본 연구의 목적은 현자의 사변을 강조하는 에크하르트의 신비주의와 직관적 체험에 근거한 여성 신비주의를 비교 검토함으로써 중세 그리스도교적 신비주의의 일면을 고찰하는 것이다.BR 에크하르트에 따르면 인간의 영혼은 신의 본성 안에 있는 모든 것으로 만들어진 것이기에 신의 본성을 부은 것이라 할 수 있다. 인간이 신에게 이르는 길은 인간이 자신의 형상을 벗어나 자신을 신의 형상으로 변형시켜야 한다. 이를 위해 인간은 자기 자신과 모든 사물로부터 떠나서 자유로워져야 한다. 에크하르트가 말하는 ‘영혼 속에 신의 탄생’은 신과 영혼이 하나임을 의미한다.BR 힐데가르트에게 주어진 근원적인 신비 체험은 경건한 자들에게 주어지는 (...) 영적 계시로서 신과의 합일이라는 복된 체험이다. 메히트힐트에게 있어서 신과의 신비적 합일은 ‘사랑’이라는 개념으로 나타나며, 정열적인 남녀의 사랑으로 형상화 된다. 카타리나에 따르면 그리스도는 인성을 입은 덕택에 천상에서 지상까지 다리를 놓을 수 있었다. 그러므로 인간의 영혼은 사랑 안에서 신과 하나가 될 수 있다.BR 에크하르트의 신비주의는 ‘영혼 속에 신의 탄생’이라는 사변적인 모습으로 나타나지만, 여성 신비주의는 그리스도 예수와의 혼인이라는 이미지를 통하여 내가 그리스도 안에 있는 조화로운 합일을 강조하며 신비적인 체험에 머무는 것이 아니라 이웃에 대한 사랑이라는 활동적 삶으로 나아간다. (shrink)

É corrente se afirmar que antes da Modernidade não há registro de mulheres na construção do pensamento erudito. Que, se tomarmos, po exemplo, a Filosofia e a Teologia, que foram as duas áreas do conhecimento que mais produziram intelectuais, durante a Idade Média, não encontraremos aí a presença de mulheres. Entretanto, apesar de todas as evidências, se vasculharmos a construção do Pensamento Ocidental, veremos que é possível identificar a presença de algumas mulheres já nos tempos remotos, na Antiguidade Clássica e (...) na Patrística (ou Alta Idade Média). Mas é na Escolástica (Baixa Idade Média) que encontramos as primeiras Pensadoras, responsáveis por um sistema autônomo, distinguindo-se como fecundas escritoras, donas de obras tão profundas e importantes quanto as produzidas pelos homens de seu tempo, com os quais muitas vezes dialogaram em pé de igualdade. Dentro desse maravilhoso universo feminino de intelectuais, destacamos, na Escolástica, a figura de Hildegarda de Bingen (1098-1165), da qual trataremos um pouco neste artigo. It is common to say that before modernity there is no record of women in the construction of classical thought. What if we take, for example, to philosophy and theology, which were the two areas of knowledge that produced more intellectuals during the Middle Ages, we find there the presence of women. However, despite all the evidence, if we search the construction of Western Thought, we see that it is possible to identify the presence of some women already in ancient times, in Classical Antiquity and Patristics (or Middle Ages). But it is in Scholastic (Middle Ages) we find the first thinkers, responsible for an autonomous system, especially as fertile writers, owners of works so profound and important as those produced by men of his time, who often conversed on an equal footing. In this wonderful universe of female intellectuals, highlight, in Scholastic, the figure of Idelgarda of Bingen (1098-1165), which is discussed a bit in this article. (shrink)

Kristeva's Teresa My Love concerns the life and thought of a 16th century Spanish mystic, written in the form of a novel. Yet the theme of another kind of foreigner, equally exotic but this time threatening, pops up unexpectedly and disappears several times during the course of the novel. At the very beginning of the story, the 21st century narrator, psychoanalyst Sylvia Leclerque, encounters a young woman in a headscarf, whom Kristeva describes as an IT engineer, who speaks out, explaining (...) that "she and her God were one and that the veil was the immovable sign of this 'union,' which she wished to publicize in order to definitively 'fix it' in herself and in the eyes of others." In this paper I ask what difference Kristeva discerns between these two women, a distinction that apparently makes Teresa's immanence simultaneously a transcendence, but transforms a Muslim woman in a headscarf immediately into an imagined suicide bomber. Despite the problematic aspects of this comparison, we can learn something from them about Kristeva's ideas on mysticism and on art. Both mysticism and art are products of the death drive, but whereas the suicide bomber and the animal directly and purely pursue death Teresa and Adel remain on its outer edge and merely play with mortality. (shrink)

