Results for ' transactional creativity'

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  1.  12
    Raymond M. Smullyan. Creativity and effective inseparability. Transactions of the American Mathematical Society, vol. 109 , pp. 135–145. [REVIEW]J. P. Cleave - 1965 - Journal of Symbolic Logic 30 (3):391-392.
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  2.  24
    Transformational Creativity: The Link between Creativity, Wisdom, and the Solution of Global Problems.Robert J. Sternberg - 2021 - Philosophies 6 (3):75.
    This article introduces the concept of transformational creativity, which is creativity that is deployed to make a positive, meaningful, and potentially enduring difference to the world. Transformational creativity is compared to transactional creativity, which is creativity deployed in search of a reward, whether externally or internally generated. The article also discusses different kinds of transactional and transformational creativity. For example, some transactional creativity is inert, meaning that it never comes to (...)
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  3.  14
    Louise Hay. On creative sets and indices of partial recursive functions. Transactions of the American Mathematical Society, vol. 120 no. 2 , pp. 359–367. - Louise Hay. Isomorphism types of index sets of partial recursive functions. Proceedings of the American Mathematical Society, vol. 17 , pp. 106–110. - Louise Hay. Index sets of finite classes of recursively enumerable sets. The journal of symbolic logic, vol. 34 , pp. 39–44. [REVIEW]Forbes D. Lewis - 1974 - Journal of Symbolic Logic 39 (1):186-187.
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  4. Creativity and the Philosophy of C. S. Peirce.[author unknown] - 1990 - Transactions of the Charles S. Peirce Society 26 (1):153-156.
     
