This article investigates the gender diversity of the corporate board of European Union banks. Employing a large sample of 612 European banks from 20 European countries, it identifies organizational characteristics that could be predictive of women’s presence on bank boards. We identify three factors that play a particularly important role in defining bank board gender diversity. First, the proportion of women on the board is higher for lower-risk banks. We argue that there may be some statistical discrimination behind this relation, (...) although it could also be explained by a real risk-aversion hypothesis. Second, banks with larger boards have a higher proportion of women on their boards, which could be considered a signal of some kind of preference for homogeneity on small boards. Finally, banks that have a growth orientation are more prone to include women on their board, since they may be seen as providers of diverse external resources that are more valued by firms operating under critical circumstances. (shrink)

There is convergence among researchers of the ‘Big Five’ personality traits taxonomy, that the dimension of conscientiousness best explains differences in work performance. This research is a literature review on the interrelationship between certain traits of the conscientiousness dimension and human virtues, or character traits. It also analyzes whether or not it is rational to argue that the continuous improvement culture enhances the exercise of these character traits. The personal effort to develop one's conscientiousness enriches one's character or way of (...) being, and this development is a consequence of character moulding through an intellectual and willful effort enabling one not only to develop personal habits but also to improve task performance. Continuous improvement culture, on the one hand, should provide a work environment where employees can practice virtues, including those contained in conscientiousness. On the other hand, the requirement is that continuous improvement culture should be developed in an environment that respects the freedom and purpose of the individual. (shrink)

Background: Heart rate variability (HRV) has been considered as a measure of heart-brain interaction and autonomic modulation, and it is modified by cognitive and attentional tasks. In cognitive tasks, HRV was reduced in participants who achieved worse results. This could indicate the possibility of HRV predicting cognitive performance, but this association is still unclear in a high cognitive load sport such as chess Objective: To analyse modifications on HRV and subjective perception of stress, difficulty and complexity in different chess problem (...) tasks. Design: HRV was assessed at baseline. During the chess problems, HRV was also monitored, and immediately after chess problems the subjective stress, difficulty and complexity were also registered. Method: A total of 16 male chess players, age: 35.19 (13.44) and ELO: 1927.69 (167.78) were analysed while six chess problem solving tasks with different level of difficulty were conducted (two low level, two medium level and two high level chess problems). Participants were classified according to their results into two groups: high performance or low performance. Results: Friedman test showed a significant effect of tasks in HRV indexes and perceived difficulty, stress and complexity in both high and low performance groups. A decrease in HRV was observed in both groups when chess problems difficulty increased. In addition, HRV was significantly higher in the high performance group than in the low performance group during chess problems. Conclusions: An increase in autonomic modulation was observed to meet the cognitive demands of the problems, being higher while the difficulty of the tasks increased. Non-linear HRV indexes seem to be more reactive to tasks difficulty, being an interesting and useful tool in chess training. (shrink)

Silence is reserved for what cannot be verbally expressed. The well-known Wittgensteinian quote summarizes an established understanding of the relationship between language and silence: because language is not enough to account for reality and thinking, it must be transcended by other means of expression, like music or silence. But what if the opposite is the case and silence is not the extension but the precondition of language, the ultimate source of meaning? This paper explores how this is the phenomenological and (...) Derridean philosophical framework of Coetzee’s novels, a literary universe created from the will to signify and build singular meanings. (shrink)

Resumen El objetivo principal de este artículo es recrear la práctica de la hospitalidad en el contexto de la realidad migratoria actual, con la intención de aportar luz a la manera de gestionar la diversidad, de repensar la formación de identidad, de acercarnos a ciertas dinámicas políticas y últimamente de incentivar procesos de integración y cohesión social, especialmente en la vida de nuestros barrios. Para ello, el autor se adentra en las raíces bíblicas de la hospitalidad, aportando algunas claves para (...) entender esta virtud hoy. En nuestro mundo actual donde parecería ganar terreno la hostilidad sobre la hospitalidad, la práctica de la hospitalidad constituye un auténtico acto de resistencia.The main aim of this article is to recreate the practice of hospitality in the context of the current migratory reality, with the intention of bringing light to the way of managing diversity, of rethinking identity formation, of approaching certain political dynamics and lately to encourage processes of integration and social cohesion, especially in our vulnerable neighborhoods. For this purpose, the author delves into the biblical roots of hospitality, providing some clues to understand this virtue today. In our current world where hostility over hospitality seems to gain ground, the practice of hospitality constitutes a genuine act of resistance. (shrink)