This essay focuses on Julia Kristeva’s recent volume Thérèse mon amour: Sainte Thérèse d’Avila (2008) , describing and placing this blend of novel, play, psychoanalytic cultural theory, and case history in the context of her work. I argue that the volume contributes to an understanding of religion’s impact—especially Catholic mysticism--on Western categories of women. I address in particular Thérèse ’s mysticism and modernist use of a feminine figure to subvert practices threatening the vitality of the psyche and of (...) social relations. As in Kristeva’s earlier writing, her psychoanalytic approach to Catholicism’s influence continues to raise questions concerning the apparent stereotypes the approach may feed, especially that of the masochistic woman. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.4 (2001) 322-334 [Access article in PDF] From Mysticism to Skepticism: Stylistic Reform inSeventeenth-century British Philosophy and Rhetoric Ryan J. Stark The idea of stylistic plainness captured the imaginations of philosophers in the seventeenth century. Francis Bacon's early attacks on "sweet falling clauses" and Thomas Sprat's invectives against "swellings of style" are especially quotable, and have been cited often by scholars from R. F. Jones (...) to Ian Robinson as evidence that a new attitude toward style emerged in the seventeenth century in conjunction with the new science. Still, even Robinson, who acknowledges the scientific influence on prose, cannot reconcile the plain style ideology with the less-than-sparse styles of the plain style advocates themselves. "The paradox," Robinson notes, "is that Sprat's language is itself imaginative and rhetorical," adding that Sprat denounced "the imagination... in a quite strongly imaginative way" with his "anti-rhetorical rhetoric" (160). This problem leads Robinson to charge that Sprat, Joseph Glanville, Bishop John Wilkins, and the other plain style advocates contradicted themselves by using highly metaphorical styles to criticize metaphorical styles, or were hypocrites in a stronger phrasing, even "painted hypocrites," to borrow a metaphor from one of Wilkins's complaints against metaphorical language.I will address this persistent argument that members of the Royal Society contradicted themselves by using elaborate metaphors to denounce elaborate metaphors, calling into question the very premise of the plain style mandates. The fact that members of the Royal Society continued to use figurative language in their writings is irrelevant. The plain style advocates did not attempt to remove figurative language from all discourses, or even scientific discourses. 1 "Plainness," instead, denotes a lack of occult influence in language. This forgotten philosophical meaning of "plainness" shows clearly that the plain style advocates did not share an antipathy toward ornamental styles, as is often suggested; rather, they shared an antipathy toward entelechial conceptions of style. The Royal Society's [End Page 322] arguments against obscure styles are arguments against the assumptions of a magical worldview, that enchanted cosmos occupied by Faustus and Macbeth, not arguments against any specific type of sentence structure or kind of metaphor. Technical issues of grammar and syntax played a minor role in these stylistic debates. In an ontological sense, the plain style advocates from Bacon to Sprat reconceptualized the very nature of linguistic form. This reconceptualization is best described as a movement away from mystical understandings of style and toward skeptical understandings of style, and this shift from mysticism to skepticism marks the stylistic reformation in the seventeenth century. 1. Entelechies and ornaments Bacon complains famously against "tropes and figures," "sweet falling of clauses," and "watery writings" in an introductory section of The Advancement of Learning entitled "Discredits to Learning from the Follies of the Learned--Ciceronianism, Scholasticism, Alchemy, and Natural Magic" (24-26). 2 Bacon includes a section for distempers of learning that do not fit neatly into categories, called "Other Errors of Learned Men Which Hinder the Progress and Credit of Learning." The coupling of these styles with alchemy and natural magic is not incidental. Bacon and the subsequent plain style advocates of the Royal Society target Ciceronian and scholastic styles specifically because of their strange cosmic elements, not because of their grammatical structures. For the new scientists, these vital styles recall a mystical worldview full of celestial influences, magical emblems, oneiric visions, and attendant spirits. The introductory section of Bacon's Advancement of Learning codifies in the newly scientific community the negative association between mysterious styles (e.g., Ciceronian, Senecan, baroque, metaphysical) and various kinds of occult behavior. Perhaps more so than any other English text, Bacon's Advancement banishes those mystical high styles of the late Renaissance to the mists and shadows of the credulous past, as Cowley describes in his "Ode to the Royal Society," to the "Kingdom of Darkness and Night" in Pope's Dunciad, or to "the island of savage women and moonlight" in Tennyson's "Locksley Hall."In Sciri Tuum Nihil Est, Glanville defends the plain style programs... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Bataille and Mysticism: A “Dazzling Dissolution”Amy Hollywood (bio)Within Georges Bataille’s texts of the late 1930s and 1940s, in particular those later brought together in the tripartite Atheological Summa, he repeatedly suggests that his primary models for writing and experience are the texts of the Christian and non-Western mystical traditions (often represented, in Bataille, by women’s writings) and those of Friedrich Nietzsche. 1 Inner Experience opens with evocations of (...) Nietzsche, and the final volume of the trilogy, On Nietzsche, is “devoted” to his work. References to mystical writings occur throughout Inner Experience and Guilty, and significant portions of both texts can be read as providing “guides” for inner experience analogous to the “itineraries” of Angela of Foligno (d. 1309) and Teresa of Avila (d. 1582) or as spiritual daybooks like those of Mechthild of Magdeburg (d. ca. 1275). These models are, I think, the key to understanding Bataille’s own writing strategies in the Atheological Summa. 2 Despite their apparent divergence, moreover, Bataille insists that mystical and Nietzschean texts reflect and are constitutive of the same experience and writing practice.Like both Nietzsche and the mystics, Bataille’s “antigeneric” writing mixes genres and styles within and between texts. 3 Throughout the course of his career, experience and writing are in a constant state of movement, flux, or chaos (to echo Bataille’s self-description in On Nietzsche). The Atheological Summa encapsulates within what purport to be three unified books the diversity of genres and styles that run throughout Bataille’s corpus as a whole. They contain ample quotation of Nietzsche’s texts and those of the mystics—undigested hunks and fragments of these allusive writings 4 —together with philosophical reflections, confessional meditations, diary fragments, letters, and, at the end of On Nietzsche, a set of six brief historical and theoretical appendices. Anything broaching traditional textual commentary is reserved for the margins of these nonbooks. Like many mystics, particularly women who were denied access to the traditional genres of sermon, biblical commentary, and philosophical or theological treatise, and like Nietzsche, who eschews and subverts traditional genre distinctions, Bataille comments and critiques through practice rather than exposition. Although Bataille acknowledges the oddity of his coupling the mystics and Nietzsche, he also rigorously defends it, arguing for a mystical and ecstatic experience in Nietzsche’s work. 5 As I hope to show, Bataille’s [End Page 74] experience of the failures of mysticism and of Nietzsche speak to each other and lead to Bataille’s necessary apostasy as his true discipleship.Repetition of the divergences between Bataille and the mystics, first stated by Bataille himself in Inner Experience, has become something of a commonplace, yet his claims have not been sufficiently explored or challenged. So, for example, Alain Arnauld and Giséle Excoffon-Lafarge unproblematically assert that despite all proximities between Bataille’s texts and those of the mystics, they differ in their aims or aimlessness. Michel Surya joins a host of other scholars whose primary concern is to demonstrate (against the insinuations of Sartre, made now almost fifty years ago) that Bataille was not a Christian. Whereas the mystics’ path ends with the divine encounter, Bataille renounces all objects, aims, or end for his quest and his desire. 6 Most importantly, he rejects all idealism and any hope for salvation. Bataille himself insists on his divergence from the Christian mystics in Inner Experience and Guilty. At the same time, his citations and mimings of central texts from the Christian mystical tradition show that what fascinates him within these writings is precisely the moment in which the soul desires “to live without a why,” embracing the suffering of hell—understood as the absence of/from the “object” of desire—as desire. 7 In a move later echoed by Jacques Lacan, Bataille claims that some medieval mystics attained that beyond of which he writes, but without knowing anything about it: “Exuberance is the point where we let go of Christianity. Angela of Foligno attained it and described it, but didn’t know it.” 8Commentators follow Bataille in resisting his identification with the mystics, then, whereas Nietzsche is a less troubling model for Bataille and his readers. In fact, Bataille... (shrink)

