This dissertation includes an introduction, five main chapters, and a conclusion. In the chapter “The Definition of Change”, I expound Aquinas’ account of change. I maintain that Aquinas’ account is meant to describe both spiritual and material changes. Hence, the hylomorphic account of change as the passage from form-less matter to enformed matter is unable to describe all changes. Contrary to Brower, I suggest that Aquinas’ favorite model involves a passage from potentiality to actuality. In addition, I state that (...) ‘change’ is identical to the second potentiality/first actuality of a process that includes three steps, a first potentiality, a second potentiality, and a second actuality. In the chapter on “Aquinas, Presentism, and Adverbialism”, I analyze the semantics of propositions that describe changing processes. I maintain that Aquinas subscribed to the view that past and future tense statements can have a truth-value. Chapter 4 is devoted to the so-called principle of plenitude, i.e. the thesis that all possibilities are realized at some point in the future. Aquinas is believed to have subscribed to the principle, whereas Aristotle’s texts are much more disputed. In this chapter, I offer a new interpretation, according to which Aristotle accepted a restricted version of the principle of plenitude, but Aquinas rejected the principle in all its formulations. In chapter 5 “Aquinas on Future Contingents”, I expound Aquinas’ theory of future contingents events. In this chapter, I make two claims. I state that Aquinas’ theory entails that future events do not exist, according to the ‘actual’ sense of existence. My second claim is about the logic of future contingents. I claim that Aquinas’ argument is logically sound, but presupposes that the so-called K-formula is not a tautology of Aquinas’ modal system. In chapter 6 I expound Aquinas’ definition of time. I maintain that Aquinas’ definition is not circular and time is distinct in both definition and in essendo from change. I conclude by stating that time has extra-mental existence. (shrink)

Open futurism is the indeterministic position according to which the future is ‘open’, i.e., there is now no fact of the matter as to what future contingent events will actually obtain. Many open futurists hold a branching conception of time, in which a variety of possible futures exist. This paper introduces two challenges to branching-time open futurism, which are similar in spirit to a challenge posed by Fine to tense realism. The paper argues that, to address the new challenges, (...) open futurists must adopt an objective, non-perspectival notion of actuality and subscribe to an A-theoretic, dynamic conception of reality. Moreover, given a natural understanding of “actual future”, it is perfectly sensible for open futurists to hold that a unique, objectively actual future exists, contrary to a common assumption in the current debate. The paper also contends that recognising the existence of a unique actual future helps open futurists to avoid potential misconceptions. (shrink)

The purpose of the paper is to rethink the role of actuality in the branching model of possibilities. We investigate the idea that the model should be enriched with an additional factor—the so-called Thin Red Line—which is supposed to represent the single possible course of events that gets actualized in time. We believe that this idea was often misconceived which prompted some unfortunate reactions. On the one hand, it suggested problematic semantic models of future tense and and on (...) the other, it provoked questionable lines of criticism. We reassess the debate and point to potential pitfalls, focusing on the semantic dimension of the Thin Red Line theory. Our agenda transcends the semantics, however. We conclude that semantic considerations do not threaten the Thin Red Line theory and that the proper debate should be carried in the domain of metaphysics. (shrink)

In this paper, I examine Takashi Yagisawa’s response to van Inwagen’s ontic objection against David Lewis. Van Inwagen criticizes Lewis’s commitment to the absolutely unrestricted sense of ‘there is,’ and Yagisawa claims that by adopting modal tenses he avoids commitment to absolutely unrestricted quantification. I argue that Yagisawa faces a problem parallel to the one Lewis faces. Although Yagisawa officially rejects the absolutely unrestricted sense of a quantifying expression, he is still committed to the absolutely unrestricted sense of ‘is a (...) real.’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Notes and Fragments THE FUTURE PRESENT TENSE by Justin Leiber Perhaps the simplest, most general, and oldest claim about fiction is that it should instruct and entertain. A logical positivist might draw a sharp line between the factual content of a discourse and the pleasurable emotional release available to the auditor. Aristotle straddles this distinction in seeing (dramatic) fiction as imitation of, principally, human action, an imitation which (...) is, Aristotle assures us in Poetics, both naturally pleasurable to perform or to observe performed. The distinction is straddled because for something to be an imitation of something else it must convey some body of rough fact about that thing; and granted various conventions of form and good form, the more accurate, compact, and revealing the imitation, the more the entertainment. Indeed, Aristotle also insists that drama is more universal than history, for the poet depicts what is necessary and probable in human action, while history depicts what is actual, though perhaps improbable, and the historian may not illume what is necessary, representative, exemplary, or prophetic in the mass of supposed actualities. There is a puzzle here in Aristotle's attitude. All humans by nature desire to know is the resolute thesis of the Metaphysics and he suggests there and elsewhere that this desire is a noble one and one whose fulfillment is an important form and ingredient of happiness. In Poetics it is quite clear that both the poet and the audience must have some of the sort of stuff that Aristotle considers fully genuine knowledge, explanatory knowledge, knowledge of universals, for otherwise they could not produce or understand the work as successful (or unsuccessful) imitation of the probable, 203 204Philosophy and Literature necessary, exemplary, etc., in human action. So in entertaining the work inevitably instructs. Aristotle does say that Homer gives in hexameters an imitation of human action, while Empedocles gives in hexameters physical philosophy. But what if Empedocles were providing us psychology? The example could be made more telling if we consider a twentieth-century psychoanalytic Empedocles who tracks or elucidates some generalizations of psychology through giving imagined, or partly imaged, case histories — how would such a work be psychology as opposed to fiction? Imitation (mimesis) wouldn't do thejob, for Aristotle mentions Socratic Dialogue as a form of it. To move to contemporary instances, what may we suppose is the difference between Plato's Republic and Robert Heinlein's Space Cadet? l In Space Cadet, we find some hundred years hence a modernized version of the Platonic Republic, with an elite outgrowth of the United Nations, the "Space Patrol," playing the role of the philosopher kings to the whole earth. Heinlein presents Plato's three-component theory of human psychology and of the meritocratic, tripartite, hierarchic structure of the most real, or healthy, state, and he argues and illustrates the basic Platonic thesis. Ethics is as much an objective science as mathematics, immorality is a form of ignorance (no one knowingly does wrong), and the general solution to the problem of statescraft is the creation of an educational system that will winnow, at level after level, and further educate an intellectual/ethical elite who will monopolize ultimate weaponry and political power, who will use the "divine lie" tojustify their authority, and who will act out of ethical knowledge, not for individual gain. Heinlein gives his account of these matters from the point of view of a Mathew Dobson, a Patrol candidate, who resembles a Candide who finds himself within a reasonable facsimile of the Just State, if not the Best of All Possible Worlds. One concedes that Plato provides us a substantially original, more detailed and coherently worked out set of speculations and theories, while Heinlein provides us a perhaps banal version of these ideas in a sentimental (perhaps fascistic) vision. Similarly, one eagerly concedes that Plato's Republic has played a potent role in European Civilization and the sweep of human thought, while Space Cadet has not. But, plainly, the distinction between a work of philosophy, or of physics, and a (dramatic) fiction or science fiction, cannot be this. One can have unoriginal, false, or impotent works of physics, psychology, or philosophy. So one cannot argue on... (shrink)

An examination of the language and style of the work to demonstrate Smith’s engagement with the challenges which history and actuality offer to his beliefs in the natural system of liberty.

