At first view, the methodology of survey research may seem rather unsuitable to the study of such "holistic" phenomena as collective and social identities. That difficulty vanishes - at least partly - as soon as we consider social identity as the link between the individual and his belongings, as does the "social identity theory", developed from the work of Taffel and Turner. From there on, survey research may prove to be a useful device to cope with some main characteristics of (...) social identity: mainly its variability among groups and classes within a same society and its particular sensitivity to socio-political contexts. Survey research, combined with the social identity theory may help to test historical assumptions at a macro-social level. It may also give some ''flesh" and some additional realism to the micro-theories of social behaviour, which are too often limited by their conception of a strictly rational and interested agent. (shrink)

At first sight, the ecologist voters in Wallonia present some remarkable characteristics : they are much younger, better educated, less religious and less interested in polities than the 'average' voter.When one constructs three- or four ways cross-tables, the high level of education among ecologist voters appears mainly as a 'by-product' of their very low average age. On the contrary, general interest for politics and religious attitudes maintain an effect on their own. So the model that fits the data best is (...) the one that retains those three variables.Those characteristics bring some support to the idea that ecologist vote is mainly a protest vote. On the other side, it may be considered that Ecolo contributes to maintain in the 'electoral field' a potentialy abstentionist population. (shrink)

... PREFACE Paul Gochet (Liege) "[...] une entite physique ne peut etre envisagee que comme une sorte de concretisation, de consolidation locale dans un ...

La contribution de Michel Troper à la théorie générale du droit et à la théorie constitutionnelle est aujourd'hui reconnue et célébrée un peu partout dans le monde. Un talent d'architecte se tient à l'origine de cette audience rarement égalée dans la sphère francophone : celui qu'il faut pour accommoder toutes les exigences, quel que soit l'ordre de valeur dans lequel on les trouve : originalité, rigueur, souci de la fonction, esthétisme, solidité, adaptation, intelligence, inquiétude, esprit critique, renoncement, réalisme... A (...) ces mérites, on ajoutera une curiosité insatiable, un goût prononcé pour l'échange et le débat, un refus distingué de l'académisme, un sens exigeant de l'amitié et une méfiance profônde pour les adjectifs... C'est cet édifice de qualités que les élèves, collègues et amis de Michel Troper sont heureux de célébrer en lui offrant ces Mélanges. (shrink)

It is widely believed, among philosophers of literature, that imagining contradictions is as easy as telling or reading a story with contradictory content. Italo Calvino’s The Nonexistent Knight, for instance, concerns a knight who performs many brave deeds, but who does not exist. Anything at all, they argue, can be true in a story, including contradictions and other impossibilia. While most will readily concede that we cannot objectually imagine contradictions, they nevertheless insist that we can propositionally imagine them, and regularly (...) do, simply by entertaining a text which prompts us to do so. I argue that this narrative does not bear scrutiny for two main reasons. First, because propositional imagining is beside the point, where truth in fiction is concerned; evaluating truth in fiction engages the cognitive architecture in ways that prohibit the mobilization of merely propositional imagination to that end. And second, because it is not obvious, given the strategies usually suggested, that we ever propositionally imagine contradictions in the first place—in fact, it seems we go out of our way to avoid directly imagining them. (shrink)

It is widely agreed that fiction is necessarily incomplete, but some recent work postulates the existence of universal fictions—stories according to which everything is true. Building such a story is supposedly straightforward: authors can either assert that everything is true in their story, define a complement function that does the assertoric work for them, or, most compellingly, write a story combining a contradiction with the principle of explosion. The case for universal fictions thus turns on the intuitive priority we assign (...) to the law of non-contradiction. My goal in this paper is to show that our critical and reflective literary practices set constraints on story-telling which preclude universal fictions. I will raise four stumbling blocks for universal fictionalists: the gap between saying and making true, our actual interpretive reactions to story-level contradictions, the criteria we accept for what counts as a story in our literary practices, and the undesirability of the universal fictionalist’s closure principles. (shrink)

The premise that every work belongs to an art-kind has recently inspired a kind-centred approach to theories of art. Kind-centred analyses posit that we should abandon the project of giving a general theory of art and focus instead on giving theories of the arts. The main difficulty, however, is to explain what makes a given kind an art-kind in the first place. Kind-centred theorists have passed this buck on to appreciative practices, but this move proves unsatisfactory. I argue that the (...) root of this dissatisfaction stems not from the act of kicking the can down the road, but from not kicking it far enough. The missing ingredient, I argue, is a notion of convention which does the work of marking the difference between art and non-art for a given physical medium. (shrink)

Schopenhauer’s invective is legendary among philosophers, and is unmatched in the historical canon. But these complaints are themselves worthy of careful consideration: they are rooted in Schopenhauer’s philosophy of language, which itself reflects the structure of his metaphysics. This short chapter argues that Schopenhauer’s vitriol rewards philosophical attention; not because it expresses his critical take on Fichte, Hegel, Herbart, Schelling, and Schleiermacher, but because it neatly illustrates his philosophy of language. Schopenhauer’s epithets are not merely spiteful slurs; instead, they reflect (...) deep-seated theoretical and methodological commitments to transparency of exposition. (shrink)