Religion and diversified religious experiences are always held suspect and not spared from apprehensions regarding its value, its ethics, its revelatory claims and its approaches. Time immemorial religion and religious experiences have played a pivotal role in building up society for betterment and also for deterioration. Man’s intellectual activity throughout the history was on the line of religion. The sacred in religion has always empowered man in many paths of his life, say, to bring social reformation, be it environmental concern (...) or women empowerment. The sacred in religion have brought wonders in human life. (shrink)

Cet article explore la question du rapport entre la valorisation symbolique et religieuse de l’élément féminin et les idées émancipatrices véhiculées par les mouvements messianiques sabbatéen et frankiste (xviie et xviiie s.). Sans nier l’influence des cultures environnantes et le rôle des bouleversements sociaux qui affectent les communautés juives de l’Empire ottoman, il apporte des éléments en faveur de la thèse selon laquelle ces idées inhabituelles, certaines même révolutionnaires pour l’époque, ont leur fondement dans la tradition mystique juive, notamment dans (...) l’aspiration à une libération de l’élément féminin divin, dans une sotériologie de l’égalité entre les principes masculins et féminins, ainsi que dans la féminisation de la figure messianique. (shrink)

This paper argues for a reinterpretation of madness and mysticism through an apophatic lens. By using Wouter Kusters' theo-philosophical definition of madness, I argue for a re-evaluation of female mysticism which rethinks ecstatic and ascetic devotion as a form of agency. Focusing on The Book of Margery Kempe, I reconsider theological passion and ground Kempe’s madness within the historical tradition of affective piety, which expresses a desire to join with the humanity of Christ. Within modern readership, there has (...) been an impulse to label Kempe and other mystics with specific psychiatric diagnoses. In resisting this urge, I instead argue for a convergence of madness and mysticism which enables a paradoxical agency through negation of thought and language. This apophatic agency is precisely what imbues female mysticism with the potential for radical, queer social resistance. In extending this discussion to issues of fasting and abstinence, I then consider the role eucharistic devotion plays in enabling women control over the gastronomical and sexual parameters of their bodies. The denial of food and sex becomes integral to Kempe’s mysticism in asserting agency over the psychosexual self. Finally, I end with some reflections on how Kempe’s mysticism might influence contemporary discussions of mental health. (shrink)

This article argues that, of the leading Continental feminist theorists who have expressed an interest in women's mysticism, most have inadvertently or otherwise taken up the theoretical model of William James, the early-twentieth-century scholar of religion. In particular, Simone de Beauvoir and Luce Irigaray have accepted the view that mysticism operates on an epistemological plane divorced from the categories of rationality and intelligibility. Both thinkers hold that the mystic is typically hysterical, although Irigaray takes a more positive view (...) of the hysteric as a subject position from which the feminine voice is first heard. Through a brief examination of the mystical and political careers of Hildegard of Bingen, we conclude that the theoretical perspective of Julia Kristeva provides a more useful theoretical perspective from which to analyse women's mystical texts. (shrink)

