In dem Sammelband, der als Festschrift zum 65. Geburtstag von Franz Hundsnurscher erscheint, sind 47 Beiträge zu zwei thematischen Schwerpunkten versammelt, die im Werk Hundsnurschers von zentraler Bedeutung sind: Semantik und Dialoganalyse. Im ersten Teil werden neben grundlegenden Fragen der Semantik Aspekte der semantischen Beschreibung von Phraseologismen, des Fremdwortgebrauchs und des Grundwortschatzes diskutiert; neben synchronen (meist gebrauchstheoretischen) Untersuchungen zu Einzelwörtern und Quasisynonymengruppen im Deutschen stehen sprachhistorische und kontrastive Arbeiten. Vor allem mit theoretischen und methodologischen Fragen der Dialoganalyse, mit Fragen (...) der Analyse institutioneller Kommunikation (Politik, Recht, Wirtschaft) und literarischer Dialoge setzen sich die Beiträge des zweiten Teils auseinander. (shrink)

The interactive nature of the Internet is seen by some as a technological innovation that might boost participation in politics and civic affairs. That potential, however, is clouded by imprecise definitions of interactivity found among scholars and practitioners alike. Evaluation of state legislature Web sites found them to not be very interactive under most definitions of the term. Chief technology officers of the legislatures appear to differ as to which site features promote interactivity. The current state of these sites may (...) do more to encourage civic engagement than to promote interactivity. (shrink)

The Internet, not unlike previous communication technologies, has been predicted to dramatically change the nature of democracy. The interactive nature of Web sites, in particular, is seen as the basis for a new cyberdemocracy. Although the definition of interactivity is less than precise, an evaluation of state legislature Web sites finds them lacking many features that could be considered interactive. Furthermore, the degree of a site’s interactivity was not strongly correlated to a site’s use. Web sites can also foster interaction, (...) both on- and off-site, through interactive and noninteractive features. When sites were examined for their potential to foster interaction, there was a strong relationship with site use. The current focus on interactivity may obscure the potential to promote interaction and lead to an overemphasis on interactive features that are sometimes nothing more than high-tech gimmicks. (shrink)

Web sites of the 50 state legislatures are evaluated on five criteria: content, usability, interactivity, transparency, and audience. An overall quality score for each site was computed. The evaluation revealed a wide range of quality in the sites, including that of features or aspects that could possibly foster citizen participation. The higher rated sites help define “best practices” in this regard and provide suggestions as to how other states' sites might make improvements and possibly increase participation.

Forums of public discussion on Internet Web sites have been promoted by some as having the potential to improve democracy through large increases in civic engagement. Such claims are scoffed at by others. To date, such forums tend to be found more on community networks and commercial Web sites than on sites owned by governments. We thus turn to an examination of forums hosted by a private New Jersey organization, to seek to understand the types and character of discussion taking (...) place. Discussion of politics and government, especially at the local level, represented slightly more than one half of the postings. Participation in the forums, however, appeared limited to a small number of people. (shrink)

Building on McMillan's two-way model of interactivity, this study presents a three-way model of interactive communication, which is used to assess political Web sites' progress toward the ideals of cyberdemocracy and the fostering of public deliberation. Results of a 3-year study of state legislature Web sites, an analysis of the community networks, and a review of purely political sites such as MoveOn.org, RNC.org, and DNC.org are reported. Little deliberation was found on the legislature sites, but opportunities for such were greater (...) on the other types of sites. (shrink)

The present volume aims at giving a discussion ot the problems ot reductionism in contemporary life sciences. It contains six papers which deals with reduction/reductionism in different fields ot biological research. Also, the holistic perspective, 1. e. the systems view, is discussed in some ot the papers. The message ot this discussion Is that - whereas reductionism is indeed an important strategy - the systems approach is needed. It is argued by some ot the authors that organisms are complex systems (...) and not just heaps of molecules, 50 that the analytical method does not suffice. Recent developments in systems theory offer the possibility to install a more comprehensive view ot living systems what can be seen particularly in the field ot evolutionary biology. It is true that any organismic activity is molecular, this is to say that it is based on molecular mechanisms. But it is also true that the whole organism displays certain patterns ot behavior which are not just molecular. Any organism can be described as a system ot different levels ot organization different levels ot order and complexity - and it is important, theretore, to study all ot the organizational levels and to see their peculiarities. It should be obvious, however, that there is not one problem ot reduction/reductionism, but that there are many problems linked together and that these problems appear at different levels ot biological research and bio philosophical reflections. (shrink)

