Ayn Rand's 1943 masterpiece, The Fountainhead is the story of Howard Roark, an architect of enormous talent who turns down one lucrative commission after another because they would force him to modify his designs and compromise his integrity, but in spite of his refusals, or perhaps because of them, he goes on to triumph over many obstacles and establish himself as a master. Douglas Den Uyl's new study, The Fountainhead: An American Novel, is the first volume to exclusively (...) explore Rand's most famous novel and also delve into her theory of individualism, called "objectivism." This theory eschews all government intervention into both the lives of individuals and the workings of a capitalist economy and has inspired a popular philosophical following for Rand over the years. (shrink)

Robert Mayhew has edited a series of books featuring essays examining the novels of Ayn Rand. This book is the third in the series, and it is a highly recommended collection. Among the best essays are those written by Shoshana Milgram, Jeff Britting, Tore Boeckmann, and Mayhew. The book does, however, suffer from a few scholarly lapses.

In lieu of an abstract, here is a brief excerpt of the content:Thus Spake Howard Roark:Nietzschean Ideas in The FountainheadLester H. HuntIThe position I will be taking here will seem very peculiar to many people. I will be treating a novel as a discussion of the work of a philosopher—namely, Friedrich Nietzsche. Worse yet, I will be treating it as a discussion that is philosophically penetrating and deserves to be taken seriously. Still worse, the novel is Ayn Rand's early novel (...) The Fountainhead. I think it is safe to say that her reputation, among academics who discuss the works of philosophers, is very low. If the reader will only bear with me, though, I think I can make a case that Rand opens a line of inquiry about Nietzsche's ideas and values that is not only quite interesting in itself but one that ought to be pursued further by others.There has always been ample reason to associate Nietzsche with The Fountainhead.1 He is after all, the only philosopher who is more or less directly quoted in the book.2 Beyond that, Rand's novel has many other passages that students of Nietzsche instantly recognize as conscious references to him or deliberate echoes of his style. In addition, she revealed, in an introduction written for the twenty-fifth anniversary edition, that the following quotation from Beyond Good and Evil had originally stood at the head of the book when it was still in manuscript:It is not the works, but the belief which is here decisive and determines the order of rank to—employ once more an old religious formula with a new and deeper meaning—it is some fundamental certainty which a noble soul has about itself, something which is not to be sought, is not [End Page 79] to be found, and perhaps, also, is not to be lost—The noble soul has reverence for itself.—3She said, in the same introduction, that she removed the quotation (evidently, immediately before publication) for philosophical reasons, because of her "profound disagreement with the philosophy of its author." Nietzsche, she says, was fundamentally "a mystic and irrationalist," and even in this quotation, chosen for its content, insinuates a philosophical position that she regards as erroneous (namely, determinism). Even her statement of what she likes about this passage is rather constrained: "as a poet [ie., not as a philosopher], he projects at times (not consistently) a magnificent feeling for man's greatness, expressed in emotional, not intellectual terms."4It is of course true enough that Rand does disagree with Nietzsche, and for more or less the reasons that she suggests here, but it is also true that the passage she has quoted expresses some ethical themes—nobility, order of rank, the "pathos of distance," and (most obviously) the idea of self-reverence as a characteristic of the ethically good—which are at least as important in The Fountainhead as they are in Nietzsche's writings. Though Rand's spirited disclaimer serves to remind us of her deep differences with Nietzsche, the quotation itself suggests that there might be an interesting philosophical, not merely literary or emotional, connection between The Fountainhead and Nietzsche's ideas. What I would like to show here is that this connection merits a much closer look than it has ever been given heretofore. Not only is the presence of Nietzschean themes in Rand's novel deep and pervasive, but the book actually contains a very interesting and powerful internal critique of one of Nietzsche's most characteristic ideas, a criticism based in large part on values and assumptions that he shares. Before I can set out this critique, I will need to explore some of the positive thematic and philosophical connections.IIOne evening, rather late in the novel, Gail Wynand, the corrupt newspaper publisher and financier, surprises his wife, Dominique, with a present: he has had an architect design a house for them. The architect, she realizes with shock as she sees the drawings for the house, is her former lover, Howard Roark, a man with whom she is still in love. None of this is known to her husband, who innocently tells her that [End Page 80] Roark... (shrink)

