L’histoire de la jeune Salomé charmant par sa danse le roi Hérode et obtenant de lui la tête de Jean Baptiste a été souvent représentée dans l’art italien de la Renaissance. La confrontation de quelques images des xive et xve siècles avec un texte de Francesco da Barberino au xive siècle veut éclairer l’évolution du regard jeté sur la danseuse et sur la danse en cette extrême fin du Moyen Âge, qui nuance les violentes condamnations cléricales des périodes précédentes.

The prominence and peculiarity of color in French symbolist verse have often been noted. Yet the dominance of color in symbolism is not the result of aesthetic preference or mere poetic technique, as has been previously argued; rather, color functions, with the synaesthetic poetic context of which it is an integral part, as the direct manifestation of a particular metaphysical stance. Color leads to the heart of what symbolism is, for it is the paradigmatic literary expression of a general spiritual (...) crisis—a crisis in epistemology. The nineteenth century extended seventeenth-century empiricism—an empiricism which had invented mathematical measurement as the gauge of reality and which resulted in a predilection to see most authentic knowledge as quantifiable. The logical corollary of such a predilection is that all sensory experience is regarded as suspect. Newtonian physics had rationalized the laws of the universe in reducing its properties to atomical structures and laws of motion. Nothing, it seemed, was left unexplained. Those areas of perception which remained unquantifiable were dispelled as illusion or attributed to the necessary limitations of the human mind. The theories of John Locke act as a kind of historical watershed in this regard: they are the classic philosophic expression of the disjunction between sensory experience and knowledge which, in its nineteenth-century versions, would lead to the symbolist revolt. Françoise Meltzer is a professor of French literature and of comparative literature at the University of Chicago. Her previous contribution to Critical Inquiry is the translation of Christian Metz's "Trucage and the Film" . She is the author of The Trial of Psychoanalysis, Salome and the Dance of Writing, and Hot Property: The Stakes and Claims of Literary Originality. (shrink)

Trucage then exists when there is deceit. We may agree to use this term when the spectator ascribes to the diegesis the totality of the visual elements furnished him. In films of the fantastic, the impression of unreality is convincing only if the public has the feeling of partaking, not of some plausible illustration of a process obeying a nonhuman logic, but of a series of disquieting or "impossible" events which nevertheless unfold before him in the guise of eventlike appearances. (...) In the opposite case, the spectator undertakes a type of spontaneous sorting out of the visible material of which the filmic text is composed and ascribes only a portion of it to the diegesis. The services of the department of agriculture have worked more quickly because they were approached in an appropriate manner: this amounts to the diegesis. The film makes light of this sudden rapidity; ironically, it exaggerates it: here is the intention, which amounts to the enunciation. In the exact degree to which this perceptible bifurcation is maintained, the connotated will be unable to pass for denotated, and there is no trucage. The optical effect has not merged with the usual game of the photograms, the entire visual material has not been mistaken for the photographic, the diegetization has not been total. Christian Metz, one of the foremost French theorists of the cinema, is the author of Essais sur le signification au cinéma, Propositions méthodologiques pour l'analyse du film, and Langage et cinéma. He is Sous-Directeur d'Etudes Suppléant à l'Ecole Pratique des Hautes Etudes, Paris. This is the first English translation of "Trucage et cinéma," which appeared in Essais sur la signification au cinéma . Francoise Meltzer [the translator of this essay] is a professor of French literature and of comparative literature at the University of Chicago. She is the author of The Trial of Psychoanalysis, Salome and the Dance of Writing, and Hot Property: The Stakes and Claims of Literary Originality. Her essay, "Color as Cognition in Symbolist Verse," is published in Critical Inquiry in the Winter 1978 issue. (shrink)