This book is collection of the the author’s previously published papers on the philosophy of modality and tense and it also includes three unpublished papers. The author provides an exposition and defence of certain positions for which he is well-known: the intelligibility of modality de re; the primitiveness of the modal; and the primacy of the actual over the possible. He also argues for some less familiar positions: the existence of distinctive forms of natural and normative necessity, not reducible (...) to any form of metaphysical necessity; the need to make a distinction between the worldly and unworldly, analogous to the distinction between the tensed and the tenseless; and the viability of a nonstandard form of realism about tense, which recognizes the tensed character of reality without conceding there is any privileged standpoint from which it is to be viewed. (shrink)

According to Hans Kamp and Frank Vlach, the two-dimensional tense operators “now” and “then” are ineliminable in quantified tense logic. This is often adduced as an argument against tense logic, and in favor of an extensional account that makes use of explicit quantification over times. The aim of this paper is to defend tense logic against this attack. It shows that “now” and “then” are eliminable in quantified tense logic, provided we endow it with enough (...) quantificational structure. The operators might not be redundant in some other systems of tense logic, but this merely indicates a lack of quantificational resources and does not show any deep-seated inability of tense logic to express claims about time. The paper closes with a brief discussion of the modal analogue of this issue, which concerns the role of the actuality operator in quantified modal logic. (shrink)

In this paper, I discuss the distribution and the interpretation of the temporal suffix -kue in Mbyá, a Guaraní language that is closely related to Paraguayan Guaraní. This suffix is attested both inside noun phrases and inside clauses. Interestingly, its nominal uses give rise to inferences that are unattested in its clausal uses. These inferences were first identified in Paraguayan Guaraní by Tonhauser, who called them the existence property and the change of state property. Tonhauser further argued that these properties (...) are built into the lexical entry of the nominal temporal marker -kue. By contrast, I argue that -kue denotes a relative past tense both in its nominal and clausal uses, and that the existence and change of state properties are pragmatic inferences that arise from the interaction of the literal meaning of -kue with general constraints on the interpretation of noun phrases, notably constraints on the topicality of the time of evaluation of noun phrases. This allows me to maintain a uniform analysis of -kue across its nominal uses and its clausal uses. The analysis of -kue in Mbyá is relevant to a number of current debates on the expression of tense crosslinguistically. Firstly, the existence of relative tenses has sometimes been called into question. Klein notably argues that relative tenses are actually combinations of tense with the perfect aspect. Others have argued that there exist true relative tenses in certain languages. I argue that facts of Mbyá support the latter view. Secondly, Klein famously defined tenses as relations between topic times and the time of utterance. I argue, on the other hand, that relative tenses only denote relations between times, and that the topicality or non-topicality of their temporal arguments depends on their context of use, including their syntactic environment. Thirdly, this paper contributes to debates on the nature and reality of nominal tenses The Oxford handbook of tense and aspect, 2012), by arguing that tense in Mbyá is a genuinely nominal category, in the sense that temporal functional projections are part of the extended projection of the noun phrase. (shrink)

This monograph is designed to provide an introduction to the principal areas of tense logic. Many of the developments in this ever-growing field have been intentionally excluded to fulfill this aim. Length also dictated a choice between the alternative notations of A. N. Prior and Nicholas Rescher - two pioneers of the subject. I choose Prior's because of the syntactical parallels with the language it symbolizes and its close ties with other branches of logi cal theory, especially modal logic. (...) The first chapter presents a wider view of the material than later chapters. Several lines of development are consequently not followed through the remainder of the book, most notably metric systems. Although it is import ant to recognize that the unadorned Prior-symbolism can be enriched in vari ous ways it is an advanced subject as to how to actually carry off these enrichments. Readers desiring more information are referred to the appropri ate literature. Specialists will notice that only the first of several quantifi cational versions of tense logic is proven complete in the final chapter. Again constraints of space are partly to blame. The proof for the 'star' systems is wildly complex and at the time of this writing is not yet ready for publi cation. (shrink)

Wes Morriston argues that even if we take an endless series of events to be merely potentially, rather than actually, infinite, still no distinction between a beginningless and an endless series of events has been established which is relevant to arguments against the metaphysical possibility of an actually infinite number of things: if a beginningless series is impossible, so is an endless series. The success of Morriston’s argument, however, comes to depend on rejecting the characterization of an endless series of (...) events as a potential infinite. It turns out that according to his own analysis it is vitally relevant whether the series of events is potentially, as opposed to actually, infinite. If it is reasonable to maintain that an endless series of events is potentially infinite while a beginningless series is actually infinite, then a relevant distinction has been established for any person who thinks that an actual infinite cannot exist. (shrink)

The relational approach to tense holds that the now, passage, and becoming are to be understood in terms of relations between events. The debate over the adequacy of this framework is illustrated by a comparative study of the sense in which physical theories, (in)deterministic and (non)relativistic, can lend expression to the metaphysics at issue. The objective is not to settle the matter, but to clarify the nature of this metaphysics and to establish that the same issues are at stake (...) in the relational approach to value-definiteness and probability in quantum mechanics. They concern the existence of a unique present, respectively actuality, and a notion of identity over time that cannot be paraphrased in terms of relations. (shrink)

