Toute guerre se remporte avec des hommes et des munitions, y compris celle des idées. Aujourd'hui l'histoire, la politique, l'économie, la culture, le droit sont des champs de bataille. À nous d'y triompher de la pensée unique. Beaucoup ont déjà pris la plume, tels Jean Sévillia, Philippe de Villiers ou Mathieu Bock-Côté. Mais à cette aventure intellectuelle, le droit reste étranger. Chose curieuse, au regard de son immixtion dans nos vies, réglées comme des horloges suisses par ses rouages. Mal interprété, (...) il regorge d'idées fausses, parfois sciemment entretenues par nos législateurs à des fins politiques. Remettre le droit à l'endroit? C'est l'objet insolite de cet ouvrage. Les hommes naissent-ils réellement libres et égaux en droit? Nos élus nous coûtent-ils trop cher? La naissance d'un étranger en France le rend-elle nécessairement français? Le droit européen est-il vraiment supérieur au droit national? Trente questions pour y voir clair et combattre les idées reçues. (shrink)

Tracer des ponts entre la philosophie et la théologie, à travers un discours qui ne sacrifie jamais la raison sur l'autel de la foi, mais qui utilise l'éclairage de la Parole de Dieu pour stimuler la réflexion philosophique, tel est le pari de Charles-Éric de Saint Germain dans ses Écrits philosophico-théologiques sur le christianisme.

Sinous voulions tirer une ligne d'unité à travers les branches si disparates qui se sont épanouies sur les racines cartésiennes, nous pourrions affirmer que l'homme est rentré en lui-même et de plus en plus profondément jusqu'à nos jours. Son regard s'est détourné d'un objet extérieur pour considàrer le produit intérieur de son acte d'esprit, puis pour essayer de pénétrer dans le mystère même de cet acte. L'homme s'est vu responsable de l'homme. Son existence lui est donnée mais il ne peut (...) la maintenir sans lui fournir une forme, une essence dont la spécification dépendra de son “je” libre. Tout un éventail d'humanismes s'est alors déployé à partir d'une concrétude enfouie irrévocablement et désespérément dans la condition charnelle jusqu'à la concrétude la plus spirituelle de la pensée réflexive contemporaine. En un mot, l'histoire de la philosophic moderne devient l'histoire de la prise de conscience de l'immanence. (shrink)

Ever since Ph. Kohlmann in his Teubner edition of the Thebaid asserted that he had used cod. Parisinus 13046, one of the MSS. formerly of St. Germain des Prés, this MS. has been known by reputation to his successors and other students of Statian textual problems, and, designed by the letter S, it is alluded to and cited in the edition of Garrod and in the newer Teubner of Klotz, which appeared in 1908. The two later editors confessed that (...) they themselves had not examined the MS., but were relying upon the information accessible in Kohlmann's edition. Doubts having been cast from more than one source upon Kohlmann's accuracy and the soundness of his reports, while at the same time the importance of S as a member of the ω group was emphasized by Mr. Garrod and Dr. Klotz in spite of the incomplete evidence at their disposal, it seemed worth while to the writer to examine the MS. for himself and to make a thorough collation of it. This has been done in the summer of 1932. (shrink)

More's Latin reply to Bugenhagen, given here with a facing English translation, is a comparatively brief but intense rebuttal of the principal points of Lutheran teaching concerning scripture ant tradition, faith and works, grace and free will, clerical celibacy, and the sacraments. It presents arguments elaborated at much greater length in More's other polemical works. _Supplication of Souls_ refutes _A Supplication for the Beggars_, an anticlerical pamphlet by Simon Fish which Henry VIII seems to have regarded with some favor. More (...) places his response in the mouths of the souls in purgatory. In the first book, he contemptuously demolished Fish's loose railery with accurate statistics and historical analysis. In the second, he defends the traditional doctrine of purgatory with brief arguments drawn from reason and a detailed analysis of scriptural passages. _Letter against Frith_ answers John Frith's Zwinglian arguments against the physical presence of Christ in the more. Written to an unknown correspondent, it is the briefest and mildest of More's polemical works and anticipates arguments presented moer elaborately in More's _The Answer to a Poisoned Book_. Besides full introductions and commentaries, a glossary, and an index, this volume contains seven appendices giving the works to which More is replying and other thematic, historical, and bibliographical matter closely related to the three works by More. (shrink)

