In lieu of an abstract, here is a brief excerpt of the content:Self-Interest and Public Interest m Shaftesbury's Philosophy STANLEY GREAN THE SEV~NTEENTrt-CV.NTVRYproblem of the relationship of self-interest and public interest was carried over by the third Earl of Shaftesbury into the eighteenth century where it became a major issue for generations of British moralists. His own preoccupation with the problem began at an early date in his career, for the lnquiry Concerning Virtue or Merit (1699), the first draft (...) of which he wrote in his twenties, deals with it at length,1 and it is, according to him, the "main problem" of that work. This interest must have been deepened by his knowledge and experience of the bitter and tumultuous factional strife of the seventeenth century. There was also a family tradition of public life, the first Earl having been one of the foremost statesmen in the third quarter of the seventeenth century. The third Earl himself was briefly a figure of some importance on the political scene, serving in Parliament for two sessions? Something of Shaftesbury's character and point of view is revealed in the independent position which he took on certain issues during this time. With the emergence of the Whig and Tory parties a new emphasis was being placed on party organization. The principle of party loyalty "was indeed the only loyalty that was practised by some very important statesmen in the reigns of James, William and Anne.''s Though in general Shaftesbury supported Whig principles and policies, he refused to follow the Whig "party line" on every issue even though sometimes bitterly censured for failing to do so.4 Shaftesbury held that a legislative proposal should be judged on its own merits and not by its source? While recognizing t The first publication of the Inquiry was apparently unauthorized. A revised form appeared as Treatise IV in the 1711 edition of Characteristics. 2In the Commons, 1695-1698, and the Lords, 1700-1701. Ill health forced his retirement from politics. s George M. Trevelyan, History of England (3 vols.; New York: 1952), II, 260. 4Anthony, Earl of Shaftesbury, The Life, Unpublished Letters, and Philosophical Regimen, ed. Benjamin Rand (London: 1900), p. 300. Referred to henceforth as LiIe, Letters. See the comment by the fourth Earl in Life, Letters, pp. xxi-xxii; also Thomas Fowler, Shaftesbury and Hutcheson (New York: 1883), pp. 10-12. [37] 38 HISTORY OF PHILOSOPHY the social value of political parties, it was consistent with Shaftesbury's theory that he insisted that party loyalty must at times be superseded by loyalties to larger interests or to the larger community of which one is a member. In his writings Shaftesbury carried on a continual campaign against the type of reductionism which seeks to explain all human behavior by "that one principle and foundation of a cool and deliberate selfishness.''8 Thus, he attacks Epicurus and Lucretius among the ancients, and Hobbes, Lord Rochester, and La Rochefoucault among the moderns. For these "narrowminded philosophers," "interest, interest comes in ever and anon, and must seem a kind of key to things with which it has nothing to do."' One of Shaftesbury's lines of attack is to point out that psychological egoism, when pressed, proves to be meaningless. If everything one does is attributed to self-interest, he asks, what meaning does the tertn "self-interest" have? If there is no real alternative to egoism, and all actions are equally egoistic, then the very term "egoism" loses significance. It would apparently be impossible to be more or less self-centered. Thus, we would lose an important practical principle of differentiation. The English philosopher pictures the defenders of egoism as saying: "Act as disinterestedly or generously as you please, self still is at the bottom, and nothing else." Now if these gentlemen who delight so much in the play of words, but are cautious how they grapple closely with definitions, would tell us only what self-interest was, and determine happiness and good, there would be an end of this enigmatical wit. For in this we should all agree, that happiness was to be pursued, and in fact was always sought after; but whether found in following Nature, and giving way to... (shrink)

Shaftesbury's Characteristics of Men, Manners, Opinions, Times was published in 1711. It ranges widely over ethics, aesthetics, religion, the arts (painting, literature, architecture, gardening), and ancient and modern history, and aims at nothing less than a new ideal of the gentleman. Together with Locke's Essay Concerning Human Understanding and Addison and Steele's Spectator, it is a text of fundamental importance for understanding the thought and culture of Enlightenment Europe. This volume presents a new edition of the text together with an (...) introduction, explanatory notes and a guide to further reading. (shrink)

This volume gathers together for the first time are all the key texts in a crucial debate in modern philosophy, centered on Leibniz's famous 1695 essay, the "New System of the Nature of Substances and their Communication," in which he introduced his strikingly original theory of metaphysics. His "system" became increasingly famous and drew him into discussion and development of these ideas, both in public and in private, with a variety of thinkers, most notably the great French philosopher Pierre Bayle. (...) Woolhouse's and Francks's new English edition gives the only full representation of this debate, and will therefore be essential reading for anyone who wishes to gain a proper understanding of Leibniz's philosophy and its intelletual context. All the texts are newly translated and extensively annotated; many appear in English for the first time. (shrink)