The doctrine of Democracy, like any other of the living faiths of men, is so essentially mystical that it continually demands new formulation. In a 1914 report to the General Federation of Women’s Clubs, Jane Addams remembered how Chicago’s clubs came together two decades earlier around social issues that had been in the air for some time but which took on sudden immediacy amidst the women’s new collective “feeling and thought” and, with that key happening, called the groups to deliberate (...) action. “The newly moralized issue, almost as if by accident,” as Addams described the phenomenon, “suddenly takes fire and sets whole communities in a blaze, lighting up human relationships and public duty with new .. (shrink)

Karoline von Günderrode’s reputation as a mystical writer makes her a likely candidate as a proponent of a negative philosophy. However, the historical emphasis on Günderrode’s mystical and lyrical writings reflects gender stereotypes about women’s writing and ignores Günderrode’s strengths as an epic and historical writer. It is therefore important to approach claims about Günderrode’s supposed mysticism carefully. This paper is a preliminary attempt to investigate Günderrode’s claims about knowledge, including knowledge of the absolute, asking: What does Günderrode think (...) knowledge is? What does she think the purpose of knowledge is—i.e., what does she think knowledge gets us, or does for us? And how do her claims differ from those philosophers, such as Novalis, whose thinking on knowledge (including of the absolute) seems to resemble hers? I argue that Günderrode maintains that human beings can experience, or “know,” a reality behind the discrete objects and events that comprise the world of appearances, and that she integrates this idea into a coherent worldview in a unique way. Specifically, I argue that Günderrode reconceptualizes the nature of death and selfhood in specific ways that allow her to make sense of the possibility of experiencing the true nature of the world behind the divisions that are characteristic of human knowledge and existence. (shrink)

In the Jewish tradition dybbuk is the soul of deceased, which takes control on the body of a living person. Its presence revals everlastingly interweaving of life and death. This article shows the connection between phenomenon of dybbuk and Sartre’s love conception; its focusing mainly on issues of the gaze and its relation with imagination. This text also register, that drama The Dybbuk continues romantic tradition, based on category of distance and status of the relation between love and death. Moreover, (...) article takes the problem of Jewish mysticism, in the context of Anski’s drama. What you are, dybbuk? Perhaps you live in each of us. (shrink)

Medieval and early modern devotional works rarely receive serious treatment from philosophers, even those working in the subfields of philosophy of religion or the history of ideas. In this article, I examine one medieval devotional work in particular—the Middle High German image- and verse-program, Christus und die minnende Seele (CMS)—and I argue that it can plausibly be viewed as a form of medieval public philosophy, one that both exhibited and encouraged philosophical innovation. I address a few objections to my proposal—namely, (...) that CMS is neither public enough nor that it counts as proper philosophy—and I attempt to defend CMS’s public philosophical credentials in light of these objections. I conclude with a brief discussion of how devotional texts like CMS can help us do innovative public philosophy today. (shrink)

Over 700,000 copies of the original hardcover and paperback editions of this stunningly popular book have been sold. Karen Armstrong's superbly readable exploration of how the three dominant monotheistic religions of the world—Judaism, Christianity, and Islam—have shaped and altered the conception of God is a tour de force. One of Britain's foremost commentators on religious affairs, Armstrong traces the history of how men and women have perceived and experienced God, from the time of Abraham to the present. From classical philosophy (...) and medieval mysticism to the Reformation, the Enlightenment, and the modern age of skepticism, Armstrong performs the near miracle of distilling the intellectual history of monotheism into one compelling volume. (shrink)

Die Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters (MTU), seit Band 102 beim Max Niemeyer Verlag, machen bisher nicht oder ungenügend erschlossene Texte, Stoffe und Gattungen zugänglich. Neben höfischem und Heldenepos und der Lieddichtung des Hohen und Späten Mittelalters sind vor allem auch Prosaschriften des weltlichen und geistlichen Bereichs, vom theologischen Traktat über die Mystik bis zum Spiel und zur Sachliteratur aus der mittelalterlichen Alltagswelt vertreten. Die Auswahl der publizierten Werke besorgt ein internationales Gremium von Mediävisten verschiedener Disziplinen.

By reading the analyses of mysticism found in Beauvoir and Irigaray with and against some medieval women's mystical texts, the paper articulates a possible space for the divine within feminist thought.

