In Bamboozled (2000), Spike Lee’s satire about a modern TV minstrel show, an auditioning actor named Honeycutt tells the show’s writer, Pierre Delacroix, “I even do Shakespeare shit. . . . To be or not to be, you know? That’s the motherfuckin’ question. . . . There’s a scene where this brother was—Laertes was asking the king, that he wanted to go to Paris and shit. The king asked his daddy, and his daddy say, ‘He hath, my (...) lord, wrung from me by laboursome petition. . . .’” Impatiently, Delacroix interrupts: “Was there any more to it, or was that pretty much . . . ?” Delacroix’s interruption of Honeycutt’s Polonius ironically echoes Polonius’s interruption of the speech of the First Player: “This is too .. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Erictho and Demogorgon: Poetry against Metaphysics DAVID QUINT Epic without the gods? The Roman poet Lucan (39–65 ce) created a secular counter-epic inside classical epic, removing the genre’s usual pantheon of Olympian deities and replacing them with Fortune. His Bellum civile (titled De bello civili in manuscripts, alternately titled Pharsalia) a poem about the conflict between Julius Caesar and Pompey, thereby delegitimizes the emperors who succeeded the dying Roman (...) republic, including Nero, the reigning emperor of Lucan’s day.1 They are not part of a divine plan: no such plan has ever existed. In an epic where the gods are silent or refuse to speak, Pompey’s son, Sextus, anxious to know the future, has to seek other means. In Book 6, he consults the Thessalian witch Erictho about the outcome of the approaching battle in Pharsalia. She reanimates the corpse of a dead soldier on Pompey’s republican side and makes it talk (BC 6.419–830).2 Lucan’s scene of necromancy gave birth to a major antimetaphysical strain in the European literary tradition. Among others, Dante, Cervantes, Marlowe, Spenser, Goethe, and Shelley confronted this episode of the Pharsalia and pondered its implications. Erictho’s magic is a figure for poetic making itself. It turns the supernatural into theater— the divine machinery of epic exposed as a deus ex machina— and these authors’ responses to Erictho will shift from epic into dramatic forms. In place of the gods, in place of the epic visit to the underworld, particularly in place of and in response to Aeneas’s trip to the realm of the dead arion 28.2 fall 2020 2 erictho and demogorgon in the corresponding Book 6 of the Aeneid, Lucan presents Erictho’s macabre performance: human witchcraft and intimations of an alternate, eerie numen residing in the earth, a force of nature. Subsequent readers would give this latter power a name: Demogorgon.3 Lucan links republicanism and freedom to a kind of atheism and to historical contingency. He unmasks and strips the props of religion from Caesarism and monarchy. (In vain for the poet: Lucan was forced to commit suicide in 65 ce, after he was implicated in the failed Pisonian conspiracy against Nero.) Lucan desacralizes poetry itself, which here confesses its limits, which are the limits of human mortality, even as Erictho seems, however briefly, to overcome them. No, poetry cannot literally raise the dead: it is a magic trick that makes the words on the page form into images, take life, and speak to us. Lucan answers the criticisms the philosopher and theologian make to poetry by openly acknowledging the false bottom of the hat from which poetry pulls its rabbits. It has no access to a real bottom, an underworld beyond death; it is all representation.4 The philosopher and the theologian may be poets no less than he is, but they do not want to know it, too busy, perhaps, in supporting tyranny over human minds and bodies. Plato and Augustine are two such critics on either historical side of Lucan, and they help us to understand the stakes of the Roman poet’s project. Both were dissatisfied with literature and they wanted to be something more than the great rhetoricians that they were. In the Symposium, Plato demystifies the archetypal myth of poetry, the singing of Orpheus that sought to bring Eurydice back from death: the gods sent Orpheus away from Hades empty-handed and showed him the mere shadow [eidolon] of the woman he had come to seek: Eurydice herself they would not let him take, because he seemed, like the mere minstrel that he was, to be a lukewarm lover, lacking the courage to die as Alcestis died for love, and choosing rather to scheme his way, living, into Hades. And it was for this that the gods doomed him, and doomed him justly, David Quint 3 to meet his death at the hands of women. (179d)5 Behind the words of his shallowly sentimental speaker Phaedrus we can detect Plato’s familiar hostility to poetry, his objection in Book 10 of the Republic that the poet merely imitates the appearances of things and is... (shrink)