The last chapter examines the tense system used by ordinarily competent speakers of English to discuss past, present, and future events, actual and possible events, and various combinations of these. I present a systematic method for translating English sentences containing certain compound verb tenses and embedded tense constructions into a logical language using tense operators. Finally I show how the usual semantics for these operators reflects the truth conditions of the original English sentences. I argue, however, that (...) a tense logical semantics reflecting the use of tense in English will contain a partially ordered tense structure rather than one that is linearly ordered or branching. ;The third chapter discusses logic of 'unless'. I show that many of the previously puzzling features of this word can be understood by considering the tenses of the verbs in the sentences joined by 'unless'. In a number of cases it turns out that 'unless' should not be interpreted as a truth-functional connective at all, but is best understood as an intensional, tense connective. ;In the second chapter I discuss Quine's doctrine of eternal sentences. I take Quine's position to be that all the information important for logic and science presented in tensed English sentences can also be presented by eternal sentences which use timeless verbs and data and clock times. I argue that in so far as logic and science are concerned with an analysis of the reasons for human action, and with the explanation and prediction of specific events, eternal sentences lose indexical information that is necessary to accomplish these tasks. ;The first chapter investigates what may be called the standard view of propositions. On this view propositions are abstract objects that are timelessly true , and serve both as the meanings of sentences and as the objects of propositional attitudes. Although this view was widely held by a previous generation of logicians and is found in many textbooks today, there are serious difficulties in the view. I show that many of these difficulties stem from the claim that propositions are timelessly true . The standard view has been revised in two general ways. The first sort of revision allows propositions to be sometimes true and sometimes false. This position is consistent with the development of tense logic as one of the intensional logics. The second sort of revision replaces the notion of timeless propositions with that of eternal sentences which always have the same truth value. On this view tense logic is not worth serious philosophic attention since its basic notion, that of truth at a time, can be eliminated in favor of eternal truth. ;The first part of the project examines two major sources of criticism of tense logic: the view that logic is concerned with timeless propositions, and Quine's doctrine of eternal sentences. The second part of the project discusses several problems in logical theory that the use of tense logic can clarify or resolve, and that alternative theories are unable to present accurately, much less to elucidate. ;In the past few years there has been increasing interest in the logic of indexicals, including the temporal indexical 'now', and in the relationship between tense and modality. Although modern tense logic has reached a high level of technical sophistication, often specifically in response to this interest, many philosophers remain skeptical about the value of tense logic as a philosophic tool. This thesis addresses that skepticism and argues that it is unjustified. (shrink)

According to the actualist view, what is essential to the truth conditions of a future-tensed sentence ‘it will be the case that ϕ’ is reference to the unique course of events that will become actual. On the other hand, the modal view has it that the truth conditions of such a sentence require that the truth of ϕ be already “settled” at the time of utterance, where “being settled at time t” is defined by universal quantification over a domain of (...) courses of events, the futures compatible with what has happened up to time t. On the proposal we discuss in this paper, the actualist view and the modal view are seen as two related attitudes that speakers can have when they evaluate future-tensed sentences, and the corresponding interpretations undergo a unified semantic treatment based on a contextual notion of settledness. A central feature of our approach is a dynamic view of contexts of utterance, whereby the world of the utterance is not fixed once and for all, as different worlds, by the passing of time, can play this role in turn. Finally, one major goal of the paper is to show how the unified analysis we propose accounts for a particularly interesting interpretation of future-tensed sentences, often referred to as ‘epistemic reading’. (shrink)

Wes Morriston argues that even if we take an endless series of events to be merely potentially, rather than actually, infinite, still no distinction between a beginningless and an endless series of events has been established which is relevant to arguments against the metaphysical possibility of an actually infinite number of things: if a beginningless series is impossible, so is an endless series. The success of Morriston’s argument, however, comes to depend on rejecting the characterization of an endless series of (...) events as a potential infinite. It turns out that according to his own analysis it is vitally relevant whether the series of events is potentially, as opposed to actually, infinite. If it is reasonable to maintain that an endless series of events is potentially infinite while a beginningless series is actually infinite, then a relevant distinction has been established for any person who thinks that an actual infinite cannot exist. (shrink)

Quentin Smith has argued that the new tenseless theory of time is faced with insurmountable problems and should be abandoned in favour of the tensed theory of time. Smith;s main argument attacks the fundamental premise of the tenseless theory: that tenseless truth conditions for tokens of tensed sentences adequately capture the meaning of tensed sentences. His position is that tenseless truth conditions cannot explain the logical relations between tensed sentences, thus the tensed theory must be accepted. Against Smith, this paper (...) adopts an alternative approach to the explanation of the entailment relations between sentences which contain indexicals. The approach drops the reliance upon tokens and instead relies on the evaluation of sentence types with respect to a context rather than upon actual or possible utterances of tokens of the types. This (new) version of the tenseless theory of time can adequately explain the relevant entailment relations between tensed sentences. (shrink)

Sufficient texts show that for aristotle the universal notion expresses the same real thing as the particular, Though in a different way. His grounds for a universal so conceived are twofold. First, In every sensible thing there is a basic formal principle that, Though individual, Brings each instance into formal identity with all the other instances. Secondly, In human intellectual cognition there is an active principle that raises knowledge above the status of photographing or registering or cataloguing, And actualizes what (...) was only potential in the real thing. In knowing sensible things universally, The human intellect is able to grasp the concrete thing as characterized by a formal nature, Thereby knowing it in a way that holds equally for all other instances. Though patently incomplete, This conception of the universal is free from internal contradictions. It provides a framework for fruitful discussion, And remains a challenge. (shrink)

It is argued that two different types of concept are often intermingled in discussions of Aktionsart. The most common type of classification is one of situation types, relating to the potential actualisation of a situation, although some of the definitions have to do with the actual realization of the situation. This distinction, adequately captured by the notions (a)telicity and (un)boundedness (Declerck 1989), is explored and it is shown how NPs, PPs and tense influence a sentence''s classification as (un)bounded.