The latest in the series based on the popular History of Philosophy podcast, this volume presents the first full history of philosophy in the Islamic world for a broad readership. It takes an approach unprecedented among introductions to this subject, by providing full coverage of Jewish and Christian thinkers as well as Muslims, and by taking the story of philosophy from its beginnings in the world of early Islam all the way through to the twentieth century. Major figures like Avicenna, (...) Averroes, and Maimonides are covered in great detail, but the book also looks at less familiar thinkers, including women philosophers. Attention is also given to the philosophical relevance of Islamic theology (kalam) and mysticism--the Sufi tradition within Islam, and Kabbalah among Jews--and to science, with chapters on disciplines like optics and astronomy. The book is divided into three sections, with the first looking at the first blossoming of Islamic theology and responses to the Greek philosophical tradition in the world of Arabic learning. This 'formative period' culminates with the work of Avicenna, the pivotal figure to whom most later thinkers feel they must respond. The second part of the book discusses philosophy in Muslim Spain (Andalusia), where Jewish philosophers come to the fore, though this is also the setting for such thinkers as Averroes and Ibn Arabi. Finally, a third section looks in unusual detail at later developments, touching on philosophy in the Ottoman, Mughal, and Safavid empires and showing how thinkers in the nineteenth to the twentieth century were still concerned to respond to the ideas that had animated philosophy in the Islamic world for centuries, while also responding to political and intellectual challenges from the European colonial powers. (shrink)

The myths of Plato.--A great mystic: Plotinus.--Dante as a spiritual teacher.--Wordsworth: seer and patriot.--Browning's portraits of women.

This book explores the philosophical writings of Gerda Walther. It features essays that recover large parts of Walther’s oeuvre in order to show her contribution to phenomenology and philosophy. In addition, the volume contains English translations of her key work. The essays consider the interdisciplinary implications of Gerda Walther’s ideas for sociology, political science, psychology, women’s and gender studies, and religious studies. A student of Edmund Husserl, Edith Stein, and Alexander Pfänder, she wrote foundational studies on the ego, community, (...) class='Hi'>mysticism and religion, and consciousness. Walther’s discussion of empathy, identification, the ego and ego-consciousness, alterity, God, mysticism, sensation, intentionality, sociality, politics, and woman is relevant not only to phenomenology and philosophy but also to scholars of religion, sociology, political science, and psychology. Gerda Walther was one of the important figures of the early phenomenological movement. However, as a woman, she could not habilitate at a German University and was, therefore, denied a position. Her complete works have yet to be published. This ground-breaking volume not only helps readers discover a vital voice. It also demonstrates the significant contribution of women to the early phenomenological movement. (shrink)

An introduction to the long-forgotten healing methods of the Essenes—an ancient sect of Jewish mystics—that offers useful tools, meditations, and visualizations for modern-day practitioners Until the discovery of the Dead Sea Scrolls in 1946, there was little known about The Essenes, a brotherhood of holy men and women living together within a community over two thousand years ago. The Essenes considered themselves to be a separate people—not because of external signs like skin color or hair color, but because of the (...) illumination of their inner life and their knowledge of the hidden mysteries of nature unknown to other men. The Gate of Light is based on Lars Muhl’s lifelong search for God. It doesn’t claim any absolute truths but sets out to provide a practice based on Essene teachings that allows us to look at how we judge ourselves and how we live in the world. Muhl asks: What motivates us? How do we create a balance between thoughts, words, and actions? How do we align ourselves in relation to our higher self and become the universal light beings we are meant to be? The Essenes understood that everything is interactively connected and that everything is energy. For them, God was the name for the highest form of awareness, something omnipresent and—if a human wished to learn how—they could communicate with this ever-present energy; through this communication humans could realize their full potential. Drawing on this ancient knowledge, Muhl presents a complete practice to help us recognize and answer the above questions. He particularly looks at: Grief and Happiness, Balance and Awareness, Selflessness, Boredom and Renunciation, Loneliness, Gratitude, Silence and Thoughtfulness. (shrink)

This article challenges the widely held view that mysticism is essentially characterized by intense, ineffable, subjective experiences. Instead, I show that mysticism has undergone a series of social constructions, which were never innocent of gendered struggles for power. When philosophers of religion and popular writers on mysticism ignore these gendered constructions, as they regularly do, they are in turn perpetuating a post-Jamesian understanding of mysticism which removes mysticism and women from involvement with political and social (...) justice. (shrink)

Volume 20 of _The Annual of Psychoanalysis_ ably traverses the analytic canvas with sections on "Theoretical Studies," "Clinical Studies," "Applied Psychoanalysis," and "Psychoanalysis and Philosophy." The first section begins with Arnold Modell's probing consideration of the paradoxical nature of the self, provocatively discussed with John Gedo. Modell focuses on the fact that the self is simultaneously public and private, dependent and autonomous. Alice Rosen Soref next explores innate motivation and self-protective regulatory processes from the standpoint of recent infancy research; her (...) notion of a lifelong two-track model of self and relatedness helps establish a normative baseline that can anchor psychoanalytic theory. George Mahl makes an interesting contribution to Freud studies in the form of a new chronology of Freud's works and the number of pages they contain in the _Standard Edition_. The section ends with Robert Galatzer-Levy and Mayer Gruber's "quasi-experiment about disgust." They test and disconfirm the hypothesis that disgust is an affective response to an abstract sense of disorder rather than a transformation of a concrete, bodily experience by systematically exploring references to concepts of disgust in the Old Testament. Section II, on "Clinical Studies," opens with Henry Smith's fascinating elaboration of Freud's notion of "screen memories" into a theory of screening that denotes the general process by which mental content is organized. He illustrates his thesis by invoking the "screen language" employed by a patient throughout her analysis. Ernest Wolf next explores the tension between being a "scientist" and a "healer" in Freud and his followers to illuminate struggles within the psychoanalytic movement and to help account for current attitudes toward abstinence, neutrality, and gratification. Kenneth Newman focuses on this same triptych of technical precepts. He argues, in the spirit of Winnicott and Kohut, that analysts can only alter the hostile internal environments of their patients by becoming "usable" objects and cultivating an optimally responsive analytic environment. A particularly rich collection of applied analytic studies forms Section III of the volume. Individual chapters focus on the childhood of Vincent van Gogh ; the psychological healing process depicted in George Eliot's _Silas Marner_ ; the self-psychological meaning of "blood brotherhood" in D. H. Lawrence's _Women in Love_ ; ecstatic mysticism in the 19th-century Indian saint Sri Ramakrishna ; the disintegration of the Tyrone family in Eugene O'Neill's _Long Day's Journey into Night_ ; and the nature and analytic significance of Freud's aesthetic response to Michelangelo's _Moses_. Finally, in Section IV, George Brook examines the commonsense psychological knowledge of everyday life, that is, the nonpsychoanalytic knowledge on which much of clinical psychoanalysis ultimately depends. Taken together, the four sections of Volume 20 of _The Annual_ offer an exciting overview of contemporary psychoanalysis. Section I highlights recent trends in psychoanalytic theorizing and the testing of psychoanalytic propositions; Section II explores the relevance of new theoretical perspectives to clinical work; Section III demonstrates the applicability of these new perspectives to psychobiographical and literary analysis; and Section IV provocatively explores the points of connection between everyday ideas and attitudes and the tenets of psychoanalytic practice. (shrink)

