Gossip is rarely praised. There seems little virtuous that is about talking behind someone’s back. Whether there is anything virtuous about gossip, however, depends on the kind of gossip. Some gossip is idle, but some evaluative gossip promulgates and enforces norms. When properly motivated, such gossip effects positive change in society and counts as gossiping well. The virtue of gossiping well even includes some kinds of false gossip, namely the sort that exaggerates a pre-existing trait, thereby creating a caricature of (...) a person’s character in order to establish a moral exemplar (or anti-exemplar). (shrink)

A caricature can reveal an aspect of its subject that a more faithful representation would fail to render: by depicting a slow and clumsy person as a monkey one can point out such qualities of the depicted subject, and by depicting a person with quite big ears as a person with enormous ears one can point out that the depicted person has rather big ears. How can a form of representation that is by definition inaccurate be so representationally powerful? Figurative (...) language raises a similar puzzle. Metaphors, taken at face value, are usually false: men are not wolves. The same goes for hyperbolic talk: Putnam did not change his position one billion times in his career. Still, figurative language is expressively powerful: by saying that human beings are wolves or that Putnam changed his position one billion times in his career one conveys, in a very vivid way, some true information about the world (something concerning the facts that human beings are cruel and that Putnam frequently changed opinion). Kendall Walton (1993) provides an elegant explanation of the expressive utility of figurative language by linking metaphor and prop oriented make-believe. We explore the hypothesis that the theory of prop oriented make-believe can also explain the representational efficacy of caricatures. (shrink)

This article explores the distinctive artistic form of caricature and the philosophical treatment it receives in the work of Karl Rosenkranz (1805–1879), who gives it a central role in the context of his remarkable book The Aesthetics of Ugliness (Die Ästhetik des Hässlichen). Rosenkranz’ legacy on this score is not much discussed (certainly in Anglo-American philosophical circles), but its importance for the development of post-eighteenth-century aesthetics—in particular, for an aesthetics that stretches beyond the conventional concerns with the beautiful and the (...) sublime—can hardly be overstated. After a presentation of Rosenkranz’ project on the aesthetics of ugliness, this article examines his take on caricature and its relation to philosophy (as well as philosophy’s relation to caricature), and then takes up some pressing contemporary questions that arise for caricature’s use of stereotypes. (shrink)

Caricatures can help to understand the perception of a face. The prominent facial feature of a subject can be exaggerated, so the subject can be easily identified by humans. Recently, significant progress has been made to face detection and recognition from images. However, the matching of caricature with photographs is a difficult task. This is due to exaggerated features, representation of modalities, and different styles adopted by artists. This study proposed a cross-domain qualitative feature-based approach to match caricature with (...) a mugshot. The proposed approach uses Haar-like features for the detection of the face and other facial attributes. A point distribution measure is used to locate the exaggerated features. Furthermore, the ratio between different facial features was computed using different vertical and horizontal distances. These ratios were used to calculate the difference vector which is used as input to different machine and deep learning models. In order to attain better performance, stratified k-fold cross-validation with hyperparameter tuning is used. Convolution neural network-based implementation outperformed the machine learning-based models. (shrink)

Pedagogical situations require white lies: in teaching philosophy we make decisions about what to omit, what to emphasise, and what to distort. This article considers when it is permissible to distort the historical record, arguing for a tempered respect for the historical facts. It focuses on the rationalist/empiricist distinction, which still frames most undergraduate early modern courses despite failing to capture the intellectual history of that period. It draws an analogy with Michael Strevens's view on idealisation in causal explanation to (...) distinguish between myths and caricatures. Myths are distortions of the historical record that undermine students' understanding of the past, despite having other pedagogical benefits. Caricatures are distortions that either increase or are indifferent to understanding of the past. Mythmaking, the article argues, is unjustified. (shrink)

Caricature undeniably excels at mocking people and their foibles. But is this mode of depiction limited to human beings? Can animals, objects, or even abstract concepts be caricatured? The first goal of this paper is to trace the limits of the caricaturable and see how far they extend beyond the human figure. The second goal is to understand how the wondrous modification enacted by caricature works. To do so, I analyze the features that caricature selects, and argue that such features (...) have a relational nature—they are instantiated by the depicted subject but their sense hinges on implicit norms. I then outline the deep structure of reference exploited by caricature for depicting. Finally, I use this account to unravel the paradox of caricature: how can a picture both misrepresent its subject and prompt an accurate recognition? I defend the controversial claim that caricature per se does not amount to misrepresentation. (shrink)

That caricature succeeds at all seems paradoxical. That its dictum is “less is more” seems more puzzling still. In this paper I hope to investigate how caricature transforms exaggeration, distortion, and falsification into vehicles for succinct comment and easy identification. I shall examine and discard several views of how caricature functions, and conclude by arguing that correctly identifying a caricature is no more, and no less, paradoxical than correctly identifying any of the everyday objects that clutter our world.

