Grace de Laguna was a philosopher working in the first part of the twentieth century on analytic and speculative philosophy, as well as on the psychology and philosophy of language, especially the social function of language. Joel Katzav’s lead essay focuses mainly on the former part of her work, while my commentary focuses mostly on the latter. Katzav shows how her work played a role in the development of analytic philosophy, I try to show how her work played a role (...) in the development of pragmatic linguistics, whose development overlapped with some aspects of analytic philosophy. I situate it in the context of an emerging ‘pragmatic Weltanschauung’ that was embraced by many working in linguistics, philology, philosophy, psychology, anthropology and what would later be called linguistic pragmatics. (shrink)

Comment le concept de genre s’est-il implanté à l’Est, dans les pays de l’ancienne aire d’influence soviétique après la chute du Mur? C’est à cette question innovante que s’attelle Ioana Cîrstocea dans son habilitation à diriger des recherches, remaniée pour en faire cet ouvrage au beau titre — référence à l’écrivaine et journaliste biélorusse Svetlana Alexievitch, Prix Nobel de littérature. S’il est aujourd’hui communément admis dans les sciences humaines et sociales que les idées, les réfé...

One of the first Swiss performance artists, Manon has fashioned a career for herself out of the identities of others. Whether exploring the limits of gender or the beauty of decay, Manon—through her personas, installations, and performance pieces—continually foregrounds the instability of place and self. Her most recent project, She Was Once MISS RIMINI, is one of her most brutal and touching. Here, she literally depicts imagined futures for an aging beauty queen. Each exquisite image in this pictorial essay teases (...) out the possible paths Miss Rimini—an alter-ego for Manon who “happened” upon a beauty pageant in the early 1970s and walked away with the crown—could have taken. A small-town diva? A hypersensitive viola player? Perhaps even a psychiatric patient? She Was Once MISS RIMINI is a trenchant meditation on the art, or artifice, of growing older. Costume, lipstick, lighting, attitude—all aspects of self-presentation are in concert here with quiet critiques of social and economic systems that limit the options of older women. Accompanied by an enlightening introduction by art theorist Brigitte Ulmer, She Was Once MISS RIMINI is the first and only documentation of Miss Rimini and one of the first books in English on Manon. (shrink)

The Italian Dominican Ptolemy of Lucca figures among the most significant political theoreticians of the Middle Ages. In his De regimine principum, a continuation of Thomas Aquinas’ De regno, Ptolemy paints a highly original picture of civil happiness. Taking the Roman Republic as his model, Ptolemy praises the “political” government that is presented as a sufficient condition for felicitas civilis, and this through the virtue of its citizens, the balance of its forces, and the harmonious and active collaboration of the (...) various groups that constitute the community. (shrink)

This paper deals with some structural properties of the sequent calculus and describes strong symmetries between cut-free derivations and derivations, which do not make use of identity axioms. Both of them are discussed from a semantic and syntactic point of view. Identity axioms and cuts are closely related to the treatment of negation in the sequent calculus, so the results of this article explain some nice symmetries of negation.

In this paper, I will explore the concept that healing activities shape the objects of therapy and seek to construct those objects through therapeutic activities. Objects of therapy are the persons, patients, human bodies, diseases, physiological processes and personal suffering—that which clinical medicine constructs through its distinctive formative processes, practices and knowledge. The rationale for choice of philosophical sources namely, Cassirer, Foucault, the anthropological perspective of Good and the sociological account of Frank will be discussed. The claim articulated by Good (...) will be examined and its relationship to culture, illness, medical knowledge, practice, truth, and science. I then focus on Frank's concepts of the patient and the body and how medical knowledge and practices affects it. The concept that the medicalization of the illness narrative silences the patient's voice requiring an ethic of listening will be emphasized, described and further supported by Charon's (2006, Narrative medicine: Honoring the stories of illness. New York, NY: Oxford University Press) and Cassell's (2015, The nature of suffering and the goals of medicine. New York, NY: Oxford University Press) thoughts on narrative of illness in clinical medicine. My position concludes that healing activities construct the objects of therapy: as the medical culture's way of seeking truth; as medicine's way of mediating and organizing forms of reality through culture and symbolic forms; and, as medicine's way of entering the body and constructing the disease. Lastly, I suggest that in spite of the remarkable progress in the control of disease, the failure to address the interpretation of illness meanings is a fundamental flaw in the work of “doctoring.” The experience and meanings of illness are at the centre of clinical practice and is a moral, political, ethical and professional obligation. The person is a cultural construct, a complex and culturally shaped way of experiencing self and other, and cultural “work” is required to constitute the person who is the object of medical attention and it also necessitates the ethic of listening. (shrink)

This book, first published in 2000, offers translations of the initial critical reactions to Kant's philosophy. Also included is a selection of writings by Kant's contemporaries who took on the task of defending the critical philosophy against early attacks. The first aim of this collection is to show in detail how Kant was understood and misunderstood by his contemporaries. The second aim is to reveal the sorts of arguments that Kant and his first disciples mounted in their defense of the (...) theoretical philosophy. The third aim of the book is to contribute to an understanding of the development of Kant's critical philosophy after its initial formulation in the Critique of Pure Reason, and in particular why Kant made the changes he did in the second edition of the work in 1787. This collection, which includes a glossary of key terms and biographical sketches of the critics on both sides of the debate, is a major addition to Kant scholarship and should be seen as a companion volume to the Cambridge Edition of the Works of Immanuel Kant. (shrink)