This article will contrast two portrayals of Protagoras: one in the "Theaetetus," where Socrates discusses Protagorean theory and even comes to his defense by imitating the deceased sophist; and another in the "Protagoras," where Socrates recounts his encounter with the sophist. I suggest that Plato wants listeners and readers of the dialogues to hear the dissonance between the two portraits and to wonder why Socrates so distorts Protagoras in the "Theaetetus." Protagoras in the "Protagoras" behaves and speaks in ways that (...) are incompatible with the Protagorean position presented in the "Theaetetus.". (shrink)

El uso de las Tecnologías de la información y la comunicación ha permitido introducir mejoras en la forma como se desarrollan los procesos de enseñanza y aprendizaje, así como los procesos propios a la gestión y administración de las actividades académicas. Sin embargo, el índice de adopción de estas herramientas es reducido en cobertura y en profundidad. No obstante, para el uso de la herramienta Teams hay que detallar las ventajas y desventajas encontradas y finalizar con conclusiones en base a (...) las experiencias personales. Palabras Clave: software, Microsoft Teams, herramienta, ventajas, experiencia. Referencias [1]C. E. F. Pabón, «MÁS ALLÁ DE ZOOM, GOOGLE MEET, TEAMS…,» Slidesgo, vol. 1, nº 1, p. 12, 2020. [2]F. García, A. Correl, V. Abella y M. Grande, «La evaluación online en la educación superior en tiempos de la COVID-19,» EDUCATION IN THE KNOWLEDGE SOCIETY, vol. 21, nº 1, pp. 1-12, 2020. [3]G. Jose, C. Alfredo, G. Victor y GrandeMario, «Education in the Knowledge Society,» Ediciones Universal Salamanca, vol. 1, nº 12, p. 26, 14 05 2020. [4]E. Dans, «Educacion online: Plataformas educativas y el dilema de la apertura,» Universidad y Sociedad del Conocimiento, vol. 6, nº 1, p. 10, 02 03 2009. [5]A. Mauricio, A. Roberto, V. Edgar y F. Karen, «Convergencia de procesos de docencia universitaria: El uso de la aplicacion Teams de Microsoft,» ResearchGate, vol. 1, nº 1, p. 9, 21 11 2019. [6]B. Jose, L. Lina, H. Maria y J. Eusebio, «Utilización del alfa de Cronbach para validar la confiabilidad,» Engineering and Technology, vol. 11, nº 1, p. 9, 16 08 2013. [7]J.-J. a. C.-R. D. a. D. P. Monedero-Moya, «Usabilidad y satisfacción en herramientas de anotaciones multimedia para MOOC = Usability and Satisfaction in Multimedia Annotation Tools for MOOCs,» e-Lis, vol. 22, nº 44, p. 62, 2018. [8]I. Ros Martínez de Lahidalga, «Moodle, la plataforma para la enseñanza y organización escolar,» Ikastorratza, e- Revista de Didáctica, vol. 2, nº 50, p. 12, 2008. [9]D. Marlene, «Herramientas para la producción de materiales didácticos para las modalidades de enseñanza semipresencial y a distancia,» ACIMED, vol. 16, nº 2, p. 5, 2007. [10]C. Barbara, «Diseño y validación de un instrumento,» Universitat Illes Balears, vol. 4, nº 50, p. 415, 10 2006. (shrink)

My goal in this paper is to compare Heidegger’s philosophy of science with Thomas Kuhn’s. With this comparison I want to pursue two goals: 1) using Kuhn’s arsenal of conceptual tools, to make Heidegger’s position appear in a clearer fashion; and 2) to show that Heidegger’s and Kuhn’s positions are not so different as one might expect. I will, thus, suggest that these philosophies can be compatible. I will show that, even if there are differences, there are many similarities as (...) well. I will address three issues: 1) the differences and similarities between Kuhn’s notion of paradigm and Heidegger’s notion of world; 2) the analogous concepts of “normal science” and “calculating thinking”; and 3) the source of intelligibility in both authors. Here, I believe, is where the main difference between both thinkers lays. (shrink)