Philosophy & Social Criticism, Volume 48, Issue 4, Page 544-555, May 2022. Despite growing evidence that production of cartoons and caricatures of Muhammad causes deep hurt to Muslims across the world, European leaders are refusing to restrict their publication in the name of free speech. This article questions this position on three counts: one, the hurt these cartoons cause to the Muslims and the resulting frictions between Europe and leaders of the Muslim countries; two, the harm they cause to (...) European societies by increasing the tension between Muslims and ordinary citizens and the state at a time when Islamophobia and anti-immigrant feelings are already high; and, three, the need to question the intent of those publishing the cartoons given the overwhelming evidence on the first two counts. The article also questions the legitimacy and usefulness of labelling attacks triggered in response to these publications as ‘Islamic terrorism’ when the profiles of those perpetuating these attacks show criminal and deviant behaviour than evidence of religious devotion. The usefulness of using labels that make actions of a few taint whole of Islam, and Muslims as a collective, needs to be debated. (shrink)

Despite growing evidence that production of cartoons and caricatures of Muhammad causes deep hurt to Muslims across the world, European leaders are refusing to restrict their publication in the name of free speech. This article questions this position on three counts: one, the hurt these cartoons cause to the Muslims and the resulting frictions between Europe and leaders of the Muslim countries; two, the harm they cause to European societies by increasing the tension between Muslims and ordinary citizens and (...) the state at a time when Islamophobia and anti-immigrant feelings are already high; and, three, the need to question the intent of those publishing the cartoons given the overwhelming evidence on the first two counts. The article also questions the legitimacy and usefulness of labelling attacks triggered in response to these publications as ‘Islamic terrorism’ when the profiles of those perpetuating these attacks show criminal and deviant behaviour than evidence of religious devotion. The usefulness of using labels that make actions of a few taint whole of Islam, and Muslims as a collective, needs to be debated. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 4, Page 544-555, May 2022. Despite growing evidence that production of cartoons and caricatures of Muhammad causes deep hurt to Muslims across the world, European leaders are refusing to restrict their publication in the name of free speech. This article questions this position on three counts: one, the hurt these cartoons cause to the Muslims and the resulting frictions between Europe and leaders of the Muslim countries; two, the harm they cause to (...) European societies by increasing the tension between Muslims and ordinary citizens and the state at a time when Islamophobia and anti-immigrant feelings are already high; and, three, the need to question the intent of those publishing the cartoons given the overwhelming evidence on the first two counts. The article also questions the legitimacy and usefulness of labelling attacks triggered in response to these publications as ‘Islamic terrorism’ when the profiles of those perpetuating these attacks show criminal and deviant behaviour than evidence of religious devotion. The usefulness of using labels that make actions of a few taint whole of Islam, and Muslims as a collective, needs to be debated. (shrink)

Leibniz's best-of-all-possible worlds solution to the problem of evil is defended. Enlightenment misrepresentations are removed. The apparent obviousness of the possibility of better worlds is undermined by the much better understanding achieved in modern mathematical sciences of how global structure constrains local possibilities. It is argued that alternative views, especially standard materialism, fail to make sense of the problem ofevil, by implying that evil does not matter, absolutely speaking. Finally, itis shown how ordinary religious thinking incorporates the essentials of Leibniz's (...) view. (shrink)

Pascal’s wager and Leibniz’s theory that this is the best of all possible worlds are latecomers in the Faith-and-Reason tradition. They have remained interlopers; they have never been taken as seriously as the older arguments for the existence of God and other themes related to faith and reason.