We propose a formal framework for interpretable machine learning. Combining elements from statistical learning, causal interventionism, and decision theory, we design an idealised explanation game in which players collaborate to find the best explanation for a given algorithmic prediction. Through an iterative procedure of questions and answers, the players establish a three-dimensional Pareto frontier that describes the optimal trade-offs between explanatory accuracy, simplicity, and relevance. Multiple rounds are played at different levels of abstraction, allowing the players to explore overlapping causal (...) patterns of variable granularity and scope. We characterise the conditions under which such a game is almost surely guaranteed to converge on a optimal explanation surface in polynomial time, and highlight obstacles that will tend to prevent the players from advancing beyond certain explanatory thresholds. The game serves a descriptive and a normative function, establishing a conceptual space in which to analyse and compare existing proposals, as well as design new and improved solutions. (shrink)

Plato's dialogues frequently criticize traditional Greek myth, yet Plato also integrates myth with his writing. Daniel S. Werner confronts this paradox through an in-depth analysis of the Phaedrus, Plato's most mythical dialogue. Werner argues that the myths of the Phaedrus serve several complex functions: they bring nonphilosophers into the philosophical life; they offer a starting point for philosophical inquiry; they unify the dialogue as a literary and dramatic whole; they draw attention to the limits of language and the limits of (...) knowledge; and they allow Plato to co-opt cultural authority as a way of defining and legitimating the practice of philosophy. Platonic myth, as a species of traditional tale, is thus both distinct from philosophical dialectic and similar to it. Ultimately, the most powerful effect of Platonic myth is the way in which it leads readers to participate in Plato's dialogues and to engage in a process of self-examination. (shrink)

Today Shaftesbury is studied chiefly because he was a pivotal figure in English ethics; the publication of his Characteristics marked the turn from the primacy of abstract rational principles, in Cambridge Platonism, to the psychologically-based ethics of the "moral sense" school. Grean presents Shaftesbury more broadly, as expressing the basic faith of the Enlightenment, which still underlies the liberal democratic culture of the West. Shaftesbury maintains "that society, right and wrong was founded in Nature, and that Nature had a (...) meaning and was herself, that is to say in her wits, well governed and administered by one simple and perfect intelligence." According to Grean, the motif of "enthusiasm" distinguishes Shaftesbury from his contemporaries; thus the main goal of this study is to understand all the ramifications of the doctrine. In the early chapter entitled "Enthusiasm," we are given Shaftesbury's description of it as a psychological phenomenon, a powerful experience "which occurs when the mind receives or creates ideas or images too big for it to contain." Windelband generalizes the phenomenon into an "enthusiasm" for the true, good, and beautiful which lives out all the peculiar power of man by the elevation of his soul above itself to more universal values. Grean tells us that "enthusiasm" is central to Shaftesbury's account of how we respond to beauty, how we make and are made by the good, how we know the truths of morals which are "patterns of meaningful possibilities... intended not merely to describe but to transform reality." In the early pages of Part I, the historical detail and comments on secondary literature, although very readable, are tangential to the philosophic argument and delay our coming to grips with the author's thesis. Soon, however, in chapters on religion, virtue, and creative form, Grean's mastery of Shaftesbury's holistic philosophy forcefully comes across. We are shown that it is dynamic, unified, and not antirational, and here the reader can derive a characterization of "enthusiasm" sufficiently broad for Grean's purposes. The doctrine means that human nature is capable of ultimate commitment, creative intuition, spontaneity, and disinterested love; further, "enthusiasm" is involved in the method of philosophy and the method of writing. Like Plato, Shaftesbury believed that external beauty can lead us to inner beauty. His philosophy is gracefully written, and Grean points out the relation of style and substance in his subject, while writing readably himself. As a study of Shaftesbury, for whom true philosophy could not be restricted to abstract theory but must form a whole with its practical application, this book is sympathetic in manner as well as in its conclusions. Notes, index, selected bibliography and historical preface provide aids to further study.--M. B. M. (shrink)