The aim of this paper is to argue that the adoption of an unrestricted principle of bivalence is compatible with a metaphysics that (i) denies that the future is real, (ii) adopts nomological indeterminism, and (iii) exploits a branching structure to provide a semantics for future contingent claims. To this end, we elaborate what we call Flow Fragmentalism, a view inspired by Kit Fine (2005)’s non-standard tense realism, according to which reality is divided up into maximally coherent collections of (...) tensed facts. In this way, we show how to reconcile a genuinely A-theoretic branching-time model with the idea that there is a branch corresponding to the thin red line, that is, the branch that will turn out to be the actual future history of the world. (shrink)

Over the past few years, the tree model of time has been widely employed to deal with issues concerning the semantics of tensed discourse. The thought that has motivated its adoption is that the most plausible way to make sense of indeterminism is to conceive of future possibilities as branches that depart from a common trunk, constituted by the past and the present. However, the thought still needs to be further articulated and defended, and several important questions remain open, such (...) as the question of how actuality can be understood and formally represented in a branching framework. The present volume is intended to be a 360 degree reflection on the tree model. The contributions is gathers concern the model and its alternatives, both from a semantic and from a metaphysical point of view. ​. (shrink)

It is widely assumed that time appears to be tensed, i.e. divided into a future, present and past, and transitory, i.e. involving some kind of ‘flow’ or ‘passage’ of times or events from the future into the present and away into the distant past. In this paper I provide some reasons to doubt that time appears to be tensed and transitory, or at least that philosophers who have suggested that time appears to be that way have included in ‘appearance’ everything (...) that falls under the broad term ‘cognition’, i.e. mental processes of all kinds, including perceiving, remembering, imagining, and thinking. I argue that the tensed and transitory aspect of our experience of temporal reality is, firstly, subordinate to our experience of a world of persistent objects, secondly, in conflict with a popular conception of the nature of persistent material objects, and finally, that it is an aspect of how we think about temporal reality rather than how we actually experience it. I support the last contention by a comparison with our experience of spatiality, which arguably has three distinguishable components: (i) ‘pure input perception’, (ii) ‘perceptual experience modulated by top down cognitive processes’, and (iii) a ‘pure representation of space’. For space, the modulation of our perception of space at any given moment is highly influenced by our pure representation of space, but it is not clear to me that our modulated experience of space is influenced by a pure representation of time. Rather, the modulated experience of temporality, to my mind, is much more clearly an experience of continuous existence of the persisting objects that make up the world. (shrink)

This paper discusses the interaction of aspect and modality, and focuses on the puzzling implicative effect that arises when perfective aspect appears on certain modals: perfective somehow seems to force the proposition expressed by the complement of the modal to hold in the actual world, and not merely in some possible world. I show that this puzzling behavior, originally discussed in Bhatt (1999, Covert modality in non-finite contexts) for the ability modal, extends to all modal auxiliaries with a circumstantial modal (...) base (i.e., root modals ), while epistemic interpretations of the same modals are immune to the effect. I propose that implicative readings are contingent on the relative position of the modal w.r.t. aspect: when aspect scopes over the modal (as I argue is the case for root modals), it forces an actual event, thereby yielding an implicative reading. When a modal element scopes over aspect, no actual event is forced. This happens (i) with epistemics, which structurally appear above tense and aspect; (ii) with imperfective on a root modal: imperfective brings in an additional layer of modality, itself responsible for removing the necessity for an actual event. This proposal enables us to solve the puzzle while maintaining a standardized semantics for aspects and modals. (shrink)

Is it possible to change the past—to make something that has happened not have happened? Past-alteration is widely believed to be ‘logically impossible’. But despite this, there have been few attempts to actually apply logical resources to the question of whether it is possible to change the past. This chapter articulates a novel tense logic and uses it to argue that past-alteration is possible—with just a single dimension of time—so long as it’s possible for time to have a certain (...) kind of structure: one which is ‘backwards-branching’ and in which the relation of precedence ‘comes apart’ from the relation of succession. The remainder of the chapter explores some of the metaphysical implications of this account of what it is to change the past. (shrink)

This publication contains my responses to comments and criticisms made by Storrs McCall – “Tooley on Time”– Nathan Oaklander – “Tooley on Time and Tense” – and Quentin Smith – “Actuality and Actuality as of a Time" – at an Authors Meets Critics session at a 1998 American Philosophical Association meeting on my book Time, Tense, and Causation.

In this paper I shall “draw” a sketch of a version of Meinongian Presentism. After having briefly presented some data that presentists need to explain and three problems that typically affect presentism (the triviality objection, the problem of the reference of true propositions’ constituents that seem to involve merely past and merely future objects, the truthmaking problem), I shall clarify the bases of my theory. First, I shall reject the actualist presentist assumption, according to which there are no things that (...) do not exist now. Secondly, I shall introduce some notions (e.g., the ones of tensed properties and of temporal existence) that will be useful in order to clarify the contrast between eternalist and non-eternalist metaphysical theories of time. Thirdly, I shall define Meinongian Presentism. Finally, I shall try to demonstrate that this version can deal with the aforementioned problems and with the presentist data in a serious and perspicuous way. (shrink)

It is shown how the temporal-modal system of events TM (axiomatized in Appendix) allows for the avoidance of the logical determinism without the rejection of the principle of bivalence. The point is that the temporal and the modal parts of TM are so inter-related that modalities are in-the-real-world-inherent modalities independently of whether they concern actual or only possible events. Though formulated in a tenseless language, whose interpretation does not require the assumption of tense facts at the basic level of (...) reality, TM implies an objective, observer-independent difference between tenses based only on the way in which modalities are distributed along the time continuum. The conclusion is that the arrow of time is an intra-model characteristic of any model of TM that describes the non-deterministic real world up to a certain point of its history, while the flow of time is an inter-model characteristic of the continuous transition between these models. (shrink)