What has been called the new mechanistic philosophy conceives of mechanisms as the main providers of biological explanation. We draw on the characterization of the p53 gene in molecular oncology, to show that explaining a biological phenomenon implies instead a dynamic interaction between the mechanistic level—rendered at the appropriate degree of ontological resolution—and far more general explanatory tools that perform a fundamental epistemic role in the provision of biological explanations. We call such tools “explanatory frameworks”. They are called frameworks to (...) stress their higher level of generality with respect to bare mechanisms; on the other hand, they are called explanatory because, as we show in this paper, their importance in explaining biological phenomena is not secondary with respect to mechanisms. We illustrate how explanatory frameworks establish selective and local criteria of causal relevance that drive the search for, characterisation and usage of biological mechanisms. Furthermore, we show that explanatory frameworks allow for changes of scientific perspective on the causal relevance of mechanisms going beyond the account provided by the new mechanistic philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:HISTORY AS ARGUMENT FOR REVISION IN MORAL THEOLOGY: A REVIEW DISCUSSION GERMAIN GRISEZ Mount Saint Mary's College; Emmitsburg, Maryland, JOHN MAHONEY, S.J., forme11ly a professor of moral theology at Heythrop College and now the Frederick Denison Maurice Pro£essor 0£ Moral and Social Theology at King's Col1ege, London, presented the Martin D'Arcy Memorial Lectures in Campion Hall, Oxford, in the spring of 1982. He now has expanded these (...) lectures and published them, with extensive notes, in a book which is both erudite and readable.1 To save space, I shall not summarize Mahoney's book here,2 nor shaH I deal with various interesting ideas in it which deserve discussion among professional theologians. Rather, I shall evaluate the book from a single, rather narrow point of view: its appropriateness for use as a historical introduction to Catholic moral theology. I. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:HISTORY AS ARGUMENT FOR REVISION IN MORAL THEOLOGY: A REVIEW DISCUSSION GERMAIN GRISEZ Mount Saint Mary's College; Emmitsburg, Maryland, JOHN MAHONEY, S.J., forme11ly a professor of moral theology at Heythrop College and now the Frederick Denison Maurice Pro£essor 0£ Moral and Social Theology at King's Col1ege, London, presented the Martin D'Arcy Memorial Lectures in Campion Hall, Oxford, in the spring of 1982. He now has expanded these (...) lectures and published them, with extensive notes, in a book which is both erudite and readable.1 To save space, I shall not summarize Mahoney's book here,2 nor shaH I deal with various interesting ideas in it which deserve discussion among professional theologians. Rather, I shall evaluate the book from a single, rather narrow point of view: its appropriateness for use as a historical introduction to Catholic moral theology. I. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE STRUCTURES OF PRACTICAL REASON: SOME COMMENTS AND CLARIFICATIONS DR. BRIAN V. JOHNSTONE, C.Ss.R., pays particular attention to some of my early work in his recent article, " The Structures of Practical Reason: Traditional Theories and Contemporary Questions." 1 He plainly tries to present my views accurately. Still, Johnstone has overlooked some important things I said about the questions he considers. Moreover, in some cases he either misunderstands the (...) positions I tried to explain and defend or, at least, puts matters in ways likely to cause others to misunderstand those positions. They still seem sound to me, although no doubt open to refinement and development. Therefore, since Johnstone is.seriously trying to use my work to advance understanding of important questions, I offer these comments and clarifications to help keep open the way to a more adequate theory of practical reason. I. The first question Johnstone considers is: What is the specific truth of practical reason? To explore this question, he compares the theory of practical reason which I articulated with a " traditional" theory, exemplified by the work of Labourdette. E·arly in this comparison, in pointing out differences, Johnstone offers a summary and criticism: If I understand Grisez correctly, he seeks to develop a theory of practical reason such that practical reason, in itself, can be understood -must be understood-without reference to the will FP,2 1 Tkomist, 50 (1986), pp. 417-46. Johnstone's article will be referred to henceforth as BVJ. 2 FP refers to: Germain Grisez, "The First Principle of Practical Reason : A Commentary on the Summa tkeologiae, 1-2, Question 94, Article 2," 9t69 270 GERMAIN GRISEZ p. 193). Further, he places such stress on the distinct way of knowing proper to practical reason, that he implies that the two (practical and theoretical reason) are quite disparate. These distinctions, I would suggest, are too sharply drawn. (BVJ, p. 4~5) I agree with Johnstone in rejecting these positions, for, as formulated, neither is what I tried to explain and defend. For practical reason precisely is reason directed to a work, which will not be done without an intervening act of an appetitive power corresponding to reason, and that power is the will. Hence, volition is included in the very concept of practical reason, and so it cannot be understood without reference to the will. But in the place Johnstone cites (FP, p. 193), I did not say that practical reason can be understood without reference to the wilL Rather, having argued that, because practical principles are self-evident truths, they do not presuppose a divine command, I said: "Nor is any operation of our own will presupposed by the first principles of practical reason." The argument for this is: The first operations of will are natural volitions of ends; these volitions presuppose knowledge directing to these ends; the directive knowledge is the principles of practical reason; therefore, the principles of practical reason do not presuppose any operation of our will.3 Moreover, I pointed out: "Of course we do make judgments concerning means in accordance with the orientation of our inNatural Law Forum, 10 (1965), pp. 168-201. Although I personally agreed with all of the propositions asserted in this article at the time I wrote it, and still agree with almost all of them, I did not and do not consider the theory proposed in it to be my theory, but that of St. Thomas (and, even more importantly, a very good theory) which I tried to understand, explain, and defend. Moreover, had the article not been a commentary, I would have put many things somewhat differently, and would have provided arguments for certain positions which can be taken for granted within the Thomistic framework. s In FP, p. 193, this argument is introduced by the sentence: "At any rate this is Aquinas's theory," and accompanied by references to his work, to signal the reader that assumptions are being made here which outside the Thomistic framework would require additional support..Johnstone overlooks the signal. THE STRUCTURES OF PRACTICAL REASON 271 tention toward the end " (FP, p. 193). One essential function of practical reason is to reach such judgments (concerning means), which... (shrink)

