The texts before us are relatively early works. They predate the famous Manifesto of the Communist Party of 1848. Their importance lies in this: that here historical materialism is outlined and defended for the first time. This new philosophy is elaborated in the course of Marx and Engels' effort to settle accounts with previous German philosophy—and, perhaps, with philosophy as such. The new outlook is developed, therefore, in the context of polemic against Hegel and Feuerbach, precisely the thinkers that they (...) most admired earlier in fact. (shrink)

The texts before us are relatively early works. They predate the famous Manifesto of the Communist Party of 1848. Their importance lies in this: that here historical materialism is outlined and defended for the first time. This new philosophy is elaborated in the course of Marx and Engels' effort to settle accounts with previous German philosophy—and, perhaps, with philosophy as such. The new outlook is developed, therefore, in the context of polemic against Hegel and Feuerbach, precisely the thinkers that they (...) most admired earlier in fact. (shrink)

Karl Marx (1818–1883) was born in Trèves in the Rhineland. He studied law in Bonn, philosophy and history in Berlin, and received a doctorate from the University of Jena for a thesis on Epicurus (341–270 BC). (Epicurus' philosophy was a reaction against the ‘other-worldliness’ of Plato's theory of Forms. Whereas for Plato knowledge was of intelligible Forms, and the criterion of the truth of a hypothesis about the definition of a Form was that it should survive a Socratic testing by (...) question and answer, for Epicurus the criterion of truth was sensation, and employment of this criterion favoured the theory with which Plato explicitly contrasted the theory of Forms (Sophist 246a–d), namely, the materialism of the atomists, Leucippus and Democritus.) Marx was editor of the Rheinische Zeitung of Cologne, 1842–1843. The paper was suppressed and he moved to Paris, becoming co-editor of the Deutsch-französische Jahrbücher, the one and only issue of which contained two articles by Marx and two by his friend, Friedrich Engels (1829–1895). Together they wrote The German Ideology (1846) and their most influential work, The Communist Manifesto (1848). Marx had been expelled from France in 1845, and went to Brussels, from where he was expelled during the 1848 revolutions. He went to Cologne to start, with Engels and others, a paper with a revolutionary editorial policy, the Neue Rheinische Zeitung. Expelled once again, Marx finally settled in London, working in the British Museum on his great historical analysis of capitalism, Das Kapital. The first volume was published in 1867, the remaining two volumes, completed by Engels after Marx's death, in 1885 and 1895. (shrink)

Twentieth-century developments in quantum physics, together with an emerging science of consciousness, have created the need for a new cosmology, or model of the universe. The theory of process contained in THE REFLEXIVE UNIVERSE places consciousness within the context of contemporary science. One of the central themes of this extraordinary work is that each successive organization of matter, from fundamental particles in physics to living organisms, expresses a particular stage in the evolution of mind. Starting with the photon, the basic (...) unit of light, and moving through atomic physics, molecular chemistry, the morphology of plants and animals and finally to levels of human evolution, Young develops his theory in vivid step-by-step detail. Consciousness, in his point of view, is not isolated from the material universe. It exists in a continuum, one in which physical and nonphysical realms can be linked and the teachings of mythology and religion can be integrated. To order: FAX: 415-883-9280; e-mail: [email protected]; or write: Anodos Foundation, c/o Publishers Services, P.O. Box 2510, Novato, CA 94948. Visa and MasterCard only. Trade STOP orders 40% plus postage. (shrink)

The present work carries us back to a period which, although chronologically no more than a generation or so behind us, has become as foreign to the present generation in Germany as if it were already a full hundred years old. Yet it was the period of Germany's preparation for the Revolution of 1848; and all that has happened in our country since then has been merely a continuation of 1848, merely the execution of the last will and testament of (...) the revolution. Just as in France in the eighteenth century, so in Germany in the nineteenth, a philosophical revolution ushered in the political collapse. But with what a difference! The French were in open combat with all official science, with the church and often also the state; their writings were printed beyond the frontier, in Holland or England, while they themselves were often on the point of landing in the Bastille. But the Germans were professors, state-appointed instructors of youth; their writings were recognized textbooks, and the system rounding off the whole development---the Hegelian system---was even raised, in some degree, to the rank of a royal Prussian philosophy of state! Was it possible that a revolution could hide behind these professors, behind their pedantically obscure phrases, their ponderous, wearisome sentences? Were not the liberals, the very people who then passed as the representatives of the revolution, the bitterest opponents of this brain-befuddling philosophy? But what neither governments nor liberals saw was seen by at least one man as early as 1833, and indeed by a man called Heinrich Heine. (shrink)

. . . The book is enhanced by the polished and lucid style of Mr. Waley's translations.