In the beginning was an aborted word. The first example of a woman’s literary criticism in Western tradition, or more accurately the first miscarriage of a woman’s criticism, occurs early in the Odyssey. High in her room above the hall of suitors, Penelope can hear a famous minstrel sing that most painful of stories, the Greek homecoming from Troy—significantly, the matter of the Odyssey itself. That is no song for a woman. She comes down the stairs to protest. “Phêmios, (...) other spells you know, high deeds of gods and heroes, as the poets tell them; let these men hear some other, while they sit silent and drink their wine. But sing no more this bitter tale that wears my heart away. It opens in me again the wound of longing For one incomparable, ever in my mind— His fame all Hellas knows, and midland Argos.”It seems a reasonable request. But her words meet an immediate brutal rebuff from an unexpected source: her own son Telemachus. “Mother, why do you grudge our own dear minstrel Joy of song, wherever his thought may lead? Poets are not to blame, but Zeuswho gives what fate he pleases to adventurous men.Here is no reason for reproof: to singthe news of the Danaans! Men like besta song that rings like morning on the ear.But you must nerve yourself and try to listen.Odysseus was not the only one at Troynever to know the day of his homecoming.Others, how many others, lost their lives!”9Men like to hear the news; women must learn not to take songs so personally! And Penelope gives in. Marveling at the wisdom of her son, she goes back to her room and cries herself to sleep.Telemachus’ words do not seem very much to the point. Penelope had not asked Phêmios to stop singing, after all, or to sing something fit for women; she only asked him to choose some other adventure. And to reproach her for not considering that others besides Odysseus had failed to come home seems irrelevant as well as cruel. The fact that others feel pain is hardly a reason for her not to feel it. Penelope cannot bear even to name her husband, but Telemachus seems to take pleasure in saying “Odysseus.” By proclaiming his own indifference to pain, he argues just like a man. And that, of course, is the point. The scene has been contrived exactly to show his new maturity. He proves himself no longer a boy in the time-honored fashion, by rejecting any tenderness of heart and by putting down a woman. Henceforth he will be equal to the suitors. Lawrence Lipking is Chester D. Tripp Professor of Humanities at Northwestern University and director of the program in comparative literature and theory. He is the author of The Ordering of the Arts in Eighteenth-Century England and The Life of the Poet, which won the Christian Gauss Award of Phi Beta Kappa in 1982. His previous contributions to Critical Inquiry are “The Marginal Glass” and “Arguing with Shelly” . The present essay was originally given as a lecture at the School of Criticism and Theory in the summer of 1982. It is part of a book, Abandoned Women and Poetic Tradition, which is to appear in 1984. (shrink)

Using a multimethod approach, this article examines the link between class and masculinities by comparing the way two groups—professional men and working-class men —practice fatherhood. First, the authors show that these two groups practice different types of masculinity as they engage in different kinds of fatherhood. Physicians emphasize “public fatherhood,” which entails attendance at public events but little involvement in the daily care of their children. In contrast, EMTs are not only involved in their children's public events but also (...) emphasize “private fatherhood,” which entails involvement in their daily care. Second, the authors suggest that these differing types of involvement can be explained by the contrasting employment conditions of each group as well the gender order of their families, especially the divergent labor market positions of spouses and the division of parenting. The authors conclude by arguing that these working-class fathers are “undoing gender” while professional fathers reproduce the conventional gender order. (shrink)

Humans tend to seek their identity as entities existing over a period of time by making narratives. The paper argues that seeking diachronic self-identity through narratives or stories results in the self-experience being one of separation or alienation from the real world. This happens because language is primarily a form of secondary representation, and the means by which we attempt to find identity often appear in the form of narratives. The dominance of the metaphor of life as a journey shows (...) this. The remedy is to reduce the hold of narrativity by making self-experience fundamentally episodic. (shrink)