“To see is to imagine. And to imagine, is to see.”Perception and Imaginary in Merleau-PontyMerleau-Ponty accords such a phenomenological and ontological priority to perception that this privilege might lead him to minimize the importance of theimaginary in our relationship with the world. In fact, in the work published during his life, the theme of the imaginary does not occupy a large place, and its conceptual elaboration remains little visible. A reading of his posthumous publications and of his unpublished papers leads (...) to a more subtle landscape, inwhich the philosopher destabilizes our common oppositions between real and imaginary, as well as those between the imaginary and truth. From themanuscripts from the end of the 1940s on, Merleau-Ponty expands his inquiry into perception in two complementary directions: the intuition of a form of coextensivity between perceptive life and imaginary life, but also between perception and expression. These intuitions, never disavowed, would continueto deepen up through the late unpublished ontological works. They find a guiding thread in the contestation of Sartre’s separation between the real andthe imaginary, and they open out onto the outline of a complex link between truth, imagination, and expression. Merleau-Ponty pretended to approve of thework of The Imaginary all that which is actually moving beyond it, in the direction most opposite to this essay’s own aims: “To see is to imagine. And toimagine is to see.” This split with Sartre finds one of its pivots in the phenomenological characterization of vision as a surpassing of the observable, a surpassing that would touch on an essential dimension of being and of truth.“Vedere è immaginare. E immaginare, è vedere”.Percezione e immaginario in Merleau-PontyMerleau-Ponty accorda alla percezione una tale priorità, fenomenologica e ontologica, che questo privilegio potrebbe condurre a minimizzare l’importanzadell’immaginario nel nostro rapporto al mondo. Di fatto, nell’opera pubblicata in vita, il tema dell’immaginario non occupa un grande spazio, e la suaelaborazione concettuale resta poco visibile. La lettura delle pubblicazioni postume e degli inediti conduce a un disegno più sottile, che vede il filosofo destabilizzare le nostre comuni opposizioni fra reale e immaginario così come quelle fra immaginario e verità. A partire dai manoscritti della fine degli anniQuaranta, Merleau-Ponty allarga la sua indagine sulla percezione in due direzioni complementari: verso l’intuizione di una forma di co-estensività fravita percettiva e vita immaginaria, ma altresì fra percezione e espressione. Mai smentite, queste intuizioni vanno approfondendosi fino ai tardi inediti“ontologici”. Esse trovano un filo conduttore nella messa in causa della separazione operata da Sartre fra reale e immaginario, e sfociano nell’abbozzodi un legame complesso fra verità, immaginario e espressione. Merleau-Ponty finge di “ratificare” il lavoro de L’Immaginario, in realtà sorpassandolo nelladirezione il più possibile opposta allo sforzo compiuto da questo stesso saggio: «edere è immaginare. E immaginare è vedere». Questo distanziarsi da Sartretrova uno dei suoi “cardini” nella caratterizzazione fenomenologica della visione come superamento dell’osservabile, un superamento che riguarderebbeuna dimensione essenziale dell’essere come della verità. (shrink)

This article considers moral philosophers’ responses to French existentialism at Manchester, Oxford, U.C.L.A., and Harvard after 1945. French existentialism was a philosophy of freedom that rose to...