To test whether emotional empathy is linked to altered perceptions of self in relation to other and/or context, participants read one of two tragic news stories and then completed a self-report empathy measure, as well as an abridged version of Hood’s Mysticism scale either before or after the article. Exposure to a needy other in the story tended to result in greater self-reported mystical experience. Men with a history of mystical experience reported more empathy, but the latter was disconnected (...) from on-line reports of mystical experience. Women’s history of mystical experience did not predict empathic responding overall, but their reported empathy was linked to on-line experiences of oneness, absorption into something larger, and space-time distortion with imputed religious significance. Directions for future research, including the possible facilitative role of oxytocin, are discussed. (shrink)

Peter Adamson presents the first full history of philosophy in the Islamic world for a broad readership. He traces its development from early Islam to the 20th century, ranging from Spain to South Asia, featuring Jewish and Christian thinkers as well as Muslim. Major figures like Avicenna, Averroes, and Maimonides are covered in great detail, but the book also looks at less familiar thinkers, including women philosophers. Attention is also given to the philosophical relevance of Islamic theology and mysticism--the (...) Sufi tradition within Islam, and Kabbalah among Jews--and to science, with chapters on disciplines like optics and astronomy. The first part of the book looks at the blossoming of Islamic theology and responses to the Greek philosophical tradition in the world of Arabic learning, the second discusses philosophy in Muslim Spain, and a third section looks in unusual detail at later developments, touching on philosophy in the Ottoman, Mughal, and Safavid empires. (shrink)

Doctrine of the distant tzaddik: mysticism, ethic, and politics -- Self-image and the Father-figure: Rabbi Nachman of Breslov on repairing the souls of the dead -- Two tzsddikim, Two women in labor, and one salvation: reading gender in Hasidic story -- 'Outside of the natural order': Temrel, the female Hasid -- Hasidic women: beyond egalitarianist discourse -- The Hasidic story: a call of narrative religiosity -- The Yamima method as a contemporary- Hasidic- female movement.

A reference volume and playful devotional object based on the author's research into color theory informed by psychology, mysticism, and early modernism. The Color-Word Value Index has 44 word pairings; 10 colors; 5 suits; and values of positive, negative, and neutral"--Women's Studio Workshop website, viewed December 14, 2021.

This article focusses on the function of poetry in Logos. Four positions can be ob- served: 1) a rationalistic integration of poetry in the realm of culture, as Cassirer shows it in the case of Hölderlin, which is connected to his intellectual and philosophical environment; 2) an esthetician view of poetry as an absolute world per se, in the continuation of the ideas of the George’s circle, a position that cannot avoid an ambiguous politization; 3) an attempt to read poetry (...) as a way of »seeing the world« (Weltanschauung) in the tradition of Dilthey, integrating it into a complex ideal of culture, as Anna Tumarkin did in a most interesting way, who was one of the first women to become a professor of philosophy (in Bern); 4) the time-condi- tioned attempt to link poetry and mysticism in order to challenge a rationalistic view of culture, reading for instance Rilke as a »Mystiker« like August Faust did, searching a solution to the crisis of civilization beyond the realm of reason. In all these features, it appears that poetry—though not a central topic of the journal Logos—built a very controversial place, a modern »Kampfplatz« where central phil- osophical—and political!—questions were at stake. Therefore, it reveals the inner tensions of the Logos. (shrink)