The present narrative review seeks to unravel where we are now, and where we need to go to delineate the active ingredients in psychotherapy delivered by conversational agents (e.g., chatbots). While psychotherapy delivered by conversational agents has shown promising effectiveness for depression, anxiety, and psychological distress across several randomized controlled trials, little emphasis has been placed on the therapeutic processes in these interventions. The theoretical framework of this narrative review is grounded in prominent perspectives on the active ingredients in psychotherapy. (...) Based on search terms derived from various theoretical perspectives, we conducted a systematic literature search of four scientific databases and identified 17 studies. Across the selected studies, three themes emerged: relationship variables, emotional venting, and cognitive factors. While methodological issues compromise the epistemic value of this evidence base, core questions also remain to be answered. Such questions include, but are not limited to, whether humans can form affectionate bonds to inanimate beings and whether these kind of mental health treatments should be understood as psychotherapy or something else. Researchers should therefore be cautious when applying theories of psychotherapy in the realm of conversational agents. We conclude the paper by introducing recommendations for future research, which we hope will help instigate methodologically sound studies in this field. (shrink)

Whether known as jongleur, minstrel, gestour, disour, mimus, scurra, or by some other term, the professional entertainer who sings, tells jokes and stories, and declaims the deeds of great men is a ubiquitous figure in both medieval literature and modern scholarship. A large body of literature, not only heroic narrative such as the chansons de geste and the romances, but also fabliaux, political satires, and short comic monologues, has been confidently placed in the minstrel repertoire, and terms such (...) as “minstrel tag,” “minstrel style,” and “minstrel text” are in common use. Although these attributions have met with increased suspicion in recent years, no one has fully challenged the widespread assumption that there exists somewhere a body of manuscripts that once belonged to minstrels, manuscripts that would offer codicological evidence of the practice and range of narrative minstrelsy. (shrink)

This article investigates how talk show interviews are brought to an end. The closing process of televised talk shows is analysed and compared with Clayman's characterization of news interview closings. The study concludes that closings in both genres share features relating to the structural organization and the participants' behaviour which can be accounted for in terms of the institutional context in which the speech events take place. Nevertheless, the particular closing structure of each type of institutionally situated talk, as (...) well as its content and style, is genre-specific and shaped by the specific goal pursued in each speech event and by the relationship between the parties to the encounter. Thus, unlike news interviews, the entertainment purpose of talk show interviews ultimately justifies the complexity of the closing structure, its interpersonal content and informal style. The presence of a studio audience also influences the closing format. (shrink)

The Japanese are fond of making an analogy between human life and the cherry blossom, which flowers very briefly and then withers. Xiaobo's life was like the cherry blossom: He, too, flowered for a brief moment and then abruptly passed away.

The phenomenon of the paradoxes of the largest remainders methods has been studied by numerous authors. Nevertheless, the examples presented in their studies do not deal with the case where a party’s possible additional votes can directly lead to a loss in the party’s number of representatives. This paradox, which can be called the no-show apportionment paradox, has not previously been mentioned in the literature. It is based on the assumption that a voter’s favourite party may lose a seat (...) if the voter votes honestly but get more seats if he or she abstains. The article gives simple examples illustrating the no-show paradox in a party-list proportional representation electoral system using the quota method of apportionment. In these situations it would be better for the party if some of their voters abstained, otherwise it would lose one or more seats. (shrink)

Dorit Bar-On aims to account for the distinctive security of avowals by appealing to expression. She officially commits herself only to a negative characterization of expression, contending that expressive behavior is not epistemically based in self-judgments. I argue that her account of avowals, if it relies exclusively on this negative account of expression, can't achieve the explanatory depth she claims for it. Bar-On does explore the possibility that expression is a kind of perception-enabling showing. If she endorsed this positive account, (...) her argument would re-gain an explanatory advantage over its rivals. But extending this account to linguistic expressive behavior would bring Bar-On very close to constitutive accounts of first-person authority. (shrink)