This study forms part of a larger research project examining the election process for the Nobel prizes for Physiology or Medicine at the Karolinska Institute in Stockholm, and the role and function of the prizes in early 20th century Swedish and international medicine. The purpose of the study is to clarify the decision-making process which led to the Nobel prize for Paul Ehrlich in 1908, for work on immunity. His award was preceded by the most dramatic conflict within the prize (...) authority concerning any prizewinner prior to World War I, and thus is apt to illuminate both the implicit and explicit criteria and the strategies used in the prize deliberations.Ehrlich's chemical ideas on the immune response were criticized by the physical chemist Svante Arrhenius who recommended the application of his disciplines's methods and principles on immunological problems. This criticisms were brought into the Nobel prize debate by J.E. Johansson, a physiologist who asserted that Ehrlich's research was of little scientific value and therefore not worthy of a prize. Yet the majority of the Institute, led by its chairmam, the chemist K.A.H. Mörner, succeeded in awarding Ehrlich. (shrink)

This book/CD package guides readers and listeners on a journey through Franz Schubert's Winterreise song cycle, in which the composer set the poetry of Wilhelm Muller to music. The complete text of the 24 poems is presented in both German and English, with 116 b&w photographs of winter scenes on the facing pages. An introductory essay by Susan Youens offers a critical examination of the song cycle. The music CD features a new recording of Winterreise, performed by baritone Paul (...) Rowe and pianist Martha Fischer. Oversize: 10.25x10.25". Annotation 2003 Book News, Inc., Portland, OR. (shrink)

Zusammenfassung Der dargelegte Befund deutet darauf hin, daß es in Konstantinopel wie in Rom und anderen Provinzmetropolen zahlreiche Statuen hoher Beamter und Würdenträger gab. Allerdings fehlt ein entsprechender Befund für die Regierungszeit Konstantins d. Gr.; erst unter der Regierung Konstantius' II. lassen sich die ersten Beamtenstatuen feststellen. Das mag am Zufall der Überlieferung liegen, deckt sich aber immerhin damit, daß erst unter diesem Kaiser der Rahmen für eine breite magistratische Repräsentation gegeben war. Unter Konstantius II. wurde der Konstantinopler Senat zahlenmäßig (...) beträchtlich erweitert, zudem gleichberechtigt neben den römischen Senat gestellt, wurde das Amt des Stadtpräfekten eingeführt und, wie Paul Speck gezeigt hat, zugleich die Allpräsenz des Gründerkaisers Konstantin im Stadtbild relativiert, so daß überhaupt erst die Grundlagen für die öffentliche Repräsentation der Senatsaristokratie gegeben waren. Hatte Konstantin die nach ihm benannte Stadt zunächst als Residenzstadt errichtet, deren Bauten und Ausstattung ganz auf seine Person ausgerichtet waren, so schuf sein Sohn Konstantius die Voraussetzungen für die Entwicklung einer selbstbewußten Senatsaristokratie und einer entsprechenden Präsenz im Stadtbild. Die wenigen Indizien deuten darauf hin, daß sich die Statuen dieser Würdenträger, sofern es sich um senatorische Beamte handelte, beim Senat am Augusteion befanden. Stets dürfte es sich dabei um ‚einfache’ Statuen gehandelt haben, die allenfalls vergoldet waren, um bronzene Statuen oder um solche aus Marmor, die den Beamten in der Toga mit seinen Insignien zeigten. Seit dem fünften Jahrhundert läßt sich beobachten, daß eine kleine Gruppe einflußreicher Beamter und Heerführer entweder durch eine Vielzahl verschiedener Bildnisse an verschiedenen Orten oder aber durch die wesentlich aufwendigere Denkmalform eines Reiterstandbilds an prominenten Orten geehrt wird. Nie jedoch fand sich die Statue eines Nichtkaisers auf einem Ehrenbogen oder einer Säule, von denen es in Konstantinopel so viele gab. Diese blieben dem Kaiser und seiner Familie vorbehalten, der so im Denkmal den Abstand zu den aufwendigen Monumenten einflußreicher Personen wahren und auch erhöhen konnte. Doch beschränkte sich das kaiserliche Denkmal nicht nur auf einfache Ehrensäulen. Mehrfach sind Gruppen von Ehrensäulen überliefert, die städtebaulich an zentralen Stellen plaziert wurden. Zudem begegnet in der Spätantike zum erstenmal die Reiterstatue auf einem Säulenmonument, werden also zwei zunächst verschiedene Monumentformen miteinander verbunden (Abb. 7). Diese für die Spätantike typische Potenzierung der Wirkungsstrukturen und die Kombination bislang verschiedener Repräsentationsformen des imperialen Monuments ist wohl auch Folge des Konkurrenzdrucks durch allmächtige Militärs, die ihrerseits solche Selbstdarstellungsmodi aufgriffen. Die Kaiserdenkmäler bestimmen bis heute unser Bild von der Stadt Konstantinopel und lassen bisweilen vergessen, daß sie vor dem Hintergrund zahlreicher kleinerer Denkmäler hochrangiger Beamter errichtet wurden, unter denen einige so aufwendig waren, daß sie den Kaiser zum Aufgriff neuer, bislang noch nicht dagewesener Monumentformen zwangen. (shrink)

Eleven essays on the life and thought of the Jewish philosopher and theologian Franz Rosenzweig.