One afternoon in 1836 the Transcendental Club held its first meeting in Boston. The membership was noteworthy not only for the list of impressive personages, headed by Emerson, but for the general youthfulness of the group (Thoreau was only twenty-two) and for the fact (unusual for the day) that several women were invited to attend. The club consisted mainly of "bright young Unitarians seeking to find meaning, pattern, and purpose in a universe no longer managed by a genteel and amiable (...) Unitarian God." The club met irregularly for three years and then passed into oblivion. The intellectual activity it engendered continues to affect American thought and values even today. The transcendentalists concerned themselves with problems of law, truth, individuality, theology, mysticism, pantheism, and personality, to mention only a few. Moreover, they were prolific writers and produced reams of letters, essays, poems, sketches, and memoirs. Historian Paul Boller traces the movement from its earliest stirrings through its height as a powerful movement to its decline in the aftermath of the Civil War. Whenever possible, he lets the transcendentalists speak for themselves. He sorts the permanent from the transient and demonstrates the immeasurable importance of a body of ideas which still live a century and a half after their inception.--From publisher description. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wisdom's Flowering Cherry:William Johnston's Charismatic ZenLucien Miller Click for larger view View full resolutionIn 1976, when I was about to leave Taiwan after a sabbatical in Taiwan, I happened upon a tattered poster on a telephone pole: [End Page 133]CHRISTIAN-ZEN RETREAT DIRECTOR: WILLIAM JOHNSTON, S.J. ST. BENEDICT'S CONVENT, TAMSUI, TAIWANSunday-FridayI knew that Father Johnston was the well-known Irish Jesuit theologian at Sophia University in Tokyo, widely honored for his (...) studies of mysticism and his major contributions to the development of Buddhist-Christian encounter. I was totally intrigued. Instantly, I decided to attend the retreat.1day oneI was late when I arrived at Saint Benedict's chapel, where the retreat was underway, announcing my presence with a mighty thud of its door to a full gathering of retreatants sitting silently in the pews. Suddenly, here I was, the sole layman among a group of Catholic priests and sisters, most of them American-born, who were serving as missionaries in Taiwan. I looked and felt like a misfit, especially since Father Johnston had to wait to begin the retreat because of me. The chapel setting was Far Eastern in its simplicity and decor. Square in shape, it had a low altar in its center, about a foot and a half high. A plain, muted oil lamp hung to one side, softly gleaming in the semidarkness of late afternoon. Tatami mats and cushions were placed on the spacious floor around the front and two sides of the altar, so that after today's introduction, participants could sit on cushions according to zazen form and face the altar.As I dashed into a pew and looked up, I experienced a Catholic's shock. To my utter surprise, Father Johnston appeared in black Japanese yukata robes, instead of a priest's black suit. He bowed deeply before the altar, where he placed the Eucharist in a ciborium in plain view instead of in the tabernacle where it belonged. Turning to face us, he sat zazen style with his legs crossed on a Zen cushion with the ciborium behind his back. There was no "In the Name of the Father" or "let us pray." We simply maintained a long silence. In imitation of Japanese monks, many of the religious women and men retreatants were wearing robes, while the priests among them had on cassocks. Everyone but me had dressed appropriately for a Zen sesshin. I guessed many were fellow neophytes like me, as we all awkwardly sat zazen with legs crossed as best we could. We would quickly discover together that, for the uninitiated Westerner, zazen would initially prove a painful affair.Father Johnston was partly bald with longish hair at the temples, bushy white eyebrows, and wore a gray-brown beard and radiant smile. While born in Ireland and definitely Irish, you could tell by his clothing, carriage, and bearing that he had been profoundly touched by Japanese culture and language through his long years in Japan. Nonetheless, you readily knew by his sparkling blue eyes amidst his ruddy complexion that the Irish remained in the Japanese.I had brought my Zen sitting cushion all the way from my home in Pelham, MA, to Taiwan, and had practiced daily morning zazen in our Japanese-styled residence while teaching and researching at Tunghai University near Taichung. But feeling late and a bit shy about being up front with esteemed Father Johnston and among the clergy and [End Page 134] religious, I placed my cushion at the back of the chapel, sat down, and crossed my legs. Father Johnston noticed that I was off by myself, and came over. "Good," he laughed, complimenting my sitting posture. "But pretty hard to sit on a marble floor!"He explained to the participants that the schedule he set would be followed beginning the next morning, and that it was entirely voluntary. You could practice crosslegged zazen on your cushion and mat on the chapel floor or sit in the pews. The general atmosphere would be both disciplined, Zen-style, and relaxed. "Please keep silence at all times," he requested. Morning zazen was very early—from... (shrink)

Resistance and Techniques of Virginity: A Feminist Reading of The Confessions of the Flesh What is the feminist relevance of Foucault’s posthumously published Confessions of the Flesh? This question is part of a larger debate on the usefulness of the later Foucault in conceptualizing resistance against patriarchal power relationships. This paper follows those who argue in favor of the feminist potential of his concepts of freedom and care for the self, in particular the notions of ascesis and askesis. I argue (...) that resistance against gendered norms is explicit in his discussion of counter-conduct (1978), which he links to late-medieval mysticism and to excessive, physical experiences. Both the gender-component and the excessive corporeal experiences disappear, however, from his later concept of askesis, which suggests that Foucault’s omission of women coincides with a displacement of the suffering body as a site of resistance. In the second part of this essay, I argue that this thesis is complicated by the recently published Confessions of the Flesh, and its lengthy discussion of early-Christian virginity. I conclude by commenting on the historiographical limits to recuperate moments of resistance. (shrink)