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  5. Creativity and the philosophy of C.S. Peirce.Douglas R. Anderson - 1987 - Hingham, MA, USA: Distributors for the U.S. and Canada, Kluwer Academic Publishers.
    Chapter INTRODUCTION Charles Sanders Peirce is quickly becoming the dominant figure in the history of American philosophy. The breadth and depth of his work ...
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  6.  8
    Creativity and Leadership in the Creative Industry: A Study From the Perspective of Social Norms.Xiaomin Du, Hong Zhang, Shiying Zhang, Ao Zhang & Beibei Chen - 2021 - Frontiers in Psychology 12.
    Individual creativity has been the focus of long-term research in creative industries. However, few studies have explored the impact on individual creativity from social factors. At the same time, the influence of individual creativity on the existence of subsequent factors in the creative industry is also worthy of further investigation. From a social standpoint, this research aims to explore how social norms affect individual creativity, and how individual creativity affects subsequent leadership. The present research takes (...)
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  7.  7
    Paul R. Young. A note on pseudo-creative sets and cylinders. Pacific journal of mathematics, vol. 14 , pp. 749–753. - Paul R. Young. On semi-cylinders, splinters, and bounded truth-table reducibility. Transactions of the American Mathematical Society, vol. 115 , pp. 329–339. - Paul R. Young. On pseudo-creative sets, splinters, and bounded-truth-table reducibility. Zeitschrift für mathematische Logik und Grundlagen der Mathematik, vol. 13 , pp. 25–31. [REVIEW]Donald A. Martin - 1970 - Journal of Symbolic Logic 35 (2):335-335.
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  8.  43
    The ethics of creative accounting some spanish evidence.John Blake, Robert Bond, Oriol Amat & Ester Oliveras - 2000 - Business Ethics, the Environment and Responsibility 9 (3):136–142.
    Creative accounting involves accountants in making accounting policy choices or manipulating transactions in such a way as to convey a preferred and deliberately chosen impression in the accounts. Although it is regarded as unethical by most observers, a defense of creative accounting can be based on the assumption that users of accounts can identify bias in accounting policy choices and make appropriate adjustments. In this paper we take the example of the Barcelona Football Club where the club management made three (...)
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  9.  15
    The ethics of creative accounting some Spanish evidence.John Blake, Robert Bond, Oriol Amat & Ester Oliveras - 2000 - Business Ethics: A European Review 9 (3):136-142.
    Creative accounting involves accountants in making accounting policy choices or manipulating transactions in such a way as to convey a preferred and deliberately chosen impression in the accounts. Although it is regarded as unethical by most observers, a defense of creative accounting can be based on the assumption that users of accounts can identify bias in accounting policy choices and make appropriate adjustments. In this paper we take the example of the Barcelona Football Club where the club management made three (...)
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  10.  47
    Creative Imagination and Moral Identity.Trevor A. Hart - 2003 - Studies in Christian Ethics 16 (1):1-13.
    This paper considers the claim that imagination is implicated in our most apparently straightforward human transactions with the world, that our 'knowing' of the world (both in experience and our subsequent symbolic ordering of it) is in some sense imaginatively constructed from the outset. Second, drawing in particular on the work of Mark Johnson, it explores the senses in which such imaginative transactions are both experience constituted and experience constitutive (that, in Ricoeur's words, imagination 'invents in both senses of the (...)
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  11.  13
    Creativity Between Experience and Cosmos: C.S. Peirce and A.N. Whitehead on Novelty by Maria Regina Brioschi.Fernando Zalamea - 2021 - Transactions of the Charles S. Peirce Society 56 (4):631-634.
    Many natural connections between Peirce and Whitehead have been appearing since Peirce’s manuscripts began to be published in Harvard’s Collected Papers edition. The resemblances are profound, based on speculative philosophies founded on interactions between science and philosophy, in turn erected over a wide understanding of mathematical thought. Some doctoral dissertations have explored the field, but a full monograph was still needed in order to clarify the panorama. Maria Regina Brioschi’s Creativity Between Experience and Cosmos. C.S. Peirce and A.N. Whitehead (...)
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  12.  12
    Creativity in American Philosophy.Charles Hartshorne - 1984 - State University of New York Press.
    "This is the second of two volumes dealing with the history of philosophy, especially of metaphysics.
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  13.  50
    On the Creative Logic of Education, or: Re‐reading Dewey through the lens of complexity science.Inna Semetsky - 2008 - Educational Philosophy and Theory 40 (1):83-95.
    This paper rereads John Dewey's works in the light of complexity theory and self‐organising systems. Dewey's pragmatic inquiry is posited as inspirational for developing a logic of education and learning that would incorporate novelty and creativity, these artistic elements being part and parcel of the science of complexity. Dewey's philosophical concepts are explored against the background of such founders of dynamical systems theory as Ludwig von Bertalanffy, Ervin Laszlo, and Erich Jantsch. If, in this process, Dewey's thought appears to (...)
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  14. Creativity in American Philosophy.Charles Hartshorne - 1984 - Transactions of the Charles S. Peirce Society 21 (3):435-442.
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  15.  98
    The Creativity of Action and the Intersubjectivity of Reason: Mead's Pragmatism and Social Theory.Hans Joas - 1990 - Transactions of the Charles S. Peirce Society 26 (2):165 - 194.
  16.  66
    Charles Hartshorne, Creative Experiencing: A Philosophy of Freedom Donald Viney and Jincheol O.Daniel Dombrowski - 2012 - Transactions of the Charles S. Peirce Society 48 (3):394-396.