Higher-order thought theories maintain that consciousness involves the having of higher-order thoughts about mental states. In response to these theories of consciousness, an attempt is often made to illustrate that nonhuman animals possess said consciousness, overlooking an alarming consequence: attributing higher-order thought to nonhuman animals might entail that they should be held morally accountable for their actions. I argue that moral responsibility requires more than higher-order thought: moral agency requires a specific higher-order thought which concerns a belief about the rightness (...) or wrongness of affecting another’s mental states. This “moral thought” about the rightness or wrongness is not yet demonstrated in even the most intelligent nonhuman animals, thus we should suspend our judgments about the “rightness” or “wrongness” of their actions while further questioning the recent insistence on developing an animal morality. (shrink)

The genes involved in methionine biosynthesis are scattered throughout the Escherichia coli chromosome and are controlled in a similar but not coordinated manner. The product of the metJ gene and S‐adenosylmethionine are involved in the repression of this ‘regulon’.

Dans le domaine juridique, son commentaire de la Mishnah (1168), et le Mishnah Torah, " Répétition de la loi " (1180), classification et interprétation des traditions orale et écrite juives, font autorité. Maïmonide philosophe aborde, dans le Guide des égarés, " Moré Nébukhim ", de nombreux sujets - allégories bibliques ou talmudiques, doctrines philosophiques, prophétie, métaphysique... - et tente, parce qu'il ne saurait envisager une théologie non fondée sur une prémisse philosophique valide, de concilier les enseignements de la Torah et (...) de ses commentaires avec la pensée aristotélicienne. Enfin c'est en psychosomaticien qu'il rédige ses aphorismes sur tous les aspects de la médecine : symptomatologie, diagnostic, traitement. (shrink)

C'est un truisme de le dire: tout un abîme sépare l'esthétique classique de l'esthétique symboliste. La première s'en tient à une poésie définie comme imitation des actes humains pour donner les exigences du drame, du lyrisme et de l'épopée. Le langage y demeure Pinstrument du poète. Les symbolistes au contraire remettent en cause la nature même de la poésie. Ils ne se demandent plus si l'imitation de la nature doit être physique ou psychologique, si le drame doit obéir aux trois (...) unités, si la poésie doit être personnelle ou impersonnelle. Toutes ces questions leur semblent secondaires, car elles négligent la nature de la poésie. Et comme cette nature réside pour eux dans le langage, lédtude de la parole va désormais sollicter les peines des chercheurs. De fait, linguistes et philosophes portent si loin leurs lumières dans ce domaine que les arts poétiques d'Horace et de Boileau semblent des données primaires devant leurs recherches. Est-ce à dire que tout soit merveille dans les études qui tombent de leur plume? qu'il faille mettre Racine aux oubliettes et que les pré-décesseurs se soient mépris quand ils traçaient la carte du pays des Muses? Non pas. Les analyses, profondes sans doute, ne sont pas toutes à rctenir. Elles tiennent parfois des positions périlleuses et font des prestiges d'acrobatie pour garder l'équilibre. Mais les questions sont nettes et permettent de saisir les côtés inadmissibles de leurs thèses. Ce qui est déjà indiquer une solution. Grâce à leurs travaux, il est possible dès lors d'entreprendre une étude sur l'origine du langage poétique pour se demander si ce langage est naturel ou conventionnel. (shrink)

Le but de ce travail est d’examiner l’incidence philosophique de la gravitation quantique sur le concept de temps. Je cherche à montrer qu’elle conduit à une disparition du temps comme dimension et ouvre la voie à une compréhension du temps comme variation et même à l’idée de variation pure. En l’absence de temps mécanique, il est cependant possible de définir un temps d’origine thermodynamique. Je montre en quoi cette dissociation du temps mécanique et du temps thermodynamique, fait écho à l’ambivalence (...) — qui est au cœur de la physique comme de la philosophie — entre le devenir et le temps comme mesure du changement. Enfin, je suggère que la gravité quantique concourt à l’inversion de la définition aristotélicienne du temps. (shrink)