Manifesto "is the projection of an ideal man. The portrayal of a moral ideal, as my ultimate literary goal, as an end in itself - to which any didactic, intellectual or philosophical values contained in a novel are only the means" (162). That she largely succeeded in her goal is attested to by the fact that her novels have enabled countless readers to reshape their lives. The story of Kira in We the Living, the image of Howard Roark in The (...) Fountainhead, the example of Dagny in Atlas Shrugged - all these have given readers the courage to free themselves from destructive circumstances or to make the right decisions in pivotal moments of their lives, and undergirded their conviction that only a life of moral integrity is a truly successful life. The story of the life and character of Howard Roark is, perhaps, the best known and most influential of Rand’s stories. (shrink)

Largely by the use of allegory, Ayn Rand's novel The Fountainhead repurposes and reinterprets the religious morality of Christopher Marlowe's Doctor Faustus to espouse an Objectivist, rather than theist, view of salvation and damnation. The Faustian narrative no longer belongs to Faustus alone, but is read against itself in order to theorize that giving up one's ego and independence, rather than giving up one's membership to the societal collective, is the straightest road to perdition.

Ayn Rand projected her experiences in Russia onto an American canvas. The collapse of the economy described in Atlas Shrugged actually happened in Russia between 1916 and 1921. The economic and political policies of the government in the novel resemble those of the Bolsheviks in the first decade of their rule. The protagonists of Atlas Shrugged reject Russian values and ideals, especially the mystique of suffering and self-sacrifice. The subtext of The Fountainhead is the intellectual and cultural milieu of (...) the 1920s, the paradigmatic role of architecture, and the spiritual collectivism of prominent Christian opponents of "materialistic" Bolshevism. (shrink)

This chapter traces a significant strand in Ayn Rand's intellectual development, showing how an idea that figures prominently in her early vision of a hero develops into the central concept for which she named her mature philosophy. It provides a brief sketch on objectivity. Rand's earliest surviving reference to valuing as an activity occurs in notes she made in 1928 for a novel that she intended to call The Little Street. Both The Little Street and We the Living are set (...) in nightmare environments where the valuers are sacrificed to placate the petty resentments and short‐range desires of those who do not know how to value. The Fountainhead shows that the spiritual activity that Rand sees as the essence of human life is incompatible with a primary orientation toward other people. Atlas Shrugged contains Rand's presentation of her mature philosophy. This includes her moral theory and her view of character. (shrink)

Ayn Rand's career as a writer of fiction, accordingly, was preceded and accompanied by her work on the system of philosophic thought she ultimately called Objectivism. This chapter introduces her writing by showing how the chosen actions of a life consciously devoted to a conscious purpose were integrated with the texts she crafted, in both fiction and non‐fiction. Ayn Rand's major project was The Fountainhead. The money from the movie rights to The Fountainhead bought Ayn Rand time to (...) begin her next novel, Atlas Shrugged. Whereas the theme of The Fountainhead was individualism versus collectivism, not in politics but in man's soul, The Strike (as Atlas Shrugged was initially called) was designed to dramatize the conflict between individualism and collectivism within the political/economic realm. Rand was active in the American Writers Association and the Motion Picture Alliance for the Preservation of American Ideals. (shrink)

A soaring intellectual narrative starring the radical, brilliant, and provocative philosophers Simone de Beauvoir, Hannah Arendt, Simone Weil, and Ayn Rand by the critically acclaimed author of Time of the Magicians, Wolfram Eilenberger The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history's greatest philosophers. In particular, four women whose (...) parallel ideas would come to dominate the twentieth century-at once in necessary dialogue and striking contrast with one another. Simone de Beauvoir, already in a deep emotional and intellectual partnership with Jean-Paul Sartre, was laying the foundations for nothing less than the future of feminism. Born Alissa Rosenbaum in St. Petersburg before emigrating to the US in 1926, Ayn Rand was honing one of the most politically influential voices of the 20th century. Her novels The Fountainhead and Atlas Shrugged would reach the hearts and minds millions of Americans in the decades to come, becoming canonical libertarian texts, which continue to echo today among Silicon Valley's tech elite. Hannah Arendt was developing some of today's most important leftwing ideas, culminating with the publication of The Origins of Totalitarianism and her arrival as a peerless intellectual celebrity. Perhaps the greatest thinker of all was a classmate of de Beauvoir: Simone Weil, who turned away from fame to devote herself entirely to refugee aid and the resistance movement during the war. Ultimately, in 1943, she would starve to death in England, a martyr and true saint in the eyes of many. Few authors can synthesize gripping storytelling with sophisticated philosophy like Wolfram Eilenberger. The Visionaries tells the story of four singular philosophers-indomitable women who were refugees and resistance fighters-each putting forward a vision of a truly free and open society at a time of authoritarianism and war. (shrink)

In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.