This article adds to earlier research revealing that the American news media did not discharge their responsibility as a watchdog press in the post-9/11 years by failing to scrutinize extreme and unlawful government policies and actions, most of all the decision to invade Iraq based on false information about Saddam Hussein’s alleged weapons of mass destruction arsenal. The content analyses presented here demonstrate that leading US news organizations, both television and print, did not expressly refer to human rights violations when (...) they reported on the torturing of foreign detainees during “enhanced interrogations” in US-run prison facilities abroad and the killing of civilians, including children, in US drone strikes overseas and outside theaters of war. Moreover, by framing torture and the “collateral damage” caused by drone-launched missile attacks episodically rather than in the context of human rights, the news media failed to alert the American public to the grave humanitarian violations in the so-called war on terrorism during the George W. Bush and Barack Obama administrations. (shrink)

The paper presents a logical treatment of actions based on dynamic logic. This approach makes it possible to reflect clearly the differences between static and dynamic elements of the world, a distinction which seems crucial to us for a representation of actions.Starting from propositional dynamic logic a formal system (DLA) is developed, the programs of which are used to model action types. Some special features of this system are: Basic aspects of time are incorporated in DLA as far as they (...) are needed for our purpose. Names for states and for instants are simulated by formulas. It is possible to express formally that a formula is satisfiable or valid. A special program is introduced to reflect developments which are not caused by an official agent but by external influences. (shrink)

After the UN Guiding Principles on Business and Human Rights were adopted in 2011, an international treaty has been being negotiated since 2014. The two instruments reveal similarities and also conflicts regarding the adequate organization of the global economy based on human rights. The focus in this article will be on the processes leading to these instruments, because they themselves mirror different understandings of governance in the field of business and human rights as well as the struggle over the power (...) of definition and legitimacy. The UNGPs were developed on the basis of global multi-stakeholder consultations, underlining legitimacy through broad inclusion. There are varying judgements as to the success of this approach. The process towards the treaty follows the traditional path of negotiations at UN level. These negotiations reveal a struggle for recognition of the legitimacy of the process itself. Both procedures have shortcomings with regard to legitimacy and show the need for a revision concerning the inclusion of stakeholders. The complementarity of a soft and hard law instrument may enhance the creation of a level playing field in the global economy, thereby strengthening human rights. (shrink)

In this article I will discuss some systematic issues of Arthur Danto's philosophy of art and art history from a Hegelian perspective. Belonging to "Absolute Spirit," art can be called a "spiritual kind." Since spiritual kinds are reflective and self-determining, they are not susceptible to philosophical definition. Nevertheless, elements of essentialism can be maintained when describing art's historicity and conceptual structure. To this end, "art" can be interpreted as a two-tier concept: in inherently reflecting its concept, it projects its own (...) conditions into the past, co-opting "prehistorical" artworks as predecessors and classical examples. Hegel's view of art as conceptually structured in itself can have disenfranchising or reenfranchising consequences: either reducing art to minor philosophy, or acknowledging its privileged access to its own essence. After Danto's detachment of the philosophy of art from aesthetics, Hegel would himself be deprived of the possibility to "define" art by intuition . Even if the spirit consists of essential kinds, philosophy is not in a privileged position to establish the essence of art and thus the difference between art and philosophy. Rather, philosophy must acknowledge art as a neighbor and as partner in a dialogue. (shrink)

La quête de repères identificatoires est probablement l'une des plus vieilles entreprises que l'humanité s'est donnée pour asseoir son histoire et construire sa mémoire. Toutes les sociétés, toutes les civilisations, fussent les pires totalitarismes, ont besoin d'une genèse héroïque — et donc exemplaire — pour fonder leurs origines. Une geste destinée à justifier leur présent ; un point de départ qui fixe un "avant" et un "après" et qui fait qu'à partir d'un événement créateur, selon la formule maintes fois annoncée, (...) toujours contredite : "rien ne sera plus jamais comme avant". On a tous besoin d'un père, tous besoin d'un géniteur, individuel ou collectif. Cette qualité peut naturellement se décliner sous différentes formes : le "père fondateur" est, selon les cas, un homme, une femme, un événement, un discours, un livre... Cet ouvrage se propose donc d'explorer ce concept, en croisant différentes approches : la linguistique, l'histoire, la philosophie, la littérature et le droit. (shrink)

Treize spécialistes dans diverses disciplines - histoire, théologie, philosophie, sociologie, économie, musicologie, linguistique, esthétique... - considèrent, sous l'angle des différentes sciences humaines, la manière dont les vivants se représentent la mort, ainsi que les comportements des vivants vis-à-vis des défunts. Cette mise en questions de la mort, où les auteurs réfléchissent sur notre devoir de vivants de borner le monde des morts, comporte deux grandes parties : l'une centrée sur le religieux (Bible, Coran, bouddhisme, le recul de l'Église catholique et (...) les rituels malgaches de retournement des morts, ou la question du suicide assisté...), l'autre plus profane avec des travaux sur la mort en république laïque et une étude économique sur le marché de la mort en France, puis un développement important sur la mort dans l'art (le cas de Gunther von Hagens, plastineur allemand dont les œuvres d'art sont des cadavres, le Dies Irae, la mort en bandes dessinées, ou encore la mort vue par Brassens, Brel et Ferré). (shrink)