" Pour chanter les vingt ans du Pommier, mon éditrice me demanda d'écrire quelques lignes. Les voici. Pour une fois, j'y entre en morale, comme en terre nouvelle et inconnue, sur la pointe des pieds. On disait jadis de l'Arlequin de mes rêves, bienheureux comédien de l'art, qu'il corrigeait les moeurs en riant. Devenu arrière-grand-père, son disciple a, de même, le devoir sacré de raconter des histoires à ses petits descendants en leur enseignant à faire des grimaces narquoises. Parvenus ensemble (...) à l'âge espiègle, j'en profite pour leur dire de l'austère en pouffant de rire. " Michel Serres. (shrink)

Michel Weber, Éléments de routine ayurvédique. Autonomie, rituel et ascèse, Les Éditions Chromatika, 2021. (978-2-930517-82-7 ; pdf 978-2-930517-83-4 ; 104 pp., 14€) -/- L’Ayurvéda propose une philosophie de vie qui articule un vaste système métaphysique (une cosmologie théorique) avec une visée thérapeutique profonde (une anthropologie pratique). -/- À la croisée de la théorie et de la pratique, on trouve la routine (« dinacharya ») dont le but est de susciter l’individuation et la solidarité, c’est-à-dire l’autonomie (de chacun) respectueuse de (...) la communauté (de tous). Ce faisant, elle constitue une ascèse dont l’efficacité a été longuement éprouvée et rarement égalée. (shrink)

This chapter draws upon the archaeological and philosophical literature to offer an analysis and diagnosis of the popular ‘ancient aliens’ theory. First, we argue that ancient aliens theory is a form of conspiracy theory. Second, we argue that it differs from other familiar conspiracy theories because it does distinctive ideological work. Third, we argue that ancient aliens theory is a form of non-contextualized inquiry that sacrifices the very thing that makes archaeological research successful, and does so for the sake of (...) popular accessibility. Rather than merely dismissing ancient aliens as ‘pseudoarchaeology’ on demarcationist grounds, we offer a more complicated account of how the theory works, and what ideological work it does. (shrink)

Depuis 2014, je rédige régulièrement des billets (180 jusqu’à présent) sur le blogue du site de Philosophie pour enfants de l’Université Laval (philoenfant.org). Ce livre réunit une trentaine de billets publiés sur ce site. Si les chapitres que contient ce livre n’ont rien de vraiment nouveau, ils permettent néanmoins une restructuration de différents billets conduisant à entrevoir une cohérence entre ces derniers et à centrer, du même coup, l’attention du lecteur sur trois aspects qui caractérisent bon nombre des publications sur (...) le site : 1) la pratique de la philosophie en communauté de recherche ; 2) la philosophie pour enfants ; 3) des rapports entre la pratique de la philosophie pour enfants et celle des arts libéraux. Par le choix des billets retenus et leur organisation selon ces trois axes, ce livre devrait permettre au lecteur de saisir que la pratique de la philosophie en communauté de recherche, entre rupture et continuité, vise un équilibre réflexif dans le monde de l’éducation. En s’appuyant sur la pratique du dialogue en communauté de recherche, l’éducation devient principalement collaborative et la pratique de la philosophie (re)devient un geste social offrant des outils à chaque personne qui souhaite apprendre ou approfondir l’acte consistant à penser par et pour soi-même, avec les autres. (shrink)

"An important contribution to contemporary jurisprudential debate and to legal thought more generally, Just Interpretations is far ahead of currently available work."--Peter Goodrich, author of Oedipus Lex "I was struck repeatedly by the clarity of expression throughout the book. Rosenfeld's description and criticism of the recent work of leading thinkers distinguishes his work within the legal theory genre. Furthermore, his own theory is quite original and provocative."--Aviam Soifer, author of Law and the Company We Keep.

Il y a des questions concernant le droit auxquelles il n'est pas possible de répondre par la simple analyse du droit en vigueur et que pourtant ni les juristes, ni les philosophes ne peuvent éviter. Ce sont celles qui font l'objet de la philosophie du droit. Elles concernent notamment la définition du droit et d'abord celle du droit en vigueur lui-même, des rapports que le droit entretien avec d'autres phénomènes, comme le pouvoir, la force ou la morale, la possibilité d'une (...) science du droit, la structure du système juridique ou encore la spécificité du raisonnement juridique et des concepts employés par les juristes. (shrink)

This volume is a wonderful introduction to Foucault and a testimony to the deep humanity of the man himself.

