A brain model based on glial-neuronal interactions is proposed. Glial-neuronal synaptic units are interpreted as elementary reflection mechanisms, called proemial synapses. In glial networks (syncytia), cyclic intentional programs are generated, interpreted as auto-reflective intentional programming. Both types of reflection mechanisms are formally described and may be implementable in a robot brain. Based on the logic of acceptance and rejection, the robot is capable of rejecting irrelevant environmental information, showing at least a "touch" of subjective behavior. Since reflective intentional programming generates (...) both relevant and irrelevant structures already within the brain, ontological gaps arise which must be integrated. In the human brain, the act of self-reference may exert a holistic function enabling self-consciousness. However, since the act of self-reference is a mysterious function not experimentally testable in brain research, it cannot be implemented in a robot brain. Therefore, the creation of self-conscious robots may never be possible. Finally, some philosophical implications are discussed. (shrink)

Epistemologists have recently noted a tension between (i) denying access internalism, and (ii) maintaining that rational agents cannot be epistemically akratic, believing claims akin to ‘p, but I shouldn’t believe p’. I bring out the tension, and develop a new way to resolve it. The basic strategy is to say that access internalism is false, but that counterexamples to it are ‘elusive’ in a way that prevents rational agents from suspecting that they themselves are counterexamples to the internalist principles. I (...) argue that this allows us to do justice to the motivations behind both (i) and (ii). And I explain in some detail what a view of evidence that implements this strategy, and makes it independently plausible, might look like. (shrink)

Frames are a concept in knowledge representation that explains how the receiver, using background information, completes the information conveyed by the sender. This concept is used in different disciplines, most notably in cognitive linguistics and artificial intelligence. This paper argues that frames can serve as the basis for describing mathematical proofs. The usefulness of the concept is illustrated by giving a partial formalisation of proof frames, specifically focusing on induction proofs, and relevant parts of the mathematical theory within which the (...) proofs are conducted; for the latter, we look at natural numbers and trees specifically. (shrink)

In opposition to traditional forms of dualism and monism, the author holds that our bodily self includes certain aspects of otherness. This is shown concerning the phenomenological issues of intentionality, of self-awareness and of intersubjectivity, by emphasizing the dimension of pathos. We are affected by what happens to us before being able to respond to it by acts or actions. Every sense, myself and others are born out of pathos. The original alienness of our own body, including neurological processes, creates (...) shifting degrees of nearness and remoteness, and allows for pathological deviations such as depersonalisation, paranoia or trauma. Such a phenomenology of body crosses the borderlines of different disciplines. (shrink)

We discuss conceptual change and progress within mathematics, in particular how tools, structural concepts and representations are transferred between fields that appear to be unconnected or remote from each other. The theoretical background is provided by the frame concept, which is used in linguistics, cognitive science and artificial intelligence to model how explicitly given information is combined with expectations deriving from background knowledge. In mathematical proofs, we distinguish two kinds of frames, namely structural frames and ontological frames. The interaction between (...) both kinds of frames can drive mathematical interpretation. We first discuss two examples where structural frames (formulaic notation) drive ontological development (the discovery or exploration of mathematical objects). The development of Boole’s Boolean algebra may at first appear as a metaphorical treatment of the (then) new area of logic. In the analysis, we discuss how different (aspects of) certain algebraic frames change in the transfer, how arising difficulties are solved and overall argue that Boole uses the numerical algebra frame as a research template for the discovery of a system for calculations in logic. Following Ifrah, we analyse the discovery of zero as an extension to the number ontology as driven by the development of notation. Both structural and ontological frames are extended and simplified as notation progresses. Finally, we discuss two examples from infinite combinatorics, viz. topological graph theory, and one foundational issue. In both examples, the two simultaneous frames about one object are maintained independently. They motivate different research questions, but may also fruitfully interact: shifting between multiple synchronously maintained perspectives acts as a motor of innovation. The analysis shows how a frame-based approach allows to model how different perspectives drive mathematical innovation because they highlight different aspects, questions and heuristics. (shrink)

This paper seeks to introduce cultural techniques to an Anglophone readership. Specifically geared towards an Anglophone readership, the paper relates the re-emergence of cultural techniques to the changing intellectual constellation of postwar Germany. More specifically, it traces how the concept evolved from – and reacted against – so-called German media theory, a decidedly anti-hermeneutic and anti-humanist current of thought frequently associated with the work of Friedrich Kittler. Post-hermeneutic rather than anti-hermeneutic in its outlook, the reconceptualization of cultural techniques aims at (...) presenting them as chains of operations that link humans, things, media and even animals. To investigate cultural techniques is to shift the analytic gaze from ontological distinctions to the ontic operations that gave rise to the former in the first place. As Siegert points out, this shift recalls certain concurrent developments within the North American posthumanities; the paper therefore also includes a discussion of the similarities and differences between German and North American posthumanism. (shrink)

Sometimes changes in an agent's partial values can cast a positive light on an earlier action, which was wrong when it was performed. Based on independent reflections about the role of partiality in determining when blame is appropriate, I argue that in such cases the agent shouldn't feel remorse about her action and that others can't legitimately blame her for it, even though that action was wrong. The action thus receives a certain kind of retrospective justification.