Making a show of conceding by using a three-part structure of proposition, concession and reassertion has the effect - in contrast to other ways of conceding - of strengthening one's own position at the expense of a counter-argument. This three-part structure can be also exploited so as to carry the battle to the enemy, as it were, and make the concession do more offensive work. We detail three such ways: Trojan Horses where the speaker imports a caricature of the (...) opposition into the conceded material; stings in the tail, where the speaker specifically overturns the concession they have just made in the original claim; and cheapeners, where the speaker works pragmatically to devalue even a positive endorsement of the opposition's case. In all their variety, what marks the concession as being hearably in the speaker's own interest is the robust, normative three-part proposition - concession - reprise structure. It is available for use in supporting or demeaning any position, whether mundane or explicitly ideological. (shrink)

(1984). Showing Movement in Children's Pictures: a study of the effectiveness of some non‐mimetic representations of motion. Educational Studies: Vol. 10, No. 3, pp. 255-261.

This paper substantiates a distinction, built out of Gricean resources, between two kinds of communicative act: showing and telling. Where telling that p proceeds by recruiting an addressee’s capacity to recognize trustworthy informants, showing does not. Instead, showing proceeds by presenting an addressee with a consideration that provides reason to believe that p (other than the reason provided by an informant’s credibility), and so recruits their capacity to respond to those reasons. With this account in place, the paper defends an (...) account of one way in which authors can show their readers that certain moral states of affairs obtain both inside, and outside of, their fictions. It is argued, moreover, that this kind of showing gives addressees access to more than just reasons for moral belief–it also gives them access to the sorts of reasons that enable agents to increase their moral understanding. In virtue of these latter capacities, the showing identified is a way of communicating about morality that is markedly different from the sort of moral testimony that many philosophers have been increasingly interested in of late. (shrink)

Pedagogy is a pillar of human culture and society. Telling each other information and showing each other how to do things comes naturally to us. A strong case has been made that declarative knowledge is the norm of assertion, which is our primary way of telling others information. This article presents an analogous case for the hypothesis that procedural knowledge is the norm of instructional demonstration, which is a primary way of showing others how to do things. Knowledge is the (...) norm of telling and showing. It is the prime pedagogical principle. (shrink)

Many philosophers subscribe to the view that philosophy is a priori and in the business of discovering necessary truths from the armchair. This paper sets out to empirically test this picture. If this were the case, we would expect to see this reflected in philosophical practice. In particular, we would expect philosophers to advance mostly deductive, rather than inductive, arguments. The paper shows that the percentage of philosophy articles advancing deductive arguments is higher than those advancing inductive arguments, which is (...) what we would expect from the vantage point of the armchair philosophy picture. The results also show, however, that the percentages of articles advancing deductive arguments and those advancing inductive arguments are converging over time and that the difference between inductive and deductive ratios is declining over time. This trend suggests that deductive arguments are gradually losing their status as the dominant form of argumentation in philosophy. (shrink)

In Showing Perseverance, beginning readers will learn about all the ways they can be strong in spite of difficulty. Vibrant, full-color photos and carefully leveled text engage young readers as they discover how they can build character by showing perseverance.

This paper aims to explain how the Tractatus attempts to unify logic by deriving the truth-functionality of logical necessity from the thesis that a proposition shows its sense. I first interpret the Tractarian notion of showing as the displaying of what is intrinsic to an expression (or a symbol). Then I argue that, according to the Tractatus, the thesis that a proposition shows its sense implies the determinacy of sense, the possibility of the complete elimination of non-primitive symbols, the analyticity (...) thesis and the strong analyticity thesis. The picture theory emerges as what provides the only acceptable account of an elementary proposition, subject to the constraint that a proposition must show its sense. The picture theory and the analyticity thesis then entail the contingency thesis (that an elementary proposition is contingent) and the independence thesis (that elementary propositions are mutually logically independent) which, together with the strong analyticity thesis, imply that all logical propositions are tautologies. (shrink)

This chapter contains sections titled: Philosophy of Religion Metaphysics Epistemology Ethics Philosophy of Mind Science and Language How to Use This Book.