In lieu of an abstract, here is a brief excerpt of the content:The Myth of Renaissance Atheism and the French Tradition of Free Thought PAUL OSKAR KRISTELLER WITHIN THE VAST AND COMPLEX area of Renaissance philosophy, the thought of Pietro Pomponazzi and of the entire Italian school of Aristotelianism of which he is the best known representative has not yet been studied in all its aspects? Apart from a number of recent studies, mostly Italian or American, there is an important (...) body of French studies on the subject that are distinguished by their ample documentation and by a general and consistent tendency of interpretation and that have exercised a predominant influence in this field of research. The fountainhead of this French scholarship on Renaissance Aristotelianism is E. Renan's book on Averroes and Averroism, a remarkable achievement for its time, and a classical study still worth reading after more than a hundred years have passed since it was first published. 2 It is generally recognized that Renan's conclusions about Averroes himself and about the Latin Averroism of the thirteenth century have been superseded by the later studies of P. Mandonnet and others? It is less well known that, for the This paper was read many years ago at the New England Conference on the Renaissance at Brown University, and at the Universit~ de Fribourg. It was published as "El Mito del Ateismo Renacentista y la Tradici6n Francesa del Librepensamiento" in Notas y Estudios de Filoso]la, ed. Prof. Juan Adolfo Vazquez, IV, 13 (Tucums Argentina, 1953), pp. 1-14. The present version has been only slightly revised, and I hope to return to the subject on a later occasion. Among recent studies, I should like to mention G. Spini, Ricerca dei l.,ibertini (Rome, 1950) and D. C. Allen Doubt's Boundless Sea (Baltimore, 1964), who follow on the whole the view criticized in this paper, and L. Febvre, Le problhme del lincroyance au XVI ~ si~cle (Paris, 1947) and R. H. Popkin, "Skepticism and the Counter-Reformation in France," Archiv ]iir Re]ormationsgeschichte LI (1960), 58-88, who seem to concur with my view. See also a paper by Popkin~"Skepticism, Theology and the Scientific Method in the 17th century," in Problem8 in the Phdosophy o] Science, ed. I. Lakatos and A. Musgrave (Amsterdam: North Holland Publishing Co., 1968). 1See now B. Nardi, Saggi sull'Aristotelismo Padovano dal secolo XIV al XVI (Florence, 1958) and Studi su Pietro Pomponazzi (Florence, 1965); J. H. Randall, The School o] Padua and the Emergence o] Modern Science (Padua, 1961); P. Pomponazzi, De ]ato, de libero arbitrio et de praedestinatione, ed. R. Lemay (Lugano, 1957); Tractatus de immortalitate animae, ed. G. Morra (Bologna, 1954); Corsi inediLi dell'insegnamento padovano I, Super libello de substantia orbis et quaestiones quattuor, ed. A. Poppi (Padua, 1966); P. O. Kristeller, "A New Manuscript Source for Pomponazzi's Theory of the Soul from his Paduan Period," Revue Internationale de Philosophie, V: 2 (16, 1951), 144-157,and "Two Unpublished Questions on the Soul by Pietro Pomponazzi," Medievalia et Humanistica, IX (1955), 76-101,and X (1956), 151. See also: G. Di Napoli, L'immortalit~ dell'anima nel Rinascimento (Turin, 1963); E. GiN ~L,, 3 son, Autour de Pomponazzi, Archives d histoire doctrinale et litt~raire du Moyen Age, c,,,, LXIII (1961, pub. 1962), 163-279and Laffaire de limmortalit~ de ls ~ Venise au debut 9,, du XVI si~cle, in Umanesimo europeo e umanesimo veneziano, ed. V. Branca (Florence, 1963), 31-61. Relevant are also the unpublished Columbia dissertations by William F. Edwards (on Zabarella), Martin Pine (on Pomponazzi and his critics) and Edward Mahoney (on Agostino Nifo). Averro$s et l Averro~me (Paris, 1852). 8Siger de Brabant et l'averroisme latin au XIII ~ si$cle (2nd ed.; Paris, 1908-11); F. Van [233] 234 HISTORY OF PHILOSOPHY history of Italian Aristotelianism after the thirteenth century, this book by Renan has never been completely superseded, but still constitutes the general basis for a large part of the later literature on the subject. Recent studies have added numerous details, but have failed to correct numerous errors and misconceptions. The main thesis of Renan's book on which we shall focus our attention in this paper is the following: Paduan Averroism... (shrink)