Le but de ce travail est d’examiner l’incidence philosophique de la gravitation quantique sur le concept de temps. Je cherche à montrer qu’elle conduit à une disparition du temps comme dimension et ouvre la voie à une compréhension du temps comme variation et même à l’idée de variation pure. En l’absence de temps mécanique, il est cependant possible de définir un temps d’origine thermodynamique. Je montre en quoi cette dissociation du temps mécanique et du temps thermodynamique, fait écho à l’ambivalence (...) — qui est au cœur de la physique comme de la philosophie — entre le devenir et le temps comme mesure du changement. Enfin, je suggère que la gravité quantique concourt à l’inversion de la définition aristotélicienne du temps. (shrink)

Au livre V de l'Éthique à Nicomaque, Aristote ne donne pas une définition unifiée de la justice. Tout en ne rejetant pas la définition traditionnelle qui identifie la véritable justice et la justice légale, ni celle qui repose sur la justice naturelle et fonde la notion d'équité, il cherche de nouvelles assises pour la justice institutionnelle et c'est la notion d'égalité qui sert à cette fin. Cet article vise à préciser les notions de stricte égalité et d'égalité proportionnelle et corrélativement (...) à analyser les définitions des justices distributive et directive qui constituent les branches de la justice particulière chez Aristote.In the Fifth Book of the Nicomachean Ethics, Aristotle does not give one unified definition of justice. He does not reject the traditional definition of legal justice nor the definition of natural justice which is necessary to dread the idea of equity. However, he wants to ground institutional justice on a new base and the idea of equality serves this end. In this paper, I want to make clear the difference between strict and proportional equality and correlatively to analyse the definitions of distributive and "directive" justices which form the two branches of the aristotelian particular justice. (shrink)

Qu'est-ce que l'action? Une rupture dans le cours du temps, une prise de risques, un commencement. L'agent, tel le plongeur quittant le bord, ne peut revenir en arrière ; l'exécution l'engage tout entier, corps et âme ; il doit faire confiance au monde, aux autres et à lui-même. C'est par l'action que la nouveauté entre dans la nature et dans l'histoire. Ces caractères de l'action sont-ils universels ou varient-ils selon les cultures et les époques? Bien qu'il existe différents styles d'action, (...) les modélisations dramatiques (par le récit) et mathématiques (par le calcul) du phénomène en font ressortir l'unité. En même temps, la dualité du dramatique et du mathématique est insurmontable, sans doute parce que l'histoire humaine est tragique et que la tragédie se prête mal au calcul mathématique. L'action nous révèle notre identité, y compris nos faiblesses, et commande notre destin. Cet essai fait le pari que les hommes peuvent faire prévaloir la raison pour régler les conflits. Il considère la notion chrétienne de communion des saints comme une source majeure des essais politiques et scientifiques pour nous faire prendre la mesure de l'unité du genre humain, malgré la tentation de nous enfermer dans des "sociétés closes". (shrink)

“To see is to imagine. And to imagine, is to see.”Perception and Imaginary in Merleau-PontyMerleau-Ponty accords such a phenomenological and ontological priority to perception that this privilege might lead him to minimize the importance of theimaginary in our relationship with the world. In fact, in the work published during his life, the theme of the imaginary does not occupy a large place, and its conceptual elaboration remains little visible. A reading of his posthumous publications and of his unpublished papers leads (...) to a more subtle landscape, inwhich the philosopher destabilizes our common oppositions between real and imaginary, as well as those between the imaginary and truth. From themanuscripts from the end of the 1940s on, Merleau-Ponty expands his inquiry into perception in two complementary directions: the intuition of a form of coextensivity between perceptive life and imaginary life, but also between perception and expression. These intuitions, never disavowed, would continueto deepen up through the late unpublished ontological works. They find a guiding thread in the contestation of Sartre’s separation between the real andthe imaginary, and they open out onto the outline of a complex link between truth, imagination, and expression. Merleau-Ponty pretended to approve of thework of The Imaginary all that which is actually moving beyond it, in the direction most opposite to this essay’s own aims: “To see is to imagine. And toimagine is to see.” This split with Sartre finds one of its pivots in the phenomenological characterization of vision as a surpassing of the observable, a surpassing that would touch on an essential dimension of being and of truth.“Vedere è immaginare. E immaginare, è vedere”.Percezione e immaginario in Merleau-PontyMerleau-Ponty accorda alla percezione una tale priorità, fenomenologica e ontologica, che questo privilegio potrebbe condurre a minimizzare l’importanzadell’immaginario nel nostro rapporto al mondo. Di fatto, nell’opera pubblicata in vita, il tema dell’immaginario non occupa un grande spazio, e la suaelaborazione concettuale resta poco visibile. La lettura delle pubblicazioni postume e degli inediti conduce a un disegno più sottile, che vede il filosofo destabilizzare le nostre comuni opposizioni fra reale e immaginario così come quelle fra immaginario e verità. A partire dai manoscritti della fine degli anniQuaranta, Merleau-Ponty allarga la sua indagine sulla percezione in due direzioni complementari: verso l’intuizione di una forma di co-estensività fravita percettiva e vita immaginaria, ma altresì fra percezione e espressione. Mai smentite, queste intuizioni vanno approfondendosi fino ai tardi inediti“ontologici”. Esse trovano un filo conduttore nella messa in causa della separazione operata da Sartre fra reale e immaginario, e sfociano nell’abbozzodi un legame complesso fra verità, immaginario e espressione. Merleau-Ponty finge di “ratificare” il lavoro de L’Immaginario, in realtà sorpassandolo nelladirezione il più possibile opposta allo sforzo compiuto da questo stesso saggio: «edere è immaginare. E immaginare è vedere». Questo distanziarsi da Sartretrova uno dei suoi “cardini” nella caratterizzazione fenomenologica della visione come superamento dell’osservabile, un superamento che riguarderebbeuna dimensione essenziale dell’essere come della verità. (shrink)