Examines acts of showing--from dog shows to striptease--to understand and theorize instances of heightened performance in everyday life as well as on the stage.

We present here an approach to the fine structure of L based solely on elementary model theoretic ideas, and illustrate its use in a proof of Global Square in L. We thereby avoid the Lévy hierarchy of formulas and the subtleties of master codes and projecta, introduced by Jensen [3] in the original form of the theory. Our theory could appropriately be called ”Hyperfine Structure Theory”, as we make use of a hierarchy of structures and hull operations which refines the (...) traditional Lα -or Jα-sequences with their Σn-hull operations.§1. Introduction. In 1938, K. Gödel defined the model L of set theory to show the relative consistency of Cantor's Continuum Hypothesis. L is defined as a unionof initial segments which satisfy: L0 = ∅, Lλ = ∪α<λLα for limit ordinals λ, and, crucially, Lα + 1 = the collection of 1st order definable subsets of Lα. Since every transitive model of set theory must be closed under 1st order definability, L turns out to be the smallest inner model of set theory. Thus it occupies the central place in the set theoretic spectrum of models.The proof of the continuum hypothesis in L is based on the very uniform hierarchical definition of the L-hierarchy. The Condensation Lemma states that if π : M → Lα is an elementary embedding, M transitive, then some ; the lemma can be proved by induction on α. If a real, i.e., a subset of ω, is definable over some Lα,then by a Löwenheim-Skolem argument it is definable over some countable M as above, and hence over some, < ω1. This allows one to list the reals in L in length ω1 and therefore proves the Continuum Hypothesis in L. (shrink)

Recently, Irad Kimhi has argued that negation and falsehood can be made intelligible by understanding assertions/judgements as acts of two-way logical capacities. These are capacities that are, at the same time, for (1) positive and negative assertions/judgements and (2) positive and negative facts. Kimhi’s account of negation and falsehood, however, faces severe problems. I argue that these problems can be resolved, and that a new understanding of cases of negation and falsehood can be achieved, by regarding two-way logical capacities for (...) assertion/judgement and facts as established and undergirded by what Ludwig Wittgenstein calls “samples”. The standard metre sample, for instance, establishes and undergirds the capacity for asserting that something, x, is one metre long (meaning: x is like the standard metre in length). At the same time, it establishes and undergirds the capacity for the fact that x is one metre long (when x is like the standard metre in length). As I explain, invoking samples means we cannot say, as Kimhi wants to, what assertion/judgement, negation, and facts, in general, are but can only show what they are, one case at a time. This, however, is a boon not a disadvantage. (shrink)

The increasing integration of artificial intelligence (AI) in healthcare presents a host of ethical, legal, social, and political challenges involving various stakeholders. These challenges prompt various studies proposing frameworks and guidelines to tackle these issues, emphasizing distinct phases of AI development, deployment, and oversight. As a result, the notion of responsible AI has become widespread, incorporating ethical principles such as transparency, fairness, responsibility, and privacy. This paper explores the existing literature on AI use in healthcare to examine how it addresses, (...) defines, and discusses the concept of responsibility. We conducted a scoping review of literature related to AI responsibility in healthcare, searching databases and reference lists between January 2017 and January 2022 for terms related to “responsibility” and “AI in healthcare”, and their derivatives. Following screening, 136 articles were included. Data were grouped into four thematic categories: (1) the variety of terminology used to describe and address responsibility; (2) principles and concepts associated with responsibility; (3) stakeholders’ responsibilities in AI clinical development, use, and deployment; and (4) recommendations for addressing responsibility concerns. The results show the lack of a clear definition of AI responsibility in healthcare and highlight the importance of ensuring responsible development and implementation of AI in healthcare. Further research is necessary to clarify this notion to contribute to developing frameworks regarding the type of responsibility (ethical/moral/professional, legal, and causal) of various stakeholders involved in the AI lifecycle. (shrink)

