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  1.  36
    The Writings of Jean-Paul Sartre.Michel Contat, Michel Rybalka & Richard Mccleary - 1979 - Philosophy and Phenomenological Research 40 (2):305-306.
  2.  44
    Sartre on Theater.Jean-Paul Sartre, Michel Contat, Michel Rybalka & Frank Jellinek - 1977 - Journal of Aesthetics and Art Criticism 36 (1):112-113.
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  3. Les écrits de Sartre. Chronologie, bibliographie commentée.Michel Contat & Michel Rybalka - 1975 - Revue Philosophique de la France Et de l'Etranger 165 (4):474-475.
     
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  4.  3
    The Writings of Jean-Paul Sartre Volume 1: A Bibliographical Life.Michel Contat, Richard C. McCleary & Michel Rybalka (eds.) - 1974 - Northwestern University Press.
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  5. An Interview with André Glucksmann.Michel Rybalka - 1977 - Telos: Critical Theory of the Contemporary 33:94.
     
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  6.  1
    Introduction.Michel Rybalka - 1980 - Telos: Critical Theory of the Contemporary 1980 (44):153-154.
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  7. Introduction to "La Nouvelle Philosophie".Michel Rybalka - 1977 - Telos: Critical Theory of the Contemporary 33:93.
     
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  8. Mark Poster, "Existential Marxism in Postwar France".Michel Rybalka - 1976 - Telos: Critical Theory of the Contemporary 30:224.
     
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  9.  3
    Sartre: bibliographie 1980-1992.Michel Rybalka & Michel Contat - 1993
    Picking up where the work of F. L. Lapointe left off, this new bibliography has more than 6,000 reference points providing thorough coverage of Jean-Paul Sartre from 1980 to 1992. More than 3,400 main entries are clearly presented in chronological order. Also included are 200 doctoral theses, a name index with more than 2,400 authors, and a book index.
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  10. Études Sartriennes.Michel Rybalka, Geneviève Idt, Groupe D'Études Sartriennes & Centre Culturel International de Cerisy-la-Salle - 1985 - Université Paris X-Nanterre.
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  11.  3
    The Writings of Jean-Paul Sartre Volume 2: Selected Prose.Michel Rybalka, Richard McCleary & Michel Contat (eds.) - 1974 - Northwestern University Press.
    The writings published here are not so much an epitome as episodes. But most do not digress. They mark the turns and turning points of a human style, the tropes of an expressive life embodying the changing tempos of an age. Until we fall silent, all of us are trying to say. These fragmentary efforts to speak to, rejoin, and help create a new community of liberated human beings constitute the epigraphs of Sartre's historical inscription.
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