If one goes to the fountainhead of the Gospel accounts concerning women as witnesses to Christ's resurrection, one has good reason to posit the following: (a) that women were the first to hear the Easter message; (b) that women, in gathering Jesus' disciples together again, played a crucial role in the founding of the earliest Christian community; and (c) that Mary Magdalene deserves a place in the creedal formulas that cite the names of those to whom the risen Christ (...) first appeared. (shrink)

If one goes to the fountainhead of the Gospel accounts concerning women as witnesses to Christ's resurrection, one has good reason to posit the following: that women were the first to hear the Easter message; that women, in gathering Jesus' disciples together again, played a crucial role in the founding of the earliest Christian community; and that Mary Magdalene deserves a place in the creedal formulas that cite the names of those to whom the risen Christ first appeared.

A number of philosophers in recent years have maintained that H. L. A. Hart in The Concept of Law propounded an expressivist account of the semantics of the legal statements that are uttered from the internal viewpoint of the people who run the institutions of legal governance in any jurisdiction. Although the primary aim of this article is to attack the attribution of that semantic doctrine to Hart, the article will begin with some metaphysical matters—the matters of reductionism and naturalism—that (...) often lie behind the development of expressivist approaches to the semantics of normative discourse. After briefly exploring those metaphysical concerns (to which I will return later), the article will begin its main discussion by rehearsing the distinction between the semantics and the pragmatics of utterances. It will then delineate the doctrine of expressivism which the aforementioned philosophers have in mind when they ascribe that doctrine to Hart. Although I will make reference to a few such philosophers, I will focus chiefly on an article by Kevin Toh that has been the fountainhead of all the subsequent attributions of expressivism to Hart. As will be argued herein, Toh and like‐minded philosophers have gone astray in imputing to Hart a semantic version of expressivism. Notwithstanding that Hart’s theory of law can aptly be characterized as expressivist, that characterization is appropriate only when expressivism is understood as an account of the pragmatics of legal statements rather than as an account of their semantics. (shrink)

Property-based models of the ownership of body parts are common. They are inadequate. They fail to deal satisfactorily with many important problems, and even when they do work, they rely on ideas that have to be derived from deeper, usually unacknowledged principles. This article proposes that the parent principle is always human dignity, and that one will get more satisfactory answers if one interrogates the older, wiser parent instead of the younger, callow offspring. But human dignity has a credibility problem. (...) It is often seen as hopelessly amorphous or incurably theological. These accusations are often just. But a more thorough exegesis exculpates dignity and gives it its proper place at the fountainhead of bioethics. Dignity is objective human thriving. Thriving considerations can and should be applied to dead people as well as live ones. To use dignity properly, the unit of bioethical analysis needs to be the whole transaction rather than the doctor-patient relationship. The dignity interests of all the stakeholders are assessed in a sort of utilitarianism. Its use in relation to body part ownership is demonstrated. Article 8 of the European Convention of Human Rights endorses and mandates this approach. (shrink)

In 1958, Nathaniel Branden founded what would become the Nathaniel Branden Institute and launched the Objectivist movement through a course of twenty lectures he called “The Basic Principles of Objectivism.” In 2009, that lecture series became a book and an important historical record. This review captures the essence of those lectures while also taking a close look at Branden’s philosophical odyssey. It attempts to recount whether and how far the man whom Ayn Rand saw as the living image of John (...) Galt distanced himself from the guidance he had once given in the years after NBI closed its doors forever. (shrink)

