht und Gerechtigkeit eröffnet – wie kann sich die christliche Sozialethik positionieren? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 1-20 [Access article in PDF] Crime, Compassion, and The Reader John E. MacKinnon IN "WRITING AFTER AUSCHWITZ," Günter Grass describes how at the age of seventeen he stubbornly refused to believe the evidence arrayed before him and his classmates of Nazi atrocities, the photographs showing piles of eyeglasses, shoes, hair, and bones. "Germans never could have done, never did do a thing like that," (...) he recalls thinking. And "when the Never collapsed," he and other young Germans were assured that they were free of responsibility. "It took several more years," Grass reports, "before I began to realize: This will not go away; our shame cannot be repressed or come to terms with." Later, he confesses that those of his age "belonged to the Auschwitz generation—not as criminals, to be sure, but in the camp of the criminals." 1Although one would be hard-pressed to find a novel more dramatically different in style and narrative development than Grass's own dark, audacious fables, Bernhard Schlink's The Reader 2 nonetheless shares this fascination with the notion of collective guilt, in particular the burden of inheritance endured by Germany's "second generation." Set in a university town in the late 1950s, the novel tells the story of a high school student, Michael Berg, who falls in love with Hanna Schmitz, a woman twenty years his senior. Though capable of genuine concern and deep affection, Hanna is oddly secretive, often brusque and officious, occasionally given to cruelty and sarcasm, and prone to unpredictable fits of pique. She also has an endearing quirk: she likes Michael to read to her. Eventually, and without explanation, she vanishes from Michael's life. It is seven years before he sees her again, when, as a law student, he attends a trial of concentration-camp guards, one of whom is Hanna. She stands accused, along with four other [End Page 1] women, of serving at both Auschwitz and a satellite camp near Cracow, of being actively involved in the selection of prisoners for almost certain death, and of locking several hundred women in a church, where they burned to death during a bombing raid.In light of testimony given at trial, Hanna's puzzling conduct, and his own recollections of their time together, it finally dawns on Michael that Hanna cannot read, that she was and remains illiterate. But while in retrospect this may explain certain episodes of frustration, incomprehension, and overreaction on her part, does it have any bearing on her guilt? What would Michael himself have done if similarly situated, and similarly limited? Thus, the story of Michael and Hanna serves as an allegory of the relation between the two generations of Germans, those who were Nazis, or who at least assisted or accommodated them, and the "lucky late-born." It is against this background that Schlink is able most searchingly to investigate questions of complicity, recrimination, and atonement.As much courtroom drama as rite-of-passage tale, The Reader is also something of a philosophical investigation. According to Eva Hoffman, in fact, Schlink has managed to compose "a fictionalized essay... a kind of philosophical parable." For all the briskly evocative prose, she adds, The Reader "gradually acquires some of the severity of a legal or logical argument, in which propositions are set forth and then tested from various points of view." 3 In a recent article, Jeremiah P. Conway offers a sympathetic interpretation of the novel, attending in particular to the philosophical issues that it raises. Conway challenges Martha Nussbaum's claim that it is logically incoherent for us to feel compassion for one whom we hold responsible for a morally reprehensible act. 4 For in Hanna, he suggests, we have a compelling counterexample, a fit object of our compassion no less than our condemnation. And yet, Conway's challenge is grounded in an even more fundamental denial that The Reader is at all concerned to establish the circumstances of Hanna's life as mitigating her crime.In what follows, I will argue that this interpretation is untenable... (shrink)

This section welcomes submissions addressing literature as a means to explore ethical issues arising in healthcare. “Literature” will be understood broadly, including fiction and creative nonfiction, illness narratives, drama, and poetry; film studies might be considered if the films are adaptations from a literary work. Topics include in-depth analysis of literary works as well as theoretical contributions, discussions, and commentary about narrative approaches to disease and medicine, the way literature shapes the relationship between patients and healthcare professionals, the role of (...) speculative fiction as a testing ground for future scenarios in healthcare, and so on. Articles discussing the uses of literature for bioethics education and outreach will be particularly appreciated. Research on literature not originally written in English will be considered as long as it has also been published in translation. Submissions should include an abstract and should conform to theCQGuidelines for Contributors. To submit an article or discuss a suitable topic, write to Antonio Casado da Rocha [email protected].:This article proposes a concept of narrative autonomy to supplement existing accounts in healthcare ethics. This is done by means of a comparison between three end-of-life scenarios: Tolstoy’sThe Death of Ivan Ilyichand two related contemporary stories by Lorrie Moore and Bernhard Schlink, which explore some problems arising when extremely individualistic notions of patient autonomy are put into practice. It is argued that the best model for palliative care is a cooperative one in which patient autonomy is understood as essentially social, and that involves decisional, executive, informational, and narrative dimensions. (shrink)