Today Shaftesbury is studied chiefly because he was a pivotal figure in English ethics; the publication of his Characteristics marked the turn from the primacy of abstract rational principles, in Cambridge Platonism, to the psychologically-based ethics of the "moral sense" school. Grean presents Shaftesbury more broadly, as expressing the basic faith of the Enlightenment, which still underlies the liberal democratic culture of the West. Shaftesbury maintains "that society, right and wrong was founded in Nature, and that Nature had a (...) meaning and was herself, that is to say in her wits, well governed and administered by one simple and perfect intelligence." According to Grean, the motif of "enthusiasm" distinguishes Shaftesbury from his contemporaries; thus the main goal of this study is to understand all the ramifications of the doctrine. In the early chapter entitled "Enthusiasm," we are given Shaftesbury's description of it as a psychological phenomenon, a powerful experience "which occurs when the mind receives or creates ideas or images too big for it to contain." Windelband generalizes the phenomenon into an "enthusiasm" for the true, good, and beautiful which lives out all the peculiar power of man by the elevation of his soul above itself to more universal values. Grean tells us that "enthusiasm" is central to Shaftesbury's account of how we respond to beauty, how we make and are made by the good, how we know the truths of morals which are "patterns of meaningful possibilities... intended not merely to describe but to transform reality." In the early pages of Part I, the historical detail and comments on secondary literature, although very readable, are tangential to the philosophic argument and delay our coming to grips with the author's thesis. Soon, however, in chapters on religion, virtue, and creative form, Grean's mastery of Shaftesbury's holistic philosophy forcefully comes across. We are shown that it is dynamic, unified, and not antirational, and here the reader can derive a characterization of "enthusiasm" sufficiently broad for Grean's purposes. The doctrine means that human nature is capable of ultimate commitment, creative intuition, spontaneity, and disinterested love; further, "enthusiasm" is involved in the method of philosophy and the method of writing. Like Plato, Shaftesbury believed that external beauty can lead us to inner beauty. His philosophy is gracefully written, and Grean points out the relation of style and substance in his subject, while writing readably himself. As a study of Shaftesbury, for whom true philosophy could not be restricted to abstract theory but must form a whole with its practical application, this book is sympathetic in manner as well as in its conclusions. Notes, index, selected bibliography and historical preface provide aids to further study.--M. B. M. (shrink)

t. 1. Apo ton prōto skeptomeno anthrōpo mechri ton 6. aiōna M.Ch. -- t. 2. Apo ton 7. aiōna M.Ch. mechri to sēmera.

Ariès traces Western man's attitudes toward mortality from the early medieval conception of death as the familiar collective destiny of the human race to the modern tendency, so pronounced in industrial societies, to hide death as if it were an embarrassing family secret.

The foundation of the Christian counselling movement -- Christian counselling in the UK -- The aims of Christian counselling -- Integrating psychological and biblical truth -- Sigmund Freud--the founding father of psychotherapy -- The individual psychology of Alfred Adler -- Abraham Maslow--the man with new age tendencies -- Carl Rogers--a man who believed in himself -- Albert Ellis--the aggressive atheist -- The Bible's verdict on psychological 'truth' -- The case against Larry Crabb -- Self-esteem: the secular foundation -- Self-esteem and (...) the Christian counselling movement -- Self-esteem dogma in the light of scripture. (shrink)

Capital punishment—the legally authorized killing of a criminal offender by an agent of the state for the commission of a crime—stands in special need of moral justification. This is because execution is a particularly severe punishment. Execution is different in kind from monetary and custodial penalties in an obvious way: execution causes the death of an offender. While fines and incarceration set back some of one’s interests, death eliminates the possibility of setting and pursuing ends. While fines and incarceration narrow (...) one’s routes to happiness, death eliminates its possibility. Not surprisingly, there is much debate about the moral permissibility of capital punishment. This entry maps the terrain of this debate. The first section discusses justifications of the death penalty as they appear in major theories of punishment. The second section surveys moral objections to execution that apply to most justifications. The third addresses procedural criticisms, which do not target the morality of execution so much as the justice of its implementation. (shrink)

In Seeing Things as They Are (Searle 2015), Searle developed a direct realist’s theory of perception. According to direct realism, physical objects are directly and immediately perceived. Searle claims that Berkeley’s theory of perception goes against direct realism. For Searle, Berkeley’s theory suggests that only subjective experiences (ideas) are directly and immediately perceived, not physical objects. Contrary to Searle, G. S. Pappas claims that Berkeley’s theory of perception is consistent with the view that physical objects are immediately perceivable (Pappas 1982; (...) Pappas 1987). Given the conflicting interpretations of Berkeley’s theory of perception, this paper attempts to defend Searle’s position on Berkeley’s theory of perception. It refutes Pappas’ interpretation by arguing that he is inconsistent with Berkeley’s theses of ontological phenomenalism and heterogeneity thesis. (shrink)