For every$n\in \omega \setminus \{0,1\}$we introduce the following weak choice principle:$\operatorname {nC}_{<\aleph _0}^-:$For every infinite family$\mathcal {F}$of finite sets of size at least n there is an infinite subfamily$\mathcal {G}\subseteq \mathcal {F}$with a selection function$f:\mathcal {G}\to \left [\bigcup \mathcal {G}\right ]^n$such that$f(F)\in [F]^n$for all$F\in \mathcal {G}$.Moreover, we consider the following choice principle:$\operatorname {KWF}^-:$For every infinite family$\mathcal {F}$of finite sets of size at least$2$there is an infinite subfamily$\mathcal {G}\subseteq \mathcal {F}$with a Kinna–Wagner selection function. That is, there is a function$g\colon \mathcal (...) {G}\to \mathcal {P}\left (\bigcup \mathcal {G}\right )$with$\emptyset \not =f(F)\subsetneq F$for every$F\in \mathcal {G}$.We will discuss the relations between these two choice principles and their relations to other well-known weak choice principles. Moreover, we will discuss what happens when we replace$\mathcal {F}$by a linearly ordered or a well-ordered family. (shrink)

This text practices a philosophical voice that deviates from visuo-centric theory and the muteness of its language and instead sings a complex simultaneity of things and thoughts that burn through the walls of the discipline and illuminate the activities at the margins. This philosophical voice sings a refrain of “I,” which brings us back to bring us forward, surprising us in its renewal again and again. It is a body that is, as Samuel Beckett’s Not I, at once not I (...) and I; an idiosyncratic subjectivity that carries its plural name in its mouth. In this way, it further diffracts the sonic possibility of counterfactual slices into simultaneous dimensionalities open to our gaze in the dark, when we have let go of a normative orientation and are able to see the image at its depth. Between text scores, Churten theory, Canto Cardenche, and the breath of a humpback whale, this voice tries not to theorise. It does not want to produce a philosophical message, supporting a “philosophism” which akin to “scientism” treats philosophy as a phenomenon unconnected to cultural values or location, gender or racial specificity. Instead, it aims to practice a philosophy that opens in song to its own anxiety of objectivity, its fear of a reflective centre, and performs a translucent marginality that generates the view of a plural world burning through a permeable skin. (shrink)

Friedrich Nietzsche in seinen Werken ist ein unveränderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1894. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ernährung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquitäten erhältlich. Hansebooks verlegt diese Bücher neu und trägt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch für die Zukunft (...) bei. (shrink)

With reference to Steven Feld’s “acoustemology,” his epistemology of sounding and listening, developed in the Bosavi Rainforest in Papua New Guinea, where the trees are too dense to afford a distant view and meaning has to be found up close, on the body with other human and more-than-human bodies, this essay deliberates how sound knows in entanglements and from the in-between: in a being with as a knowing with rather than from a distance. In this way, this essay, from the (...) densities of the rainforest, critiques Western knowledge and its reliance on visual categories, straight lines, and universalising principles that pretend objectivity and a distant view. Instead, it turns to the relational indivisibility of sound that lets us hear interdependencies and confronts us with the invisible of which we are part. In conclusion, it proposes that sound studies as applied, transversal studies enable such a paradigm shift that at once reveals what hegemonic knowledge strands exclude and invites a different dialogue from the in-between of everything. (shrink)

From its use in literary theory, film criticism and the discourse of games design, Salomé Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible (...) as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by Áine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies ; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call. (shrink)

The aim of the article is to establish which the features of egotistic literature are. In order to achieve such a purpose, the article presents a typology of the genre and describes its main types of works: a) autobiography and memorialistic prose; b) journals, personal diaries, cards and cahiers ; c) biography; and d) life stories. Bearing this in mind, the article suggests a theoretical basis for this particular kind of narratives. At the end, the article presents five conclusions: 1) (...) alterity is always present in biographical narratives; 2) biographical narratives are expressions of experiences; 3) biographical narratives provide some unity to plurality; 4) egotistic literature configures itself in an imaginative and fictional form; and 5) biographical narratives configure themselves in a temporal form. (shrink)

A discussion of the topics of curation, geography, and material production in the context of sound studies and the sonic world.

