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  1.  69
    Intertextuality in Painting.Wendy Steiner - 1985 - American Journal of Semiotics 3 (4):57-67.
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  2.  47
    The Semiotics of a Genre: Portraiture in Literature and Painting.Wendy Steiner - 1977 - Semiotica 21 (1-2).
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  3. Symposium: A Beginning in the Humanities.Peter Brooks, Paul H. Fry, W. B. Carnochan, Jonathan Culler, Seth Lerer, Donald G. Marshall, Barbara Johnson, Wendy Steiner, Susan Haack & Martha C. Nussbaum - 2002 - Journal of Aesthetic Education 36 (3):1-49.
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  4. Ce Vice Impuni.Wendy Steiner - 2002 - Journal of Aesthetic Education 36 (3):30-34.
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  5.  16
    Assault of the Petulant: Postmodernism and Other FanciesSeeing Berger: A Revaluation of Ways of SeeingThe Naked ArtistHistoire de l'Art Et Lutte des Classes The Anti-Aesthetic: Essays on Post-Modern CultureThe Colors of Rhetoric: Problems in the Relation Between Modern Literature and PaintingThe Age of the Avant GardeClement Greenberg, Art CriticThe Tradition of the NewThe Anxious Object.John Adkins Richardson, Peter Fuller, Nicos Hadjinicolau, Hal Foster, Wendy Steiner, Hilton Kramer, Donald Kuspit, Harold Rosenberg, Suzi Gablik & Roy R. Behrens - 1984 - Journal of Aesthetic Education 18 (1):93.
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  6.  9
    Salome and the Dance of WritingPictures of Romance: Form Against Context in Painting and Literature.Stephen Melville, Francoise Meltzer & Wendy Steiner - 1989 - Journal of Aesthetics and Art Criticism 47 (1):91.
  7.  20
    The Scandal of Pleasure: Art in an Age of Fundamentalism.Wendy Steiner - 1995 - University of Chicago Press.
    Surveying a wide range of cultural controversies, from the Mapplethorpe affair to Salman Rushdie's death sentence, from canon-revision in the academy to the scandals that have surrounded Anthony Blunt, Martin Heidegger, and Paul de Man, Wendy Steiner shows that the fear and outrage they inspired are the result of dangerous misunderstanding about the relationship between art and life. "Stimulating. . . . A splendid rebuttal of those on the left and right who think that the pleasures induced by art are (...)
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  8.  6
    The Case for Unclear Thinking: The New Critics Versus Charles Morris.Wendy Steiner - 1979 - Critical Inquiry 6 (2):257-269.
    In 1946, after an eight-year debate with the New Critics, Charles Morris doggedly maintained that "an education which gave due place to semiotic would destroy at its foundations the cleavage and opposition of science and the humanities."1 This insistence on the unity of disciplines—the hallmark of the logical empiricist movement and its brainchild, The International Encyclopedia of Unified Science —effectively silenced semiotics as a force in American literary studies. For the New Critics' point of departure—and one of the few tenets (...)
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  9.  8
    Book Review: The Scandal of Pleasure: Art in an Age of Fundamentalism. [REVIEW]Wendy Steiner - 1996 - Philosophy and Literature 20 (1).