This is an extensive anthology of the writings of John Dewey, edited by John J. McDermott.

Interest in thought experiments (TEs) derives from the paradox: “How can findings that carry conviction result from a new experiment conducted entirely within the head?” Historical studies have established the importance of TEs in science but have proposed disparate hypotheses concerning the source of knowledge in TEs, ranging from empiricist to rationalist accounts. This article analyzes TEs in think‐aloud protocols of scientifically trained experts to examine more fine‐grained information about their use. Some TEs appear powerful enough to discredit an existing (...) theory—a disconfirmatory purpose. In addition, confirmatory and generative purposes were identified for other TEs. One can also use details in transcript data, including imagery reports and gestures, to provide evidence for a central role played by imagistic simulations in many TEs, and to suggest that these simulations can generate new knowledge using several sources, including the “extended application” of perceptual motor schemas, implicit prior knowledge, and spatial reasoning operations, in contrast to formal arguments. These sources suggest what it means for TEs to be grounded in embodied processes that can begin to explain the paradox above. This leads to a rationalistic view of TEs as using productive internal reasoning, but the view also acknowledges the historical role that experience with the world can play in forming certain schemas used in TEs. Understanding such processes could help provide a foundation for developing a larger model of scientific investigation processes grounded on imagistic simulation (Clement, 2008). (shrink)

Dickens’s relationship with the Arts has confounded or silenced some of the most eminent critics from his day to ours. His own reticence on the topic likewise makes the idea of a book on Dickens and the Arts a little odd or dissonant. Though as this volume makes clear, he was well versed in a range of high and low arts, he was seemingly determined to embrace, if not the wrong side of the cultural track, metaphorically speaking, a different track. (...) The Introduction is structured around four broad areas which are key to an understanding of both the ideological underpinnings of shifting definitions of the Arts, and to an understanding of the reasons for Dickens’s complex relationship to the idea of the Arts: money/materialism; hierarchies of privilege; yardsticks of criticism or artistic judgement; the public good. There is an uneasy relationship between ‘the Arts’ and all four areas, between Dickens and all four, and between Dickens and the Arts understood via these frames, which are commonly invoked in discussions of the Arts. The contention of this volume is that, far from being a philistine who had no interest in the Arts, Dickens’s apparent reticence in an industrial age where the value and function of the Arts was uniquely important in public debate, masks a complex and sophisticated vision (if not theory) of the Arts in the modern era, which is, and was, ahead of its time. Dickens’s philosophy of art in fact works to complicate in subtle ways the idea of an opposition between idealist and integrationist views of the aesthetic, though its most characteristic thrust is integrationist. (shrink)

The interpretation of transcendental arguments remains a contentious issue for contemporary epistemology. It is usually agreed that they originated in Kant's theoretical philosophy and were intended to have some kind of anti-sceptical efficacy. I argue that the sceptic with whom Kant was concerned has been consistently misidentified. The actual sceptic was Hume, questioning whether the faculty of reason can justify any of our judgements whatsoever. His challenge is a sceptical argument regarding rule-following which engenders a vicious regress. Once this sceptical (...) threat is properly identified, the prospects of transcendental arguments must be re-evaluated. (shrink)

A CONCERN TO UNDERSTAND THE POSSIBILITIES AND LIMITS of human freedom is as old as philosophy. Yet the question whether and in what sense human beings are free agents still provokes heated debate. Even a century ago, as William James began his discussion of the issue, he wondered, with some bemusement, whether there could possibly be any “juice” left in it! Happily, he concluded that there was still more to be said, but his eloquent defense of free will failed to (...) convince; it became just another chapter in the ongoing and seemingly endless dispute. In the years since, many additional essays and books have been written, covering every aspect and espousing every possible view of the matter. The deep disagreements continue. It is this very phenomenon, the remarkable persistence—and resistance—of the problem of freedom, upon which I wish to reflect. Why is it that after such a long history the same vigorous differences endure? Is it more than mere philosophical partisanship that keeps the discussants talking past one another? I believe that there is more to it. I suspect, much as Kant thought, that there is here a sort of antinomy in which valid but seemingly incompatible intuitions are expressed over and over again. Perhaps by considering this possibility we can, even now, squeeze out a bit more juice. (shrink)

