Abstract

Today Shaftesbury is studied chiefly because he was a pivotal figure in English ethics; the publication of his Characteristics marked the turn from the primacy of abstract rational principles, in Cambridge Platonism, to the psychologically-based ethics of the "moral sense" school. Grean presents Shaftesbury more broadly, as expressing the basic faith of the Enlightenment, which still underlies the liberal democratic culture of the West. Shaftesbury maintains "that society, right and wrong was founded in Nature, and that Nature had a meaning and was herself, that is to say in her wits, well governed and administered by one simple and perfect intelligence." According to Grean, the motif of "enthusiasm" distinguishes Shaftesbury from his contemporaries; thus the main goal of this study is to understand all the ramifications of the doctrine. In the early chapter entitled "Enthusiasm," we are given Shaftesbury's description of it as a psychological phenomenon, a powerful experience "which occurs when the mind receives or creates ideas or images too big for it to contain." Windelband generalizes the phenomenon into an "enthusiasm" for the true, good, and beautiful which lives out all the peculiar power of man by the elevation of his soul above itself to more universal values. Grean tells us that "enthusiasm" is central to Shaftesbury's account of how we respond to beauty, how we make and are made by the good, how we know the truths of morals which are "patterns of meaningful possibilities... intended not merely to describe but to transform reality." In the early pages of Part I, the historical detail and comments on secondary literature, although very readable, are tangential to the philosophic argument and delay our coming to grips with the author's thesis. Soon, however, in chapters on religion, virtue, and creative form, Grean's mastery of Shaftesbury's holistic philosophy forcefully comes across. We are shown that it is dynamic, unified, and not antirational, and here the reader can derive a characterization of "enthusiasm" sufficiently broad for Grean's purposes. The doctrine means that human nature is capable of ultimate commitment, creative intuition, spontaneity, and disinterested love; further, "enthusiasm" is involved in the method of philosophy and the method of writing. Like Plato, Shaftesbury believed that external beauty can lead us to inner beauty. His philosophy is gracefully written, and Grean points out the relation of style and substance in his subject, while writing readably himself. As a study of Shaftesbury, for whom true philosophy could not be restricted to abstract theory but must form a whole with its practical application, this book is sympathetic in manner as well as in its conclusions. Notes, index, selected bibliography and historical preface provide aids to further study.--M. B. M.