BILL MARTIN replies to Sciabarra's essay on Rand, Rush, and progressive rock with critical reflections from a Marxist perspective. Focusing on the film version of The Fountainhead, which shares much in common with film noir and Socialist Realism, Martin rejects as reification Rand's emphasis on property as the defining feature of human life. Her dismissal of rock music has overtones of racism and Eurocentrism. The rock band Rush may have drawn inspiration from Howard Roark, but two other real-life role (...) models would have been better suited: Ludwig van Beethoven and Frank Lloyd Wright. (shrink)

Kant and Mysticism interprets Kant’s early criticism of Swedenborg’s mysticism as the fountainhead of the Critical philosophy. Kantian Critique revolutionizes not only traditional metaphysics, but also our understanding of mysticism: Critical mysticism is a unitive experience that impels us to lay bare all human pretensions to reason’s light.

Ayn Rand is among the most outspoken, and important, intellectual voices in America, wrote Playboy Magazine in 1964. She is the author of what is perhaps the most fiercely damned and admired best seller of the decade, Atlas Shrugged. This chapter discusses some of the reasons for studying Rand and some of the challenges involved. It also discusses a few features of Rand's corpus and her life that should be borne in mind when studying her.

GREGORY R. JOHNSON argues, contra Barry Vacker, that reductionist thinking and nonlinear aesthetics are not mutually exclusive, and that the passages in The Fountainhead cited by Vacker actually support the mastery of nature thesis. Johnson also addresses some miscellaneous criticisms offered by William Thomas, who wrote a review of Johnson's "Liberty and Nature" that appeared in Navigator.

Andrew Bernstein replies to Kirsti Minsaas' review of his Cliffs-Notes to Anthem, The Fountainhead, and Atlas Shrugged (Journal of Ayn Rand Studies, Fall 2001). He defends the literary and philosophical merit of the works.

Leo Strauss has generally been regarded as an historian of ideas, albeit a very unusual one. He wrote many very momentous commentaries on the major figures in the history of political thought; yet Strauss’ main intellectual quest was to take himself back in the history, to classical antiquity and to the fountainhead of political philosophy, Plato. In this paper, however, I am mostly interested in the philosophical nature of Strauss’s basic dissatisfaction with modernity and with the adequacy of his (...) criticisms. I shall focus attention on his well-known book On Tyranny, his claim that the politics in the modern age is inescapably defined by a tyrannical rule and his criticisms that the contemporary political science is unable to diagnose the symptoms of this present-day disease, and finally his attempt to revive political philosophy in its original sense. In addressing these issues, this paper raises a fundamental criticism: Strauss’s approach jeopardizes political philosophy-i.e. his very inquiry-by ultimately putting philosophy against politics, and politics against philosophy. I will begin with a few remarks about what Strauss understood as the problem of modernity. Then I will introduce the question of tyranny which stands as the key notion for grasping not only Strauss’s criticism of contemporary politics but also as the treatment for it. Finally, the discussion of On Tyranny, I hope, will shed light on Strauss’s conception of political philosophy and will open the stage for a critical discussion of his views. (shrink)

As a libertarian studying, embracing, and teaching a philosophy of individual freedom, John Hospers, like many of us, was heavily influenced by the philosophical writings of Ayn Rand. Rand’s major novels The Fountainhead and Atlas Shrugged continue to delight and empower readers through embracing the heroic creator or inventor, technological and scientific progress, and the competent individual. These are some of the archetypes of the Randian hero. At the other end of the scale were the incompetent looters and moochers (...) who could only function in her world by controlling those with ability and the savages of ancient or undeveloped cultures who could not comprehend ability, seizing the means of progress before killing the inventor, then retreating into mysticism and magic. Rand was not an archaeologist and wrote at a time before scholars of prehistory focused on the rational and productive aspects of ancient civilizations upon which enabled the present to emerge in fits and starts. These aspects include technology, record keeping, maritime trade, and pre- monetary economies. This paper will consider the emergence of globalized connectivites in the Mediterranean during the Late Bronze Age (ca. 1700-1300 BCE) which was arguably the first age of globalization in human history. It was also one of the first ages of social acceleration characterized by a confluence of increasing technological and economic interdependency, yet fragile in its susceptibility to climate change, plagues, and authoritarian city-states and small empires ruled by kings claiming divinity or divine authority. Thus, the Late Bronze Age was also an economically fragile era with a high concentration of wealth distributed among supra-regional global elite plutocrats unified more by wealth and shared symbolism than by cultural tradition or ideology. This era was susceptible to populist resistance in the form of piratical activity and banditry. This paper explores the globalist and populist aspects of the ancient Mediterranean. In doing so, I suggest that some globalized elites of the present day perpetuate another Randian archetype, the moochers and looters. In doing so, it transcends ideology to focus on how the non-productive in current society acquire vast concentrations of wealth and power. (shrink)