    This work contains thirteen essays that constitute Hartshorne's final contributions to "technical philosophy." Although they deal with a wide range of topics, they hang together in terms of the common themes of creativity and freedom. I will discuss these essays in terms of three groups.First, it should be noted that five of the essays have never before been published; hence they are welcome additions to philosophical literature in process thought. One example is "My Eclectic Approach to Phenomenology." Here Hartshorne (...)
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  17.  45
    Complexity, evolution, and creativity in new management theories or, in other words, what is the connection between an immune system network and a corporation?Telmo Pievani & Giuseppe Varchetta - 2005 - World Futures 61 (5):370 – 377.
    Many studies about organizational experiences and theories converge today in the idea that the economic factor, most competitive now in the production of value, is the de-materialization of the economical and organizational processes. Immaterial factors (like knowledge, services, information, relationships, virtual transactions, etc.) are the competitive and crucial innovations for future competition and, at the same time, the most important criteria to rethinking and understanding the future organization. If this is true, we can realize that every person in organizations, every (...)
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  18.  98
    Communication and Creative Democracy: Interdisciplinary Perspectives Omar Swartz, ed.Frank X. Ryan - 2012 - Transactions of the Charles S. Peirce Society 48 (4):571-573.
    In the 1980s and 1990s, the Keynesian model of government regulation and social entitlement was widely overrun by a resurgence of marketplace economics. Far from fulfilling its promise of unbridled personal freedom and global prosperity, however, the ensuing decade of economic crisis and ongoing disenfranchisement has led many to rethink fundamental beliefs about social justice and the distribution of wealth. Not surprisingly, John Dewey’s call for a “Great Community” figures prominently in this discussion. In 2009, Omar Swartz, Katia Campbell and (...)
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  19.  9
    Whitehead's Metaphysics of Creativity.Friedrich Rapp & Reiner Wiehl (eds.) - 1990 - State University of New York Press.
    Paper edition (unseen), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR.
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  20. Whitehead's Metaphysics of Creativity.Friedrich Rapp & Reiner Wiehl - 1991 - Transactions of the Charles S. Peirce Society 27 (1):121-130.
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  21.  58
    Chance and creativity: The nature of contingency in classical american philosophy.John Kaag - 2008 - Transactions of the Charles S. Peirce Society 44 (3):pp. 393-411.
    This paper briefly examines the relationship between chance, creativity and ethics in Peirce's development of tychism. In the early 1900s Peirce began to suggest that chance ought to be understood as a type of agency or as "psychical action" upon matter. I discuss the ethical implicaof this suggestion. Peirce remained reticent to translate the speculations concerning chance and purpose into the language of applied ethics. It is for this reason that I look to Ella Lyman Cabot to extend Peirce's (...)
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  22.  31
    Entrepreneurial "mining" of the dying: Viatical transactions, tax strategies and mind games. [REVIEW]John Trinkaus & Joseph A. Giacalone - 2002 - Journal of Business Ethics 36 (1-2):187 - 194.
    Conceptually, entrepreneurship is seen as the engine that drives a robust economy, promotes a favorable quality of life, and assures the availability of the attributes needed for meaningful living. However, like many popular concepts in this world, its limitations are normally not well acknowledged. A grouping of entrepreneurial ventures which has recently come into existence deals with the personal fiscal issues associated with the end-of-life phase of the human cycle. While generally praised as humanitarian services for society, that are assuredly (...)
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  23.  39
    Time and the Creative Act.Aaron Stoller - 2016 - Transactions of the Charles S. Peirce Society 52 (1):47.
    When philosophers consider art, they typically do so from the standpoint of an outside observer, yielding a description of the phenomenon as though it was in actuality a mode of philosophy. Here the work appears to have been constructed as part of a purely rational process, or at least dominated by logic and cognitive intention at all meaningful points along the way. In the final account the anoetic is eclipsed by the noetic, which is taken as its most important and (...)
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  24.  3
    Customer Engagement Around Cultural and Creative Products: The Role of Social Identity.Zaiyu Zhang & Wenjia Li - 2022 - Frontiers in Psychology 13.
    Along with the increasing trend of transactions occurring on social media, the consumption of Chinese cultural and creative products has increased even against the background of the COVID-19 pandemic. In this context, this article aims to analyze the relationships between virtual community-based social identity and cultural and creative product customer engagement behaviors. To this end, social identity theory and CE behavior theory were applied to previous research model. Structural equation modeling was conducted using data from 520 self-administered questionnaires from online (...)
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  25.  5
    Research on the Structural Relationship of Online Persistent Purchase of Museum Cultural and Creative Products in the Context of Digitalization.Mengyi Lin, Zhaoyang Meng & Caisheng Luo - 2022 - Frontiers in Psychology 13.
    With the development and support of modern technologies such as digital media and online live stream, it has become an effective way to promote the online transaction of museum cultural and creative products. Based on the Technology Acceptance Model combined with the Post-Acceptance Model of Information System Continuance and the theories on customer satisfaction index, this research introduces perceived interest and media richness as variables and constructs a model of the influencing factors of online consumers’ persistent purchase of museum products. (...)
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  26. Charles Hartshorne, "Creativity in American Philosophy". [REVIEW]Marjorie C. Miller - 1985 - Transactions of the Charles S. Peirce Society 21 (3):435.
     