The stage of the formation and establishment of a market economy in Georgia raises the necessity for economic science to solve fundamentally different problems concerning the improvement of the investment environment and investment climate in national economy. After the collapse of the former Soviet Union, the replacement with new relationships has been quite difficult and painful in which foreign investments should play a crucial role. Issues to be discussed include the questions that explore some of the categories and the constraints (...) of the investment climate. All this leads to the relevance of the article and, therefore, determines the purpose of the article. The research process uses general dialectical methods of socio-economic research as well as modern methods of research of economic theory. The scientific aim of the research is to highlight the current issues of the investment environment and investment climate in economy, to study the transformation processes taking place in Georgia during the last two decades, to conduct analysis using proper methods, to show the current social and political as well as other important processes, to generalize them and to form proper opinions. Findings based on research suggest that it is possible to speed up the process of economic development of Georgia. However, the situation will remain difficult in the region and the factors causing the recession _ instability in oil prices and the weakening of the national currency against the US dollar will still be present. In conclusion, the opinion can be formed that a stable and predictable legislative process is important for the investment environment. Therefore, all the parties that may undergo the changes should be informed and involved in every project planned by the government; At present, it becomes necessary to further extend the deregulation policy, which should include the development of financial and investment sectors and support of the establishment of appropriate infrastructure, promotion of the further development of microfinance institutions, investment companies and funds, designing the system of investment insurance and stimulation, elimination of unnecessary bureaucracy and artificial barriers, etc. (shrink)

Este texto já apareceu em 2018 na Revista Dobra N° 2. Resumo : Manuel António Pina chamava-lhe isto porque não sabia o nome d'isto. Já eu venho escolhendo a precária, transitória e possivelmente redundante designação de “ritmo vital”. Escolher este nome não resulta de uma tentativa de definição, é antes uma decisão operatória que permite avançar e descolar a atenção do isto, para o gesto de contacto com esse isto – ritmo vital –, e a sua relação com a experiência (...) estética e com a criação artística. Neste - Esthétique – Nouvel article. (shrink)

This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salomé, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting. Published in 1894 as its subject languished in madness, Salomé's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst (...) of his works. Salomé's provocative conclusion -- that Nietzsche's madness was the inevitable result of his philosophical views -- generated considerable controversy. Nietzsche's sister, Elisabeth Förster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche." Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salomé and Nietzsche together and the ideological conflicts that drove them apart. (shrink)

Light song (a text score) -- Introduction : writing fragments -- The political possibility of sound -- Hearing volumes : architecture, light and words -- Geographies of sound : performing impossible territories -- Morality of the invisible, ethics of the inaudible -- Hearing subjectivities : bodies, forms and formlessness -- Sonic materialism : a philosophy of digging -- Reading fragments of listening, hearing vertical lines of words -- Putting on lipstick (a text score).

Este texto já apareceu no site da ESC:ALA. “Como começar pelo início, se as coisas acontecem antes de acontecer?”, pergunta Clarice Lispector, em A Hora da Estrela. Qualquer começo se faz pelo meio. Meio como metade de uma totalidade, meio como ponto equidistante do princípio e do fim. Meio como ponto central. Meio como ambiente. Ter meios, ter possibilidade, ter veículo, ter ponte. O começo nunca é uma totalidade. Qualquer começo se faz a igual distância do início e do fim (...) de um - Philosophie – Nouvel article. (shrink)

Este artículo ya ha aparecido en Revista Heterotopías del Área de Estudios Críticos del Discurso de FFyH, Volumen 4, N° 8, Córdoba, diciembre de 2021 – ISSN: 2618-2726. Resumen : Son tenues las huellas de Lúcio Pinheiro dos Santos, matemático y filósofo portugués, que fue conocido como el filósofo fantasma, principalmente a causa de su trabajo haberse, literalmente, esfumado en una hoguera frente a la Cámara Municipal de Lisboa. No obstante, son contundentes los pocos vestigios que se pueden - Philosophie (...) – Nouvel article. (shrink)