"Ever Since This World Began" from Love Dog (Penny-Ante Editions, 2013) by Masha Tupitsyn continent. The audio-essay you've recorded yourself reading for continent. , “Ever Since the World Began,” is a compelling entrance into your new multi-media book, Love Dog (Success and Failure) , because it speaks to the very form of the book itself: vacillating and finding the long way around the question of love by using different genres and media. In your discussion of the face, one of the (...) themes of Love Dog , I think there is something to be said about the surfaces media create and how you constantly manipulate them in your work. This seems important for thinking also about your book LACONIA: 1,200 Tweets on Film ; a book on film written in tweets, interposing already three sets of expectations and pushing the boundaries of each medium's faciality, it's surface tension. In Love Dog , is there another kind of facial interaction? Perhaps the discursive faces of approaching love as topic and love as method? If so, how did/do these intersect for you, do/did they drive the creation of this book? MASHA TUPITSYN With LACONIA and Love Dog , I wanted to pay homage to the work modernism has done on subjective time and chronological time by carrying that experiment over into the digital economy. Because LACONIA is a time-based work of cultural criticism that employs the aphorism to look at 21 st century American culture, it is also an archival work of cultural mourning and memory. And in Love Dog , which is also a work about mourning as it relates to love, I wanted to think with all my senses, and to reflect that in the writing itself by using a multi-media form. LACONIA tackled the sound bite and the promotional image--the everyday language of consumer culture--which often wants to communicate ideological agendas through the repetition of a single image or reductive phrase. I had always been interested in the approaches of artists like Barbara Kruger and Jenny Holzer and essayistic, typographical filmmakers, like Chris Marker and Godard. In both cases, I felt it was important to try to compose a book in which deep—critical—thinking happens in so-called immediate, informal, and disposable contexts. That is, in places where you are either not supposed to be serious or are not required to take things seriously. To me the most intervention is needed in every day instances of culture and representation. In order to do that, I had to utilize and interrogate the very structures I was critiquing. In other words, the writing had to materialize in that live, digital, public space. It couldn’t simply happen at home on a piece of paper or in a word document on my computer that no one could see until it was finished. It had to unfold in real time, amidst everything else. And it had to literally be surrounded by the cultural landscape I wanted to assess. In both LACONIA and Love Dog , I wanted to know how and if we can get away from what we cannot get away from? From which there is no respite. Given this, I don’t think hypertexts can really be called hypertexts anymore. Hypertexts are simply the world today. This is not only the way we read the world now. It is the way the world reads. Likewise, interfaciality, as you put it, works on a number of levels for me, both on and off the page. There is my relation to epistemological and phenomenological surfaces—the screen, the body, the face, the voice, gender; the official story. Then there is the way this dovetails formally, and to which the digital adds yet another dimension. It’s also where sound comes into Love Dog (giving the book a sound; giving tonality to the book’s ideas and feelings). As Anne Carson pointed out in her essay “The Gender of Sound,” the two are connected, and of course so are love and gender. In “Ever Since This World Began,” I wanted to think about the phenomenology of the voice, which is why I visualize the sonic in the book and why in my writing about faces, I look at the tonal aspects (the things a face voices and a voice faces) of a face. This was standard to do when images and faces were “silent” in the silent era. Those images/faces were extraordinarily audible. The greatest screen face, to me, is still Falconetti’s in Dreyer’s The Passion of Joan of Arc . We can hear her face—even though there is no actual sound on screen of her speaking. The internet is a similarly “silent” space where actual voices are lacking. So intertextuality goes with interfaciality. I’ve also talked a lot about how categorization worked when it came to the reception of my first book, Beauty Talk & Monsters . How despite the fact that Beauty Talk is a text that crisscrosses form and content in a variety of ways, not pinpointing its exact genre—choosing one genre over another—only made things worse. Fiction was the category people were most adverse to me using, even though of course there is a lot of fiction in the book. Part of how fiction works in Beauty Talk is in the reader not knowing exactly where the fiction resides. In Godard’s 1967 film, Weekend , for example, everything matters. Everything is political, whether it’s real or imaginary, film or reality. In Weekend , life is not a game and neither is the game a game. The game is really life. Either everything is important or nothing is. But many people want clear answers and demarcations so that they can decide what is important and what is not important. My use of the “I,” subjective criticism, made everything “real” in Beauty Talk . But fiction is in the construction. It is in the blending. This is why I perforate the movie screen and connect the onscreen and the offscreen; the official story and the backstory. Although I don’t think there is a difference between onscreen and offscreen anymore. Nor is there a dialectic. It’s all screen all the time now. Non-fiction, on the other hand, was more tolerated as a moniker. Unlike Love Dog , Beauty Talk wasn’t explicitly or tangibly (what is tangible is a question in all these books) working with digital forms or within this digital economy, so some people resisted the book’s hypertextuality or intertextuality because they couldn’t see its other forms, if that makes sense. It was a problem of invisibility; of how to make something appear (this is where Nietzsche, big presence in Love Dog , comes in—the nature of appearances). Something people don’t necessarily want to see. Some readers couldn’t see the way forms were interfacing in that book. On the surface, Beauty Talk was simply a text about media culture—the domination of entertainment as a mode of being and knowing—and most readers could only see that one side of the book. But as Godard puts it in Wim Wenders’ documentary about the future of cinema, Room 666 , “Films are made, images are made, when there’s no one looking. That’s what the invisible is, that which we don’t see. That’s what the incredible is, that which we don’t see. And cinema shows you that which we don’t see, the incredible.” We are living in the aftermath of narrative and temporal collapse, which means we don’t read or feel in the same way. I began to use digital forms in my writing because I don’t see us as traditional book people anymore. I would add that power also resides in the invisible, in the things we make invisible by making them visible. Or it did for a long time. The new face of power is quickly becoming so-called transparency, which is even more corrupt because even though we now live in a behind-the-scenes culture, and see and know how the mechanisms of power and corruption operate, we still don't change. The world still doesn't change. Finally, another important thing that Godard says in Room 666 that relates to Love Dog is: “I’m here in front of the camera, and yet in my body and in my head, I’m behind it. My world is the imaginary and the imaginary is a journey between forwards and backwards.” This idea of visible/invisible, foresight and hindsight , backwards and forwards is an important dialectic in relation to time and the idea of the destinal. This is why I wanted Love Dog to travel, literally, figuratively, and discursively. You have to be open to not knowing. To epistemological, geographical, chronological, and emotional aporias. In Love Dog my story is both visible and invisible to me. Sometimes I could see where I was going. Other times I was completely in the dark existentially. Truth procedure, which love is, as bell hooks and Badiou tell us, requires expedition and openness to possibility. Unless you want a story you already know, but that is not truth procedure. So I tried to create this backwards and forwards journey in the book—this sense of travel and motion, hope and doubt—by jumping between forms, media, time; traveling to different places, texts, and emotional registers. The book’s “Time-Jump series,” which mostly takes the form of music—songs—but also a series of “green” videos that I shot, is the most obvious tribute to this idea of subjective and chronological time. continent. Your work aligns with writers that play with the form of their language, or have assumed the role of performance artist at some point: Kathy Acker, Chris Kraus, Avital Ronell, and Anne Carson to name a few representing varied approaches that show up in Love Dog . At the risk of ossifying the work, or missing the point—as these experimental modes of writing stack-up in piles of published works, do they approach a genre? MASHA As I noted in my book Life As We Show It , in Chelsea Girls the poet Eileen Myles points out, “You can’t get money without a category.” More importantly, you can’t get a category—or respect, rank—without a clear genre. This makes genre and gender an obvious pair. The two words are even linked etymologically and both genre and gender concern taxonomies of legitimacy—of sorting through what and who is valuable. So the words share common prejudices. The things one does not want to read is often synonymous with who one doesn't want to read about. Therefore a break-up of or with genre is maybe the genre or anti-genre that could be said to link these writers. Avital Ronell breaks up with philosophical tradition and modes of inquiry. Like Nietzsche, she revaluates methods of evaluation, testing out things you are not supposed to use philosophy to test (and, by the same token, testing philosophy in ways it’s not supposed to be tested), like drugs and stupidity—where philosophy fails and we fail philosophy. And Chris Kraus does something similar in her experimental fiction, using different forms to put female subjectivity “to the test,” so to speak. All these female writers and thinkers have tried to destabilize the systems that have been set up in (and against) writing. Thus missing the mark with genre, even intentionally, means that we have missed the point in some sense as writers and thinkers. And that to me is a good thing, however difficult. We’ve started at the wrong point and gone somewhere else instead. We’ve acknowledged that writing and thinking are also about failure, and that failure is always embedded in the act of writing and in our reasons for writing. So that missing the point is also the point. Derrida insisted: “We must invent a name for those ‘critical’ inventions which belong to literature while deforming its limits.” But how can you give something that resists and deforms, a name? Wouldn’t the name also be deformed? Isn't this why the aforementioned writers get hyphenated descriptors like ficto-criticism? Do we need a proper name to be able to read something carefully? I don’t think so. I don’t need it as a reader. I’ve always taken a work on its own terms. But for most people, if you don’t have an address, people don’t know how to find you. A lot of time, they won’t even know how to look. And in some cases, they’ll think you’re not even worth finding. You are not on the map because you have to literally make the map in order to exist. In her essay, “The Gender of Sound” Carson asks, “Why is female sound bad to hear?” I think for the same reason something uncategorizable (pedagogically, creatively, racially, and sexually)—Other—is hard to read. *For an audio recording of Florida , read by Masha Tupitsyn click here . continent. : We're also curious to hear know how you see the significance of 'performance' (and why the label sticks to the shoes of these authors like toilet paper) in describing this kind of writing work? MASHA I think I responded to the parenthetical portion of this question in my previous answer. As far as how performance relates to Love Dog , in Acker’s Don Quixote , which is another big presence in the book, she writes, “there is no other reality than anthropomorphism.” In Don Quixote , the dog is human and the human is dog. Which brings us to the title of Love Dog and the totemic function of the dog in the book: giving human things animal characteristics and animal things human characteristics. Rather than investing all our human love ideals into dogs, which we do constantly as a culture of dog lovers, I wanted to put the dog into love. It is the difference between the consumption of love as a patriarchal institution or status position and the essence of a type of radical and liberatory relation that would benefit humans in their bonds with other humans. So the dog in Love Dog is not simply the book’s cover or performative affect, so to speak. Love has always needed the dog, which is why the dog is the very embodiment of belief in love . Recall Argos The Great Dog and Odysseus. Argos is the only one who remembers and recognizes the ragged and old Odysseus even after his 20-year absence. So love is the high ideal and the dog, both common and dependable, is the bridge between the sacred and the profane. The dog is the house of love. And because Love Dog is a digital project, it seemed impossible to think about the post-human, technology, the virtual, or difference (which Badiou says is essential to love in In Praise of Love ) without thinking about animal-being and being-animal. Instead of simply “performing” these ideas and characteristics as literary affects, I’m interested in being-becoming. Which means the book’s tropes, leitmotifs, series, and even its titles are in service of that truth procedure. In other words, I actually want to live this way, not just write this way. And, more importantly, I want to live this way not just think this way. So Love Dog became both my totem animal and my autobiographical animal. This made the book organic, anthropomorphic—beyond literary. See the trailer to Masha Tupitsyn's new book available now from Penny Ante Editions. (shrink)