Il est évident que l’attention ne fait pas partie des grands thèmes de la philosophie occidentale en tant que celle-ci s’occupe de l’être, du temps, de l’espace, de la liberté ou du sujet. Une telle réserve donne à penser. Il me semble qu’elle s’explique par quelques points faibles, inhérents aux interprétations traditionnelles. Premièrement, l’attention se réduit à une étape préparatoire, à une double fonction : il faut ouvrir les yeux et dresser les oreilles, et le reste viendra. Deuxièmeme...

Living corporeity is the intermediate element between nature and culture, which must be thought of as a reciprocal interconnection, since as corporeal beings we always move on a threshold. In the reflection of the bodily self, a doubling between the living body as a functioning subject and as a material object is revealed; after all, even one's own body sometimes takes on the features of a foreign body, as is the case in the experience of illness. In the technical instrument, (...) the body is prolonged and this highlights the connection between the technique of the thing and the technique of the self; however, despite the gradual autonomisation of the technical element from the living corporeity, there remains what escapes calculation and looms large in the subtraction of the alien. (shrink)

This edited volume offers a new approach to understanding social conventions by way of Martin Heidegger. It connects the philosopher's conceptions of the anyone, everydayness, and authenticity with an analysis and critique of social normativity. Heidegger’s account of the anyone is ambiguous. Some see it as a good description of human sociality, others think of it as an important critique of modern mass society. This volume seeks to understand this ambiguity as reflecting the tension between the constitutive function of conventions (...) for human action and the critical aspects of conformism. It argues that Heidegger’s anyone should neither be reduced to its pejorative nor its constitutive dimension. Rather, the concept could show how power and norms function. This volume would be of interest to scholars and students of philosophy and the social sciences who wish to investigate the social applications of the works of Martin Heidegger. (shrink)

Through a comparison of the phenomenological motif of the alien and the psychoanalytic motif of the unconscious, a critique is advanced against Cartesian dualism, which recurs today in the natural sciences and in the split of the contemporary individual, divided between spirit and nature, the proper world and the alien world, the inner sphere and the outer sphere. It is a matter of thinking of an original subtraction, an absent presence that begins with ourselves, in a slippage that achieves no (...) synthesis. (shrink)

"Im Rahmen der technikphilosophischen, ethnologischen wie auch medien- und kulturwissenschaftlichen Debatte über die Handlungsmacht der Dinge ist es zu einer Konjunktur von Ontologien gekommen, die jedoch das traditionelle Konzept der Ontologie dekonstruiert bzw. verschiebt. Der Beitrag folgt dieser Verschiebung der Ontologie, die Medien und mediale Artefakte nicht mehr als Substanzen denkt, sondern als Verkettungen von Praktiken und Operationen, die diese Medien-Dinge allererst generieren. Nach ›operativen Ontologien‹ zu fragen bedeutet, nach den konkreten ontischen Operationen zu fragen, die allererst ontologische Unterscheidungen hervorbringen (...) – z. B. zwischen Form und Materie, Bild und Gegenstand, Ding und Prozess, Figur und Grund. Diese ontischen Operationen bilden den Kern dessen, was man Kulturtechniken nennt. Anhand von beispielhaften Hybridobjekten aus dem Bereich der material culture des späten Mittelalters und der frühen Neuzeit zeigt der Beitrag, wie dies konkret zu verstehen ist. The debate on the agency of objects, lead by philosophy, ethnology as well as cultural and media studies, has triggered a boom of ontologies, deconstructing the traditional concept of ontology. The contribution follows this shift of ontology, which no longer conceives of the media and media artifacts as substances, but as concatenations of practices and operations that are generated by media objects in the first place. To ask for ‘operational ontologies’ means to ask for the concrete ontical operations which first of all produce onto- logical distinctions – e. g. between form and matter, image and object, thing and process, figure and background. These ontical operations form the core of what we call cultural techniques. The contribution illustrates and explains this thesis with reference to hybrid objects from the material culture of the late Middle Ages and Early Modernity. ". (shrink)