This paper looks at the impact of the Business & Society Course on student's attitude towards and awareness of both ethical and illegal behavior. Business students were surveyed on the first and last day of the semesters on 11 ethical and legal scenarios. The population included three sections of the Business and Society course and three sections of other business courses as a control group. Though generalizability is limited, the courses show some potential to positively impact student's attitudes.Currently, ethics (...) is of great concern at business schools in this country. Accreditation standards of both the AACSB and ACBSP both require an ethical component to a business curriculum as a condition of accreditation. A majority of business schools at both the undergraduate and graduate level have required or at least elective courses in ethics. (shrink)

In Phenomenology of Perception Merleau-Ponty tells us of how the phenomenon unfolds and its unfolding is never complete: there is no total view of being to be had. Being as phenomenon is, because of this, non-objective: it is disclosed, as Heidegger would put it, in proportion to its being concealed. Both Heidegger and Merleau-Ponty suggest, in their different ways, that this obscure counterpart to the disclosed world, forgotten in objective thought and instrumental rationality, is nonetheless shown, made visible, in art. (...) That is to say, paraphrasing Heidegger, that art shows the concealed as concealed. Conceptual art and its 'dematerialisation of the art object' that the art critic Lucy Lippard described during its early days, have not been readily associated with phenomenology, in part because conceptual art practices tended to be, as Lippard noted, 'non-visual'. Nonetheless, if one overlooks the apparent visual bias of Merleau-Ponty's treatment of art, then it becomes clear, as this paper set out to show, that Conceptual art's 'immaterial' or non-objective ontology is peculiarly congruent with the late Merleau-Ponty's account of the intertwining of the visible and the invisible. In particular this paper argued that the relevance to ecophenomonology of conceptual practices such as Richard Long's that consist in walking as medium and method, is not primarily in their thematising of nature or the body, but rather in their own ontological structure as open-ended and non-objective projects as opposed to their being directly perceptible objects. (shrink)

Theorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: like ordinary literal speech, they also serve to undertake claims and other speech acts with propositional content. On the other hand, contextualists are wrong to assimilate metaphor to literal loose talk: metaphors depend on using one thing as a perspective for (...) thinking about something else. I bring out the distinctive way that metaphor works by contrasting it with two other poetic uses of language, juxtapositions and “telling details,” that do fit the accounts of metaphor offered by non-cognitivists and contextualists, respectively. (shrink)

This work explores the later Wittgenstein’s philosophy of mathematics in relation to Lakatos’ philosophy of mathematics and the philosophy of mathematical practice. I argue that, while the philosophy of mathematical practice typically identifies Lakatos as its earliest of predecessors, the later Wittgenstein already developed key ideas for this community a few decades before. However, for a variety of reasons, most of this work on philosophy of mathematics has gone relatively unnoticed. Some of these ideas and their significance as precursors for (...) the philosophy of mathematical practice will be presented here, including a brief reconstruction of Lakatos’ considerations on Euler’s conjecture for polyhedra from the lens of late Wittgensteinian philosophy. Overall, this article aims to challenge the received view of the history of the philosophy of mathematical practice and inspire further work in this community drawing from Wittgenstein’s late philosophy. (shrink)

There is a relation between the way we analyse arguments and the consideration we give to the role of showing in argumentation. the concept of showing covers different ideas. Different kinds of showing are present in argumentative practice. This can be exemplified by reference to sensory evidence, logical inference, and analogical arguments. If showing plays an essential role in the argumentative use of language, and analysis which completely replaces that which is shown by that which is said, distorts what it (...) is trying to understand. Analysing argument is interpreting and continuing argumentative practice; it does not operate on a separate level. (shrink)