In the debate about the nature and identity of possible worlds, philosophers have neglected the parallel questions about the nature and identity of moments of time. These are not questions about the structure of time in general, but rather about the internal structure of each individual time. Times and worlds share the following structural similarities: both are maximal with respect to propositions (at every world and time, either p or p is true, for every p); both are consistent; both are (...) closed (every modal consequence of a proposition true at a world is also true at that world, and every tense-theoretic consequence of a proposition true at a time is also true at that time); just as there is a unique actual world, there is a unique present moment; and just as a proposition is necessarily true iff true at all worlds, a proposition is eternally true iff true at all times. In this paper, I show that a simple extension of my theory of worlds yields a theory of times in which the above structural similarities between the two are consequences. (shrink)

This is not your typical book about the A-theory/B-theory controversy in metaphysics. Peter Ludlow attempts something that few philosophers have tried in the last thirty years: he actually argues from linguistic premises for metaphysical conclusions. The relevant linguistic premises have to do with the nature of language, a general theory of semantics, the proper analysis of tense, and various technical theses involving the treatment of temporal indexicals and temporal anaphora. The metaphysical conclusions that Ludlow argues for from these linguistic (...) premises are some of the main claims normally associated with the A-theory in the philosophy of time, namely, that tense is a genuine feature of the world – and that the instantiation of these properties does not somehow reduce to the instantiation of two-place, temporal relations like earlier than, simultaneous with, later than, etc.), that temporal becoming is intrinsic to all events, and that only the present is real. The overall plan of the book is as follows. First Ludlow spends four chapters defending a cluster of related claims about language and semantics in general and, in particular, the semantics for temporal indexicals and temporal anaphora. (Ludlow says that none of this material is original – he attributes most of it to Davidson, Chomsky, Evans, and Higginbotham – but it seems to me that a fair portion of what goes into this part of the book (including, especially. (shrink)

Parmenides believed that he had found the most reliable way of theorizing about ultimate reality. While natural philosophers conceptualized phenomenal differences to explain cosmic change, Parmenides used the least meaningful but most versatile verb in Ancient Greek to engage in a purely intellectual exploration of reality – one that transcended synchronous and asynchronous differences. In this article I explain how the verb εἰμί was useful to Parmenides in his attempt to overcome natural philosophy. First, I argue that the Eleatic philosopher (...) regarded νοεῖν and εἶναι as equivalent because εἰμί-clauses enabled him to express arguably any conceivable content without providing significant additional meaning. I then show that Parmenides’ concept of being implies the present tense and the imperfective aspect but is grounded in the lexical content of the verb εἰμί, which entails no inherent temporal limits. This explains why ἔστι, ἐόν, and εἶναι could be used to indicate unbounded actuality, regardless of whether these forms represented lexical predicates or auxiliaries for predication. Finally, I maintain that the suitability of εἰμί for talking about all kinds of things without introducing temporal limits allowed Parmenides to avoid what he saw as two mistakes made by natural philosophers: identifying ultimate reality with something that cannot cover the full extent of thought and confusing actuality with present occurrence. (shrink)