Medieval philosophy is primarily associated today with university-based disputations and the authorities cited in those disputations. In their own time, however, scholastic debates were recognized as just one part of wide-ranging philosophical and theological discussions. A Hidden Wisdom breaks new ground by drawing attention to another crucial component of these conversations: the Christian contemplative tradition. The thirteenth–fifteenth centuries in particular saw a dramatic increase in the production and consumption of mystical and contemplative literature in the ‘Christian West’, by laypeople as (...) well as religious scholars, women as well as men. A Hidden Wisdom focuses on five topics of particular interest to both scholastics and contemplatives in this period—namely, self-knowledge, reason and its limits, love and the will, persons, and immortality and the afterlife. This focus centers on the (often overlooked) contributions of medieval women and demonstrates that when we reunite scholasticism with its contemplative counterpart, we gain not only a more accurate understanding of the scope of medieval Christian philosophy and theology but also an increased awareness of a deeply practical tradition that builds up as well as tears down, generates as well as deconstructs. The book’s treatment of topics and figures is meant to be representative rather than exhaustive—a tasting menu rather than a comprehensive study. The choice of topics offers a series of ‘hooks’ for philosophers to connect their own interests to issues central to medieval contemplative philosophy, while also providing medievalists in other disciplines a fresh lens through which to view these texts. (shrink)

The Guggenheim’s spring retrospective of the seminal Swedish painter, Hilma Af Klint, has, naturally, evoked a multitude of art critics and visual culture scholars who laud her radical abstraction which, at the beginning of the 20th century, preceded Kandinsky, Malevich, Mondrian. Yet, where much attention has been given to the symbology and motifs riddling Klint’s work – bold, private, untethered and nonrepresentational as they are – there has been a modicum of nuanced thought on how, exactly, esotericism and theology fomented (...) Klint’s pedagogical projects. Jillian Steinhauer, for instance, has underscored Klint’s naturalistic watercolors; featuring flowers and lifelike drawings of women; Summer Landscape (1888) suggests Klint’s technical aptitude for rendering light. Jadranka Ryle, in a clever article titled “Reinventing the Yggdrasil,” invokes Klint’s motif of the Yggdrasil, or the holy tree of Norse mythology, as a political axle for Nordic romanticism. Ryle makes the claim that by redirecting the Yggdrasil towards androgynous abstraction, Klint’s engagement with Norse mythology subverts the nationalist and patriarchal romanticism that previously characterized the nineteenth century’s use of the Yggdrasil. Others have adroitly uncovered biographical fragments from Klint’s life, detailing how she and four friends formed De Fem (“the Five”), an exclusively female coven that met weekly, praying, meditating, and holding seances to commune with spiritual guides. Rather than poise the Swedish maverick within the cannon of abstraction qua a political praxis, feminist subject-being, or historiography – projects that have been exhaustively overwrought, to the point of rendering Klint’s work both mute and reductively technical– I would like to take this time to closely examine simply one of Klint’s paintings and foreground it as an axiomatic modernist injunction between metaphysics and epistemology. (shrink)

This article engages with the reception and naming of women by contemporary historians and theologians. The core question is as follows: when is a woman received as a theologian? This question is looked at via the works of Hadewijch, a 13th-century Flemish writer. Scholars easily group together women from the High Middle Ages as mystics, referring to the experiential character of their theology and their writing in the vernacular. These criteria of gender, language and experience then disqualify them as theologians (...) and qualify them as mystics. In this article, the dichotomy between spirituality and theology is revisited and examples of a growing discourse where Hadewijch and some of her contemporaries are called theologians are given. The genre of theology is then widened to recognise the worth not only of scholastic discourse but also of vision, poetry and bodily experience.Contribution: The renaming of historical woman figures is of utmost importance in the understanding of what constitutes women theologians in the present day as well as for the healing of the divide between ‘spirituality’ and ‘theology’. (shrink)

Margery Kempe and her Book studied in both literary and historical context.

This article focuses on service provision for women who are involuntarily referred under the UK Mental Health Act (1983) into medium and high security care in England and Wales. We explore how physical and procedural security in such settings is prioritized over relational care (see also Fallon Report, Department of Health, 1999a and NHS Executive, 2000 – Tilt Report). We are not arguing against the importance of protecting the public from the acts of dangerous members of our society. However, we (...) are arguing that many of the women in our secure services are inappropriately placed and receive inappropriate forms of treatment and care. Rather than physical security, it is high relational care, which the women require. Further, we argue that current service provision often re-produces forms of violence and violation which have marked many of women's lives prior to their entry into the secure system. (shrink)

SummarySon preference has been considered as a determinant of women's risk of intimate partner violence experience in India, although quantitative evidence from large nationally representative studies testing this relationship is limited. This study examines the association between husband's son preference, sex composition of children and risk of physical and sexual IPV victimization among wives. Information was collected for 26,284 couples in the nationally representative 2005–2006 National Family Health Survey of India. The exposures were husband's son preference measured as husband's desire (...) for one or more sons greater than the number of daughters and sex composition of the household: only sons, only daughters and mixed. Outcome included past year physical and/or sexual IPV. The results showed that husband's reported son preference and sex composition of children were not associated with risk for IPV victimization in the models adjusted for socio-demographic factors. The findings from this first population-based study of socio-cultural norms around son preference and married Indian women's risk for IPV victimization indicate that cultural preference for sons does not influence women's risk for IPV victimization. (shrink)