Logical positivism is often characterized as a set of naive doctrines on meaning, method, and metaphysics. In recent decades, however, historians have dismissed this view as a gross misinterpretation. This new scholarship raises a number of questions. When did the standard reading emerge? Why did it become so popular? And how could commentators have been so wrong? This essay reconstructs the history of a “caricature” and rejects the hypothesis that it was developed by ill-informed Anglophone scholars who failed to appreciate (...) the subtleties of European scientific philosophy. It argues that the received view has a more complicated history and was frequently promoted by the European positivists themselves. The essay shows that the view has roots in both American and European scientific philosophy and emerged as a result of the complex interplay between the two communities in the years before the intellectual migration. (shrink)

Many caricaturists get the idea for their caricature from current issues of society. The philosophy of the caricature lies in the opinion it presents, which discusses society’s goals, culture, and crises, and it is represented in an ironic way to deliver its visual message. The fight for women’s rights, inequality, and discrimination are examples of issues concerning Saudi women that have been represented by several caricaturists. Hence, the aim of this paper is to investigate female and male caricaturists’ linguistic and (...) semiotic representation of Saudi women’s challenging issues. Following (Kress and Van Leeuwen. 2006. Reading images: The grammar of visual design, 2nd edn. London: Routledge), a social semiotic multimodal approach to the analysis is adopted in this study, which is drawn from Halliday’s social semiotic theory. Twenty caricatures were carefully selected based on the content and the issues that are being discussed in the caricatures with a consideration of their relation to the aim of the study. The present study contributes to enriching Saudi women’s rights in relation to Saudi Vision 2030. The research is significant in that, in examining women/male caricaturists’ representations of the challenges and opportunities of Saudi women empowerment prior/after Saudi Vision 2030 in the workplace, social life, it contributes to understanding the supportive caricature discourse, basic social values for Saudi women, the pressures they undergo, and the success they have achieved so far in attaining their rights. The study findings show that both the semiotic and verbal elements of the caricatures were significant in delivering the messages for women’s rights in the new Saudi. (shrink)

This article reconsiders Bentham’s theory of liberty in relation to republican and democratic ideas in the Age of Revolution. It reinterprets his jurisprudential definitions of liberty as ideological weapons intended to “cut the throat” of pro-American and proto-democratic discourse. In particular, his negative definition of individual liberty and his democratic and international definitions of political liberty were designed and used to caricature and draw to absurdity the republican ideal of self-government. The early Bentham, according to this interpretation, was a subversive (...) critic of republicanism, who occupied its language of liberty and security while trying to neutralize its democratic potential. (shrink)

Paru début 2006, c’est-à-dire quelques mois après « l’affaire » des caricatures de Mahomet, le livre de F.B. veut inviter à la réflexion sur « les dangers et les pouvoirs de l’image ». Pour cela, deux démarches s’imposent : un travail de définition, d’abord, auquel l’A. s’attelle dans le premier chapitre et ce, avec un souci pédagogique sensible tout au long des pages, ainsi que dans le lexique placé en fin d’ouvrage et les abondantes références bibliographiques : la polysémie (...) de la notion d’.. (shrink)

The inclusion of De astrologia in the Lucianic corpus has been disputed for centuries since it appears to defend astrological practices that Lucian elsewhere undercuts. This paper argues for Lucian’s authorship by illustrating its masterful subversion of a captatio benevolentiae and subtle rejection of Stoic astrological practices. The narrator begins the text by blaming phony astrologers and their erroneous predictions for inciting others to “denounce the stars and hate astrology” (ἄστρων τε κατηγοροῦσιν καὶ αὐτὴν ἀστρολογίην μισέουσιν, 2). The narrator assures (...) readers that he, the knowledgeable astrologer, will correct for the “stupidity and laziness” (ἀμαθίῃ καὶ ῥαθυμίῃ, ibid.) that bring about false predictions. The narrator’s credibility quickly decays when he attempts to recast Orpheus, Bellerophon, Icarus, Daedalus, and a host of other mythological figures as Greek astrologers. Lucian’s audience would expect such far-fetched interpretations of myth from the stereotypical Stoic philosopher, a character lampooned elsewhere in the Lucianic corpus. (shrink)

Deux images vont servir de support à notre réflexion. Parues toutes deux à onze ans de distance dans des magazines humoristiques publiés à Istanbul, elles traitent du même thème : le regard porté par les habitants de la capitale ottomane, et notamment les hommes, sur les femmes – en l’occurrence les femmes « modernes ». La première (fig. 1) est extraite du magazine humoristique Cem qui doit son nom à son fondateur, Cemil Cem. Né en 1882 à Istanbul, celui-ci a (...) fait ses études au lycée franco-... (shrink)