For John Buridan, truth-bearers are assertions. This fact explains why the inference ‘p is true, therefore p’ may fail. On the one hand, the tense of the verb plus the time of utterance do not determine the time about which a sentence is intended to be true: the intention of the speaker is needed. On the other hand, since the meaning of vocal and written words is conventional, it may seem that they can be used with different meanings on (...) each side of the inference. While the antecedent may talk about a situation different from the present one, this doesn’t make it the actual situation of utterance, and the words have meanings only in the actual situation of use. Although such situations are different, in both of them we are asked to see the importance of identifying features of which the disquotational schema doesn’t keep track and that can only be specified in the context of use. (shrink)

Using 129 natural conversations and 185 episodes of television drama conversations as well as the theoretical frameworks of usage-based theory and grammaticalization, I investigate two forms of ‘or’ in Korean, tunci and kena. Generally believed to be largely interchangeable, these two forms’ actual usages have never been compared. I demonstrate that the two are selectively used in conversation, and propose that three types of factor influence the selection. The first factors are genre and setting. In formal settings and formal descriptive (...) writing, kena is preferred. The second factor is the presence of negative markers: while 43% of kena tokens were used in negative sentences, only one token of tunci was. The third factor is the distinction between ‘propositive’ tunci and ‘descriptive’ kena. In conversation, tunci occurs mainly in making suggestions and presenting plans, and hence is oriented toward the future tense and the irrealis domain. Kena occurs mainly in describing present and past situations, facts, or premises, and hence is oriented toward the present and past tense and the realis domain. This study confirms the usage-based theory’s argument that speakers possess extensive procedural knowledge of language: Korean speakers may not be conscious of it, but they differentiate tunci and kena with high regularity. Lastly, I explain their differences based on their history. The older form, kena, dates back to the 8th century, whereas tunci became widespread only in the 19th century. Because tunci retains its original semantics of probability, tunci tends to occur in presenting suggestions and plans and not in factual descriptions. (shrink)

What is the interaction between storage and computation in language processing? What is the psychological status of grammatical rules? What are the relative strengths of connectionist and symbolic models of cognition? How are the components of language implemented in the brain? The English past tense has served as an arena for debates on these issues. We defend the theory that irregular past-tense forms are stored in the lexicon, a division of declarative memory, whereas regular forms can be computed (...) by a concatenation rule, which requires the procedural system. Irregulars have the psychological, linguistic and neuropsychological signatures of lexical memory, whereas regulars often have the signatures of grammatical processing. Furthermore, because regular inflection is rule-driven, speakers can apply it whenever memory fails. (shrink)

Drawing from the example of critical psychology, this paper examines how dissatisfaction with an existing scientific paradigm can stimulate interest in philosophy and social theory. The emergence of a social constructionist understanding of scientific knowledge in prominent dialects of critical psychology is related to a combination of scientific and political concerns, and briefly set in the context of three important strands of twentieth century philosophy: existential hermeneutics, ordinary language philosophy and poststructuralism. These strands agree on at least two issues: the (...) rejection of metaphysics and the ontological foregrounding of the notion of discourse or language-in-use. These philosophies have influenced the development of discursive methods and constructionist epistemologies in special sciences such as psychology and sociology. It is suggested, however, that both the commitment against metaphysics and the prioritising of discourse are problematic, and that a process metaphysics based on the three pillars of possibility, mediation and actuality (or pattern, matrix and activity) might be articulated in order to overcome the bifurcation of nature tacitly accepted by the commitment to a discursive ontology. (shrink)

Realism is the claim that truth may transcend all possible verification. The familiar Dummettian argument against that modal claim is that there is no way to manifest an understanding of it in actual linguistic practice. The Dummettian anti-realist's provisional conclusion is that the modal claim must be false. ;The attack on truth-conditional semantics and on the principle of bivalence are familiar ingredients of the anti-realist negative programme. I agree that, whether mathematical formulae or ordinary sentences in the past tense (...) are concerned, we cannot manifest a knowledge of the truth-conditions of particular instances of 'It is possible that ' by deciding their truth. There is nevertheless a way to argue in favour of specific instances of the modal claim when s is a sentence in the past tense. The proposed argument does not appeal to the recognitional abilities which, in the standard anti-realist perspective, constitute grasp of meaning. It does not commit one to the endorsement of the principle of bivalence, although the principle implies the modal claim. ;Our understanding of the workings of nature, whether grounded on scientific theories or on common sense, implies the modal claim. Since we are only contingently connected to the evidence pro or con past events and since the existence of evidence is itself a contingent matter, sentences which say that those events occurred could be true whether or not we can, at any point in time, detect that they are true. The possibility that truths about past facts transcend all possible verification is a purely natural possibility, grounded on what we know of the workings of nature. ;This implies that decidable statements in the past tense are not immune to the realism vs. anti-realism debate. Although they do not transcend verifiability, they could transcend whatever our recognitional abilities, no matter how extended, would allow us to establish at any point in time, either in the past, right now, or in an indefinitely extensible future. (shrink)

Purpose – The purpose of this paper is to explore artificial moral agency by reflecting upon the possibility of a Moral Turing Test and whether its lack of focus on interiority, i.e. its behaviouristic foundation, counts as an obstacle to establishing such a test to judge the performance of an Artificial Moral Agent. Subsequently, to investigate whether an MTT could serve as a useful framework for the understanding, designing and engineering of AMAs, we set out to address fundamental challenges within (...) the field of robot ethics regarding the formal representation of moral theories and standards. Here, typically three design approaches to AMAs are available: top-down theory-driven models and bottom-up approaches which set out to model moral behaviour by means of models for adaptive learning, such as neural networks, and finally, hybrid models, which involve components from both top-down and bottom-up approaches to the modelling of moral agency. With inspiration from Allen and Wallace as well as Prior, we elaborate on theoretically driven approaches to machine ethics by introducing deontic tense logic. Finally, within this framework, we explore the character of human interaction with a robot which has successfully passed an MTT. Design/methodology/approach – The ideas in this paper reflect preliminary theoretical considerations regarding the possibility of establishing a MTT based on the evaluation of moral behaviour, which focusses on moral reasoning regarding possible actions. The thoughts reflected fall within the field of normative ethics and apply deontic tense logic to discuss the possibilities and limitations of artificial moral agency. Findings – The authors stipulate a formalisation of logic of obligation, time and modality, which may serve as a candidate for implementing a system corresponding to an MTT in a restricted sense. Hence, the authors argue that to establish a present moral obligation, we need to be able to make a description of the actual situation and the relevant general moral rules. Such a description can never be complete, as the combination of exhaustive knowledge about both situations and rules would involve a God eye’s view, enabling one to know all there is to know and take everything relevant into consideration before making a perfect moral decision to act upon. Consequently, due to this frame problem, from an engineering point of view, we can only strive for designing a robot supposed to operate within a restricted domain and within a limited space-time region. Given such a setup, the robot has to be able to perform moral reasoning based on a formal description of the situation and any possible future developments. Although a system of this kind may be useful, it is clearly also limited to a particular context. It seems that it will always be possible to find special cases in which a given system does not pass the MTT. This calls for a new design of moral systems with trust-related components which will make it possible for the system to learn from experience. Originality/value – It is without doubt that in the near future we are going to be faced with advanced social robots with increasing autonomy, and our growing engagement with these robots calls for the exploration of ethical issues and stresses the importance of informing the process of engineering ethical robots. Our contribution can be seen as an early step in this direction. (shrink)