Despite Platonism's unquestioned claim to being one of the most influential movements in the history of philosophy, for a long time the conventional wisdom was that Platonists of late antiquity, or Neoplatonists, were so focused on otherworldly metaphysics that they simply neglected any serious study of the sensible world, which after all is 'merely' an image of the intelligible world. Only recently has this conventional wisdom begun to be dispelled. In fact, it is precisely because these thinkers did see the (...) sensible world as an image of the intelligible world that they devoted so much time and energy to understanding its inner workings. Thus we find Neoplatonists writing on embryology, physiology, meteorology, and astronomy, among other subjects.Neoplatonism and the Philosophy of Nature collects essays by leading international scholars in the field which shed new light on how the Neoplatonists sought to understand and explain nature and natural phenomena. It is thematically divided into two parts, with the first part--The General Metaphysics of Nature--directed at the explication of central Neoplatonic metaphysical doctrines and their relation to the natural world, and the second part--Platonic Approaches to Individual Sciences--showing how these same doctrines play out in individual natural sciences such as elemental physics, geography, and biology. Together these essays show that a serious examination of Neoplatonic natural philosophy has far-reaching consequences for our general understanding of the metaphysics of Platonism as well as for our evaluation of their place in the history of science. (shrink)

This volume contains papers originally presented to the Boston Area Colloquium in Ancient Philosophy during 2005-6. Of the seven colloquia, two deal with topics in Neoplatonism, four are dedicated to Aristotle’s ethics and metaphysics, and one to Plato’s Republic.

In a recent essay, George Annas, the legal columnist for The New England Journal of Medicine, observed that the resuscitation of extremely premature infants, even over parental objection, is not problematic because “once the child's medical status has been determined, the parents have the legal authority to make all subsequent decisions.” Annas himself is quick to concede that treatment in a high-technology neonatal intensive care unit frequently takes on a life of its own. He also acknowledges that although bioethicists and (...) courts agree that there is no ethical or legal difference between withholding or withdrawing a respirator from a patient, parents and physicians find the withdrawal much more emotionally troubling. (shrink)

Whether Meletus, the accuser of Socrates, is to be identified with Meletus, the accuser of Andocides and participant in the arrest of Leon of Salamis , has recently been discussed, with inconclusive results, by H. Blumenthal. The strongest argument against the identification, it may be thought, is that Socrates mentions the arrest without implicating Meletus. I propose to argue that the Meleti are one, that there is a veiled allusion to Meletus in this passage and that Socrates effects this allusion (...) in two ways. (shrink)

Abstract:This essay places the writings of John Lachs in the tradition of classical American philosophy through an appreciative and critical analysis of several central ideas: pluralism, individualism, mediation, meddling, the cost of comfort, and Stoic pragmatism. I focus on the need to move pluralism from the conceptual to practical realm, and on the need for a less self-contained, libertarian, and ultimately Romantic form of individualism. I also stress the importance of viewing philosophies as personal expressions of temperament.

In this paper the author discusses the complex question of whether Proclus regards theology as a demonstrative science along the lines of Euclidean geometry, or as a different kind of science that follows the dialectical model of Plato's Parmenides. This question is focused by considering the applicability to the Elements of Theology of the Euclidean model of science, while examining the limitations of this hermeneutical approach.

I examine one aspect of the central role which mathematics plays in Proclus's ontology and epistemology, with particular reference to his Elements of Theology. I focus on his peculiar views about the ontological status of mathematical objects and the special faculties of the soul that are involved in understanding them. If they are merely abstract objects that are "stripped away" from sensible things, then they are unlikely to reorient the mind towards the intelligible realm, as envisioned by Plato in the (...) Republic. Thus, in order to defend the function of mathematics as a prodaideutic to dialectic, Proclus rejects Aristotelian abstractionism in favor of an elaborate account in terms of Nous projecting images of its Forms through the medium of the imagination. In metaphorical terms, he replaces the Aristotelian image of the soul as a blank tablet with that of a tablet that has always been inscribed and is always writing itself, while also being written on by Nous. The mediating function of mathematics for understanding the higher realities is grounded in the fact that its central principles of Limit and Unlimited have a universal provenance in Proclus's whole system of reality. (shrink)