“To see is to imagine. And to imagine, is to see.”Perception and Imaginary in Merleau-PontyMerleau-Ponty accords such a phenomenological and ontological priority to perception that this privilege might lead him to minimize the importance of theimaginary in our relationship with the world. In fact, in the work published during his life, the theme of the imaginary does not occupy a large place, and its conceptual elaboration remains little visible. A reading of his posthumous publications and of his unpublished papers leads (...) to a more subtle landscape, inwhich the philosopher destabilizes our common oppositions between real and imaginary, as well as those between the imaginary and truth. From themanuscripts from the end of the 1940s on, Merleau-Ponty expands his inquiry into perception in two complementary directions: the intuition of a form of coextensivity between perceptive life and imaginary life, but also between perception and expression. These intuitions, never disavowed, would continueto deepen up through the late unpublished ontological works. They find a guiding thread in the contestation of Sartre’s separation between the real andthe imaginary, and they open out onto the outline of a complex link between truth, imagination, and expression. Merleau-Ponty pretended to approve of thework of The Imaginary all that which is actually moving beyond it, in the direction most opposite to this essay’s own aims: “To see is to imagine. And toimagine is to see.” This split with Sartre finds one of its pivots in the phenomenological characterization of vision as a surpassing of the observable, a surpassing that would touch on an essential dimension of being and of truth.“Vedere è immaginare. E immaginare, è vedere”.Percezione e immaginario in Merleau-PontyMerleau-Ponty accorda alla percezione una tale priorità, fenomenologica e ontologica, che questo privilegio potrebbe condurre a minimizzare l’importanzadell’immaginario nel nostro rapporto al mondo. Di fatto, nell’opera pubblicata in vita, il tema dell’immaginario non occupa un grande spazio, e la suaelaborazione concettuale resta poco visibile. La lettura delle pubblicazioni postume e degli inediti conduce a un disegno più sottile, che vede il filosofo destabilizzare le nostre comuni opposizioni fra reale e immaginario così come quelle fra immaginario e verità. A partire dai manoscritti della fine degli anniQuaranta, Merleau-Ponty allarga la sua indagine sulla percezione in due direzioni complementari: verso l’intuizione di una forma di co-estensività fravita percettiva e vita immaginaria, ma altresì fra percezione e espressione. Mai smentite, queste intuizioni vanno approfondendosi fino ai tardi inediti“ontologici”. Esse trovano un filo conduttore nella messa in causa della separazione operata da Sartre fra reale e immaginario, e sfociano nell’abbozzodi un legame complesso fra verità, immaginario e espressione. Merleau-Ponty finge di “ratificare” il lavoro de L’Immaginario, in realtà sorpassandolo nelladirezione il più possibile opposta allo sforzo compiuto da questo stesso saggio: «edere è immaginare. E immaginare è vedere». Questo distanziarsi da Sartretrova uno dei suoi “cardini” nella caratterizzazione fenomenologica della visione come superamento dell’osservabile, un superamento che riguarderebbeuna dimensione essenziale dell’essere come della verità. (shrink)