Critique à l’égard des réflexions philosophiques empiristes, Antoine Chrysostome Quatremère de Quincy forgea autour de 1800 une nouvelle théorie de l’art, grâce à une connaissance précoce du criticisme kantien et des esthétiques qui s’en inspirèrent. Il imposa une conception idéaliste de l’art, en opposant un système d’ imitation abstraite du type idéal au traditionnel concept d’ imitation de la nature. En faisant valoir l’existence d’une « puissance d’imaginer » intuitionniste et spontanée, dérivée du concept d’ Einbildungskraft, il proposa un système (...) général des beaux-arts fondé sur une nouvelle métaphysique. Avant Madame de Staël et Victor Cousin, il contribua à diffuser auprès du public français certains débats artistiques outre-Rhin parmi les plus originaux, en soutenant activement les échanges intellectuels entre les deux pays, et notamment les critiques novatrices du mouvement Sturm und Drang dans une perspective spiritualiste. Cet article est une contribution à l’histoire des transferts culturels entre la France et l’Allemagne au début du XIX e siècle, en présentant les grands principes de sa métaphysique de l’art, son interprétation de la mimèsis, mais aussi ses sources pour comprendre les fondements de sa politique des arts à l’aube d’une révolution artistique en Europe. (shrink)

Summary In the period between the two World Wars, the Portuguese Geological Survey (Serviços Geológicos de Portugal: PGS) was legally dependent on the General Directorate of Mines and Geological Survey (Direcção Geral de Minas e Serviços Geológicos: GDMGS). Portugal was then living through troubled times, and the PGS struggled with financial problems and a lack of technical personnel. This situation did not allow the PGS to work properly as a scientific institution, and achieve its main function: the making and publication (...) of geological maps and research papers. (shrink)

Museums are safe spaces for the objects they hold and for the persons that visit them, providing environments that can function in therapeutic ways. Within the wide range of objects, there is enough diversity to help guests discover what similarities they have with others as well as what makes them unique as individuals. Within exhibits, individuals can explore themselves through the reactions they have to particular pieces, through the observation of what holds their attention within the environment, and through the (...) awareness and development of their contemplative mind. Museums can introduce transpersonal information, add information to previous transpersonal experiences, and even promote expanded states of awareness. With direction, guests can use museums to learn about themselves, thus optimizing the therapeutic potentials of these institutions. (shrink)

For \(n\in \omega \), the weak choice principle \(\textrm{RC}_n\) is defined as follows: _For every infinite set_ _X_ _there is an infinite subset_ \(Y\subseteq X\) _with a choice function on_ \([Y]^n:=\{z\subseteq Y:|z|=n\}\). The choice principle \(\textrm{C}_n^-\) states the following: _For every infinite family of_ _n_-_element sets, there is an infinite subfamily_ \({\mathcal {G}}\subseteq {\mathcal {F}}\) _with a choice function._ The choice principles \(\textrm{LOC}_n^-\) and \(\textrm{WOC}_n^-\) are the same as \(\textrm{C}_n^-\), but we assume that the family \({\mathcal {F}}\) is linearly orderable (...) (for \(\textrm{LOC}_n^-\) ) or well-orderable (for \(\textrm{WOC}_n^-\) ). In the first part of this paper, for \(m,n\in \omega \) we will give a full characterization of when the implication \(\textrm{RC}_m\Rightarrow \textrm{WOC}_n^-\) holds in \({\textsf {ZF}}\). We will prove the independence results by using suitable Fraenkel-Mostowski permutation models. In the second part, we will show some generalizations. In particular, we will show that \(\textrm{RC}_5\Rightarrow \textrm{LOC}_5^-\) and that \(\textrm{RC}_6\Rightarrow \textrm{C}_3^-\), answering two open questions from Halbeisen and Tachtsis (Arch Math Logik 59(5):583–606, 2020). Furthermore, we will show that \(\textrm{RC}_6\Rightarrow \textrm{C}_9^-\) and that \(\textrm{RC}_7\Rightarrow \textrm{LOC}_7^-\). (shrink)