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  27. Douglas R. Anderson, "Creativity and the Philosophy of C. S. Peirce". [REVIEW]Joseph L. Esposito - 1990 - Transactions of the Charles S. Peirce Society 26 (1):153.
     
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  28.  36
    In What Way Is Abductive Inference Creative?Tomis Kapitan - 1990 - Transactions of the Charles S. Peirce Society 26 (4):499 - 512.
  29. Front Matter Front Matter (pp. i-iii).Creative Grammar, Art Education Creative Grammar & Art Education - 2011 - Journal of Aesthetic Education 45 (3).
     
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  30.  30
    Why Hanker after Logic? Mathematical Imagination, Creativity and Perception in Peirce's Systematic Philosophy.Kathleen Hull - 1994 - Transactions of the Charles S. Peirce Society 30 (2):271 - 295.
  31.  5
    Jacquelyn Ann K. Kegley.Living Creatively - 2006 - In James Campbell & Richard E. Hart (eds.), Experience as philosophy: on the work of John J. McDermott. New York: Fordham University Press. pp. 19--58.
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  32. Marie-laure Ryan.Creative Analogies - 1998 - Semiotica 118 (1/2):147-164.
     
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  33.  14
    The Abductive Structure of Scientific Creativity: An Essay on the Ecology of Cognition by Lorenzo Magnani.Woosuk Park - 2021 - Transactions of the Charles S. Peirce Society 56 (3):456-465.
    Historians of philosophy will spill huge amounts of ink scrutinizing the reason why abduction was highlighted so much in the first two decades of the 21st century. Not to mention the numerous scholarly articles on abduction published in logic, cognitive science, artificial intelligence, semiotics, and philosophy of science, several monographs on abduction appeared during this period: Magnani, Walton, Gabbay and Woods, Aliseda, to name a few. It looks as if they were responding to Hintikka’s influential paper “What Is Abduction? The (...)
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  34.  59
    REVIEW: B rian G. H enning. THE ETHICS OF CREATIVITY: BEAUTY, MORALITY AND NATURE IN A PROCESSIVE COSMOS. University of Pittsburgh Press, 2005. [REVIEW]John W. Lango - 2006 - Transactions of the Charles S. Peirce Society 42 (3):450-454.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Creativity: Beauty, Morality and Nature in a Processive CosmosJohn W. LangoBrian G. Henning The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos University of Pittsburgh Press, 2005. 250 + xii pp.The aim of this interesting but flawed book by Brian Henning may be related through some remarks about the terms in its title.1 The term "creativity" stems from the (...)
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  35.  38
    Review: Brian G. Henning. The ethics of creativity: Beauty, morality and nature in a processive cosmos. University of pittsburgh press, 2005. [REVIEW]John W. Lango - 2006 - Transactions of the Charles S. Peirce Society 42 (3):450-454.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Creativity: Beauty, Morality and Nature in a Processive CosmosJohn W. LangoBrian G. Henning The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos University of Pittsburgh Press, 2005. 250 + xii pp.The aim of this interesting but flawed book by Brian Henning may be related through some remarks about the terms in its title.1 The term "creativity" stems from the (...)
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  36. Conflict and Change.Creative Insecurity & A. Style Of Being-Becoming - forthcoming - Humanitas.
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  37. Alfonso Montuori.Creativity Knowledge - 1993 - World Futures 36:181.
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  38. Friedrich Rapp and Reiner Wiehl , "Whitehead's Metaphysics of Creativity". [REVIEW]Herbert J. Nelson - 1991 - Transactions of the Charles S. Peirce Society 27 (1):119.
     
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  39.  16
    ABE, STANLEY K. Ordinary Images. University of Chicago Press. 2002. pp. 408. 230 halftones, 5 maps, 20 line drawings.£ 45.50. ALEXANDER, VICTORIA D. Sociology of the Arts: Exploring Fine and Popular Forms. Blackwell. [REVIEW]Creative Dream - 2003 - British Journal of Aesthetics 43 (3).
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  40. Dr. Pierre Laviolette 12/05/2011 0 Comments.Nanette Norris & Creative Work - forthcoming - Veritas – Revista de Filosofia da Pucrs.
     
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  41. Frozen rats, mice, chicks & guinea pigs-from $25.00 per 100. Live crickets $18.00 per thousand. Mc, visa, amx & disc. Fob: Perfect pets, inc., 23180 Sherwood, belleville, mi 48111: Phone (734) 461-1362, fax (734). [REVIEW]Carolina Mouse Farm, Creative Aquatic, Custom Cages, Dunthorpe Press, Freedom Breeder, Glades Herp, Kevin Bryant Reptile, Feeder Rodents, Maryland Reptile Farm & Pro Exotics - 1997 - Vivarium 9:64.
     
