First lecture: The end -- Second lecture: The means -- Third lecture: The achievements.

For over a century, philosophers have argued that philosophy is impossible or useless, or both. Although the basic notion dates back to the days of Socrates, there is still heated disagreement about the nature of truth, reality, knowledge, the good, and God. This may make little practical difference to our lives, but it leaves us with a feeling of radical uncertainty, a feeling described by Kolakowski as "metaphysical horror." "The horror is this," he says, "if nothing truly exists except the (...) Absolute, the Absolute is nothing if nothing truly exists except myself, I am nothing." The aim of this book, for Kolakowski, is finding a way out of this seeming dead end. In a trenchant analysis that serves as an introduction to nearly all of Western philosophy, Kolakowski confronts these dilemmas head on through examinations of several prominent philosophers including Descartes, Spinoza, Husserl, and many of the Neo-Platonists. He finds that philosophy may not provide definitive answers to the fundamental questions, yet the quest itself transforms our lives. It may undermine most of our certainties, yet it still leaves room for our spiritual yearnings and religious beliefs. The final sentence of the book captures the hopefulness that has survived the horror of nothingness when Kolakowski asks: "Is it not reasonable to suspect that if existence were pointless and the universe devoid of meaning, we would never have achieved not only the ability to imagine otherwise, but even the ability to entertain this very thought--to wit, that existence is pointless and the universe devoid of meaning?" The answer, of course, is clear. Now it is up to readers to take up the challenge of his arguments. (shrink)

"[An] important essay by a philosopher who more convincingly than any other I can think of demonstrates the continuing significance of his vocation in the life of our culture."--Karsten Harries, The New York Times Book Review With The Presence of Myth , Kolakowski demonstrates that no matter how hard man strives for purely rational thought, there has always been-and always will be-a reservoir of mythical images that lend "being" and "consciousness" a specifically human meaning. "Kolakowski undertakes a philosophy of culture (...) which extends to all realms of human intercourse--intellectual, artistic, scientific, and emotional. . . . [His] book has real significance for today, and may well become a classic in the philosophy of culture."-- Anglican Theological Review. (shrink)

Leszek Kolakowski discusses, in a highly original way, the arguments for and against the existence of God as they have been conducted through the ages. He examines the critiques of religious belief, from the Epicureans through Nietzsche to contemporary anthropological inquiry, the assumptions that underlie them, and the counter-arguments of such apologists as Descartes, Leibniz, and Pascal. His exploration of the philosophy of religion covers the historical discussions of the nature and existence of evil, the importance of the concepts of (...) failure and eternity to the religious impulse, the relationship between skepticism and mysticism, and the place of reason, understanding, and in models of religious thought. He examines why people, throughout known history, have cherished the idea of eternity and existence after death, and why this hope has been dependent on the worship of an eternal reality. He confronts the problems of meaning in religious language. (shrink)

Leszek Kołakowski explores 23 questions asked by great philosophers, introducing us to the great ideas and philosophers of Western thought.

Polish philosopher Leszek Kolakowski is renowned worldwide for wrestling with serious philosophical conundrums with dazzling elegance. In this new book, he turns his characteristic wit to important themes of ordinary life, from the need for freedom to the wheel of fortune, from the nature of God to the ambiguities of betrayal. Extremely lucid and lacking in intellectual pretension, these essays speak in everyday language, spurring the reader’s own thoughts and providing a handle on which to debate and think about the (...) themes. The eighteen essays cover the following topics: power, fame, equality, lying, toleration, travel, virtue, collective responsibility, the wheel of fortune, betrayal, violence, boredom, freedom, luxury, God, respect for nature, superstition, and national stereotypes. (shrink)

Leszek Kolakowski discusses, in a highly original way, the arguments for and against the existence of God as they have been conducted through the ages. He examines the critiques of religious belief, from the Epicureans through Nietzsche to contemporary anthropological inquiry, the assumptions that underlie them, and the counter-arguments of such apologists as Descartes, Leibniz, and Pascal. His exploration of the philosophy of religion covers the historical discussions of the nature and existence of evil, the importance of the concepts of (...) failure and eternity to the religious impulse, the relationship between skepticism and mysticism, and the place of reason, understanding, and in models of religious thought. He examines why people, throughout known history, have cherished the idea of eternity and existence after death, and why this hope has been dependent on the worship of an eternal reality. He confronts the problems of meaning in religious language. (shrink)

Henri Bergson was born the year that Darwin published On the Origin of Species. The significance of this and other works on the theory of evolution in the development of Bergson's philosophy became clear when he published Creative Evolution and established himself as one of Europe's most influential thinkers. Kolakowski shows how Bergson sought to reconcile Darwinian theory with the view that all matter is propelled by an internal life-drive.

God Owes Us Nothing reflects on the centuries-long debate in Christianity: how do we reconcile the existence of evil in the world with the goodness of an omnipotent God, and how does God's omnipotence relate to people's responsibility for their own salvation or damnation. Leszek Kolakowski approaches this paradox as both an exercise in theology and in revisionist Christian history based on philosophical analysis. Kolakowski's unorthodox interpretation of the history of modern Christianity provokes renewed discussion about the historical, intellectual, and (...) cultural omnipotence of neo-Augustinianism. "Several books a year wrestle with that hoary conundrum, but few so dazzlingly as the Polish philosopher's latest."--Carlin Romano, Washington Post Book World "Kolakowski's fascinating book and its debatable thesis raise intriguing historical and theological questions well worth pursuing."--Stephen J. Duffy, Theological Studies "Kolakowski's elegant meditation is a masterpiece of cultural and religious criticism."--Henry Carrigan, Cleveland Plain Dealer. (shrink)

My correct views on everything -- The Marxist roots of Stalinism -- The myth of human self-identity -- What is socialism? -- Totalitarianism and the virtue of the lie -- Communism as a cultural force -- What is left of socialism? -- The heritage of the left -- Genocide and ideology -- The devil in history : interview with George Urban -- A layman pronounces on the catechism -- Jesus Christ : prophet and reformer -- "Leibniz and Job" -- Concern (...) with God..." -- Crime and punishment -- On natural law -- On collective identity -- The demise of the historical man -- On our relative relativism -- What are universities for? -- Neutrality and academic values -- Where are children in liberal philosophy? -- Man does not live by bread alone : interview with Nathan Gardels. (shrink)

This paper discusses the meaning of the Last Judgment as an act of fulfillment of justice, an inevitable “universal transformation” of mankind. The author points out the distinctive role of the Last Judgment in Western tradition, examines the consistency of the Western idea of God, and then suggests that our conceptualizations of the Last Judgment are distorted by discounting the question of how humankind might be embraced by “divine mercy”. The paper extensively refers to History as Apocalypse by Thomas Altizer, (...) and The Drama of the Hope for Salvation by Wacław Hryniewicz. (shrink)