RESUMEN En este trabajo me propongo demostrar que el concepto de dios en "El origen de la obra de arte" de Martin Heidegger no refiere a una figura divino-religiosa, sino que se debe enmarcar dentro del leitmotiv de toda su filosofía, la pregunta por el ser. La hipótesis a defender será la siguiente: Heidegger utiliza la noción de "dios" para describir el proceso de fundación de un espacio de sentido. En un primer momento analizaré algunos contraargumentos a esta hipótesis, según (...) los cuales Heidegger estaría hablando de la posibilidad de que el arte nos religue con los dioses como tales. Luego pasaré al argumento principal, en el que vincularé el ensayo sobre el arte fundamentalmente con el seminario sobre Parménides para mostrar cómo la noción de dios se conecta con el concepto de ser y de sentido. ABSTRACT In this essay I try to demonstrate that the concept of God in "The Origin of the Work of Art" by Martin Heidegger does not refer to a divine-religious figure but must be framed within the Leitmotiv of all his philosophy, the question of being. The hypothesis to be defended will be the following: Heidegger uses the notion of "god" to describe the process of founding a space of meaning. First, I will analyze some counter arguments to this hypothesis, according to which Heidegger would be talking about the possibility that art reconnects us with the gods as such. Then, I will move on to the main argument in which I will link the essay on art fundamentally with the seminary on Parmenides to show how the notion of God is linked to the concept of being and meaning. (shrink)

In this paper I present a formalization of the theory of ideal concepts applied to the concept of God. It is done within a version of the Simplest Quantified Modal Logic (SQML) and attempts to solve three meta-problems related to the concept of God: the unicity of extension problem, the homogeneity/heterogeneity problem and the problem of conceptual unity.

Em analogia com outras discriminações, como o racismo ou o sexismo, o especismo é concebido como uma forma de discriminação moral com base na espécie. Em grande medida, a discussão contemporânea sobre a importância moral dos animais surgiu e desenvolveu-se em torno da crítica e da defesa do especismo. Este artigo oferece uma visão da discussão filosófica contemporânea sobre o especismo. Após uma breve introdução, apresenta-se uma definição de especismo e caracterizam-se vários tipos de especismo, sendo o Antropocentrismo o mais (...) relevante. Depois, expõe-se um argumento proeminente contra o Antropocentrismo: o argumento dos casos marginais. Por fim, algumas posições antropocêntricas são criticamente discutidas. (shrink)

In this paper, drawing on evidence internal to the Platonic dialogues (supplemented with some ancient testimonia), I answer the question, “How did Plato teach in the Academy?” My reconstruction of Plato’s pedagogy in the Academy is that there was a single person who read the dialogue aloud like a rhapsode (this is in contrast to the dramatic theatrical hypothesis, in which several speakers function as actors in the performance of a dialogue). After the rhapsodic reading, students were allowed to ask (...) that portions of the text to be re-read, to ask a question about the text, and were encouraged to enter into a broader conversation about the topic and themes brought out by the text. This later pedagogical method of interrogating and investigating a dialogue is of more importance than the mere reading of a dialogue. I contend that Plato’s experiences teaching were woven into some of the dialogues, and that Plato’s pedagogy reflects some of the ways that he taught in the Academy. I propose that excellent points made by students may have been written into revised forms of the dialogue. And not only good points, but also mistakes in reasoning may have been added into the dialogues. I suggest that the way certain dialogues are organized with “guest lecturers” and “tag-team” philosophical debates reflect Plato’s pedagogy in the Academy. Plato’s broadmindedness, his openness to various and opposing viewpoints, is also evident from both outside and inside of the dialogue. Lastly, drawing on the idea of Socratic mimēsis, I give a plausible curriculum for how Plato may have used the dialogues to teach them: he had his students “play” with them. Plato may have asked his students to enter into the roles of the characters in the dialogues to better understand them and the type of person they represent. Plato may have also asked students to take over from the position of the character in the dialogue and to suggest a better, truer account of things than what the characters said or did. (shrink)