Arthur Waley's brilliant and definitive translation of one of the foremost of all mystical books, Lao Tzu's Tao Te Ching, has become a modern classic in its own right. Unlike previous translations, it is founded not on the medieval commentaries but on a close study of all the early Chinese literature, and it provides a singular example of authoritative scholarship skillfully blended with brilliant, precise writing. In his introduction, Dr. Waley gives an extensive scholarly account of Chinese thought down (...) to the end of the third century B.C. Here, the author presents a full picture of Chinese prehistory, early philosophy, and literature, showing the original, lofty conception of Taoism before the gradual corruption through the course of centuries, tracing this conflict of philosophies and its background of politics. (shrink)

1929. The course of Gifford Lectures that Eddington delivered in the University of Edinburgh in January to March 1927.

In At the Will of the Body , Arthur Frank told the story of his own illnesses, heart attack and cancer. That book ended by describing the existence of a "remission society," whose members all live with some form of illness or disability. The Wounded Storyteller is their collective portrait. Ill people are more than victims of disease or patients of medicine they are wounded storytellers. People tell stories to make sense of their suffering when they turn their diseases (...) into stories, they find healing. Drawing on the work of authors such as Oliver Sacks, Anatole Broyard, Norman Cousins, and Audre Lorde, as well as from people he met during the years he spent among different illness groups, Frank recounts a stirring collection of illness stories, ranging from the well-known--Gilda Radner's battle with ovarian cancer--to the private testimonials of people with cancer, chronic fatigue syndrome, and disabilties. Their stories are more than accounts of personal suffering: they abound with moral choices and point to a social ethic. Frank identifies three basic narratives of illness in restitution, chaos, and quest. Restitution narratives anticipate getting well again and give prominence to the technology of cure. In chaos narratives, illness seems to stretch on forever, with no respite or redeeming insights. Quest narratives are about finding that insight as illness is transformed into a means for the ill person to become someone new. (shrink)

The renowned occult scholar Arthur Edward Waite left no stone unturned when preparing this meticulously researched volume on the life and works of the French mystic Louis Claude de Saint-Martin. Drawing on contemporary biographies, correspondences, and all the source materials that were available to him at the time, he put together a biography and summary of Saint-MartinÍs work that is still unsurpassed to this day. This edition is presented with modernised typography and a new and expanded index.

A scholarly edition of Volume 2 of The Clarendon Edition of the Works of John Locke: A Paraphrase and Notes on the Epistles of St. Paul by Arthur Wainwright. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A complete history of alchemy revealing the subject as much more than the attempts in early science of turning base metals into gold or silver, this book goes about intimating the mystical experience underlying hermetic symbolism. It outlines some of the ‘secret’ inner meanings to alchemy - symbolism, metaphysics, and spirituality. This book contains a universe of information and is worthwhile reading for anyone wanting to know more on this engaging subject. Originally published in 1926.

This is arguably the seminal work in historical andphilosophical analysis of the twentieth century.

Mr. Danto argues that recent developments in the artworld, in particular the production of works of art that cannot be told from ordinary things, make urgent the need for a new theory of art and make plain the factors such a theory can and cannot involve. In the course of constructing such a theory, he seeks to demonstrate the relationship between philosophy and art, as well as the connections that hold between art and social institutions and art history. The book (...) distinguishes what belongs to artistic theory from what has traditionally been confused with it, namely aesthetic theory and offers as well a systematic account of metaphor, expression, and style, together with an original account 0f artistic representation. A wealth of examples, drawn especially from recent and contemporary art, illuminate the argument. (shrink)

I address the commentators' calls for clarification of theoretical terms, discussion of similarities to other proposals, and extension of the ideas. In doing so, I keep the focus on the purpose of memory: enabling the organism to make sense of its environment so that it can take action appropriate to constraints resulting from the physical, personal, social, and cultural situations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Philosophical discussions of akrasia over the last fifteen years have focused on certain skeptical arguments which purport to question the possibility of a kind of akratic action which, following Pears, I call 'last ditch akrasia' (Pears [38]). An agent, succumbing to last ditch akrasia, freely, knowingly, and intentionally performs an action A against his better judgment that an incompatible action B is the better thing to do. (See Audi [1] for a detailed analysis.) Last ditch akrasia is not the only (...) kind that has been discussed. Some philosophers (Mele [32], Scaltas [48]) have been concerned with a more extreme form of akratic action, viz. one in which the agent not only judges that action B is best, but in addition intends (chooses, decides) to B. Some have even questioned whether freely acting against one's better judgment is sufficient for akratic action (Schiffer [49]: 201-3).1 Weaker types of akratic action have been discussed, though to a much lesser extent, since they are thought less problematic. Pears distinguishes last ditch akrasia from what he calls, "motivated irrational action" ([38]: 160). In cases of the latter, the akrates' rebellious desire infects his prior reasoning and thinking in such a way that his contemplated action seems to him warranted, and he acts accordingly. (For a taxonomy of cases of akratic action, see Rorty ([44])). Nor has the discussion of akrasia been restricted to akratic action. Philosophers have discussed whether akrasia can be exhibited in the formation of intentions, wants (See Audi [1]: 181-185), and beliefs (Mele [32]: ch. 8; Heil [19]). The primary focus in this paper is on last ditch akratic action. (shrink)

The failures of a philosophic system are often a good deal more revealing than its successes, for such failures test its strength and mark the limits of its endurance. Yet if these failures disclose any uniform pattern they are not only revealing but instructive and can be turned to good account.

Reviewing his life's work in several areas, Koestler shows that the development of human intelligence mirrors the hierarchical order of the universe, examines links between creativity and humor, science, and art, and criticizes the behaviorist theory of cultural evolution.