Semantic indeterminacy is the ether of philosophy of language. It fills the interstices of our intentions and pervades accounts of presupposition, tense, fiction, translation, and especially, vagueness. Yet semantic indeterminacy is as impossible as ectoplasm. Indeed, more so! The demonstration need only borrow a few assumptions used elsewhere in widely accepted impossibility results. Since an impossibility is never a necessary condition for anything actual, semantic indeterminacy must be superfluous. Language is no more explained by semantic indeterminacy than calculus is (...) explained by (pre-Robinsonian) infinitesimals. (shrink)

To oversimplify quite a bit, scholars’ presentation of Hegel's teleology constitutes a continuum according to how more-or-less secured the progress towards the goal is supposed to be, which tracks roughly the nature of the end and its necessity. In this article, rather than focus on the end and progress towards it, we will focus on the means and structure of teleological relationships on Hegel's account. This focus follows from an essential feature of Hegel's discussion of teleology in the Logic, in (...) which teleology is introduced to solve a problem in the individuation of entities. It will turn out that the fullest actualization of the end is in the durable means, which is also thereby individuated. And it will turn out that the paradigmatic historical means—the state—is tensed, as it were, between the end and its realization that makes it synchronically historical. This synchronic historicity is missing in the usual progressive and thus diachronic accounts of the teleological process of history. But first we step back even farther (at least historically). We begin by taking up the two most important philosophical accounts of teleology for Hegel, namely those of Aristotle and Kant. Then we go to Hegel's Logic for his reconstruction of teleological processes against the background of the explanatory need for individuation. We focus on four aspects of Hegel's account: that teleology is a structure of reciprocal interaction, that the purpose is an immanent governing principle, that change is the price of immanence, and that the durable means is the teleological object par excellence. Finally, we trace these features through Hegel's account of world history and conclude with some brief remarks on the historicity of the state described in the Philosophy of Right. (shrink)

What is the interaction between storage and computation in language processing? What is the psychological status of grammatical rules? What are the relative strengths of connectionist and symbolic models of cognition? How are the components of language implemented in the brain? The English past tense has served as an arena for debates on these issues. We defend the theory that irregular past-tense forms are stored in the lexicon, a division of declarative memory, whereas regular forms can be computed (...) by a concatenation rule, which requires the procedural system. Irregulars have the psychological, linguistic and neuropsychological signatures of lexical memory, whereas regulars often have the signatures of grammatical processing. Furthermore, because regular inflection is rule-driven, speakers can apply it whenever memory fails. (shrink)

The article follows on from Sadziński and is his “provocative” antithetical sequel. Ac cording to an internet research, sentences with even occasionally have no chronological order.The analysis carried out has shown that the sentence structures without time series mentioned often do ot understand themselves as temporal sentences. They are the result of de facto contamination with colloquially marked causal clauses.

“The Craft of Formal Logic” is Arthur Prior’s unpublished textbook, written in 1950–51, in which he developed a theory of modality as quantification over possible worlds-like objects. This theory predates most of the prominent pioneering texts in possible worlds semantics and anticipates the significance of its basic concept in modal logic. Prior explicitly defines modal operators as quantifiers of ‘entities’ with modal character. Although he talks about these ‘entities’ only informally, and hesitates how to name them, using alternately the phrases (...) ‘possible states of affairs’, ‘chances’, ‘cases’ or ‘peculiar objects’, he is nevertheless very clear that they should be the fundamental concept of any theory of modality as a form of quantity. Without the assumption that modal operators quantify over such modal objects, the modal system will be incapable of distinguishing an actually true proposition from a necessarily true one. Due to the fact that Prior never made any direct reference to this theory in his subsequently published papers, it remained largely unknown. The comparison of “The Craft” with some of his papers on tense logic suggests that this early theory of modality underlies his later work on temporality. (shrink)

This paper defends three theses: (i) that presentism is either trivial or untenable; (ii) that the debate between tensed and tenseless theories of time is not about the status of presentism; and (iii) that there is no temporal analogue of the modal thesis of actualism.

As interest in Huayan thought among Western scholars has grown over the last few decades, a number of individuals have noted similarities between A. N. Whitehead's ideas of reality as a process of arising actual occasions and Huayan doctrines concerning the interdependent arising of dharmas. Comparisons of the two systems do show striking similarities, but as Steve Odin has pointed out, one area of noteworthy difference may be their views of temporal passage.1 There seems to be clear agreement among Whitehead (...) scholars that his view requires temporal asymmetry such that the present arises as a creative advance toward an open future. In contrast, Huayan is well known for advocating a symmetrical view of reality, and the Huayan view of time, it has been argued, is no exception. On this basis some have suggested that in accounting for and even requiring an open future, Whitehead's views effectively allow for a free advance of becoming that may not be possible within the context of Huayan views. But is this the case? -/- By examining sections of Fazang's works that specifically deal with tense and temporal passage, we will see that the typical view of Huayan as advocating a temporally symmetrical notion of passage is only partially accurate. Even further, it is apparent in light of that material that the Whiteheadian critique of Huayan is partly inaccurate as well. It is this latter point that may mean Huayan views allow for a type of becoming that Whitehead's cannot. To see how this is the case, it will be helpful to briefly summarize the Whiteheadian critique before focusing on key elements of Fazang's view. (shrink)