This paper suggests the democratic direction in which the right of freedom of expression should be conceived and applied. In the first two sections it suggests some counter-examples to, and diagnoses of, the libertarian and liberal conceptions of freedom of expression, taking Scanlon (1972) and Scanlon (1979), respectively, to be their chief proponents. The paper suggests that these conceptions cannot take into account clear examples, like fraudulent propaganda, which should not be legal. The democratic conception takes it to heart that (...) the pillars upon which the right of freedom of expression is founded are individual and collective autonomy, the right to know facts of public interest and information necessary for effective democratic control of government. The paper suggests that in a time when private powers seriously threaten these pillars, it is correct for the government to step in to provide the framework in which genuine discussion geared toward fulfilling the objectives of these pillars can take place. (shrink)

En 1935 Martin Heidegger da sorpresivamente una conferencia en Friburgo sobre el origen de la obra de arte. ¿Por qué Heidegger, repentinamente, brinda una conferencia sobre el arte? ¿Por qué aparece en este año “el arte” como una cuestión decisiva? Solamente encontramos breves menciones sobre esta temática en sus trabajos previos al ensayo sobre el arte. ¿Cómo encuadrar este aparente “oasis” en el pensamiento heideggeriano? A partir del académico estadounidense William Richardson la obra de Martin Heidegger se suele dividir en (...) dos grandes momentos separados por lo que es conocido por el viraje. ¿Desde dónde deberíamos abordar la obra? ¿deberíamos entender sus planteos desde lo trabajado en Aportes a la filosofía? ¿o deberíamos ingresar a “El origen de la obra de arte” desde las obras del primer Heidegger? Estos interrogantes, de carácter metodológico-interpretativo, son los que nos proponemos contestar a lo largo del trabajo, buscando defender la siguiente hipótesis: “El origen de la obra de arte” es una obra “de frontera” entre estos dos momentos del pensamiento de Heidegger, razón por la cual requiere de un abordaje de “ida y vuelta” entre el primer y el segundo Heidegger. (shrink)

Tradición patrimonial y administración señorial en la América Latina Aspectos básicos del liberalismo brasileño del siglo XIX - El pensamiento conservador en Colombia, a lo largo del siglo XIX - El pensamiento conservador en Colombia, a lo largo del siglo XX - Iberoamérica como totalidad - Clientelismo mesianismo y liberación en la cultura Latinoamericana - Catequesis misionera y "saber de salvación" en el Brasil colonial - La filosofía brasileña en los siglos XVII, XVIII y XIX - La filosofía brasileña en (...) el siglo XX - Positivismo y realidad Latinoamericana - Cinco concepciones de la integración Latinoamericana - Etica y política en la cultura brasileña - Catolicismo y modernidad : la función moralizadora de la iglesia. (shrink)

In the "Republic," Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, (...) Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” While previous commentators have noticed some of these moments, they have either overstated their rarity or they have not studied them collectively. My dissertation is the first in-depth investigation of this phenomenon in the dialogues. Socrates’ dramatic imitation of others is way of teaching in a voice separate from his own, and it is also a way for Plato to speak to, and to educate, different kinds of audiences. Although “Socratic mimēsis” occurs throughout the Platonic corpus, I focus on three passages from three different dialogues, which are paradigm instances: [1] in the "Crito" Socrates plays the part of ‘the Laws’ (50a-54c); [2] in the "Theaetetus" he acts the part of ‘Protagoras’ (166a-168c); and [3] in the "Menexenus" he recites a funeral speech learned from ‘Aspasia’ (236d-249c). Instead of one-sidedly reading the dialogues as either only literary works of art or as only a series of philosophical arguments, this study gleans philosophic insights from the literary and dramatic details of the dialogues. In chapter one I argue that in the "Crito" Socrates tries to convince Crito of a universal and absolute ethics based on never committing injustice, but Crito is not able to understand. In order to make Crito more just—but not yet at the level of Socratic ethics—Socrates creates ‘the Laws’ to persuade Crito to expand his personal notion of justice. Socrates instills a political obedience in place of Crito’s existing lawlessness as a second-best recourse. Plato expects the astute listener or reader to see the contrast between Socrates’ earlier ethical principles, said in his own voice, with what he says in the voice of ‘the Laws.’ In chapter two I argue that in the part of the "Theaetetus" where Socrates defends Protagoras (often called ‘the Defense’), Socrates, by imitating ‘Protagoras,’ is actually criticizing Protagorean relativism. The Protagorean theory cannot account for mimēsis and Socrates’ mimetic act performatively contradicts the identity of appearance and reality, which the theory presupposes. Finally, in chapter three I argue that in the Menexenus the funeral oration that Socrates recounts for Menexenus that he heard from ‘Aspasia’ is actually a disguised criticism of political rhetoric and of Athenian imperialism. Although the speech is never interrogated within the dialogue, Plato provokes the listener or reader outside the dialogue to question its message and to see how it conflicts with many of Socrates’ positions in other dialogues. Beyond reconsidering the long-standing and persistent view that Plato was against poetry and mimetic performance, I re-examine the role that performance and role-playing can have in philosophy and pedagogy more generally. Actors, by taking on other personas, and audience members, in observing actors and their actions, are both involved in acts of imagination that can expand their horizon of thinking and feeling. (shrink)