Debat tentang pluralisme tetap berlangsung di Indonesia, karena itu dua buku yang akan dibahas di sini sangat relevan. Paul F. Knitter, seorang teolog Katolik, merumuskan suatu pandangan pluralistik mirip dengan yang diharamkan oleh Majelis Ulama Indonesia pada 2005, sedangkan Gavin D’Costa dalam bukunya dengan tajam membongkar “pluralisme” itu. Dua-duanya berargumentasi secara teologis, atas dasar pengandaian-pengandaian Kristiani-Katolik. Dalam bab pertama Knitter menggariskan kembali perjalanan teolo- gisnya dari eksklusivisme, melalui inklusivisme, ke posisi yang dinama- kannya “pluralisme.“ Knitter tidak hanya menolak anggapan (yang (...) oleh Gereja Katolik sudah ditolak sejak sebelum Konsili Vatikan II) bahwa ”di luar Gereja tidak ada keselamatan“ (”eksklusivisme“), melainkan juga posi- si-posisi ”inklusivistik“—seperti yang misalnya dikemukakan oleh Karl Rahner—yaitu bahwa, meskipun semua orang dapat diselamatkan, namun mereka diselamatkan karena Yesus Kristus, jadi bahwa kebenaran penuh hanya ada dalam iman kepada Yesus Sang Juru Selamat bagi semua. Plu- ralisme Knitter menyatakan bahwa tidak ada agama yang dapat meng- klaim keunggulannya terhadap agama lain. Kalau saya tidak salah tangkap, Knitter mengajukan tiga argumen. Yang pertama adalah kejujuran dialog antaragama. ”Bagaimana,” tanya Knitter, “orang dapat sungguh-sungguh ’menghormati’ kebenaran dalam pandangan orang lain... apabila kita masuk ke dalam dialog dengan keyakinan bahwa kita yang mempunyai kebenaran definitif?” (hlm. 33). Argumen yang sama juga diajukan dalam bentuk sedikit lain: Menurut Knitter tidak mungkin seorang tokoh atau suatu ajaran religius tertentu memuat seluruh kekayaan realitas Ilahi. Yesus boleh diyakini sebagai “totus Deus” (seluruhnya Allah), tetapi bukan sebagai “totum Dei” (keseluruhan Allah). Yesus betul-betul penyelamat, tetapi selain Yesus ada banyak penyelamat lain. Argumentasi ini merangsang pertanyaan kembali apakah dialog dapat jujur kalau para peserta sebelumnya harus melepaskan keyakinan mereka yang paling inti? Knitter boleh saja menyangkal bahwa keseluruhan Ilahi ada dalam Yesus, tetapi atas dasar apa ia menuntut agar orang Kristiani menyangkalnya juga? Bukankah Knitter jatuh ke dalam dogmatisme sama dengan yang dituduhkannya?.................................................... D’Costa mengklaim bahwa pengertian keselamatan yang triniter itu menjamin apa yang justru tidak terjamin oleh “pluralisme” ala Knitter; yaitu, keterbukaan, toleransi dan kesamaan. Keterbukaan, karena Gereja dapat dan bahkan harus betul-betul belajar dari agama-agama lain. Tole- ransi, karena Gereja wajib menghormati kebebasan beragama; artinya, ada- lah hak setiap orang dan kelompok orang untuk mengakui dan mempraktikkan agama yang mereka yakini. Kesamaan, karena Gereja mengakui martabat setiap orang sebagai alamat cinta Ilahi. D’Costa mengakhiri bukunya dengan suatu pertimbangan bagus tentang makna dan tempat doa antaragama-agama yang berbeda. Buku D’Costa adalah salah satu bahasan paling jelas, mendalam, dan meyakinkan tentang bagaimana orang Katolik, dan seharusnya semua orang Kristiani, dapat bertemu dengan agama-agama lain tanpa kesombongan, tetapi juga tanpa mengkompromikan imannya. D’Costa membuka dogmatisme deistik-sekularistik (Allah tidak masuk kedalam sejarah umat manusia) dan posisi-posisi yang menamakan diri pluralistik. Adalah kekuatan buku D’Costa bahwa ia memperlihatkan bahwa justru iman pada Allah yang triniter, yang kita ketahui dari pewahyuan Diri Allah dalam Yesus, memungkinkan untuk bersikap hormat dan terbuka kepada agama-agama lain. Daripada menyanyikan lagu bahwa semua agama pada dasarnya sama saja, D’Costa memungkinkan kita untuk tanpa kompromi percaya pada apa yang diyakini Gereja sejak 2000 tahun: bahwa Yesuslah Sang Juru Selamat Ilahi, dan sekaligus menghormati mereka yang berbeda imannya. Itulah dasar mantap bagi dialog antarumat beragama. (Franz Magnis-Suseno, Program Pascasarjana, Sekolah Tinggi Filsafat Driyarkara, Jakarta). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reflections on Raphael PAUL BAROLSKY The essence of all appreciation and analysis of art is the translation of visual perceptions into compelling verbal form. —Ralph Lieberman cultural unity Horace Walpole, Sir Joshua Reynolds, Johann Wolfgang Goethe, Eugène Delacroix, Honoré Balzac, Friedrich Hegel, Charles Baudelaire, Friedrich Nietzsche, Pierre Renoir, Nathaniel Hawthorne, August Wilhelm von Schlegel, Heinrich von Kleist, Franz Grillparzer, Fyodor Dostoyevsky, Ivan Turgenev, Wilhelm Heinrich Wackenroder, George Eliot, (...) Jean-Auguste Dominique Ingres, Roger Fry, Bernard Berenson, Theodor Hetzer, Roberto Longhi, Heinrich Wölfflin, and Stendhal are among the many essayists, critics, novelists, poets, painters and art historians who have responded to Raphael’s work as painter, architect or archeologist over the centuries. I can well imagine all of those listed above, among many others, united in an imaginary painting similar to the School of Athens—in other words, a vision that reconciles their various views of the world in a harmony analogous to the unity of philosophers in Raphael’s great fresco. Raphael is a towering figure in the history of European culture. The year 2020 was the 500th anniversary of the death of the great painter in Rome at the age of thirty-seven. In the wake of recent exhibitions that commemorated the artist’s achievement, I propose to touch briefly and lightly on a few aspects arion 28.2 fall 2020 100 reflections on raphael of Raphael’s life and works. Please think of these remarks as a series of suggestions, not attempts at definitive interpretation. I think of this essay as a rather experimental piece. THE SCHOOL OF ATHENS i should like to begin with a few brief remarks on what must be Raphael’s most famous work of art. I mean his School of Athens (fig. 1), which is, like Leonardo’s Mona Lisa and Last Supper or like Michelangelo’s David and Creation of Adam, an image widely known and admired. What more is there to say about The School Of Athens, one of the central images in the Stanza della Segnatura? You might spend the rest of your life reading about this great work and never understand it fully. Nevertheless, I want to focus for a moment on a central detail of the work and, on the basis of my description, point to a significant aspect of the fresco that has been universally overlooked. First the description, then the aperçu. Fig. 1. School of Athens. Ca. 1510–1512. Photo Credit : Erich Lessing / Art Resource, NY. Paul Barolsky 101 At the center of the School of Athens we behold the two great philosophers of classical antiquity: Plato and Aristotle. Plato holds a copy of his Timaeus, a dialogue that concerns the harmony of the heavens; Aristotle holds a copy of his Ethics, a work that pertains to human relations in this world. It was the goal of Renaissance thinkers to create a harmony or concord of the thought of these philosophers: a Concordia Platonis et Aristotelis. Raphael’s fresco, as is well known, presents the visual ideal of such harmony. Whereas Aristotle gestures downward, alluding to this world, in which his Ethics matter, Plato points heavenward, evoking the order of the cosmic realm described in Timaeus. Raphael makes visible the ideal of concordia when he movingly pictures the way in which the two philosophers gaze into each other’s eyes, as if to suggest this harmony. Borrowing from the language of Raphael ’s friend, Baldassare Castiglione, Raphael renders “the joining” of their souls. The monumental architecture of the scene, which echoes Bramante and has taproots in Piero della Francesca and Perugino, consists of three barrel-vaults beyond which we see patches of blue sky and puffs of cloud (fig. 2). The grandiose architecture of the image magnifies Raphael’s philosophers. Within this architectural framework, Plato’s gesture is deeply meaningful, since it prompts the viewer to look up and thus ascend toward the perfection of the celestial realm, beyond the imperfections of the physical world. Above the first barrel vault in the fresco we behold a section of the drum of a dome which is open to the sky. Within this section of drum there are two columns that are lined up directly... (shrink)