Martin replies to Sciabarra's essay on Rand, Rush, and progressive rock with critical reflections from a Marxist perspective. Focusing on the film version of The Fountainhead, which shares much in common with film noir and Socialist Realism, Martin rejects as reification Rand's emphasis on property as the defining feature of human life. Her dismissal of rock music has overtones of racism and Eurocentrism. The rock band Rush may have drawn inspiration from Howard Roark, but two other real-life role models (...) would have been better suited: Ludwig van Beethoven and Frank Lloyd Wright. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Whose New American Poetry? Anthologizing in the NinetiesMarjorie Perloff (bio)In the two-year span 1993–94, no fewer than three major poetry anthologies appeared that featured the poetry of what has been called “the other tradition”—the tradition inaugurated thirty-five years ago by Donald M. Allen’s New American Poetry: 1945–1960. These three anthologies are, in order of publication, Eliot Weinberger’s American Poetry since 1950: Innovators and Outsiders, Paul Hoover’s Postmodern American Poetry, (...) and Douglas Messerli’s From the Other Side of the Century. A New American Poetry 1960–1990. 1 In 1994, moreover, there were two other large anthologies of alternate poetries by “younger” poets, 2 these two in the tradition of Ron Silliman’s In The American Tree: Language, Poetry, Realism and Douglas Messerli’s earlier ‘Language’ Poetries: An Anthology. They are Peter Gizzi, Connell McGrath, and Juliana Spahr’s two-volume anthology called Writing from the New Coast, 3 and Dennis Barone and Peter Ganick’s The Art of Practice: 45 Contemporary Poets.Five volumes, then, of the “new” alternate poetries. And a sixth—this time a real blockbuster—is in progress: Jerome Rothenberg and Pierre Joris’s two-volume Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, which differs from all of the above by covering poetry and poetics of the entire twentieth century and from around the world. The first volume of Poems for the Millennium, From Fin-de-Siècle to Negritude (1995), takes us from such “forerunners” of Modernism as Blake, Hölderlin, Dickinson, and Rimbaud through the Futurisms, Dada, Surrealism, and Objectivism, along with complex “galleries” of individual poets, while the second—and sure to be more controversial—volume (1997) brings us up to the global present.A new avant-garde thus seems to be in the making—indeed, oxymoronic as it may sound, a new avant-garde consensus. Yet the countercanonizing of the recent anthologies is not without its own aporias. What these are is my subject here.The Modest OppositionMy starting point is that of the avant-garde anthologists themselves: Donald Allen’s New American Poetry of 1960. From the vantage point of 1995, the most startling thing about the Allen anthology—still acknowledged by all later anthologists as the fountainhead of radical American poetics—is its modesty. The New American Poetry runs to 454 pages, including statements of poetics, biographical notes, and a short bibliography; it contains forty-four poets, all of them having come to prominence in the period between 1945 (the [End Page 104] end of World War II) and 1960 (the date of publication). The four-page preface opens as follows:In the years since the war American poetry has entered upon a singularly rich period. It is a period that has seen published many of the finest achievements of the older generation: William Carlos Williams’ Paterson, The Desert Music and Other Poems, and Journey to Love; Ezra Pound’s The Pisan Cantos, Section: Rock-Drill, and Thrones; H. D.’s later work culminating in her long poem Helen in Egypt; and the recent verse of E. E. Cummings, Marianne Moore, and the late Wallace Stevens. A wide variety of poets of the second generation, who emerged in the thirties and forties, have achieved their maturity in this period: Elizabeth Bishop, Edwin Denby, Robert Lowell, Kenneth Rexroth, and Louis Zukofsky, to name only a few very diverse talents. And we can now see that a strong third generation, long awaited but only slowly recognized, has at last emerged.[xi]Note that Allen introduces the “new” American poetry, not as an “alternative” to anything else but as the successor of two preceding generations. He does not quarrel about the Moderns: if Eliot isn’t included in the above list, it is because he had stopped writing lyric poetry after Four Quartets and had turned to the theater. The cited second generation, moreover, is more “diverse” (Allen’s word) here than it will ever be again in the anthologies: Bishop and Denby, Lowell and Rexroth and Zukofsky. And the third generation, presumably following in the footsteps of the first and second, is now said to... (shrink)