En el presente trabajo se esclarece la noción de “información” según Gilbert Simondon, para lo cual se presenta el contexto histórico-epistemológico desde el cual surge y qué soluciones ofrece a la problemática de la época. Se hace especial énfasis en las conceptualizaciones realizadas por la teoría matemática de la información, la cibernética, y la biología. Luego, se analiza el devenir conceptual de la noción de “información” en el pensamiento de Simondon siguiendo tres momentos de su trabajo académico (clasificados por Juan (...) Manuel Heredia): a) 1944-1958, b) 1959-1968; y c) 1968-1983. Con ello, genero una idea más completa sobre su sentido. (shrink)

This is a short entry on "Metatheatre" in Section 4, "Concepts, Themes and Topics Treated in the Dialogues," in The Bloomsbury Handbook of Plato, edited by Gerald Press and Mateo Duque.

Ubico indicios de mitos nacionales analizando obras narrativas (de Borges y algunos otros autores), y dichos acerca de Borges, centrándome en cómo se verifica, en la narrativa de Borges, (y también en sus intervenciones públicas y en lo que se dice sobre su figura) la irrupción del peronismo. Propongo un cambio de escala: sin intentar interpretar los grandes momentos constitutivos entendiéndolos como mitos de origen, intento constituir series, de características cuasi-míticas, a partir de poner en relación a breves sintagmas que (...) se reiteran en distintas unidades narrativas. Elementos transversales, que van de un relato a otro. Sintagmas que se analizan tomando al conjunto de la obra de Borges como paradigma, y no sólo relatos aislados. En primer término, exploro ciertas constantes en algunos relatos del período 1945-54. Luego me detengo en una serie de versiones contemporáneas sobre un Borges ciego a quien un joven peronista ayuda a cruzar la calle. En tercer lugar. el tema de la aparición de relatos oníricos, literariamente enunciados, sobre personas con garra de pájaro, vinculándolos a los dilemas morales de la élite intelectual en los tiempos del primer peronismo. En tanto estos conjuntos tienen mucho en común con los mitos al ser reelaboraciones sucesivas de un elemento narrativo, podrían ser abordadas con métodos de análisis míticos propios de la antropología estructural. No obstante, el material utilizado tiene diferencias con las mitologías clásicas: a) tiene versiones orales, pero también escritas; b) hechos ficcionales, pero también históricos; c) admiten un orden cronológico verificable. Por lo tanto, arriesgo aquí una exploración metodológica y teórica más bien experimental, aunque deudora de Lévi-Strauss. Concluyo que en estos dos conjuntos se verifica el funcionamiento un sistema ideológico, que es el de la formación nacional argentina, con sus tensiones y crisis. (shrink)

This is a short entry on "Comedy" in Section 3, "Important Features of the Dialogues," in The Bloomsbury Handbook of Plato, edited by Gerald Press and Mateo Duque.