El 3 de enero de 1889, en Turín, se produjo la primera crisis que callaría a aquel que se llamaba a sí mismo Dionisos o el Crucificado, o ambos a la vez. Ya en Basilea, a Nietzsche se le había diagnosticado "parálisis progresiva". En Jena, los médicos supusieron una infección sifilítica que se remontaba hacia 1866. Paradójicamente, a fines del mismo mes de enero se publicaba El ocaso de los ídolos y en la primavera de ese mismo año, cuando (...) Nietzsche parecía haberse olvidado de todo lo referente a su obra y de sí mismo, se publicaba Nietzsche contra Wagner. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 1-20 [Access article in PDF] Crime, Compassion, and The Reader John E. MacKinnon IN "WRITING AFTER AUSCHWITZ," Günter Grass describes how at the age of seventeen he stubbornly refused to believe the evidence arrayed before him and his classmates of Nazi atrocities, the photographs showing piles of eyeglasses, shoes, hair, and bones. "Germans never could have done, never did do a thing like that," (...) he recalls thinking. And "when the Never collapsed," he and other young Germans were assured that they were free of responsibility. "It took several more years," Grass reports, "before I began to realize: This will not go away; our shame cannot be repressed or come to terms with." Later, he confesses that those of his age "belonged to the Auschwitz generation—not as criminals, to be sure, but in the camp of the criminals." 1Although one would be hard-pressed to find a novel more dramatically different in style and narrative development than Grass's own dark, audacious fables, Bernhard Schlink's The Reader 2 nonetheless shares this fascination with the notion of collective guilt, in particular the burden of inheritance endured by Germany's "second generation." Set in a university town in the late 1950s, the novel tells the story of a high school student, Michael Berg, who falls in love with Hanna Schmitz, a woman twenty years his senior. Though capable of genuine concern and deep affection, Hanna is oddly secretive, often brusque and officious, occasionally given to cruelty and sarcasm, and prone to unpredictable fits of pique. She also has an endearing quirk: she likes Michael to read to her. Eventually, and without explanation, she vanishes from Michael's life. It is seven years before he sees her again, when, as a law student, he attends a trial of concentration-camp guards, one of whom is Hanna. She stands accused, along with four other [End Page 1] women, of serving at both Auschwitz and a satellite camp near Cracow, of being actively involved in the selection of prisoners for almost certain death, and of locking several hundred women in a church, where they burned to death during a bombing raid.In light of testimony given at trial, Hanna's puzzling conduct, and his own recollections of their time together, it finally dawns on Michael that Hanna cannot read, that she was and remains illiterate. But while in retrospect this may explain certain episodes of frustration, incomprehension, and overreaction on her part, does it have any bearing on her guilt? What would Michael himself have done if similarly situated, and similarly limited? Thus, the story of Michael and Hanna serves as an allegory of the relation between the two generations of Germans, those who were Nazis, or who at least assisted or accommodated them, and the "lucky late-born." It is against this background that Schlink is able most searchingly to investigate questions of complicity, recrimination, and atonement.As much courtroom drama as rite-of-passage tale, The Reader is also something of a philosophical investigation. According to Eva Hoffman, in fact, Schlink has managed to compose "a fictionalized essay... a kind of philosophical parable." For all the briskly evocative prose, she adds, The Reader "gradually acquires some of the severity of a legal or logical argument, in which propositions are set forth and then tested from various points of view." 3 In a recent article, Jeremiah P. Conway offers a sympathetic interpretation of the novel, attending in particular to the philosophical issues that it raises. Conway challenges Martha Nussbaum's claim that it is logically incoherent for us to feel compassion for one whom we hold responsible for a morally reprehensible act. 4 For in Hanna, he suggests, we have a compelling counterexample, a fit object of our compassion no less than our condemnation. And yet, Conway's challenge is grounded in an even more fundamental denial that The Reader is at all concerned to establish the circumstances of Hanna's life as mitigating her crime.In what follows, I will argue that this interpretation is untenable... (shrink)