The emergence of any idea must have a deep-seated social background, and at the same time there must be an intellectual source that cannot be neglected. That is to say, every idea must have as its foundation some piece of intellectual material that has been handed down by people of the past. Lao Zi once said: "All Things Under Heaven [tianxia wanwu] are born of Existence [you]; Existence [you] is born of Nonexistence [wu]." This does not mean that existence is (...) born out of nothingness or nonexistence [xuwu]. In reality, what Lao Zi meant by "Nonexistence" [wu] is actually itself a kind of existence; but because its state of existence [cunzai zhuangtai] is different from that of Existence [you], it is called "Nonexistence" [wu] instead. This difference of the states of existence lies in [the following]: Existence has form, and therefore can be sensed; Non-existence has no form, and therefore cannot be sensed. In the chapter "Fei ming" of the book Mo Zi there is the passage that says: "Something can be heard, something can be seen; we call it Existence; something cannot be heard, cannot be seen; we call it Destruction [wang] [wu]." Even though the meanings of "Existence" and "Nonexistence" here are different from those in Lao Zi's idea, we may still trust that the general interpretation of "Existence" and "Nonexistence" here would still meet with Lao Zi's approval. In Lao Zi's view, even though Nonexistence cannot be comprehended through sensation, it can be grasped by metaphysical and mystical "vision." Lao Zi's expression that "Existence is born of Nonexistence" was not only an expression of his viewpoint on the question of the origin of "all things under heaven," but also a general rule for us to follow in examining the evolution of human thought. On the one hand, it demonstrates that every single idea must have its source, its intellectual origin; on the other hand, it points out that the idea that serves another as intellectual source may be hidden, not overt, at times. On the surface, some ideas may appear to have no "genealogical origin"—water without a fountainhead or well spring, and yet, perhaps, if we were to conduct further investigation and research, we would discover that they all have some ancient source, some long-forgotten well spring. That is precisely what this essay hopes to accomplish—to attempt to explore in a preliminary way the ancient source of Lao Zi's thought. (shrink)

Divergent models applied to the chronology of Australian science leave us with two particular problems unresolved: was late-nineteenth-century science in this peripheral setting becoming more or less dependent on its British fountainhead, and what is the meaning of the reportedly narrow, utilitarian focus of ‘colonial science’? This paper argues that a complex interplay of imperial and local imperatives makes neat classification and periodization of Australia's scientific development a hazardous venture. Compounding the complexity is the nature of the relationship between (...) science and technology, a factor largely ignored in the historiography of Australian science. Contrary to common assumptions, an empirical focus on science-technology links suggests that scientific and technological dependencies were not running in parallel, but out of phase, with science as the laggard. Indeed, it appears that science in late-nineteenth-century Australia may have developed more from its interaction with technological systems than from its own internal dynamics. (shrink)

This chapter describes the story of Ayn Rand's changing attitude toward Friedrich Nietzsche. One thing that can make the relationship between them difficult to understand is the fact that Rand's relation to Nietzsche changes considerably over the years. The history of this relationship can be divided roughly into three different periods. The first begins during her years as a student in Russia and ends with the completion of The Fountainhead (approximately 1921–1942). The second period follows upon the completion of (...) The Fountainhead and ends with the completion of Atlas Shrugged (1942–1957). The third and last period (1957–1982) follows the writing of Atlas and ends with her death. When people associate Nietzsche with Rand, as they often do, they are not thinking of the metaphysical and epistemological issues as determinism and the validity of reason. They are probably thinking mainly of ethical issues. (shrink)