Resumen En la década del noventa del último siglo apareció en Alemania el así denominado “giro icónico” (ikonische Wende). Keith Moxey (2009) interpretará este viraje como un nuevo paradigma que, harto del giro lingüístico y la tesis del acceso mediado a la realidad, propone a la imagen como una instancia de acceso inmediato al mundo, eliminando la distinción entre sujeto y objeto. Sin embargo, Boehm sostiene que el giro icónico debe entenderse a partir del giro de todos los giros, el (...) giro trascendental kantiano. La hipótesis que defenderé aquí es que el giro icónico debe entenderse como un pensamiento postkantiano. Abstract The 1990s saw the emergence in Germany of the so-called “iconic turn” (ikonische Wende). Keith Moxey (2009) interprets this turn as a new paradigm that, fed up with the linguistic turn and the thesis of mediated access to reality, proposes the image as an instance of immediate access to the world, eliminating the distinction between subject and object. However, Boehm argues that the iconic turn must be understood on the basis of the turn of all turns, the Kantian transcendental turn. The hypothesis I will defend here is that the iconic turn is to be understood as a post-Kantian thought. (shrink)

At the end of the first hypothesis, Parmenides gets Aristotle to agree that being [οὐσίας] must be in time; that is, that being must partake in at least one of the temporal modes: either to have been in the past, to be in the present, or it will be in the future (140e-142a). If this is true, then “the one does not partake in being” (141e7-8), meaning temporal being—to which Aristotle agrees, saying “Apparently not” (141e9). Parmenides then gets Aristotle to (...) agree that “Therefore, ‘the one’ in no way is” (141e9-10). This, however, contradicts the very first premise that begins Parmenides’ entire gymnastic exercise, “if one is” (137c4). The problem with the previous conclusion—that to be is to be in time—is that in professing his assent to it, Aristotle, in fact, gainsays it. He performatively contradicts the very thing he wants to assert. Aristotle answers Parmenides question, “Therefore could something partake of being in any way other than in one of those ways?” (141e7-8) with a two-word answer in Greek: “οὐκ ἔστιν [It’s not possible].” We can, therefore, ask of the very claim Aristotle is making—that it is impossible for something to be and not be in time—when in time does it hold true? At what time is it “not possible [οὐκ ἔστιν]” for something to not partake of temporal being? Is it not possible only in the present moment, in the past, or in the future? If Aristotle’s assertion is to have any force it must hold always. It has the same tenselessness as mathematical propositions, like ‘1+1=2.’ Forms, like mathematical entities, must necessarily have atemporal existence. Accordingly, in atemporally maintaining that anything that is must be in time, Aristotle undermines his own assertion. He performatively contradicts the very thing that he wants to affirm. (shrink)

En este artículo, se analiza la cuestión de si la existencia del derecho depende necesariamente de la moralidad. La cuestión que ha enfrentado a las doctrinas del derecho natural con el positivismo jurídico. Se trata de mostrar que dicho debate esconde, al menos tres cuestiones diferentes, que requieren respuestas diversas: 1) La cuestión semántica de si las normas positivas injustas son derecho, 2) la cuestión metafísica de si la existencia del contenido del derecho está fundada en hechos morales y 3) (...) la cuestión epistémica de si el contenido del derecho debe ser identificado sin recurrir a consideraciones morales. Se concluye que la primera cuestión es una mera disputa verbal. Se dan algunos argumentos para aceptar la tesis metafísica. Y una respuesta afirmativa a la tercera cuestión es puesta en duda analizando la doctrina de la autoridad de Joseph Raz y, también, tratando de mostrar que el hecho de que algo sea concebible no conlleva que sea metafísicamente posible. (shrink)

La construcción de la identidad es un elemento constitutivo en el desarrollo vital de las personas y de los colectivos. En nuestro mundo actual globalizado y diverso, este elemento cobra una relevancia nuclear, más si cabe desde una mirada de los flujos migratorios y la integración social. Es en el día a día donde se juegan muchas de las dinámicas identitarias, en las que se entrelazan procesos de identidad personal y colectiva, tendencias más estáticas y dinámicas. El objetivo de este (...) trabajo es aportar luz a los modelos de integración y de cohesión social desde los procesos de construcción identitaria, en diálogo con el modelo de integración mixto. Para este fin, se ha presentado muy enriquecedor el dialogo entre el modelo de conductas mayoritarias y minoritarias de J. L. Segundo, el enfoque de las capacidades de A. Sen, los modelos clásicos de integración de personas inmigrantes, el modelo de construcción de identidades de M. Castells, junto al estudio empírico realizado por P. Norris. (shrink)