Abstract“Show, don't tell” is a maxim basic to literary craft. It enjoins avoidance of abstract, cliché‐ridden summaries and use of rich, vividly rendered details. Anyone who has attended an introductory creative writing course will have encountered it. Practised literary writers know it is true. Why is showing so fundamental to good literature? Why is it more effective than telling? Showing constellates details, placing facets of a larger shape before the reader's mind, a shape that cannot be adequately encompassed by (...) a summary, whose power lies in the simultaneous integration of multiple, superficially discontinuous aspects. This sounds like the eureka effect, the “Aha!” of sudden discovery in mathematics and the sciences. I argue that grasping what is being shown in a literary context is indeed related to insight in theoretical fields. Telling the reader “what happened” makes the mind's eye glaze over in just the way that it glazes over when it is forced to memorize formulae that it does not understand. Showing is like offering an elegant proof; the mind reaches to understand what is going on. When it succeeds, it feels the satisfaction of having grasped meaning. (shrink)

This essay interrogates the motives of eighteenth-century European naturalists to alternately show and hide their laboring-class fossil suppliers. Focusing on rare moments of heightened visibility, I ask why gentlemen naturalists occasionally, deliberately, and even performatively made visible the marginalized science workers on whom they crucially depended but more typically ignored or effaced. Comparing archival fragments from elite works of natural history across a considerable stretch of time and space, including Italy, France, Switzerland, Britain, Ireland, Germany, Spain, and French, Spanish, (...) and British America, this essay sketches the contours of a disparate group of people I term ‘earth workers’: laborers of very low social rank, such as quarrymen, shepherds, ditch-diggers, and fieldworkers, whose daily labor in and on the earth enabled the discovery of subterranean specimens. At the same time, archival traces of laboring lives ultimately reveal more about the naturalists who created them than they do about the marginalized laborers whose lives they faintly record. Cultural norms of elite masculinity and scholarly self-presentation in the Republic of Letters help us to understand why some eighteenth-century naturalists felt they had to publicly disavow a form of labor that would come to be recognized as a crucial and skilled part of scientific fieldwork in the modern era. Compared to other kinds of invisible labor that historians of science have brought into view, the social meaning of earth work rendered it uniquely visible in some ways and uniquely invisible in others. (shrink)

If you're not sure what to make of all the claims and counterclaims, this new book will help cut through the conflicting reports and contradictory findings. We are bombarded daily with media reports of startling new findings from "just released" studies often in major, authoritative publications on consumer products, medications, foods, alcohol, safety devices, social behavior, public policy, and much more. The decisions of millions of consumers, professionals, and government agencies can be influenced by just one study. Light, humorous, and (...) entertaining, Studies Show reviews sample studies to expose their traps and pitfalls. In plain English, statistics analyst John H. Fennick discusses the methods of good and bad studies to explain how scientific results can differ sometimes radically. Fennick shows that when armed with common sense and critical intelligence, we can understand almost any study. (shrink)

Certain representations are bound in special ways to our sensory capacities; consider, for instance, pictures, sound recordings, and the various forms of mental sensory imagery. What do these representations have in common, and what makes them different from representations of other kinds? Dominic Gregory employs novel ideas on perceptual states and sensory perspectives to explain the special nature of the contents of distinctively sensory representations. The book contains extensive discussions of e.g. perceptual imagination, pictorial representation, and memories.

The very clever studies reviewed by Smith et al. convincingly demonstrate metacognitive skills in animals. However, interpreting the findings on metacognitive monitoring as showing conscious cognitive processes in animals is not warranted, because some metacognitive monitoring observed in humans appear to be automatic rather than controlled.

ABSTRACTIn a recent paper published in this journal, Eric Funkhouser argues that some of our beliefs have the primary function of signaling to others, rather than allowing us to navigate the world. Funkhouser’s case is persuasive. However, his account of beliefs as signals is underinclusive, omitting both beliefs that are signals to the self and less than full-fledged beliefs as signals. The latter set of beliefs, moreover, has a better claim to being considered as constituting a psychological kind in its (...) own right than the set of beliefs Funkhouser identifies. (shrink)