Responsibility means not just to give the right response to a question. It should not necessarily succeed to ask and respond about acts, and to submit them to some discursive rules. In fact, responsibility is related to an indefinite questioning: How could some question-answer-rules, which consequences exceed a situation, be adequately applied to this situation? To give an answer to this questionability, it would be necessary to move in a self-relating language as well as in a distancing intuition. Thus, the (...) author argues that it would be irresponsible if the philosophic-anthropological question about the human being could be answered by the application of some discursive rules. (shrink)

English summary: This volume looks at the so far little studied connections between the philosophy of Schelling and the historiographic waves in theological, philosophical and historical discourse during the first half of the 19th century. The reception of Schelling in theology, philosophy and history relates primarily to his writings around 1800. The essays in this volume firstly analyze the considerable impact that these texts had on the structure of contemporary debate. Secondly, they analyze the interdependence of the historical theology that (...) was beginning to take root and Schelling's emerging later philosophy. Thirdly, they examine the reception of Schelling's philosophy of history from the perspective of Friedrich Schleiermacher and historical academic discourse, as well as David Friedrich Strauss, Ferdinand Christian Baur and the Landhut Romantics. German description: Der vorliegende Band thematisiert die bislang nur wenig erforschten Zusammenhange zwischen der Philosophie Schellings und den Historisierungsschuben in den theologischen, philosophischen und geschichtswissenschaftlichen Diskursen der ersten Halfte des 19. Jahrhunderts. Die Rezeption Schellings in Theologie, Philosophie und Geschichtswissenschaft bezieht sich vor allem auf dessen Schriften um 1800. Die Beitrage des Bandes untersuchen sowohl die breite Wirkung dieser Texte in den zeitgenossischen Debattenkonstellationen sowie die Wechselwirkungen zwischen der sich etablierenden historischen Theologie und der Herausbildung von Schellings Spatphilosophie als auch die Rezeption der Geschichtsphilosophie Schellings bei Friedrich Schleiermacher sowie in den geschichtswissenschaftlichen Diskursen, bei David Friedrich Strauss, Ferdinand Christian Baur sowie in der Landshuter Romantik. Mit Beitragen von: Christopher Arnold, Ulrich Barth, Christian Danz, Georg Essen, Malte Dominik Kruger, Christof Landmesser, Michael Murrmann-Kahl, Georg Neugebauer, Jan Rohls, Oliver Wintzek, Johannes Zachhuber. (shrink)

This chapter sketches a literary history of writing the colonial interregnum through the comparison of a canonical Dublin text and its filmic adaptation with a canonical Johannesburg text and its filmic adaptation. Njabulo Ndebele’s short story ‘Fools’ (1983) repurposes formal elements from Joyce’s ‘The Dead’ (1914), transposing strategies for representing late colonial Dublin to a Johannesburg township during the height of apartheid in a context of extreme racial domination; beginning with close comparative readings of both stories, my chapter argues that (...) the context in which ‘Fools’ emerges determines the significance of its reappropriation of Joycean formal devices and simultaneously forces a re-reading of Joyce’s flirtation with bourgeois naturalism in ‘The Dead.’ Further, the respective publishing contexts of ‘Fools’ and ‘The Dead’ go on to determine their reception and recirculation, as demonstrated by the diverse histories of the American John Huston’s adaptation of ‘The Dead’ (1984), and Ramadan Suleman’s South African adaptation of ‘Fools’ (1997). In following this circumatlantic history of influence and adaptation from Joyce to Ndebele to Huston to Suleman, across hemispheres and media, I mean to articulate a relationship between modernist form and forms of modernity, particularly as those forms that appear and reappear in the global south over the course of the long twentieth century. Particular attention is paid here to the history of underdevelopment in the global south and how it impinges upon the production and circulation of literary adaptations. (shrink)

Im Fokus dieser ersten Ausgabe des Jahrbuchs HealthCapital Berlin-Brandenburg stehen die Qualifikation sowie die Aus-, Fort- und Weiterbildung einschließlich der akademischen Studiengänge in der Gesundheit. Renommierte Fachleute aus Wirtschaft, Wissenschaft und Praxis berichten über die Entwicklungen, Trends, Praxiserfahrungen und Perspektiven von Qualifizierung sowie über neue Berufs- und Geschäftsfelder. Schwerpunktmäßig werden drei Themenkomplexe behandelt: I. Stand und Perspektive von Fachkräften in Berlin-Brandenburg II. Neue Berufsbilder und Ausbildungsgänge III. Entwicklung und Einführung neuer Gesundheitsstudiengänge Das Jahrbuch HealthCapital Berlin-Brandenburg stellt somit einen aktuellen Überblick (...) über wesentliche Fragen im Zusammenhang mit Qualifikationen, Berufsperspektiven und Arbeitsfeldern in der sich weiter entwickelnden Gesundheitswirtschaft in der Region Berlin-Brandenburg zur Verfügung. (shrink)

This essay identifies and intervenes in the limitations of both the social and the medical models of disability in the postcolonial context, suggesting that those limitations may apply to theorizations of disability more broadly. It suggests that Bessie Head's novel A Question of Power, which represents mental illness and disability without positing a stable etiology for them, illustrates the inapplicability of these ways of thinking about disability under instances of extreme precarity. As such, Head offers a test case for how (...) mental illness and disability writ large might be theorized without the suppositions implicit to the liberal subject. (shrink)

An examination of the specifically graphic-novelistic strategies employed in Art Spiegelman's graphic memoir, Maus, in leading the reader into a punctuated experience of time and memory, and in forcing complicity with the novel's problematic animal-as-ethnicity metaphor, in a wider attempt at putting together the critical vocabulary for discussing comic books as simultaneously textual and pictorial ‘texts’.