Resumimos la información aportada por estudios científicos recientes sobre las opiniones, visiones y actitudes de los cazadores españoles sobre la caza y su gestión. En concreto, discutimos las distintas funciones que atribuyen los cazadores a la actividad cinegética, así como los juicios morales asociados a diversas motivaciones para cazar. Seguidamente, exploramos las valoraciones expresadas por cazadores y gestores respecto a ciertas herramientas de gestión cinegética, y discutimos sobre cómo éstas influyen en la toma de decisiones. Por último, exploramos las posibles (...) tendencias futuras de esta actividad, a partir de lo expresado por los propios cazadores. (shrink)

RESUMEN En este trabajo se analizan las principales ideas de John Rawls acerca de la naturaleza del derecho y del razonamiento jurídico. Partiendo de un trabajo de Ronald Dworkin (2004), y básicamente de acuerdo con él, se exponen las críticas dworkinianas a la doctrina rawlsiana de la razón pública, y se presenta un modo en el cual Rawls podría replicarlas. El objetivo del trabajo es mostrar la fecundidad de las ideas rawlsianas para nuestra concepción del derecho en sociedades democráticas, caracterizadas (...) por el hecho del pluralismo. (shrink)

This study analyses the emotional exhaustion of students inhigher education, derived from the extremely technology-relatedstrain associated to the current COVID-19 pandemic in a conservation of resources’ approach. Technostress, as source of emotional exhaustion, was investigated in a sample of 333 students in a medium size public university in Spain. Data was collected in May 2020, during the COVID lockdown. After literature review, a structural model was developed, linking technostress with emotional exhaustion. Results confirm the expected cause-effect relationships. In addition, the (...) study reveals two mediator variables that must be considered when managing students′ suffering, perceived stress and intrapersonal conflicts. This study contributes to the academic literature in the field of managing and mitigating suffering. They do so by providing both new knowledge and empirical evidence on the effects of technostress in the new generations that will soon join the working life. (shrink)

En este artículo se plantea la hipótesis interpretativa de que una lectura retrospectiva de los textos en los que Emmanuel Lévinas se refirió a la muerte, permitiría captar si sus análisis estaban ya en los primeros trabajos de su formulación ético-metafísica, en la base del pluralismo del cara-a-cara. Con el fi n de mostrar esta hipótesis se revisan las menciones a la muerte en las obras levinasianas invirtiendo la habitual cronología ascendente.

En el presente trabajo nos proponemos analizar la lectura de Martin Heidegger en la _Estética operatoria_ por parte de Luis Juan Guerrero. La tesis a defender consiste en que “El origen de la obra de arte” tiene un rol central en la obra del filósofo argentino. Pero esto no quiere decir que Guerrero no sea un autor original o que sea un mero comentador del filósofo alemán, sino todo lo contrario: el filósofo argentino hace una lectura productiva de Heidegger a (...) partir de la cual elabora una filosofía propia y auténtica. Centrándonos en el ensayo sobre el arte de Heidegger y el primer tomo de la _Estética operatoria_, analizaremos tres puntos neurálgicos: el concepto de útil, la relación mundo y tierra y el vínculo entre historia y verdad. (shrink)

Sexting has been defined as sending, receiving, or forwarding sexually explicit messages, images, or photos to others through digital platforms, and can assume more consensual or more abusive and violent forms. This study aims to explore the prevalence of abusive sexting in Portuguese adolescents and the psychological characteristics of sexting abusers in terms of emotional and behavioral problems, potential markers of psychopathy, childhood trauma and maltreatment, and different forms of aggression. A cross-sectional study was conducted with 4,281 participants, aged 12–20 (...) years, of whom 204 engaged in abusive sexting behaviors and 182 self-identified as being a non-consensual sexting victim. Abusive sexting was more common among boys and middle adolescents, and abusive sexting victims were more likely to be children of single-parent families. Engaging in abusive sexting and being a victim of abusive sexting were also related to behavioral and emotional problems, callousness, experiences of neglect and abuse in childhood, and various forms of aggression. Implications for future research and intervention are discussed. (shrink)