Between 1939 and 1959, the regime led by General Franco pursued a policy of economic self-sufficiency. This policy inflicted great injury on Spanish science and industry, not least in Catalonia, and in its capital, Barcelona. In response, Catalan industry looked to a future made more promising by the advent of nuclear power. This paper describes the innovative role of an industrial body, the Official Chamber of Industry of Barcelona, in catalyzing one the first programmes of teaching and research in nuclear (...) engineering in Spain. (shrink)

In the last few decades, assisted reproduction has introduced new challenges to the way people conceive and build their families. While the numbers of donor-conceived individuals have increased worldwide, there are still many controversies concerning access to donor information. Is there a fundamental moral right to know one’s genetic background? What does identity in DC families mean? Is there any relationship between identity formation and disclosure of genetic origins? These questions are addressed by analysing core regulatory discourse. This analysis shows (...) that the notion of narrative identity is suitable for defining and answering these questions. This review analyses the meaning of resemblance in DC families and the way donors are selected following affinity-ties and discusses disclosure strategies and agreements. As a preliminary conclusion, it could be said that, in the field of third-party reproduction, knowing about the donor conception significantly contributes towards the development of a narrative identity and also serves as a moral basis for the child’s right to know. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Note From A Narcissist (Amores 1.11) OVID (Translated by Caleb M. X. Dance) Yoohoo! Yes! You! You do her hair. Right? Not like the one who does her legs or nails, right? You know where she goes, right? And you can let her know, like before, to rush those lovely toes— Oh! I mean her hair, to me. Oh, you’ve always been a friend! Right! Take this little note (...) to her tomor— Oh! and hand it to her. Understand? No delay! You’ve got a heart, right? You might be softer than you think and not as “plain Jane” as you think? I think you’ve felt a bit of love, no? You see it in me too, no? So— anyway, if she wants to know what I’m thinking, tell her I can’t wait to hold her close tonight. Right! Enough. My note will say the rest. Oh, it’s late! I’m blabbing. Go! No! Wait! Catch her in a good mood—when she’s free. Oh! but make her read it right away. Watch her eyes! And her face, reading. I mean as she reads. Oh, you learn a lot, even from dumb faces. Don’t be slow! When she’s read it, arion 27.1 spring/summer 2019 make her write right back. Lots. Tell her! It’s the worst when every page is filled with loads of empty space. She should pack them in—lines—so eyes linger on words in the margins. My eyes! No! Wait! Tell her not to tire fingers writing long. Let her only write: “Come!” No delay—I’ll praise these letters right away. I’ll dedicate them to... oh... you know, Lady Love herself, and I’ll note, “To Love: Ovid offers up these loyal saviors— you who just were scraps of paper.” 154 note from a narcissist... (shrink)

Tough Fronts takes the difficult issues in urban education head on by putting street-savvy students at the forefront of the discussion on how to best make successful changes for inner city schools. Individual chapters discuss scholarly depictions of black America, the social complexity of the teacher-student relationship, individual success stories of 'at-risk' programs, popular images of urban students, and implications for education policy. With close attention to the voices of individual students, this engaging book gives vitality and legitimacy to arguments (...) for school changes that have been lacking in previous discussions. (shrink)

Este artículo describe un estudio realizado con docentes de primaria y secundaria en varias comunidades españolas. El estudio se centra en la percepción del profesorado sobre el uso del Aprendizaje Basado en Juegos (ABJ) en el aula, tratando de averiguar en qué medidas los docentes implementan el uso de esta metodología en sus aulas. Un cuestionario fue creado ad hoc para este propósito y fue debidamente validado. Los resultados de este estudio muestran que la mayoría de los docentes son proclives (...) a la utilización del ABJ, y que lo perciben como algo positivo para el aprendizaje significativo del alumnado. (shrink)