This commentary draws critical attention to the ongoing commodification of trust in policy and scholarly discourses of artificial intelligence (AI) and society. Based on an assessment of publications discussing the implementation of AI in governmental and private services, our findings indicate that this discursive trend towards commodification is driven by the need for a trusting population of service users to harvest data at scale and leads to the discursive construction of trust as an essential good on a par with data (...) as raw material. This discursive commodification is marked by a decreasing emphasis on trust understood as the expected reliability of a trusted agent, and increased emphasis on instrumental and extractive framings of trust as a resource. This tendency, we argue, does an ultimate disservice to developers, users, and systems alike, insofar as it obscures the subtle mechanisms through which trust in AI systems might be built, making it less likely that it will be. (shrink)

An exploration of the fundamental principles that underpin effective teaching, drawing on educational theory and the author's own experiences as a teacher. Offers practical advice for educators at all levels. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute (...) this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Marlene van Niekerk's 1994 Triomf is a plaasroman, or farm novel, without the farm; it formally resembles a nostalgic pastoral genre initiated by the collapse of Southern African agricultural economy around the time of the Great Depression, but removes even the symbol of the farm as aesthetic compensation for material loss. In the process, van Niekerk composes a post-apartheid tragicomedy of a lumpenproletariat white supremacist family coming into long-belated class consciousness, an epiphany which, surprisingly, survives the novel's translations from Afrikaans (...) to South African English to 'international' English. Crucially, this understanding is mediated by a critical tendency to appraise Triomf in the context of Faulkner and the Southern Gothic, a generic comparison which gets a lot wrong but is ultimately very revealing, less about Triomf than about the imperial world-system through which it circulates and is consecrated. Consequently, the novel stages globally what seems at first to be a parochial question: how is one supposed to imagine democratic reconciliation and integration after apartheid, when one of the classes to be reconciled lacks historical self-consciousness and has no obvious place in either the apartheid regime or the post-apartheid dispensation? By analyzing van Niekerk's novel and the institutions which consecrate it, the paper fleshes out critiques of world-literary hermeneutics, specifically for its naive handling of genre and context, and of post-apartheid 'reconciliation' under capital. (shrink)

Baruch (Benedict de) Spinoza was born in Amsterdam in 1632. He belonged to the emigrant Jewish community. He was much influenced by the writings of Descartes. His unorthodox views led him to be excommunicated by the Jewish authorities in 1656. In the following years he devoted himself to his philosophical writings. He derived a modest income from grinding optical lenses. In 1673 he refused an invitation to become professor of philosophy at Heidelberg. Spinoza died at The Hague from consumption in (...) 1677. (shrink)

Insofar as development implies economic growth, the term 'sustainable development' appears to some as a contradiction in terms. However, such conclusions still lack a thorough examination of the conceptual structure of the two terms between which there is a purported contradiction. In order to address this issue, the present paper scrutinises some of the assumptions which underwrite the ideologies of sustainability and of development. It is argued that there are key assumptions which both ideas have in common, and that sustainable (...) development is thus perfectly coherent on a conceptual level. It is alternatives which retain either term (such as 'sustainable degrowth') that are embroiled in paradox. The paper then examines two concepts for criticising the ideology of economic growth in other terms: dépense and conviviality. It is argued that the latter is preferable to the former for the purpose of developing post-sustainable critiques of growth. (shrink)

In German discussions over the last twenty years of the difference between what it is to be a body (in German: Leibsein) and what it is to have a body (Körperhaben), many have been concerned to remind us that we owe this conceptual distinction to the philosophical anthropologist Helmuth Plessner. He introduces the distinction in an essay from 1925—written in collaboration with the Dutch behavioral researcher Frederick Jacob Buytendijk—“Die Deutung des mimischen Ausdrucks. Ein Beitrag zur Lehre vom Bewusstsein des anderen (...) Ichs” (“The Interpretation of Mimetic Expressions: A Contribution to Understanding One’s Consciousness of Other Subjects”). Buytendijk later explained that it was Plessner who worked out the .. (shrink)

Journal of Philosophy of Education, EarlyView.

This paper considers Achebe's No Longer at Ease in terms of its modest canonical fortunes and its peculiar formal construction. The paper argues that the novel's urban setting is produced through an emergent and local noir style, that this setting indexes the increasing centrality of the city in late colonial African life, and that it formally responds to the success of Achebe's rural Things Fall Apart and its problematic status as a paradigmatic African text. The paper suggests that No Longer (...) at Ease 's foreign and local horizons of interpretation, as symptoms of an ongoing imperial world-system, are internalized and symbolically resolved by the novel's instantiation of Lagos as chronotope. The paper's methodological intervention offers a hermeneutics of literary setting through which to elaborate the relationships between form, literary institutions, and material conditions in the postcolony. (shrink)

In these studies of the relationships between poetry, religion, and philosophy, and of the background and development of existentialism, Walter Kaufmann has produced a book which is challenging and important on many different levels. --.