The intellectual history of the last quarter of this century has been marked by the growing influence of Africana thought--an area of philosophy that focuses on issues raised by the struggle over ideas in African cultures and their hybrid forms in Europe, the Americas, and the Caribbean. Existentia Africana is an engaging and highly readable introduction to the field of Africana philosophy and will help to define this rapidly growing field. Lewis R. Gordon clearly explains Africana existential thought to a (...) general audience, covering a wide range of both classic and contemporary thinkers--from Douglass and DuBois to Fanon, Davis and Zack. (shrink)

Muchos comentadores leyeron “El origen de la obra de arte” de Martin Heidegger desde su compromiso político con el nacionalsocialismo. ¿Es el ensayo sobre el arte una encarnación de su verdadera posición política? El objetivo de esta investigación es volver a explorar los vínculos de esta obra de Heidegger con el nacionalsocialismo a la luz de algunos fragmentos de los llamados Cuadernos negros, en especial los del tomo 94 de la Gesamtausgabe que recopila las notas elaboradas por el filósofo entre (...) 1932 y 1938, años en los que se gestaron y expusieron las diferentes versiones de “El origen de la obra de arte”. La hipótesis que defiendo en este trabajo es que leer el ensayo sobre el arte desde su compromiso político es una interpretación injustificada. Se demostrará que, en los años que se gestaba y exponía el ensayo, Heidegger era crítico de las políticas culturales y artísticas en tiempos nacionalsocialistas. Con esto no pretendo ni negar la dimensión política en sentido general que puede llegar a tener el escrito, ni mucho menos la comprobada e indiscutible adhesión de Heidegger al nazismo. Pero si nos preguntamos si esto último es relevante para su filosofía del arte, la respuesta, a mi modo de ver, es que no. (shrink)

Este trabajo pretende analizar la caracterización por parte de Heidegger de la esencia de la obra de arte como "poética" en "El origen de la obra de arte". ¿Qué puede llegar a significar esto? ¿Se puede reducir la esencia de la obra de arte a un tipo de arte? Abordaremos este problema interpretativo fundamentalmente de Ser y tiempo,aunque también nos serviremos de la conferencia "Hölderlin y la esencia de la poesía". "Poético" se refiere a un ámbito más amplio que el (...) del género literario, se refiere al espacio donde se da la verdad, entendida siempre como desocultación. La tesis por defender es que lo que Heidegger comprende por "poesía" en el ensayo sobre el arte es el lenguaje entendido como fuente de inteligibilidad o comprensibilidad, es decir, como aquello que permite al ente manifestarse como ente, abre el espacio de sentido que le permite mostrarse. (shrink)

In this paper I aim to analyze Guerrero's position as a reader of Heidegger, particularly the conceptual continuities and discontinuities between the Argentine philosopher's methodological proposal of an "operative aesthetic" and the essay on the art of the German thinker. We will concentrate on the first volume, Estética operatoria en tres direcciones. Revelación y acogimiento de la obra de arte and the essay "The origin of the work of art". Our hypothesis is that Guerrero is an anthropophagous reader: While Guerrero (...) support some of Heidegger's proposals in his essay on art, the Argentine philosopher is also critical and from the reading of “The origin of the work of art” he elaborates an original thought. Specifically Guerrero takes, I state, the phenomenological-hermeneutical methodology and applies it in an original way to the analysis of the work of art. (shrink)

At a time when democracy appears to be universally acclaimed as the only acceptable form of government, it is all the more necessary to be clear about what democracy means. _Democracy: A Reader_ provides a range of pivotal statements on this important topic from supporters and defenders as well as critics and skeptics.

_Democracy_ begins with classical statements on the value of democracy and follows with texts defining the concepts of freedom and autonomy, equality, representation, majority rule, markets, multiculturalism, and citizenship. It also covers feminist, conservative, and elitist critiques of democracy and contemporary issues. For this edition, the authors include new sections on the rapidly changing relations among democracy and globalization, the Internet, religion, and violence, providing a valuable introduction to standard articulations of democracy and its current concerns in the modern, interconnected, (...) and conflict-ridden world. (shrink)

Any plausibly just market exchange must balance two conflicting moral considerations: non-worseness (Wertheimer, 1999) and euvoluntariness (true voluntariness; Munger, 2011). We propose an analytical theory of just market exchange that partly resolves this conflict.