‘Philosophical dialogue’ indicates both a form of philosophical inquiry and its corresponding literary genre. In its written form, it typically features two or more characters who engage in a discussion concerning morals, knowledge, as well as a variety of topics that can be widely labelled as ‘philosophical’. Our philosophical dialogue takes place in Krakow, Poland. It is a rainy morning and two strangers are waiting at a tram stop. One of them is dressed neatly, and cannot stop fidgeting with his (...) closed umbrella. The other was caught unprepared by the morning downpour and water is dripping from his worn, soaked jacket. (shrink)

Si vous n'aimez pas les chiens, si la peine de vie vous semble aussi discutable que la peine de mort, si vous ne vous esclaffez pas quand on rajoute des moustaches à la Joconde, si vous souhaitez la béatification de Monica Lewinsky, si l'art post-moderne vous paraît nullisime, si vous considérez que, pour faire partie d'une commission d'éthique, il faut être un salaud, si vous n'êtes pas un inconditionnel de Marcel Duchamp, de Marguerite Duras, de René Char, de Georges Brassens (...) ou d'Olivier Messiaen, si vous tenez l'horoscope pour une niaiserie, l'homéopathie pour une charlatanerie, le patriotisme pour une infamie et les supporters sportifs pour des Untermensch, alors vous êtes atypique et vous vous exposez à quantité d'embêtements. mais vous trouverez peut-être une consolation dans ce livre. Si, au contraire, vous êtes politiquement correct, vous y trouverez prétexte à fourbir vos armes. Et dans l'hypothèse improbable où vous ne seriez ni correct ni abject, il vous aidera à rejoindre la réalité. (shrink)

"Depuis l'embryon lové dans le ventre de sa mère, jusqu'aux métropoles qui couvrent la Terre de leurs lumières permanentes, les humains ont inventé de nombreuses façons d'habiter. Mais les animaux et, plus étonnant, les végétaux avaient déjà exploré de nombreux modes d'habitat. Michel Serres nous dévoile les secrets de ces architectures séduisantes et multiples, nous en montre le sens et les mots, et esquisse ainsi le monde de demain." Présentation de l'éditeur.

A escola é um espaço importantíssimo para o desenvolvimento de trabalhos e ações que envolvem a gestão de resíduos sólidos, tema cada vez mais discutido em trabalhos e eventos científicos. Com o objetivo de sensibilizar educandos para o problema, um grupo de bolsistas do Pibid Interdisciplinar – Educação ambiental realizou um experimento em que ações socioambientais foram propostas e desenvolvidas junto com educandos de uma escola parceira. As experiências vivenciadas no cotidiano escolar dos dois grupos tiveram como técnicas de coleta (...) de dados necessários à elaboração coletiva das ações, observações e oficinas teórico-práticas, em quatro encontros, nos quais o tema foi abordado teoricamente, através de exibição de documentários e realização de algumas dinâmicas. A ação resultante foi um trabalho de reciclagem com o reaproveitamento de materiais que seriam descartados, ao longo do qual ocorreram discussões que consistiam em uma problematização que, a partir da realidade dos alunos, tentava contribuir para que eles percebessem problemas ambientais presentes em seu dia a dia, convidando-os a refletir sobre os seus hábitos de consumo, a forma de descarte dos resíduos provenientes do seu ato de consumir e os prejuízos por eles causado na natureza. (shrink)

Comment Bachelard, fils d'un cordonnier, professeur de physique et chimie, a-t-il pu devenir cet humaniste aussi savant que philosophe, aussi penseur que poète? Il n'a pas emprunté les chemins balisés, ceux des élites universitaires et culturelles. Il a contrarié les pronostics et les conventions. Il s'est adjugé contre vents et marées le droit de penser par lui-même en bousculant les frontières des savoirs et de la culture et en dérangeant les us et coutumes établis. "Un ouvrage aussi lumineux que la (...) destinée et l'oeuvre de Gaston Bachelard. Au plus près de sa vie et de sa pensée". (Philippe Meirieu). (shrink)

This paper deals with causal analysis in the social sciences. We first present a conceptual framework according to which causal analysis is based on a rationale of variation and invariance, and not only on regularity. We then develop a formal framework for causal analysis by means of structural modelling. Within this framework we approach causality in terms of exogeneity in a structural conditional model based which is based on (i) congruence with background knowledge, (ii) invariance under a large variety of (...) environmental changes, and (iii) model fit. We also tackle the issue of confounding and show how latent confounders can play havoc with exogeneity. This framework avoids making untestable metaphysical claims about causal relations and yet remains useful for cognitive and action-oriented goals. (shrink)

This paper explores what happens when artists fail to execute their goals. I argue that taxonomies of failure in general, and of failed-art in particular, should focus on the attempts which generate the failed-entity, and that to do this they must be sensitive to an attempt’s orientation. This account of failed-attempts delivers three important new insights into artistic practice: there can be no accidental art, only deliberate and incidental art; art’s intention-dependence entails the possibility of performative failure, but not of (...) failed-art; and art’s intention-dependence is perfectly compatible with the role that luck plays in artistic creation. (shrink)