Erasmo fue un gran re- novador de la teología a partir del estu- dio de la Sagrada Escritura y de los Pa- dres de la Iglesia mediante su redditio ad fontes. Esta tarea tiene una fecha de partida —la de preparación fue al me- nos de quince años— el annus mirabilis 1516 en el que publica su primera edi- ción del Nuevo Testamento o Novum Instrumentum y su hercúlea edición en nueve tomos de las obras completas u Opera omnia de (...) san Jerónimo. Dos hi- tos en su proyecto bíblico y patrístico que continuará a lo largo de sus últimos veinte años con la edición de más de una docena de Padres tanto griegos como latinos. No menos impor- tante es su labor de traductor —al latín obviamente— de Padres griegos como Crisóstomo, Basilio y Orígenes —aquí estudiados bles bien por ser las primeras en el pa- norama humanístico del siglo xvi bien por la calidad de su latín, que han me- recido figurar —el caso de Juan Crisós- tomo— aún bajo su nombre en la Pa- trología griega de Migne. En este ar- tículo asistimos a la búsqueda apasio- nada por parte de Erasmo de manuscri- tos para editar o traducir, al intercam- bio epistolar con humanistas e impreso- res, y al trabajo bien hecho hasta los úl- timos días de sus vida en su querida ciudad de Basilea, la de los impresores Froben, con la edición de Orígenes que preparaba para la Feria del Libro de Fráncfort —en otoño de 1536— a la que él no llegó —falleció el 12 de ju- lio— pero sí sus dos gruesos volúme- nes, hermoso legado póstumo. (shrink)

Ce texte a déjà paru dans A. Caputo & M. Bracco, Nietzsche e la poesia, Bari, Stilo Editrice, 2012, p. 75-115. Nous remercions Michele Bracco de nous l'avoir adressé. Il tema della poesia e del ritmo impegna Nietzsche fin dai primi anni della sua carriera di filologo. Risalgono al semestre invernale 1875-1876 alcune lezioni tenute all'università di Basilea sulla storia della letteratura greca nelle quali l'origine della poesia viene spiegata a partire dalla sua relazione col ritmo, (...) - Philosophie (...) – Nouvel article. (shrink)

En torno al Concilio de Basilea (1431-49), y frente a la renovación nominalista, en la Universidad de Salamanca se promueve todo un movimiento de renovación humanista desde el campo de la filosofía y teología, teniendo en Pedro Martínez de Osma (1424-80) a uno de sus representantes más significativos. En este trabajo se muestra el significado de su obra, con influencias de L. Bruni y L. Valía, y se rescatan dos de sus textos más significativos desde esa lucha que enfrentaba (...) al humanismo con el nominalismo. (shrink)

Among the works of Aelius Aristides is preserved an address to an unnamed ‘king’. The prevailing view in this century has been that it is addressed to a third-century emperor, and was attributed to Aristides in error. In an article published in 1972 , 134–52), I argued that the speech was genuine, and was delivered by Aristides in 144 before Antoninus Pius. In a recent article in this journal , 172–97), Stephen A. Stertz has undertaken to rebut this view, and (...) advances a novel one: the speech is a school exercise written in the third or perhaps the fourth century, and does not refer to any particular ‘king’, not even necessarily a Roman emperor. Rather than attempt to answer all of Stertz's arguments, I have selected as samples one each from several diverse fields. Manuscript tradition. In his first paragraph, Stertz suggests that the manuscript tradition of the Eis basilea itself impugns its authenticity. ‘The oration is entitled єς βασιλέα in three manuscripts and єς τόν ατοκρτορα in another. It has been pointed out that in the former group of manuscripts the title is not preceded by the words ριστεδου λόγος, thus casting doubt on Aristidean authorship' . The accompanying footnote refers to Keil's apparatus ad loc, and the reader might infer that this argument is borrowed from Aristides’ foremost editor. What Keil said was: ‘Titulus ες βασιλα STC : єς τòν ατοκρτορα U et in indice D m recentiss.’. (shrink)

Among the works of Aelius Aristides is preserved an address to an unnamed ‘king’. The prevailing view in this century has been that it is addressed to a third-century emperor, and was attributed to Aristides in error. In an article published in 1972, 134–52), I argued that the speech was genuine, and was delivered by Aristides in 144 before Antoninus Pius. In a recent article in this journal, 172–97), Stephen A. Stertz has undertaken to rebut this view, and advances a (...) novel one: the speech is a school exercise written in the third or perhaps the fourth century, and does not refer to any particular ‘king’, not even necessarily a Roman emperor. Rather than attempt to answer all of Stertz's arguments, I have selected as samples one each from several diverse fields. Manuscript tradition. In his first paragraph, Stertz suggests that the manuscript tradition of the Eis basilea itself impugns its authenticity. ‘The oration is entitled єς βασιλέα in three manuscripts and єς τόν ατοκρτορα in another. It has been pointed out that in the former group of manuscripts the title is not preceded by the words ριστεδου λόγος, thus casting doubt on Aristidean authorship'. The accompanying footnote refers to Keil's apparatus ad loc, and the reader might infer that this argument is borrowed from Aristides’ foremost editor. What Keil said was: ‘Titulus ες βασιλα STC : єς τòν ατοκρτορα U et in indice D m recentiss.’. (shrink)