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  42. EVANS, GR, Philosophy and Theology in the Middle Ages, London, Roulledge, 1993,£ 8.99 pb. FLANAGAN, OWEN, Consciousness.Barry Loewer, Georges Rey, Don Macniven & Creative Morality - 1994 - Cogito 8:101.
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  43.  25
    Enactive individuation: technics, temporality and affect in digital design and fabrication.Kåre Stokholm Poulsgaard - 2019 - Phenomenology and the Cognitive Sciences 18 (1):281-298.
    The nature of creative engagement with computers and software presents a number of challenges to 4E cognition and requires the development of analytical frameworks that can encompass cognitive processes as they extend across material and informational realms. Here I argue that an enactive view of mind allows for better understanding of digital practice by advancing a dynamic, transactional, and affective framework for the analysis of computational design. This enactive framework is in part developed through the Material Engagement Theory put (...)
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  44.  10
    The Role of Art Practice in Elementary School Science.Cecilia Caiman & Britt Jakobson - 2019 - Science & Education 28 (1-2):153-175.
    The aim of this study was to examine the role of aesthetic practice in elementary school and the consequences for children’s meaning-making in science. More specifically, we intended to scrutinise what science learning emerges within the process, to target the consequences of adopting art practice in science class and to explore these two dimensions as a whole in order to better understand how children make meaning when exploring animals’ ecology. The data, comprising audio recordings, photographs of children’s drawings and field (...)
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  45.  42
    Discovering Psychological Principles by Mining Naturally Occurring Data Sets.Robert L. Goldstone & Gary Lupyan - 2016 - Topics in Cognitive Science 8 (3):548-568.
    The very expertise with which psychologists wield their tools for achieving laboratory control may have had the unwelcome effect of blinding psychologists to the possibilities of discovering principles of behavior without conducting experiments. When creatively interrogated, a diverse range of large, real-world data sets provides powerful diagnostic tools for revealing principles of human judgment, perception, categorization, decision-making, language use, inference, problem solving, and representation. Examples of these data sets include patterns of website links, dictionaries, logs of group interactions, collections of (...)
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  46.  12
    Academic Discipline Integration by Contract Cheating Services and Essay Mills.Thomas Lancaster - 2020 - Journal of Academic Ethics 18 (2):115-127.
    Contract cheating services are marketing to students at discipline level, using increasingly sophisticated techniques. The discipline level reach of these services has not been widely considered in the academic integrity literature. Much of the academic understanding of contract cheating is not discipline specific, but the necessary solutions to this problem may need to vary by discipline. This paper reviews current knowledge about contract cheating services at the discipline level, including summarising four studies that rank the relative volume of contract cheating (...)
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  47. The roots of remembering: Radically enactive recollecting.Daniel D. Hutto & Anco Peeters - 2018 - In Kourken Michaelian, Dorothea Debus & Denis Perrin (eds.), New Directions in the Philosophy of Memory. New York: Routledge. pp. 97-118.
    This chapter proposes a radically enactive account of remembering that casts it as creative, dynamic, and wide-reaching. It paints a picture of remembering that no longer conceives of it as involving passive recollections – always occurring wholly and solely inside heads. Integrating empirical findings from various sources, the chapter puts pressure on familiar cognitivist visions of remembering. Pivotally, it is argued, that we achieve a stronger and more elegant account of remembering by abandoning the widely held assumption that it is (...)
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  48.  12
    Frédéric Bastiat: The Economics and Philosophy of Freedom.Norman Barry - 2001 - Journal des Economistes Et des Etudes Humaines 11 (2).
    Bastiat belonged to the optimist French tradition of liberal economic thought. Following Jean-Baptiste Say, he argued that the market was immensely creative in the discovery of new opportunities for improving human well-being and creating social harmony. He also recognized the importance of the entrepreneur, who earned a profit in contrast to the capitalist who simply earned a return for his investment. Although he was no great theorist, Bastiat demonstrated with relentless informal logic the social value of freedom. This is best (...)
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  49.  23
    創造的問題解決における多様性と評価 洞察研究からの知見.鈴木 宏昭 - 2004 - Transactions of the Japanese Society for Artificial Intelligence 19:145-153.
    The dynamic constraint relaxation theory predicts crucial roles of the initial diversity and evaluation in creative problem-solving. We reported the experimental evidence supporting these predictions, using an insight problem. The experiments showed that the degrees of making different types of trials and the appropriate evaluation were closely related to individual differences in insight problem-solving, and that evaluation became more appropriate by making the problem-solving goal explicit. The review of the research in related fields showed that these experimental findings were in (...)
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  50.  23
    Radical Democracy: John Dewey and Angela Y. Davis on Pluralism and Prisons.Amanda Dubrule - 2024 - The Pluralist 19 (1):40-49.
    In lieu of an abstract, here is a brief excerpt of the content:Radical Democracy:John Dewey and Angela Y. Davis on Pluralism and PrisonsAmanda Dubrulein 2013, the multiculturalism act marked its 25th anniversary; at the same time, the Office of the Correctional Investigator (OCI) was celebrating its 40th anniversary (Elizabeth qtd. in Eng 2–3) The OCI was created in response to the prison riot in Kingston Penitentiary that occurred in 1971. Yet, 40 years after, prisons in Canada still face "overcrowding, the (...)
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