One prominent evolutionist I know confided in me that he sometimes spends only an hour perusing a book that he has to review. I doubt if Brian Charlesworth spent even that much time with my book No Free Lunch. Charlesworth is a bright guy and could have done better. But no doubt he is also a busy guy. To save time and effort, it's therefore easier to put these crazy intelligent design creationists in their place rather than actually engage the (...) merits of their arguments. Charlesworth's review is riddled with caricatures and stereotypes. The amateurs at talk.origins frankly have done a much better job trying to critique me. (shrink)

The article deals with the exception to copyright for the purposes of parody and caricature. This exception is one of the tools ensuring the balance between the authors’ interest to have the monopoly on the use of their works and the right of the members of the society to the freedom of expression. Another aim of parody exception is the promotion of creativity by the permission of the transformative use of copyrighted works. Three main aspects of this issue are discussed (...) in this article. The first one deals with the legal regulation of parody exception. The parody exception is one of the exceptions permitted by the Information Society Directive. The countries under investigation have two main schemes of legal regulation related to the parody exception. The first group are droit d’auteur countries (France and Belgium) which have a special parody exception provision in their Copyright laws. The second group are copyright countries (the United States and the United Kingdom) with no special provision regarding the parody exception in their laws; however, in the case law of these countries this exception is recognised as one of the acts of fair dealing or faire use. The Lithuanian Copyright Act permits the use of copyrighted works for the purposes of caricature and parody. (shrink)

I claim that caricature is an epistemically defective depiction. More precisely, when employed in service to some epistemic uptake, I claim that caricature can have a non-negligible epistemic effect only for a less than ideally rational audience with certain cognitive biases. An ideally rational audience, however, would take all caricature to be what I refer to as fairground caricature, i.e., an interesting or entertaining form of depiction that is at best only trivially revelatory. I then argue that any medium (or (...) genre) substantially employing caricature (or standardly featuring or prescribing its employment) in service to some epistemic uptake is to that extent an epistemically defective medium (e.g., beliefs informed by works specific to that medium are to that extent unwarranted). I then show the editorial cartoon to be just such an epistemically defective medium. (shrink)

The editors of the Journal of Applied Philosophy allowed Alan Haworth to reply to my short review of his Anti-Libertarianism. The editors would not allow me to respond to Haworth. Thanks to the openness of internet publication and the Libertarian Alliance website, this can now be rectified and Haworth's reply can no longer escape a public critical response.

In Helen Bannerman’s Little Black Sambo, the text describes its main character as witty, brave, and resourceful. The drawings of the story’s main character which accompany this text, however, present a unique kind of harm that only becomes clear when the work is read as a collection of single-panel comics rather than an illustrated book. In this chapter, I show what happens when we read drawings in books as textless comics, and, based on how things turn out from this reading, (...) motivate why we have some substantive reason to read both Little Black Sambo and other books with drawings-as-comics. (shrink)

La financiarisation du marché est associée à un déficit démocratique, à un accroissement des inégalités et à un contexte mondial d’incertitude et de crises. Dans le présent article, nous revisitons les vues d’Adam Smith au xviiie siècle sur ces sujets, au-delà de sa caricature néolibérale. Nous suggérons que le père de l’économie moderne, sur qui l’on fonde l’idéologie de la « main invisible » en économie et le « laissez-faire » pour les entreprises, recommandait en fait l’instauration de régulations strictes (...) des banques et de la finance. Après avoir présenté les régulations que Smith a proposées en son temps, nous tirons de son œuvre plusieurs suggestions de réforme pour les secteurs bancaire et financier, contribuant ainsi au débat actuel sur ces questions, tout en l’enracinant dans son contexte historique. (shrink)

This book review discusses Ashley J. Bohrer's book Marxism and Intersectionality: Race, Gender, Class and Sexuality under Contemporary Capitalism. The author explores the possible connections between Marxism and intersectionality, in order to construct a framework that would be capable of challenging the systems of domination as they are produced under contemporary capitalism. By considering their histories and debates, Bohrer attempts to formulate a possible shared future for the two schools of thought.